Nashville Songwriters Hall Of Fame Inducts Six During Special Night Of Music

The 2023 Nashville Songwriters Hall of Fame inductees Keith Urban, Kix Brooks, Rafe Van Hoy, Casey Beathard and David Lee Murphy. Photo: Bev Moser

Six iconic tunesmiths became the newest members of the Nashville Songwriters Hall of Fame Wednesday night (Oct. 11) in a grand ballroom at the Music City Center.

The evening was full of special musical tributes, moving speeches and Music Row camaraderie. It was the 53rd Anniversary Gala and the at-capacity crowd donned their best suits, gowns and cowboy hats for the occasion.

Pictured (L-R): Nashville Songwriters Hall of Fame Board Chair Rich Hallworth, inductees Keith Urban, Kix Brooks, Janet Jarrard (representing her late husband John Jarrad), Rafe Van Hoy, Casey Beathard, David Lee Murphy and NaSHOF Executive Director Mark Ford. Photo: Bev Moser

Casey Beathard and David Lee Murphy went into the Hall in the Contemporary Songwriter category, while Rafe Van Hoy joined in the Veteran Songwriter category. Keith Urban went into the Hall in the Contemporary Songwriter/Artist category and Kix Brooks entered in the Veteran Songwriter/Artist category.

The late John Jarrard was inducted into the Hall’s Legacy category, designed specifically to honor NaSHOF-worthy candidates who are deceased. Bobby Bare was also honored with the Frances Williams Preston Mentor Award, a distinction for those who serve as a champion of and cheerleader for songwriters.

“We are here tonight to honor the songwriters who have reached the pinnacle of success in their respective careers,” said Rich Hallworth, NaSHOF Board Chair. “We celebrate the creativity and talent that go into writing a song of merit, cultural value and long-lasting impact, and we do that tonight by welcoming these newest members into the Nashville Songwriters Hall of Fame.”

Jarrard was the first songwriter to be honored. The craftsman of hits such as “There’s No Way” and “You’ve Got The Touch” by Alabama, “Money In The Bank” by John Anderson, “Blue Clear Sky” by George Strait, “My Kind Of Girl” by Collin Raye and many more, had a life marked by health issues, but a voracious spirit.

Keith Urban, Dolly Parton and Eric Church. Photo: Bev Moser

Hall of Fame member Gary Nicholson spoke about Jarrard, telling stories of his perseverance in the face of a lifetime of struggle. BlackHawk honored Jarrard with a performance of his “I Sure Can Smell the Rain.”

His widow, Janet Jarrard, accepted on her late husband’s behalf. She spoke about his inspiring story and his philanthropic efforts. She shared that Steve Earle called Jarrard “the bravest man on Music Row.”

Next up, Bare was honored with the Frances Williams Preston Mentor Award for, as Hall of Fame member Gretchen Peters put it, being “one of the best friends songwriters ever had.”

Bare was the first recording artist to receive the honor. His son Bobby Bare Jr. accepted on Bare’s behalf by reading a note from the 88-year-old country legend.

“Don’t forget, the brightest, wittiest, funniest and most intelligent person in any room is always a songwriter. No exceptions. This room is full of them,” Bare wrote.

Beathard was the next songwriter to be honored. Hall of Fame member Buddy Cannon introduced him, and shared a story about the time Beathard pitched him “Boys Of Fall” for Kenny Chesney. After Cannon passed on the song, he heard from Chesney how much he liked it. “After multiple weeks at No. 1 and a successful movie inspired by Casey’s song, I admitted I was wrong. You really don’t have to be a genius to be a record producer,” Cannon quipped.

Eric Church did the musical tribute to Beathard. He shared that he had only cut three outside songs in his career before playing one of them, “Like Jesus Does” from his 2011 album Chief. Church’s old singing partner, the extremely talented Joanna Cotten, joined him for the performance.

When Beathard spoke, he talked a lot about how the perception of success changes through life and about the people in his path that helped him get to the Nashville Songwriters Hall of Fame. He encouraged other songwriters in the room to stop chasing everything and feeling bitter about missed opportunities, and to take time to enjoy the ride.

“My plan was nothing like this. God’s plan was way better,” Beathard shared.

Kenny Chesney, David Lee Murphy and Craig Wiseman. Photo: Bev Moser

Van Hoy was the next songwriter to be honored. John Conlee sang his signature “Lady Lay Down,” one of several chart-toppers penned for him by Van Hoy. Member Bobby Braddock presented him, saying “I induct thee! I induct thee! I induct thee!” as Van Hoy joined the stage.

Van Hoy shared that he would try his best to stick to the five to six minute limit that event organizers had given him, but he blew past that in his many recognitions to the influential people in his life and career.

“There are so many people I want to thank. I am a product of everyone else’s help,” Van Hoy shared. “I couldn’t have had any of the success I’ve had without a lot of other people.”

Next up was Brooks. He was presented by Hall of Fame member Bob DiPiero, who spoke about Brooks’ multi-dimensional talents that included being a world-class songwriter.

Brooks was honored with a performance of his “Only In America” by Cody Johnson, who sounded awesome on the classic Brooks & Dunn tune.

When Brooks spoke, he talked about how badly he wanted to be in the Nashville Songwriters Hall of Fame. He shared that while he was grateful to be in the Country Music Hall of Fame with Dunn, that he didn’t know if he’d ever be able to wrap his head around that honor, but now that he’s in the Nashville Songwriters Hall, he feels he is with his people.

Bob DiPiero, Kix Brooks and Cody Johnson. Photo: Bev Moser

“I was in the rotunda a few days ago with some family members. Seeing Hank Williams on the wall, Patsy Cline and Johnny Cash… They’re not my peers. It’s so overwhelming for me to think I have a bronze plaque next to them. It’s going to take me a lifetime if I’m ever able to accept that,” Brooks said. “But I’ve got a room full of friends in this room tonight that I’ve written a lot of songs with. This is a club that I really wanted to be a part of so bad.”

Murphy was the next songwriter to be inducted. Craig Wiseman spoke about his charm, sharing we should all send Murphy off into the world to represent Music Row. Chesney then emerged to honor Murphy with his No. 1 hit, “Living In Fast Forward.”

Murphy shared similar sentiments as Brooks, sharing that the Nashville Songwriters Hall of Fame induction was a dream of his.

“All of my heroes have always been songwriters,” Murphy said. “I’m thankful I get to stand here tonight and have my name associated with all of those great songwriters.”

The last songwriter to be added to the Hall was Urban. He was inducted by superstar Dolly Parton, another Hall of Fame member. She shared how proud of Urban she was and that she had always admired him. Church then re-emerged on stage to honor Urban with a Chief-style version of “Who Wouldn’t Wanna Be Me.”

Bobby Braddock, John Conlee and Rafe Van Hoy. Photo: Bev Moser

When Urban took the podium, he put a “In Dolly We Trust” sticker on the front of it. He thanked all the folks on his team, many of which had spent decades with the star. Urban closed his speech with some lines from a song he wrote that he dedicated to his team.

“I know where you are now, I know what it’s like. You think they don’t understand you’re scared inside. But I’m here to let you know, that you’re alive. If you’ve been waiting on a sign, here it is tonight,” Urban recited. “I come from nothing but love and hard work. Born in the city but raised in the dirt. I wasn’t raised to be put in my place. I’m a lover, a fighter, whatever it takes.”

Earlier in the evening, Americana artist Will Kimbrough honored recently deceased Hall of Fame member Jimmy Buffett with a song the two co-wrote called “Bubbles Up.” The evening also featured a performance from Hall of Fame member Larry Gatlin, the Gatlin Brothers and nine other Hall of Fame members performing Gatlin’s song “Amazin’ (What Just The Right 3 Minutes Can Do).”

Additionally NaSHOF Board member Ken Paulson took a few moments to update the audience on the The Songwriters, a program he hosts that premiered in 2016 on WNPT and spotlights Hall of Fame members on public television stations across the country.

The gala, which kicked off with a welcoming performance from The Wildcards, featured its long-time announcer Bill Cody, the Country Music Disc Jockey Hall of Famer and host of 650 AM WSM’s Coffee, Country & Cody.

Triple Tigers Records Promotes Raffaella Braun To VP, National Promotion

Raffaella Braun

Triple Tigers Records has promoted Raffaella Braun to VP, National Promotion.

The Vanderbilt graduate received a Music Business Certificate from the Clive Davis Institute of Recorded Music at New York University (NYU), and started her career at CAA in 2002, rising to agent in 2008. In 2011, Braun moved to Regional Promotion West Coast for Warner Music Nashville, and joined Triple Tigers as National Director of Promotion in 2019.

“It’s not really possible to describe Raffi’s value and positive impact on this label in a quote,” says Kevin Herring, Triple Tigers Co-President, “She’s simply amazing, and one of the most inspiring passionate people I’ve ever been around.”

“I’m honored and enthused to continue growing with Triple Tigers in this increased capacity,” says Braun. “I can’t get enough of our artists and team, and am thrilled to keep learning the business from Kevin and Annie [Ortmeier].”

Braun can be reached at raffaella@tripletigers.com.

IEBA Celebrates 2023 Winners At Honors & Awards Ceremony

Jo Dee Messina hosts 2023 IEBA Honors & Awards. Photo: Ed Rode

IEBA, the trade organization for live entertainment professionals, wrapped its 53rd annual conference last night (Oct. 10) with its Honors & Awards Ceremony.

Jo Dee Messina emceed the event, which honored and celebrated those who work tirelessly behind the scenes of the live entertainment business.

“Behind every successful show, there are unsung heroes off-stage. The contributions of those who labor behind the curtains, out of the spotlight, are the very backbone of our industry,” says IEBA’s Executive Director Pam Matthews. “These award winners are the architects of our most unforgettable moments. We owe the magic of entertainment as much to their dedication and passion as we do to those who stand in the limelight.”

2023 Winners:
Club of the Year: (tie) 9:30 Club and First Avenue
Casino of the Year: MGM Grand
Theater of the Year: Beacon Theatre
Arena of the Year: Madison Square Garden
Amphitheater of the Year: The Greek Theatre (Los Angeles)
Fair/Expo of the Year: Houston Livestock Show & Rodeo
Festival of the Year: Stagecoach
Club Buyer of the Year: Michelle Landry
Casino Buyer of the Year: Leslie Master
Special Events/Corporate Buyer of the Year: G7 Entertainment Marketing
International Buyer of the Year: Steve Homer
Fair/Expo Buyer of the Year: Todd Boltin
Festival Buyer of the Year: Danny Wimmer
Venue Executive of the Year: Laurie Jacoby
Music & Entertainment Industry Educator of the Year: Gloria Green, MTSU
Agent of the Year: Austin Neal
Promoter of the Year: Adam Weiser

IEBA’s 54th Annual Conference will be held October 6 – 8, 2024 at the Grand Hyatt in Nashville.

Adam Weiser (Promoter of the Year) of AEG and Austin Neal (Agent of the Year) of The Neal Agency. Photo: Ed Rode

Michelle Landry (Club Buyer of the Year) of The Bowery Presents and Stacy Vee (Festival of the Year, Stagecoach) of Goldenvoice. Photo: Ed Rode

Zach Bryan Stays Solid Atop The MusicRow Top Songwriter Chart

Zach Bryan. Photo: Trevor Pavlik

For the fifth consecutive week, Zach Bryan remains at No. 1 on the MusicRow Top Songwriter Chart.

With the recent release of his Boys Of Faith EP, Bryan added five solely-written songs to the country charts, bring his total to a whopping 18 charting songs. Bryan wrote a majority of the bunch by himself, allowing him to earn all of the points associated with those songs.

Ashley Gorley remains at No. 2 this week on the MusicRow Top Songwriter Chart. Tracy Chapman (No. 3), Jelly Roll (No. 4) and Oliver Anthony (No. 5) complete the top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Garth Brooks To Open His Nashville Bar & Honky-Tonk With Concert

Garth Brooks. Photo: Blue Rose, Inc

Garth Brooks has announced a dive bar concert to celebrate the opening of his Friends in Low Places Bar & Honky-Tonk in Nashville.

The concert will take place on Black Friday (Nov. 24) and will serve as the first opportunity for fans to get in the bar. The only way in to the concert will be to win tickets by listening to Brooks’ The BIG 615 station on TuneIn.

“How do you open a Friends in Low Places bar??? With a Garth concert!” says Brooks. “This is going to be off the chain. Black Friday, brand new bar, in the home of country music…Hollywood couldn’t write a better script. I can NOT wait!”

The show continues Brooks’ affinity for dive bar shows, after having played at Joe’s on Weed Street in Chicago, Buck Owens’ Crystal Palace in Bakersfield and Gruene Hall in New Braunfels, amongst others. The dive bar concerts were inspired by his single “Dive Bar,” a duet he sang with Blake Shelton.

The BIG 615 radio station can be heard on Brooks’ SEVENS Radio Network which is on TuneIn. With Storme Warren as the official voice, Brooks launched the station earlier this year.

Sara Evans Officially Welcomed Into Opry Family

Sara Evans at her induction into the Grand Ole Opry

Sara Evans was officially inducted into the Grand Ole Opry family Saturday night (Oct. 7) during the Opry’s 98th Birthday weekend by Opry member Crystal Gayle.

“I want to thank the Opry for asking me to become a member because this is a country artist’s dream come true,” said Evans. “And I have been dreaming about this my entire life.”

The Opry’s longest-serving member, Bill Anderson, surprised Evans with her Opry invitation at her sold-out Ryman Auditorium concert in August celebrating the release of her anniversary project Sara Evans Still Restless – The 20 Year Celebration.

Evans is one of the most-played female artist at country radio in nearly the last two decades. Her five No. 1 singles include “No Place That Far,” “Suds In The Bucket, “A Real Fine Place To Start,” “Born to Fly” and “A Little Bit Stronger,” which spent 2 weeks in the top spot and was certified Platinum by the RIAA.

In addition to her new status as an Opry member, Evans has been honored with the prestigious Academy of Country Music Top Female vocalist accolade as well as numerous American Music Awards, Billboard Music Awards, Country Music Association, CMT and Grammy Awards nominations.

The next artist scheduled to be inducted into the Opry is Jon Pardi, who was invited to join the Opry during this year’s Stagecoach Festival. He’ll be officially inducted on Tuesday, Oct. 24.

Darius Rucker Details The Creation Of ‘Carolyn’s Boy’ [Interview]

Photo: Courtesy of UMG Nashville

Award-winning artist Darius Rucker has been bringing people together with his warm, comforting sound and lowcountry spirit for decades now. His music career first took off as the lead singer and rhythm guitarist for the multi-Platinum band Hootie & the Blowfish. In addition to playing with the group, Rucker has garnered success as an individual country act with 10 No. 1 hits and multiple No. 1 albums. Yesterday (Oct. 4), the Grand Ole Opry member was inducted into the Music City Walk of Fame, and tomorrow (Oct. 6), he unveils his first solo record in six years, Carolyn’s Boy.

In addition to his Music City Walk of Fame induction, the singer-songwriter gave fans a taste of the highly-anticipated release yesterday at Analog at the Hutton Hotel in Nashville, where he was recorded as part of the “Recorded Live at Analog” series supported by Heaven’s Door and debuting on PBS early next year.

Named in honor of Rucker’s mother Carolyn, the album exhibits his homey vocal stylings with a beautiful blend of feel-good, fun tunes and deeper, moving numbers that remind us that we can always connect to one another in some way and make it through the hard times. He co-wrote 11 of the 14 tracks, and recently shared some stories behind the collection with MusicRow.

Rucker notes that he had always thought about paying homage to his mother with a project, and recalls the moment he came up with the title.

“It was the first day of recording, and I just wasn’t in a good place mentally. I sat down after a take and said to myself, ‘At the end of the day, I’m just my mama’s boy,’ and after thinking about it more, I decided I was going to name the record Carolyn’s Boy.”

The Charleston native knew he wanted to make a living in the world of music as a child. Growing up, his mother was extremely supportive of his passion and introduced him to genres including gospel and R&B. That influence can be detected in tracks such as “Ol’ Church Hymn (feat. Chapel Hart)” as well as his decision to cover Rihanna‘s “Lift Me Up” from the Black Panther: Wakanda Forever soundtrack.

Rucker cut “Ol’ Church Hymn” almost immediately after writing it alongside Greylan James, Ben Hayslip and Josh Miller. After recording his own vocals on the song, he came across something special that he felt would enhance it immensely. “I was on Twitter and came across these three women singing country music, and they sounded amazing, absolutely amazing. [In that moment], I said ‘I’m going to get these girls to sing on [‘Ol’ Church Hymn’].”

Rucker then messaged the ladies on Instagram and collaboration began. Those three women turned out to be trio Chapel Hart, who would go on to earn the coveted “golden buzzer” on the talent competition show America’s Got Talent. “They really took [the track] to different level. Their vocals are so great, and I love that song so much,” he expresses.

After hearing Rihanna’s stunning work on “Lift Me Up,” Rucker was inspired to cover the Black Panther: Wakanda Forever song and include it on Carolyn’s Boy. When it comes to the current trend of established artists covering songs outside of their genre, Rucker is all for it.

“People have been covering great songs forever, and when it happens in a big way, it’s awesome to see,” he states.

The artist continues to echo encouragement and unity with tunes “In This Together,” “Have A Good Time” and chart-topping single “Same Beer Different Problem.”

“There’s so much division within our country, and we all have to live together. So, I hope people find songs on this record that resonate with them and help them get through the hard times. I want that on every record”

Written by Rucker, Monty Criswell, Derek George and Bobby Hamrick, “Have A Good Time” was also released as a single along with outside cuts “Fires Don’t Start Themselves” and “Southern Comfort.” The artist says he knew he had to cut “Fires Don’t Start Themselves” as soon as he heard it due to it’s ’90s country energy, and describes his love for the feel, speed and story “Southern Comfort.” The album also features “Sara,” which Rucker concocted with fellow renowned entertainer Ed Sheeran, Joel Crouse and Kyle Rife. He recalls witnessing Sheeran’s early days as an artist. Over the years, the two have developed a friendship, and had been wanting to collaborate for quite sometime. Rucker shares that he spontaneously flew to England one day to write with Sheeran.

“Ed asked me who my first love was, and I told him it was my fifth grade girlfriend Sara. He then asked me a million questions about that [time in my life]. In the end, he wanted to write a song about her, so we did,” he reminisces.

Creating Carolyn’s Boy has given the hitmaker a new sense of appreciation for the art of music.

“One thing that really came out of [this record] for me was a better love for what I do. We went through the pandemic and all the hardships of the past few years, and writing through all that stuff made me want to write and perform more. It further solidified how much I love what I do.”

He continues to feed that desire to perform and connect as he readies his personally-curated Riverfront Revival Music Festival for this weekend (Oct. 7-8), following the album’s release. Rucker will also wrap the stateside leg of his “Starting Fires Tour” at Nashville’s Ascend Amphitheater on Oct. 14, and make his way back across the pond and to Ireland for a few international dates in 2024.

DISClaimer Single Reviews: Toby Keith Gives ‘Emotionally Gripping’ Performance

Pictured: Toby Keith performs on stage during the 2023 People’s Choice Country Awards at the Grand Ole Opry House on Sept. 28. Photo: Mickey Bernal/NBC via Getty Images

This week, DISClaimer feels warm and nostalgic.

On hand are such monumentally gifted old friends as Toby Keith, Brad Paisley, Dolly Parton, Lacy J. Dalton and Marty Stuart. The youngsters are keeping pace, because we also have Brittney Spencer, Maren Morris, Dustin Lynch and Joy Oladokun with Chris Stapleton playing at the top of their games.

The Disc of the Day goes to the stardust sprinkled collaboration between Old Dominion and Megan Moroney.

ANNE WILSON / “Rain in the Rearview”
Writers: Anne Wilson/Matthew West/Zach Kale/Jaren Johnston; Producers: Jeff Pardo/Jonathan Smith/Zach Kale; Label: UMG
— Wilson is a major Christian-music star, but this is her bid to cross over into country music. Vocally, she’s got the goods. The crashing, echoey production of this anthem sounds like ‘70s rock, which means she should fit right in.

BRAD PAISLEY / “Son of the Mountains”
Writers: Brad Paisley/Dan Tyminski/Jerry Douglas; Producers: Luke Wooten/Brad Paisley; Label: EMI Records Nashville
— This is a splendid country rocker, packed with Paisley guitar runs and wailing vocals. The lyric is an ode to his gorgeous West Virginia homeland. Dan Tyminski provides tenor vocals and Jerry Douglas offers slippery Dobro licks. Dandy listening.

LACY J. DALTON / “Devil By a Different Name”
Writers: Lacy J. Dalton; Producers: none listed; Label: StarVista
— Accompanied by a chugging rhythm track and some scampering fiddle and guitar picking, Dalton offers a timely message of inclusion and togetherness. She’s unafraid to confront our racial, gender, political and sexual differences and to urge tolerance. More power to her.

ZAC BROWN BAND / “The Way You Look Tonight”
Writers: Dorothy Fields/Jerome Kern; Producers: Zac Brown/Matt Mangano; Label: Home Grown Music
— Are you ready for a finger popping, jazzbo outing by these guys, complete with punctuating horn blasts? The Great American Songbook number was introduced by Fred Astaire in the 1936 film Swing Time and won the Best Song Oscar. The Lettermen made it a big pop hit in 1961, and it is associated with singers ranging from Frank Sinatra to Rod Stewart. It has nothing to do with country music, but it’s always a pleasure to hear it.

BRITTNEY SPENCER / “Bigger Than the Song”
Writers: Tofer Brown/Brittney Spencer/Jennifer Anne Wayne; Producers: Marcus “Marc Lo” Lomax; Label: Elektra
— The ballad’s electro track beats steadily behind her while she vocally strolls through a pithy lyric. Along the way, she drops the names of her inspirations—Reba, Aretha, Whitney, Dolly, Alannis, Janis, Johnny & June, Latifah, Beyonce…. Anyhow, it’s ear catching as all get out.

OLD DOMINION & MEGAN MORONEY / “Can’t Break Up Now”
Writers: Emily Weisband/Tofer Brown/Matthew Ramsey/Trevor Rosen; Producers: Old Dominion/Ross Copperman; Label: Columbia Nashville
— Country’s new “it girl” teams up with the genre’s top band to create a little audio magic. The power ballad features primo picking and dynamic vocal harmonies. Matthew Ramsey and Moroney portray a troubled couple who have too much invested in one another to call it quits. As you might guess where this group is concerned, the melody is luscious.

GIRLS NEXT DOOR / “When the Water’s Down”
Writers: TW Hale/Leslie Satcher; Producers: TW Hale/Tom Harding; Label: Girls Next Door 2.0
— Each member of the quartet gets a lead vocal on the verses, then they join in for rousing harmonies on the Dobro-laced choruses. The song has a cool Southern-gothic lyric about a hypocritical small town whose dark secrets emerge during a drought when lowered river water reveals all.

MAREN MORRIS / “The Tree”
Writers: Jimmy Robbins/Laura Veltz/Maren Morris; Producers: Greg Kurstin; Label: Columbia
— Morris apparently bids farewell to country music by releasing her strongest performance in years. The empowerment song finds freedom by exiting a toxic relationship, and it soars with powerful harmonies and audio dynamics. I’m totally into this marvelously written and produced outing.

JOY OLADOKUN & CHRIS STAPLETON / “Sweet Symphony”
Writers: Joy Oladokun/Ian Fitchuk/Shae Jacobs; Producers: Joy Oladokun/Mike Elizondo/Ian Fitchuk; Label: Republic Records/Verve Forecast
— This was originally issued at this time last year. A new version pairing the folkie conversationalist with the fire-breathing soulman is even more thrilling than the original. The ultra romantic ballad remains a great song to snuggle to. This deserves massive attention.

DUSTIN LYNCH / “Honky Tonk Heartbreaker”
Writers: Dustin Lynch/Hunter Phelps/Zach Crowell/Ben Johnson; Producers: Zach Crowell/Ben Johnson; Label: Broken Bow Records
— A good-time party banger with a romping beat and countryboy lyrics. Tap yer toes.

MARTY STUART AND HIS FABULOUS SUPERLATIVES / “Altitude”
Writers: Marty Stuart; Producers: Mike Conley/Chris Scruggs/Harry Stinson/Kenny Vaughn/Marty Stuart; Label: Snakefarm
— Beautifully country, drenched in steel guitar and drawled vocals. The title tune of this outfit’s latest is like a splash of cool water on the desert. To put in culinary terms, this is palate cleansing, so play it and chill. Love at first listen.

DOLLY PARTON & LINDA PERRY / “What’s Up”
Writers: Linda Perry; Producers: Kent Wells/Dolly Parton; Label: Butterfly Records
— The latest advance track from Parton’s forthcoming Rockstar mega, 30-track collection is a 4 Non Blondes cover that was originally a hit in 1993. The ballad begs for a better day. It’s essentially a Dolly solo with songwriter Perry providing a soft harmony vocal.

TOBY KEITH / “Don’t Let the Old Man In”
Writers: Toby Keith; Producers: Toby Keith/Reid Shippen/Arturo Buenahora; Label: Show Dog
— Keith stopped the show with this during last week’s debut People’s Choice Country Awards. His powerful performance of a lyric facing mortality was an emotionally gripping moment that electrified us all. The undertone of his cancer struggle was unmistakable and heart wrenching. The video of it shot to No. 1 on iTunes in the days following the telecast. If you didn’t catch it, do so now.

Shane Tarleton Exits Warner Music Nashville

Shane Tarleton

After 13 years with Warner Music Nashville, Shane Tarleton is leaving the label.

Tarleton has spent the last two years serving as Executive Vice President, Artist Development.

“I would like to thank the incredible team for all of their passion, creativity and dedication over the years. To the artists who inspire all of us with their amazing talent and art, a special ‘thank you’ to you and your teams for instilling trust in me,” he shares. “I look forward to announcing my next adventure in early 2024.”

Tarleton can be reached at ShaneTarleton@gmail.com.

Anthem Entertainment Makes Leadership Changes, Promotes Nashville’s Noah Dewey

Pictured (L-R, back row): Jennifer Correia, Gilles Godard, Joanne Kelsey, Andrew Jamal, Andy Hawke, Noah Dewey, Stephanie Haas and Dave Collier; (L-R, front row): Adrian Battiston, Ryan Cain, Tom Leighton, Sal Fazzari, Jason Klein, Andy Curran and Courtney Crist

Anthem Entertainment has made several senior leadership changes across its music publishing and recorded music divisions, including in its Nashville office.

At the helm of Anthem Entertainment is Jason Klein, who is now the company’s permanent Chief Executive Officer (CEO). Prior to becoming CEO, Klein held the role of Senior Vice President, Legal & Business Affairs and General Manager for Anthem’s Canadian operations. He was appointed to the interim CEO position in January.

Sal Fazzari has been appointed permanent Chief Financial Officer (CFO), also following his interim appointment to the role earlier this year. Fazzari was formerly Vice-President Finance and held previous senior roles in Acquisitions and Royalty Administration.

In Music City, Gilles Godard will continue to serve as President of Anthem’s Nashville-based music publishing operation. Noah Dewey has been promoted to a new role as VP, Creative. Courtney Crist will continue as Senior Director, Creative.

“I have had the privilege to be part of this company for the last 16 years and couldn’t be more excited about the new executive team and the entire Anthem organization,” says Godard. “Anthem is a world class music publisher with very talented people, and we have a real opportunity to grow it to the next level with Jason as our new CEO. I am proud to be part of this new leadership team!”

Other leadership shifts include Tom Leighton, who has been promoted to VP, Licensing, where he will continue to lead the company’s digital licensing activity and will now oversee sync and general licensing. Joanne Kelsey will also continue her role as VP, Royalties & Administration.

In the Anthem Records division, Andy Hawke has been promoted to General Manager and Andy Curran re-joins the team as Senior A&R Consultant. In Anthem’s legal division, Adrian Battiston has been promoted to VP, Legal & Business Affairs; Amanda Dworetsky has been promoted to Senior Director, Legal & Business Affairs and Jennifer Correia was also recently appointed as Senior Director, Legal & Canadian Operations.

Additionally, Andrew Jamal has been appointed Director, Business Development, leading Anthem’s acquisitions team, as Ryan Cain joins the company as Director of Marketing & Communications. Rounding out Anthem’s senior leadership team are Stephanie Haas, who returns to the company as VP, Human Resources; and Dave Collier, who joined the company in late 2022 as VP, Technology.

“I appreciate being given the opportunity to lead this great company into its next era with the support of an incredible team,” says Klein. “It’s a privilege to be custodian of such an extraordinary catalog of songs and recordings, to be in a position to support the careers and work of an outstanding roster of songwriters, and to lead the dedicated team of people that make this company exceptional. Anthem is poised to become one of the world’s most impactful independent music companies, driving value for our writers and investors while making a positive and lasting mark in our industry and communities. I’m very excited for the future!”

Anthem’s production music group continues to be led by JD Adams (5 Alarm Music), along with Brian Wahlund (Jingle Punks) and Gareth Owen (Cavendish Music). Anthem’s London-based subsidiary business, Compact Media Group, remains led by Mark Rowland.