Hang Your Hat Music Inks Publishing Deal With Cary Barlowe

Cary Barlowe

Hang Your Hat Music, a creative joint venture with Concord Music Publishing founded by two-time ACM Songwriter of the Year Hillary Lindsey, has signed Cary Barlowe to a worldwide publishing deal. The agreement includes Barlowe’s future works.

Originally from North Carolina, Barlowe started his music career as a member of the Rick Rubin-produced rock band, Luna Halo. He has written nine No. 1 songs in the contemporary Christian music format—three of which earned him Grammy nominations for Contemporary/Gospel Song Of The Year.

His first dip into country music came with Taylor Swift’s “Untouchable” from her 2008 multi-Platinum album Fearless. He has since scored five No. 1 songs on country radio, including Lady A’s “American Honey,” Dustin Lynch’s “Where It’s At,” Florida Georgia Line’s “Sun Daze,” Billy Currington’s “It Don’t Hurt Like It Used To” and “Famous Friends” recorded by Chris Young and Kane Brown. Barlowe has also had cuts with Carrie Underwood, Tim McGraw, Chris Lane, Dierks Bentley, Gary Allan, Martina McBride, Steven Tyler, Jimmie Allen, Little Big Town, Rascal Flatts, and more.

He has also seen success as a session musician with credits on hits for Carrie Underwood, TobyMac, Chris Tomlin, and Chris Young.

“Cary’s multi-faceted talents make him a publisher’s dream,” says Jake Gear, GM at Hang Your Hat Music. “He’s a musical ‘swiss army knife.’ His ability to topline hits across multiple genres, produce demos and tracks, be a session grade multi-instrumentalist, all in addition to his energy and personality make him an asset to any writing room. I couldn’t be more stoked to get to work with him!”

“We are incredibly fired up to welcome Cary to the Concord and Hang Your Hat team!” adds Brad Kennard, Sr. VP A&R at Concord Music Publishing in Nashville. “Cary’s a hit songwriter with the unique ability to bring top-level writing, production, and musicianship to any session. A true triple threat. On top of that, he brings the best passion and energy wherever he goes. He’s just universally loved.”

“I’m so excited and thankful for the next chapter in my musical journey,” Barlowe shares. “To have Hillary and Jake on my side, I know I am in good hands! Also, to have the amazing staff at Concord behind me is huge. Can’t wait to get to work and for what’s ahead of us together as a team.”

Barlowe is Hang Your Hat Music’s fourth signing since its 2020 debut. Ben Chapman, Chris La Corte, and Meg McRee compose the rest of the venture’s roster.

Eric Church Makes Top 10 On MusicRow Top Songwriter Chart With ‘Heart On Fire’

Eric Church. Photo: Joe Pugliese

Eric Church demonstrates the power of a solo write this week as his wholly-penned song “Heart On Fire” brings him to No. 6 on the MusicRow Top Songwriter Chart. Because he is the sole writer on “Heart On Fire,” all of the points earned from the song’s airplay, digital download track sales, and streams go entirely to Church.

Ashley Gorley remains at No. 1 this week with eight currently charting songs supporting him. The recent ASCAP Song of the Year winner is a co-writer on “New Truck” (Dylan Scott), “You Should Probably Leave” (Chris Stapleton), “Sand In My Boots” (Morgan Wallen), “Give Heaven Some Hell” (Hardy), “Beers On Me” (Dierks Bentley, Hardy & Breland), “Steal My Love” (Dan + Shay), “Take My Name” (Parmalee), and “What He Didn’t Do” (Carly Pearce).

Jesse Frasure remains at No. 2 this week, and Michael Hardy at No. 3.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Josh Osborne, Ashley Gorley, More Win Big At ASCAP Country Music Awards

The winners list has been revealed for the 59th Annual ASCAP Country Music Awards.

In place of an in-person event, the writers and publishers of country music’s most-performed songs of the past year will be honored by ASCAP on their social media platforms beginning today. Using the hashtag #ASCAPAWARDS, exclusive winner photos, videos, and acceptance speeches will be posted to @ASCAP on Facebook, Twitter and Instagram. Dedicated posts for each winning song will be rolled out on @ASCAP social media each day through Nov. 10.

ASCAP Chairman of the Board and President Paul Williams, Chief Executive Officer Elizabeth Matthews and EVP, Chief Creative Officer John Titta kicked off the online festivities with a joint welcome video message along with congratulations from ASCAP Vice President, Membership Nashville Mike Sistad and the ASCAP Nashville team.

Hitmaker Josh Osborne is this year’s ASCAP Country Music Songwriter of the Year for the first time. He is credited with eight chart-topping songs this year, including “7 Summers” (Morgan Wallen), “Beers and Sunshine” (Darius Rucker), “Breaking Up Was Easy in the 90’s” (Sam Hunt), “Happy Anywhere” (Blake Shelton & Gwen Stefani), “Hard to Forget” (Sam Hunt), “How They Remember You” (Rascal Flatts), “Next Girl” (Carly Pearce) and “Nobody But You” (Blake Shelton & Gwen Stefani). This is Osborne’s 35th ASCAP Award, including Song of the Year wins in 2015, 2018 and 2020. George Strait, one of Osborne’s biggest influences, shared news of the win with Osborne in an exclusive video featured on @ASCAP social media.

Ashley Gorley’s chart-topping “One of Them Girls” (recorded by Lee Brice) received ASCAP Country Music Song of the Year honors. ASCAP shared Gorley’s award acceptance for the certified Platinum single, which hit No. 1 on the Billboard Country Airplay chart, along with kudos from Brice and several of the song’s publishers on social media.

Sony Music Publishing wins Publisher of the Year for the first time since 2012. Its winning songs include “Breaking Up Was Easy in the 90’s” (Sam Hunt), “Hole in the Bottle” (Kelsea Ballerini), “Lady” (Brett Young) and “Things a Man Oughta Know” (Lainey Wilson). SMP CEO Nashville, Rusty Gaston, appeared on @ASCAP social media thanking the company’s songwriters and staff.

For a full list of winners, visit ascap.com.

The social media event will also include a celebration of the life of Connie Bradley, former head of ASCAP Nashville who passed away earlier this year. Bradley was a beloved trailblazer in the music business who served more than three decades at ASCAP, rising to Senior Vice President and head of the Nashville office at a time when women filled very few top leadership positions in the music industry. The video tribute features remembrances from Wynonna Judd, Trisha Yearwood, Amy Grant and more.

Big Machine Records Ups Erik Powell To VP, Promotion & Marketing

Erik Powell

Big Machine Records has elevated Erik Powell to VP, Promotion & Marketing. In his new role, he will continue to report to Sr. VP, Promotion & Digital Kris Lamb.

Powell is celebrating his 15th year with the company this year, formerly serving as Director of National Promotion for Big Machine. Since joining the label in 2007, Powell has helped chart various No. 1 hits, including Tim McGraw’s “I Called Mama,” Carly Pearce’s “I Hope You’re Happy Now,” and Midland’s “Drinkin’ Problem.” Before joining Big Machine, Powell spent time at Katapult Records and Diane Richey Promotions.

“Erik has proven time and time again to be a valued leader and always gets the job done at a very high level with great integrity,” says Big Machine Records General Manager, Clay Hunnicutt. “His belief in our process, our people, and our artists is second to none. I can’t wait to see what Erik will do over the next 15 years!”

“[Erik] embodies all the positive attributes of what it means to be a Machinist. He is an integral part of this team and it’s a privilege for all of us at Big Machine to have him on board in a leadership capacity as we pursue new and unique ways to drive exposure for our artists,” Lamb shares. “There is no doubt–with Erik as a VP–the Machine is running HOT.”

“I am so excited to take on this new role with my Big Machine family,” adds Powell. “Over the past 15 years, I have been blessed to be part of some incredible accomplishments and wonderful memories. Thanks to Scott, Clay, and Kris for this new opportunity. I can’t wait to see what this next chapter has in store.”

Congratulate Powell at [email protected].

Eric Church Hits No. 1 On MusicRow CountryBreakout Radio Chart

Eric Church. Photo: Reid Long

“Heart On Fire” by Eric Church is the most spun single this week on the MusicRow CountryBreakout Radio Chart. Solely written by Church, the single gained +95 spins pushing it to the No. 1 spot.

Church is currently on the road on his Gather Again Tour with dates slated through May of 2022. In the arenas Church has adopted an in-the-round set up, with the stage at the center of each arena floor in order to accommodate as many fans as possible.

Church, in addition to Chris Stapleton, lead in nominations for this year’s 55th Annual CMA Awards with five nominations. Church is nominated for Entertainer, Male Vocalist, Album (Heart), Single (“Hell Of A View”), and Song of the Year (“Hell Of A View”) at Wednesday night’s awards (Nov. 10).

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

UMG Nashville Promotes Annie Ortmeier To Sr. VP Streaming Marketing

Annie Ortmeier

Universal Music Group Nashville has promoted Annie Ortmeier to Sr. Vice President, Streaming Marketing. She will now oversee the company’s streaming department.

Ortmeier joined UMG Nashville in 2013 as Director of Digital Marketing where she managed digital partner relationships including all domestic audio and video streaming services. Since then she has earned promotions to Sr. Director, Streaming & Digital Marketing followed by Vice President, Marketing – Digital Accounts.

During her tenure, Ortmeier has played a vital role in making UMG Nashville the country music market leader in streaming. In her new role, Ortmeier will oversee all DSP relationships as well as be responsible for overseeing both audio and video streaming marketing strategy for all UMG Nashville artists globally. UMG Nashville’s expansive roster includes Alan Jackson, Billy Currington, Boy Named Banjo, Brandon Lay, Brothers Osborne, Carrie Underwood, Catie Offerman, Caylee Hammack, CB30, Chris Stapleton, Chrissy Metz, Darius Rucker, Dierks Bentley, Eric Church, Gary Allan, George Strait, Jon Langston, Jon Pardi, Jordan Davis, Josh Turner, Kacey Musgraves, Kassi Ashton, Keith Urban, Kip Moore, Kylie Morgan, Lauren Alaina, Little Big Town, Luke Bryan, Maddie & Tae, Mickey Guyton, Parker McCollum, Priscilla Block, Reba, Sam Hunt, Sam Williams, Shania Twain, Travis Denning, and Vince Gill.

“Over the years Annie’s industry knowledge, leadership and dedication has played a large part in UMG Nashville’s overall success,” says UMG Nashville’s EVP / COO, Mike Harris. “Having Annie oversee all streaming and video strategy going forward is the perfect fit to position both UMG Nashville and artists for continued success in the future. Congratulations to Annie on this well-deserved promotion.”

Ortmeier was honored by MusicRow in its 2018 class of Rising Women on the Row.

DISClaimer Single Reviews: Jameson Rodgers, Tenille Townes, Nate Smith

Jameson Rodgers. Photo: Matthew Berinato

With five contenders this week, the folks at Sony are on fire.

Drew Green, Willie Nelson and Tenille Townes all have worthy new tracks.

The label group also chimes in with the Disc of the Day by Jameson Rodgers, as well as the DISCovery Award winner, Nate Smith.

NATE SMITH / “Raised Up”
Writers: Nate Smith/Trannie Anderson/Jonathan Smith; Producer: Joel Bruyere; Label: Sony
—This guy’s resonant voice grabbed me from the very first note. The track begins simply, with just stark piano accompaniment, then gradually builds its punchy, oomphy instrumentation to match his soulful vocal emoting. The power ballad is about looking to the roots of your values whenever you lose your way. Promising in the extreme.

PAULETTE CARLSON / “Branded Soul”
Writer: Paulette Carlson; Producer: Mark Capps; Label: The Orchard/CDX
—Noted in the 1980s for her lead singing in Highway 101 on Warner and solo work on RCA, Carlson is still singing with throaty distinction. This mid-tempo outing has a nicely rumbling production, but she needs a stronger song for a comeback.

DENNIS QUAID / “Heartbeat”
Writers: Dennis Quaid; Producer: Chris Lindsey; Label: DQ
—The beat of her heart is an ocean in which he drowns. Not exactly a metaphor I understand, but his singing on this lovely waltz is steady and strong. The clear, eloquent production is exquisite. I think I can finally forgive him for his dreadful portrayal of Jerry Lee Lewis in the 1989 feature film Great Balls of Fire.

THE WILLIE NELSON FAMILY / “All Things Must Pass”
Writers: George Harrison; Producer: Willie Nelson/Steve Chadle; Label: Legacy
Willie’s new album, which drops Nov. 19, is a family affair wherein children Micah, Amy, Paula and Lukas, plus sister Bobbie participate. Lukas takes the lead on this sweet, gentle revival of the George Harrison pop classic. Willie softly harmonizes while Mickey Raphael’s harmonica sighs in sympathy.

RANDALL KING / “You in a Honky Tonk”
Writers: John King/Matt Rogers/Brandon Day; Producer: Bart Butler/Ryan Gore; Label: Warner Music Nashville
—Drenched in steel guitar, neo traditionalist King is turned on by seeing his gal in a roadside dive. Whatever floats your boat….

MICHAEL RAY / “Higher Education”
Writers: Derek George/Frank Rogers/Jeremy Bussey/Monty Criswell/Tim Montana; Producer: Frank Rogers; Label: Warner Music Nashville
—“Learnin’ how to rock, learnin’ how to roll,” in the school of hard knocks, that’s Ray’s “Higher Education” according to this rousing romper. Lee Brice, Kid Rock, Tim Montana and Billy Gibbons provide hearty guest vocals. A good-time vibe, for sure.

CLARE DUNN / “Holding Out for a Cowboy”
Writers: Clare Dunn/Whitney Phillips; Producer: Clare Dunn; Label: Big Yellow Dog
—This is a powerful performance, full of soulful vocal licks that range from dark, chesty tones to soaring high-end dramatics. Her own electric guitar passages are the icing on this tasty cake. Very cool, indeed.

JAMESON RODGERS / “Missing One”
Writers: Hunter Phelps/Smith Ahnquist/Jameson Rodgers; Producer: Chris Farren/Mickey Jack Cones; Label: River House/Columbia
—Since their breakup, he’s missing one of his Eagles records she took, missing cigarettes and missing his own heart. The thumping, heartbeat tempo is cool. The furious guitars are cooler. His scintillating vocal performance is coolest of all. I love this record. It pulses with passion.

LEA SWEET / “Can I Kiss Away a Broken Promise”
Writers: Jeff Silverman/Lolita Lea Sweet; Producer: Lea Sweet/Jeff Silverman; Label: LS
—I love it that her album is called The Black Queen of Country Music. The single from it demonstrates that she has the vocal chops to back up that claim. A promising disc debut.

TENILLE TOWNES / “Villain in Me”
Writers: Tenille Townes/Alex Hope; Producer: Alex Hope; Label: Columbia
—Kinda dark, intimate and personal, and wholly involving. This woman is consistently excellent. Another building block in a star-making career.

THOMAS RHETT / “Slow Down Summer”
Writers: Thomas Rhett/Rhett Akins/Sean Douglas/Jesse Frasure/Ashley Gorley; Producer: Dann Huff/Jesse Frasure; Label: Valory
—Now that he’s back at home in country music, he’s going from strength to strength. This is a wonderfully well written bit of wistful romance—they were so madly in love that they wanted time to stop moving. Sincerity shines here.

DREW GREEN / “Dirt Boy”
Writers: Drew Green/Kelley Lovelace/Lynn Hutton; Producer: Mark Trussell; Label: RCA
—Instead of “hillbilly” “hayseed” and “hick,” they called him “dirt boy” because he was a farm kid. Now he’s proud of it, and singing about it with gusto. Sing on, bro.

‘Yellowstone’ Music Supervisor Talks The Show’s Vibrant Country Music Landscape [Interview]

Pictured: Yellowstone main character John Dutton, played by Kevin Costner. Photo: Courtesy ViacomCBS

Yellowstone, the Emmy-nominated Paramount Network television series about the chronicles of the Dutton family, has taken the nation by storm. With Oscar-winner Kevin Costner playing the lead character John Dutton, the patriarch of the family, Yellowstone captures the grit and drama the Dutton family face while controlling the largest contiguous cattle ranch in the United States. There are shifting alliances, murders, romance, family loyalty and much more in the three seasons of Yellowstone that have played out so far. The fourth season of the show, co-created by Academy Award nominee Taylor Sheridan and John Linson, premieres this Sunday (Nov. 7).

With the stunning imagery of scenes that play out in picturesque Wyoming, Montana and Utah, the music in Yellowstone has proved to be just as captivating, garnering a cult-like following itself. The music featured on Yellowstone can usually be regarded as Americana, southern rock, and country. With music from Americana stylists such as Sturgill Simpson, Tyler Childers, and Jason Isbell & the 400 Unit, to modern country acts like Chris Stapleton, Jon Pardi and Kacey Musgraves, Yellowstone is a vibrant picture of the many threads that make up country and Americana music.

Andrea von Foerster

Fans of the music on Yellowstone have co-creator and screenwriter Taylor Sheridan (Wind River, Hell or High Water and Sicario) and music supervisor Andrea von Foerster to thank for their wide and compelling swath of country music on the show.

“Taylor and Andrea do an amazing job ensuring every note of music placed in the show serves a purpose. Along with Brian [Tyler], they have created a distinct sound that not only allows for an immediate connection with fans of the show, but partners like Spotify and Apple Music as well,” says VP Creative Music Strategy, ViacomCBS, Sabrina Del Priore. “Their dedication to authenticity provides a tremendous opportunity for artist discovery, which is always important to us at the network.”

In her 20+ year career, Andrea has worked on films such as (500) Days of Summer, Fantastic Four, Begin Again, Journey 2: The Mysterious Island, Chasing Mavericks, Devil’s Due, and more; as well as music documentaries such as The White Stripes Under Great White Northern Lights and Butch Walker: Out Of Focus. In addition to Yellowstone, her television work includes Daybreak, Dollhouse, Don’t Trust The B In Apt. 23, Modern Family, Queen Of The South, and much more.

For Yellowstone, Andrea works closely with Taylor to bring music that fits the grim, western landscape of the show.

“We tend to use red dirt country a lot, so artists from Texas and Oklahoma, as well as Americana, and country rock,” Andrea explains.

While Yellowstone definitely doesn’t include samplings of pop country, current major label artists like Brothers Osborne and Lainey Wilson have had music featured on the show. Andrea discovered Wilson, who has had three songs featured on the series, on a scouting trip to Nashville after the first season of Yellowstone.

“We don’t get to use a ton of female artists because of the masculine landscape that we have, but when we do, we like to have bold women. So she fits the bill. She’s just amazing,” Andrea says.

Being featured on Yellowstone‘s massive platform is an enormous opportunity for exposure, which translates to new fans and streams. After having three songs featured in Yellowstone, southern rock band Whiskey Myers were invited to come on the show and play during a bar scene. The music was met with a fervent audience, who subsequently propelled three of the band’s albums to the Top 10 of the iTunes Country Album Chart after the show aired.

“Obviously I have artists pitched to me from labels, publishers, managers and agents,” Andrea explains of the discovery process. “But I also go down massive Twitter and YouTube rabbit holes, that’s how I find artists that aren’t as well-known.

“Whiskey Myers was a Taylor Sheridan find, I found Zach Bryan,” Andrea says.

Pictured: Whiskey Myers perform during an episode of Yellowstone. Photo: Courtesy of Paramount Network

Red dirt artist Zach Bryan, whose song “Condemned” was featured on Yellowstone, also saw an enormous gain in exposure from the show, as well as some other benefits.

“I saw him on YouTube and Twitter. I reached out to him on Twitter and said ‘Hey, I’m the supervisor on Yellowstone. I’d love to use your stuff.’ But his record was very lo-fi—I think it was recorded in an Airbnb so it didn’t quite sound how we needed it to for the show.

“I asked Zach if I could pair him with a colleague of mine, Dave Cobb,” Andrea says. “His management got him to Nashville, he recorded with Dave Cobb, and we used ‘Condemned’ at the end of one of our episodes.”

With fans awaiting the fourth season, Andrea is constantly on the hunt for new talent for the stunning musical landscape Yellowstone has created.

“We have such a solid fan base that really loves the music. I always want to keep introducing everyone to new artists or local artists that they know and love,” Andrea sums. “We certainly don’t overlook major label artists, we love Chris Stapleton like no other, but it’s nice to give a leg up to the up-and-coming folks.”

After much anticipation, season four of Yellowstone will premiere with a two-hour special event on Sunday, Nov. 7 on Paramount Network. The series is available to binge exclusively on Peacock. View the trailer for season four below.

Nashville Songwriters Hall Of Fame Inducts Two Classes During Special Gala

Pictured (L-R): NaSHOF Board Chair Sarah Cates; Inductees Rhett Akins, Toby Keith, Buddy Cannon, Amy Grant and John Scott Sherrill; NaSHOF Executive Director Mark Ford. Photo: Bev Moser

The Nashville Songwriters Hall of Fame Classes of 2020 and 2021 were officially honored Monday night (Nov. 1) during NaSHOF’s 50th and 51st Anniversary Hall of Fame Gala. The musical contributions of the 10 new inductees were celebrated through star-studded performances of some of their biggest songs for the capacity crowd at Nashville’s Music City Center.

Honored for the Class Of 2020 were Kent Blazy and Brett James in the songwriter category; Spooner Oldham in the veteran songwriter category; Steve Earle in the songwriter/artist category; and Bobbie Gentry in the veteran songwriter/artist category. Those recognized in the Class of 2021 were Rhett Akins and Buddy Cannon in the songwriter category; John Scott Sherrill in the veteran songwriter category; Toby Keith in the songwriter/artist category, and Amy Grant in the veteran songwriter/artist category.

“This year we’re belatedly celebrating our Golden Anniversary—more than 50 years of the Nashville Songwriters Hall of Fame,” said Sarah Cates, Board Chair of the Nashville Songwriters Hall of Fame Foundation. “Though we were unable to gather last year, we’re making up for lost time by honoring two stellar classes. It’s gratifying to have these legendary songwriters join us at last!”

Pictured (L-R): NaSHOF Board Chair Sarah Cates; inductees Brett James, Kent Blazy, Steve Earle, Spooner Oldham; NaSHOF Executive Director Mark Ford. Photo: Bev Moser

Trisha Yearwood kicked off the evening honoring inductee Bobbie Gentry in a performance of the hit “Ode To Billy Joe,” a global smash that was also inducted into the Grammy Hall of Fame in 1999. Gentry did not attend the event, and instead NaSHOF member Gretchen Peters spoke on her behalf. Thomas Rhett performed his father’s signature hit “That Ain’t My Truck” as a special tribute to inductee Rhett Akins, then NaSHOF member Byron Hill presented him. Carrie Underwood performed her mega-hit “Jesus Take The Wheel” to honor inductee Brett James, accompanied by co-writers Hillary Lindsey and Gordie Sampson. James was presented by NaSHOF member Rivers Rutherford.

Kenny Chesney honored inductee Buddy Cannon with a performance of the Cannon-penned Vern Gosdin hit, “Set ’Em Up Joe,” before NaSHOF member Bill Anderson presented Cannon. Toby Keith was honored by NaSHOF member Ronnie Dunn, who performed Keith’s 1993 No. 1 hit, “Should’ve Been A Cowboy,” a song that would go on to become one of the most played country song of the 1990s. Hall of Fame member Mac McAnally presented Keith.

NaSHOF member John Anderson was on hand to honor John Scott Sherrill with a performance of his 1982 Sherrill-penned hit “Wild And Blue,” before Hall of Fame Board member and industry journalist/historian Robert K. Oermann presented Sherrill. Jason Isbell honored inductee Spooner Oldham with a performance of “I’m Your Puppet,” and NaSHOF member Dickey Lee inducted him.

Emmylou Harris honored inductee Steve Earle with a performance of his song “Pilgrim.” Hall of Fame Board member and host of The Songwriters public television show Ken Paulson presented Earle.

Vince Gill also paid tribute to wife Amy Grant during the special evening with a performance of her song, “Breath of Heaven,” and Garth Brooks took the stage to honor inductee Kent Blazy and also perform their hit “If Tomorrow Never Comes” with him, which was named NSAI’s Song of the Year in 1989.

Pictured (L-R): Thomas Rhett and inductee Rhett Akins. Photo: Bev Moser

Pictured (L-R): Bill Anderson, inductee Buddy Cannon, Kenny Chesney. Photo: Bev Moser

Pictured (L-R): Trisha Yearwood, inductee Kent Blazy, Garth Brooks. Photo: Bev Moser

Pictured (L-R): Robert K. Oermann, inductee John Scott Sherrill, John Anderson. Photo: Bev Moser

The Academy Of Country Music Leases Office Space In Nashville

The Academy of Country Music (ACM) has leased office space at the Nashville Warehouse Company in Nashville, Tennessee, MusicRow has confirmed. This will be the first time the ACM has occupied a permanent presence in Music City. A spokesperson for the ACM says that more details will be revealed in the spring.

“We are excited to officially welcome the Academy of Country Music to Wedgewood Houston, and we are honored that they chose Nashville Warehouse Company to be the organization’s first-ever office location in Music City,” says AJ Capital Partners Pres. Eric Hassberger.

The Academy of Country Music was founded in Los Angeles in 1964. Performer Tommy Wiggins, songwriter Eddie Miller and club owners Mickey and Chris Christensen teamed up with other performers, radio and record label executives to establish the Country and Western Music Academy, and to promote country music in the western states.

The ACM Awards were originally staged in Los Angeles with the first event held in 1966. The ACM Awards left Southern California for the first time in 2003 and settled into Las Vegas at the Mandalay Bay Resort & Casino Events Center before moving to the MGM Grand Garden Arena. The 50th anniversary of the ACM Awards was held at the AT&T Stadium in Texas in 2015 with the Academy returning back to Las Vegas the following year.

In 2020 and 2021, the ACM moved the show to Nashville due to the pandemic, and broadcasted from three of Music City’s iconic venues: Grand Ole Opry House, Ryman Auditorium and The Bluebird Cafe. The 2022 ACM Awards will take place in Las Vegas, once again.