JUST IN: Kelly Rich Exits Red Street Records

Kelly Rich

Kelly Rich has exited her position as Chief Operating Officer (COO) of Red Street Records, the label home to Chris Lane, Ryan Griffin, Neon Union, Ryan Larkins and more.

Rich joined Red Street Records as a consultant when Jay DeMarcus launched the label in January 2022, and was soon named COO. Prior to that, she was the Country Lead for Amazon Music based in Nashville. Her more than 35 years of industry experience also includes leadership roles at Big Machine Label Group (BMLG) and positions at UMG Nashville, DreamWorks, Arista Nashville, BMG and Western Merchandisers.

Rich has been honored as a Billboard Women in Music, a MusicRow Rising Women on the Row honoree and a Nashville Business Journal Women in Music recipient. She has been listed as a Billboard Country Power Player multiple times and named one of Variety’s Women Who Power Country Music.

“What originally was a consulting position turned into more but I knew once it was up and rolling the needs would change as the team was built out,” Rich shares. “All companies go through reorganization and this one allows me to refocus my attention on the next challenge.”

Rich can be reached at kelly@kautz.us.

BREAKING: Warner Music Nashville Promotes Kristen Williams

Kristen Williams

Warner Music Nashville has promoted Kristen Williams to SVP, Radio & Commercial Partnerships.

Having led the label’s Radio division since 2010, Williams will now also lead the Commercial Partnerships team which includes retail, streaming, catalog development and direct to consumer efforts. The Radio department will continue to operate under its two-pronged model of focusing on both individual stations and larger national accounts.

“This set-up positions us to work in a more sophisticated way while continuing to super serve our artist community and partners in this ever-changing, dynamic business environment. There is nobody better equipped to lead our efforts than Kristen. She is one of the most respected executives in this industry, and her passion and knowledge will bring a fresh perspective to all of WMN’s commercial partnerships, in addition to her radio expertise,” says Ben Kline, Co-Chair & Co-President, Warner Music Nashville.

“I want to thank Ben and Cris [Lacy] for trusting me with this great opportunity,” says Williams. “Aligning the radio and commercial partnerships departments, which utilize so much of the same data, will allow us to be both more efficient and more effective with all of our radio and streaming partners, and will also create a more strategic approach for our artists. Warner Music Nashville continues to have the foresight to anticipate change and take the initiative to meet it head-on.”

Tune In: MusicRow 2024 CountryBreakout Award Winners Revealed Tomorrow

MusicRow will announce the winners of the 22nd annual CountryBreakout Awards virtually starting at 9:00 a.m. tomorrow (Feb. 27).

The MusicRow CountryBreakout Awards celebrate those who have dominated country radio’s secondary market. Winners in eight categories are determined by spins on the secondary market stations that report to the MusicRow CountryBreakout Radio Chart panel each week.

Winners will be revealed on all MusicRow online platforms, including Facebook, Instagram and X (formerly Twitter) on Feb. 27.

MusicRow CountryBreakout Awards Announcement Schedule:
9:00 a.m.: Reporter of the Year
9:30 a.m.: Songwriter of the Year
10:00 a.m.: Label Group of the Year
10:30 a.m.: Independent Artist of the Year
11:00 a.m.: Breakout Artist of the Year
11:30 a.m.: Group/Duo of the Year
12:00 p.m.: Female Artist of the Year
12:30 p.m.: Male Artist of the Year

Each winner will be featured in MusicRow‘s Country Radio & Streaming Issue, out tomorrow (Feb. 27).

JUST IN: BMLG Records Rebrands As Nashville Harbor Records & Entertainment​

Big Machine Label Group imprint BMLG Records is rebranding as Nashville Harbor Records & Entertainment. Initially founded as a joint venture in 2009 as Republic Nashville, Big Machine Label Group acquired full ownership of the imprint in 2015 and renamed it BMLG Records.

The imprint’s new namesake is meant to serve as a mark of a safe place for artists and executives to write, create, grow and flourish. Nashville Harbor Records & Entertainment’s artist roster includes Riley Green, Brett Young, Chris Janson, Lady A, Greylan James and Shane Profitt. Jimmy Harnen remains the President/CEO, with operations continuing as normal.

“Under Jimmy’s leadership, this imprint has built an incredible reputation with the monstrous success of Florida Georgia Line and Lady A, more than 40 No. 1 hits, countless RIAA certifications/awards and impressive team of music executives that share in his passion,” shares Big Machine Label Group Chairman & CEO Scott Borchetta. “Since its inception, this label has been an exercise in experimentation and innovation and I have no doubt that the possibilities are endless for this team.”

“This label has always given artists the freedom to create music that is true to them and we want to double down on that and continue to create even more of a haven for creativity and an environment that fosters development,” says Harnen. “We want to take the time to nurture talent and provide a place they can call home.”

Janson’s forthcoming single “Whatcha See Is Whatcha Get,” will be the first release under Nashville Harbor Records & Entertainment. It comes out March 8.

“This rebranding is EXCITING, and I’m very happy to be first out of the gate, with ‘Whatcha See Is Whatcha Get,'” Janson says. “The entire team has my upmost respect, confidence, and gratitude. They have shown me what a winning team is, and I’m more than proud to be here and to be recognized on Harbor’s amazing artist roster.”

“This team has been in my corner since the very beginning. They’ve been so supportive of my family and my dreams and truly have always been a safe harbor for me and my music—the new name feels fitting,” adds Young

Green says, “Scott and Jimmy have always created an artist-first culture and I’m glad to be part of this team as it expands further.”

“Jimmy and his team are some of the most passionate advocates for country music and we’re excited to see what we can do together next,” adds Lady A.

‘Mamaw’s House’ Tops The MusicRow CountryBreakout Radio Chart

Thomas Rhett and Morgan Wallen top the MusicRow CountryBreakout Radio Chart this week with their collaboration “Mamaw’s House.”

The two singers wrote the song with Matt Dragstrem and Chase McGill, and it is included on Rhett’s retrospective 20 Number Ones collection. “Mamaw’s House” features Rhett and Wallen reflecting on their shared experience of spending time at their grandmother’s homes.

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“Mamaw’s House” currently sits at No. 8 on the Billboard Country Airplay chart and No. 6 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Beyoncé ‘Summons You To The Country Dance Floor’

Beyoncé

The single that is on everyone’s tongue this week is also DISClaimer’s Disc of the Day. That would be Beyonce’s bopper.

Black country women are in the spotlight in general this week, as the column also notes efforts by Autumn Nichols, the esteemed Joy Oladokun and our DISCovery Award winner, Camille Parker.

But be sure and save some listening time for Priscilla Block, Tracy Lawrence, Allie Colleen and Bailey Zimmerman. They’re bringing their “A” game, too.

MATT STELL/ “Born Lonely”
Writers: Benjy Davis/Jake Mitchell/Matt Stell; Producer: Joe Fox; Label: Records Nashville/Columbia
– To join his radio favorite “Breakin’ in Boots” in welcoming 2024, this former chart topper has issued this track and its new music video. The lyric traces the inability to fall in love, the persistence of heartbreak and psychic wounds that won’t heal. The only comfort is that she has those same feelings and that maybe they belong together. As always, he is a solid vocal communicator.

BEYONCÉ/ “Texas Hold ‘Em”
Writers: Beyoncé/Brian Bates/Elizabeth Lowell Boland/Megan Bülow/Nate Ferraro/Raphael Saadiq; Producers: Beyoncé/Raphael Saadiq/Nate Ferraro/Killah B/Hit-Boy/Stuart White.Mariel Gomerez; Label: Parkwood Entertainment/Columbia
– Queen Bey summons you to the country dancefloor, and you dare not refuse. The beats are irresistible, the tune is catchy and the vibe is fun, fun, fun. A much deserved smash.

REDFERRIN/ “Lose Her For Nothin’”
Writers: Blake Redferrin/Cooper Bascom/Rose Falcon; Producers: Cooper Bascom/Redferrin; Label: Warner Music Nashville
– This downbeat, moody jam puts a loser’s life on repeat. This guy has previously perked up ears with “Doin’ Life” and “Jack and Diet Coke,” so he’s on a roll.

TRACY LAWRENCE/ “Out Here In It”
Writers: Chris Utley/Lee Miller/Trey Lewis; Producers: Tracy Lawrence/Julian King; Label: Lawrence Music Group
– It’s kinda philosophical, kinda thoughtful, kinda mellow and all the way listenable. He remains a superb country vocalist and the strings-and-steel embellished production perfectly underscores his meditation. Lend this your ears.

JOY OLADOKUN/ “If You Got A Problem”
Writers: Peter Groenwald/Ian Fitchuk/Olubukola Oladokun; Producers: Peter Groenwald/Ian Fitchuk; Label: Verve Forecast/Republic Records
–  This Nashvillian scored a big career coup this week when she performed this ballad on the CBS special Dolly Parton’s Pet Gala on Wednesday evening (Feb. 21). The folk-pop production ripples with audio pleasure, while her silken vocal conveys hope, inspiration and fidelity. If you’re not already into this artist, start here and then explore both of her exquisite albums, In Defense of My Own Happiness (2021) and Proof of Life (2023).

PAT BOONE/ “My Stupid Tattoo”
Writers: Damon Leigh/David John Siebels; Producer: David Siebels; Label: The Gold Label
– Boone turns 90 this year, but he’s still in there swingin.’ On the heels of his 2023 Country Jubilee album, the former pop balladeer has issued this goofy, comedic bopper that cautions us not to put a girlfriend’s name in ink, ‘cause you might regret it later. Tap your toes and smile.

ALLIE COLLEEN (FT. LEE BRICE)/ “While We’re Still Friends”
Writers: Allie Colleen/Lee Brice/Sara Brice; Producers: Lee Brice/Jerrod Niemann/Allie Colleen; Label: Evangeline Records
– Colleen issues her finest vocal performance to date on this luscious, gorgeously produced power ballad. Her gleaming, shining-crystal delivery beams from an echoey, swirling-smoke soundscape to convey a goodbye-song lyric that looks back with fondness. I wish Brice had a verse of his own, but nevertheless his harmony vocal is a gem. Excellent work.

BAILEY ZIMMERMAN/ “Holy Smokes”
Writers: Bailey Zimmerman/Austin Shawn/Ben Stennis/Michael Tyler/Lauren Hungate; Producer: Austin Shawn; Label: Elektra
– Romancing the preacher’s daughter in the church parking lot. Cigarette embers glow and smoke twirls around them, hence the title. Zimmerman’s story telling skill and assured vocal are both in full sail here. Captivating.

AUTUMN NICHOLS/ “Slow Down”
Writers: Autumn Nicole Nicholas/Bonnie J. Baker/Tori Tullier; Producers: Bonnie J. Baker; Label: A+N Records
– She sings wonderfully. The ballad starts too slowly, but gradually picks up potency.

PRISCILLA BLOCK/ “Good On You”
Writers: David Garcia/Jessie Jo Dillon/Laura Veltz/Priscilla Block; Producers: David Garcia/Dave Cohen; Label: UMGN InDent Records
– Loved her on “My Bar,” “Thick Thighs,” “Heels in Hand,” “Peaked in High School” and the rest of her outstanding Welcome to the Block Party collection in 2022-23. Now Block returns with a dandy ode that addresses her ex with sass. She knows she’s trashy and honky-tonk loud compared to his goody-two-shoes new girlfriend. But she’s cool with it. So am I. And how. “Vanilla ain’t me/It ain’t ever gonna be,” she warbles.

CAMILLE PARKER/ “Spinning Out”
Writers: Camille Parker/Sara Bares/Reid Sorel; Producers: Reid Sorel; Label: CP
– Breezy, danceable and very, very pop. This hasn’t stopped her from being a CMT Next Women of Country alumnus and CMA Fest performer who staged her Opry debut last weekend. The latter event was noteworthy in that her appearance on the iconic stage was cheered backstage by her country sisters in song Rissi Palmer, Madeline Edwards, Sacha, Tiera Kennedy, Denitia and Miko Marks.

JAIME WYATT/ “Back To The Country”
Writers: Jaime Wyatt/Ryan Hartman; Producer: Adrian Quesada; Label: New West Records
– She has a somewhat raw, garage-y, country-rocking sound with plenty of personality and an unstoppable vocal wail. During the past year, Wyatt has gigged at Austin City Limits, the Opry, the Newport Folk Festival and Stagecoach, plus toured with Sierra Ferrell, Nikki Lane, Margo Price, Grace Potter and The Avett Brothers. This week, she sang this on Kelly Clarkson’s TV show.

Beyoncé Debuts At No. 1 On Billboard Hot Country Songs Chart

Beyoncé

Global superstar Beyoncé has made her first appearance on Billboard’s Hot Country Songs chart, and in the No. 1 spot. The feat makes her the first Black woman to top the list.

“Texas Hold ‘Em” earned the singer the top spot this week for her chart debut. Her other debut country track, “16 Carriages,” debuted at No. 9 this week. The songs also debuted at No. 2 and No. 38 respectively on the all-genre Billboard 100.

Both tracks were released following the singer’s Verizon commercial during Super Bowl LVIII on Feb. 11. They are the lead singles off her upcoming country album Act II, which is set to release on March 29.

“Texas Hold ‘Em,” which was written by Beyoncé, Brian Bates, Elizabeth Lowell Boland, Megan Bülow, Nate Ferraro and Raphael Saadiq, and produced by Beyoncé, Saadiq, Ferraro, Killah B, Hit-Boy, Stuart White and Mariel Gomerez. Since its release, the song has garnered over 19.2 million streams, 4.8 million in radio reach and sold 39,000 units in the U.S., according to Luminate.

“16 Carriages,” written by Atia Boggs, Beyoncé, Dave Hamelin and Saadiq, and produced by Beyoncé, Hamelin, Ink, Saadiq and White, has over 10.3 million streams, 90,000 in radio streams and 14,000 units sold.

With “Texas Hold ‘Em” earning the top spot on the Hot Country chart, Beyoncé now has No. 1 slots on seven on Billboard’s multri-metric song chart as a solo artist. Her chart entries include the Hot 100, Hot Country Songs, Hot Dance/Electronic Songs, Hot Gospel Songs, Hot Latin Songs, Hot R&B Songs and Hot R&B/Hip-Hop Songs.

She also has made history as the first woman to have topped both Hot Country Songs and Hot R&B/Hip-Hop Songs. She joins Morgan Wallen, Justin Bieber, Billy Ray Cyrus and Ray Charles as the only acts to have led both charts.

“Texas Hold ‘Em” is already being promoted at country radio, and debuted at N0. 54 on Billboard’s Country Airplay chart with a 1.1 million audience impression.

Nominees Revealed For 2024 AIMP Country Awards

The Association for Independent Music Publishers (AIMP) has revealed the final nominees for its 2024 AIMP Country Awards.

Sponsored by Spotify, the awards will take place at the Ryman Auditorium on Monday, April 1 at 7 p.m. Storme Warren will serve as host for the members-only event.

“We are happy to present our 9th AIMP award show at the historic Ryman. Thanks to Spotify for being our title sponsor again this year,” says Ree Guyer, Owner, Wrensong Entertainment. “From the list of nominees, it looks like it will be another year of celebrating Nashville’s best independent writers and publishers.”

The 2024 AIMP Awards will recognize songwriters, publishers and songs in various categories, including Rising Songwriter of the Year, Rising Artist-Writer of the Year, Artist-Writer of the Year, Song Champion of the Year, Publisher’s Pick of the Year, Song of the Year, Songwriter of the Year, Publisher of the Year and the AIMP Nashville Most Streamed Song.

The final voting period opens on Feb. 23 and closes at 5 p.m. CT on March 1. To vote, you must have been an AIMP member on or before Jan. 31, 2024. For any questions regarding voter eligibility and category requirements, email aimpnashville@gmail.com.

2024 AIMP Award Final Nominees:

AIMP Rising Songwriter of the Year:
Christian Stalnecker – Independently Published by Reservoir Media
Jaxson Free – Independently Published by Goat Island Sound
John Byron – Independently Published by Big Loud Publishing
Josh Melton – Independently Published by Ebach Entertainment
Rocky Block – Independently Published by Big Loud Publishing
Ryan Larkins – Independently Published by CAM Creative
Travis Wood – Independently Published by Creative Nation Music

AIMP Rising Artist-Writer of the Year:
Dylan Marlowe – Independently Published by Play It Again Entertainment
George Birge – Independently Published by Big Machine Music
Hannah Ellis – Independently Published by Curb Word Entertainment
Mae Estes – Independently Published by Plaid Flag Music and Kobalt Music Publishing
Meg McCree – Independently Published by Hang Your Hat Music and Concord Music Publishing

AIMP Artist-Writer of the Year:
Corey Kent – Independently Published by Combustion Music
Dylan Scott – Independently Published by Curb Word Entertainment
Hardy – Independently Published by Relative Music Group
Jordan Davis – Independently Published by Anthem Entertainment
Morgan Wallen – Independently Published by Big Loud Publishing
Russell Dickerson – Independently Published by Concord Music Publishing

AIMP Songwriter of the Year:
Ernest – Independently Published by Big Loud Publishing
Hardy – Independently Published by Relative Music Group
John Byron – Independently Published by Big Loud Publishing
Jordan Schmidt – Independently Published by Endurance Music Group
Morgan Wallen – Independently Published by Big Loud Publishing
Tracy Chapman – Independently Published by Purple Rabbit Music Publishing

AIMP Song Champion of the Year:
Ciara Shortridge – VP, Country Publishing/A&R (Curb Word Music)
Courtney Allen – Sr. Director, A&R (Concord Music Publishing)
Laurel Kittleson-Cobb – A&R Consultant (Rainier Entertainment)
Sara Knabe – SVP, A&R (Big Loud Music)
Sarah Schumacher – Sr. Creative Director, Country Publishing (Curb Word Music)
Tim Hunze – VP, Publishing (Big Machine Music)

AIMP Publisher Pick of the Year:
“98 Braves” – Travis Wood, John Byron, Josh Miller; independently published by Creative Nation Music, Big Loud Publishing, Concord Music Publishing; performed by Morgan Wallen
“Buried” – Brandy Clark, Jessie Jo Dillon; independently publishing by Big Machine Music; performed by Brandy Clark
“Girl In The Mirror” – Jessie Jo Dillon, Matt Jenkins, Megan Moroney; independently published by Big Machine Music, Madfun Entertainment; performed by Megan Moroney
“Good With Me” – Walker Hayes, Shane McAnally, Scott Stepakoff; independently published by SMACKSongs; performed by Walker Hayes
“The Mockingbird & The Crow” – Michael Hardy, Jordan Schmidt, Brett Tyler; independently published by Relative Music Group, Endurance Music Group, Combustion Music; performed by Hardy
“You Don’t Want That Smoke” – Tucker Beathard, Jimi Bell; independently published by Little Louder Music; performed by Bailey Zimmerman

AIMP Song of the Year:
“98 Braves” – Travis Wood, John Byron, Josh Miller; independently published by Creative Nation Music, Big Loud Publishing, Concord Music Publishing; performed by Morgan Wallen
“Fast Car” – Tracy Chapman; independently published by Purple Rabbit Music Publishing; performed by Luke Combs
“Heart Like A Truck” – Dallas Wilson, Lainey Wilson, Trannie Anderson; independently published by Riser House Music Publishing; performed by Lainey Wilson
“Human” – Travis Meadows, Tony Lane; independently published by Songs of Mighty Isis, It’s Killer Music, She and I and Kobalt Music Publishing; performed by Cody Johnson
“Next Thing You Know” – Jordan Davis, Josh Osborne, Chase McGill, Greylan James; independently published by Anthem Entertainment; performed by Jordan Davis
“Tennessee Orange” – Ben Williams, David Fanning, Megan Moroney, Paul Jenkins; independently published by Major Bob Music, 33 Creative; performed by Megan Moroney

Top Independent Music Publishers of the Year:
Big Loud Publishing
Big Machine Music
Concord Music Publishing
Relative Music Group
Roundhill Music
Taperoom Music

Josh Jenkins Signs With Young Guns Publishing

Pictured (L-R): Laurie Gore, Young Guns Publishing Creative/Admin Assistant; Jason Turner, Keller Turner Andrews & Ghanem, PLLC; Laura Alexander, Young Guns Publishing SVP, Creative; Josh Jenkins; Molly Shehan, Milom Crow Kelley Beckett Shehan PLC; Will Hamrick, Young Guns Publishing CEO. Photo: Mary Craven Photography

SESAC Songwriter of the Year and CMA Song of the Year award winner Josh Jenkins has signed a world-wide exclusive publishing deal with Young Guns Publishing.

Jenkins co-wrote the viral, six-time Platinum smash hit “Fancy Like,” recorded by Walker Hayes, which spent more than 10 weeks at No. 1 on Billboard’s Hot Country Songs chart, reached Top 5 on Billboard’s Hot 100, and ruled every country sales and streaming chart for several weeks.

He is also a co-writer on the 2022 CMA Song of the Year “Buy Dirt,” performed by Jordan Davis and Luke Bryan, and is a co-writer on Davis’ current single “Tucson Too Late.” His songs have been recorded by other artists such as Jake Owen, Dustin Lynch, Randy Houser and more. Additionally, Jenkins is the lead singer of the band Green River Ordinance, who have had several records top the Billboard Heatseekers chart throughout his 15-year tenure, along with many songs placed in TV/film.

“We are beyond grateful to welcome Josh Jenkins to Young Guns Publishing,” shares Laura Alexander, Young Guns Publishing SVP, Creative. “Josh is a songwriter I have admired since meeting him nearly 10 years ago. Josh is respected and admired for being a family man, a champion of fellow writers and a true friend to so many in our community. In a lot of ways, it’s his quality relationships that lend to him writing such meaningful, relatable songs. Will [Hamrick], myself and the entire Young Guns family cannot wait to hear the music to come, and we’re thankful we get to watch Josh continue to build on the incredible successes he’s already achieved.”

“I’m grateful to get to join Laura, Will and the entire crew at Young Guns Publishing,” shares Jenkins. “I love the songs coming out of this place and can’t wait to continue my songwriting journey with them.”

Troy Cartwright Captures The Heart Of Nashville Songwriters With ‘Ten Year Town’ Podcast [Interview]

Troy Cartwright

Singer-songwriter Troy Cartwright recently added “podcast host” to his resume. More than 30 episodes in, his Ten Year Town podcast sheds light on the plight of Nashville songwriters and the passion and patience needed for just a chance to make it in Music City.

Cartwright has been a lover of songs and songwriting since he was a young kid growing up in Dallas, Texas. After graduating from Berklee College of Music, he moved to Nashville, got a publishing deal and then a record deal.

Years later, Cartwright left his label deal to be an independent artist. With releases such as “Unlove You,” “Wild One” and “Over You By Now,” he has garnered over 115 million streams to date, with 2023 marking his highest streaming success yet. His socials have grown exponentially as well.

As a songwriter signed to Big Machine Music, Cartwright has written songs recorded by Ryan Hurd, Josh Abbott Band, Nickelback and several other chart-topping artists. His resilience and perspective make him the perfect host for a podcast about the journey of songwriters like Ten Year Town.

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The first season of Ten Year Town featured hitmakers such as Jimi Bell, Marc Beeson, Trannie Anderson, Billy Montana, Wynn Varble and many more—as well as publishers like Tim Hunze, Courtney Allen, Derek Wells and Chris “Falcon” Van Belkom.

Through his interviews, Cartwright uncovers their stories, takes a look into their craft and ultimately extracts words of advice from those behind the hits.

“I’m a really curious person. I just like talking to people,” he shares. “My wife, Mary Lu, and I are always trying to find creative things to do and ways to market. She was like, ‘We should make podcast called Ten Year Town and talk to people about their journey. Then we got started!”

Cartwright wanted to make sure that the podcast highlighted how everyone’s story is different, so that listeners could visualize different paths to success.

“You move to Nashville and hear that it’s a 10 year town, and you’re like, ‘I’m special. I’m going to do it one year.’ Sometimes that is true. Some people we’ve had on the podcast have been in town for 30 years, and some people have been in town for five,” Cartwright says. “For me it was just about trying to capture everyone’s story so that people just getting started could listen to it and [feel like they’re not alone.]”

Some of Cartwright’s favorite moments on Ten Year Town are when his guests speak to those listeners following in their footsteps.

“At the end of every episode I ask, ‘Do you have any advice that you would give to your younger self or to someone just getting started?’ Pretty much everyone’s answer is some version of, ‘don’t quit,'” he says.

“I hope the answer to that question is finding people at the right time, when they need to hear it most. I hope it’s inspiring for them because it’s been really inspiring for me personally.”

Another piece of wisdom Cartwright extracts from his guests is what their role in the writing room is. He says hearing their answers has helped him in his own craft.

“I try to be more present in the room now,” he says. “Sometimes my role is to be the artist, [but sometimes it’s not]. A guy I was writing with recently was going through something and was on fire, so my role was to be the stenographer. I was just trying to capture what he was getting out. I’m trying to be open to that process of understanding I can wear different hats.”

Cartwright’s first season of Ten Year Town connected so well that he has continued to release more, with new episodes featuring Jessi Alexander, Hardy, Luke Laird, Jerry Flowers and more out now.

With the help of his wife, Mary Lu, and some team members, he’s created a significant library of work with Ten Year Town. But it’s not like the singer-songwriter has much time—he is also constantly writing, recording and touring, building his own fan-base while fitting in time to talk to other creators about their lives.

“I’m so happy I’m doing this. It sets my soul on fire,” he says. “I love getting to talk about the craft of songwriting. It’s important to me. The Nashville community has done so much for me, I hope I [can continue] to elevate that so other people can realize how special Nashville is.”

When he’s not working on the podcast, Cartwright is working on a new record and writing three or four days a week.

“I feel like I’ve got three full-time jobs,” he quips. “I’m so grateful. I know how lucky I’m to get to do this. I’ve had a lot of different points where I wasn’t sure if I’d get to, so I don’t take it for granted.”

Ten Year Town is available to listen to here.