Parallel Music Publishing Renews Agreement With Blake Chaffin

Pictured (Front row, L-R): Blake Chaffin; Denise Stevens, Partner, Loeb & Loeb; Chip Petree, Partner, Ritholz, Levy, Fields; (Back row, L-R): Tim Hunze, Parallel Music Publishing; Travis Myatt, Parallel Music Publishing

Parallel Music Publishing recently renewed its agreement with rising songwriter Blake Chaffin. His growing list of singles includes Logan Mize’s “Can’t Get Away from a Good Time,” written with Mize and Kelly Archer; and Brantley Gilbert’s current single, “The Ones That Like Me,” written with Gilbert and Bobby Pinson. It was recently announced that Gilbert’s 2018 tour will share the same title.

Chaffin has accumulated notable cuts including “Still Yours” on Ryan Beaver’s album, Rx , written with Luke Dick; and “Down Home,” written with Brent Cobb, who recorded it for his album Southern Family.

“I owe so much to Tim Hunze and the rest of the team at Parallel for sticking with me, to get to this point,” said Chaffin. “I’m honored to be a part of the songwriting community in Nashville. I like playing with words for a living.”

Hunze added, “I’m so impressed with what we’ve been able to achieve in the first deal and I can’t wait to see what we can accomplish with this new one.”

Parallel’s current roster includes Chaffin, Alex Hall, Lance Carpenter, Jennifer Schott, Jesse Lee, Michael Lotten, and Michael White. The company has scored No. 1 hits with Kelsea Ballerini’s “Love Me Like You Mean It,” Michael Ray’s “Kiss You In The Morning” and The Band Perry’s “Better Dig Two.”

Fifth Annual Leadership Music Virtual Food Drive Launches Today

For the fifth year, Leadership Music is organizing a Virtual Food Drive to benefit Second Harvest Food Bank of Middle Tennessee. This year’s drive begins today (Nov. 7) and continues through Friday, Nov. 17. Over the past four years, Leadership Music alumni and friends have supplied more than 240,000 meals for the 1 in 7 people who are hungry in Middle Tennessee. For every dollar donated, Second Harvest can provide four meals.

“The Leadership Music family and friends on Music Row are always incredibly generous in supporting our mission through their Virtual Food Drive,” says Jaynee Day, president and CEO of Second Harvest and a member of Leadership Music’s Class of 2012. “This drive continues to set the bar as one of our top Virtual Food Drives year after year.”

To donate, click on the link below and contribute in one of two ways: either by “shopping” for a certain category of food (peanut butter, pasta, etc.) or making a straight contribution ($50, $75, etc.). If you are a Leadership Music alum, you may donate through your class year. If you are a Friend of Leadership Music, you may donate through the tab Friends of Leadership Music.

To donate, visit shfbmt.convio.net/goto/leadershipmusic2017

Date Set to Reveal 60th Grammy Awards Nominations

The Recording Academy™ will kick off the 60th GRAMMY Awards® nominations by revealing nominees in the four General Field categories (Best New Artist, Record Of The Year, Song Of The Year, and Album Of The Year) live on CBS This Morning, Tuesday, Nov. 28 at 8:30 a.m. ET.

Immediately following, at 8:45 a.m. ET, the Recording Academy will announce nominations across all 84 categories via press release, GRAMMY.com, and the Recording Academy’s social media platforms.

Dylan Scott Celebrates Platinum Status

Pictured (L-R): Benson Curb (VP of Sales, Curb Records), Taylor Childress (VP and GM, Curb Records), Dylan Scott, Ryan Dokke (VP of Promotion, Curb Records), Mike Curb (Chairman, The Curb Group), Mike Rogers (National Director of Promotion, Curb Records), Jeff Tuerff (VP of Marketing, Curb Records). Photo: Randy Powers

Curb Records artist Dylan Scott celebrated his first career RIAA Platinum-certified single for his No. 1 debut single “My Girl,” which earned over 1 million combined sales and streams in the U.S. alone. A celebratory shindig was held at Nashville’s Musicians Hall of Fame & Museum yesterday (Nov. 6).

Last month, Scott released the holiday album Merry Christmas, which includes new versions of five traditional Christmas songs, including “Winter Wonderland,” “Jingle Bell Rock,” “The Christmas Song,” “White Christmas” and “Santa Claus Is Coming to Town.” He is currently touring with Justin Moore as the featured supporting artist on his Hell On A Highway Tour.

Dualtone Taps Daniel Higbee as VP, Synch

Daniel Higbee

Dualtone Music Group, an Entertainment One Company, announces that Daniel Higbee has joined the company as VP of Synch. Higbee will be based in Los Angeles and will report to Nashville-based Dualtone President Paul Roper.

In this newly-created role, Higbee will initiate all pitching and placement efforts for licensing in Film, TV and Advertising for Dualtone’s catalog and the Dualtone Songs publishing roster, which includes Chuck Berry and The Wild Reeds. Higbee will also be signing talent.

Prior to joining Dualtone, for almost 10 years Higbee held various titles including Head of Film/TV and SVP of Creative at Secret Road, a boutique music services company. At Secret Road he helped sign and pitch a growing roster of independent acts including The Civil Wars, Joseph, Josh Ritter and Ingrid Michaelson. Prior to Secret Road, Higbee held creative positions at synch company Sugaroo! and freelanced for music supervisor Jennifer Pyken, assisting her with television projects Las Vegas and LOST.

Dualtone’s active roster includes The Lumineers, Shakey Graves, Langhorne Slim, The Wild Reeds, Mt. Joy, Wild Child and Robert Earl Keen.

Grammy Music Education Coalition To Boost Public School Music Programs In Nashville, New York, Philadelphia

In a push to increase the number of students in America’s public school system who make playing music an active part of their educational experience, the Recording Academy has launched the Grammy Music Education Coalition. The nonprofit includes more than 30 music education programs, including the National Association for Music Education (NAfME), the NAMM Foundation (National Association of Music Merchants), VH1 Save The Music Foundation, and Lang Lang International Music Foundation.

The program focuses on underserved communities, and will initially offer services in three districts, including Nashville (Metropolitan Nashville Public Schools’ Music Makes Us), New York City (New York City Department of Education) and Philadelphia (The School District of Philadelphia). The school systems will receive customized funding and strategic services based on the school system needs assessments.

“The GRAMMY Music Education Coalition has one mission—to increase the number of students actively making music across the country with particular emphasis on underserved communities,” said Recording Academy President/CEO Neil Portnow. “The partnerships we are creating with school districts, teachers, parents and youth are designed to drive systemic change across geographies and communities nationwide.”

One of the GMEC’s first initiatives is to partner with Disney/Pixar’s film Coco, which launches Nov. 22, to bring learning content to teachers and youth. The movie follows 12-year-old Miguel, a talented guitarist who dreams of becoming a great musician. The movie’s team will donate 300 Cordoba guitars to the GMEC’s initial three school system recipients. Guitar Center will also donate 300 Cordoba Guitars. Additionally, GMEC will also collaborate with Berklee College of Music to offer educational materials via the school’s online music education resource Berklee Pulse.

 

Bobby Karl Works The 2017 ASCAP Country Music Awards

Big Machine artist Brett Young opens the show with his hit “Sleep Without You.” Photo: Ed Rode

BOBBY KARL WORKS THE ROOM

Chapter 578

It was a dark and stormy night.

The weatherman had warned us about Monday evening (Nov. 6), but we donned our finest apparel and headed for the annual country-music ASCAP awards banquet nevertheless.

Traffic was gridlocked at a standstill as we approached the Ryman Auditorium via Commerce Street during rush hour at 5:00 p.m. So we parked at the Public Library and walked the rest of the way. This turned out to be a dud idea.

Inside the Ryman, the event was enlivened by lots of star music makers. The key names to note here are those of Vince Gill, Old Dominion, Dierks Bentley, Keith Urban, Kelsea Ballerini, Brett Young and Jimmy Webb, all of whom serenaded us during the fiesta.

Ashley Gorley set a new ASCAP record by winning his fifth ASCAP Country Songwriter of the Year Award. Warner/Chappell repeated as Country Publisher of the Year for the fifth consecutive time. This made it two-for-two thus far in this year’s Country Music Week celebrations, since Warner/Chappell also claimed the same honor at SESAC’s gala on Sunday.

Penned by Dave Kuncio and Josh Mirenda, Bentley’s hit “Somewhere on a Beach” was named the ASCAP Country Song of the Year. Matthew Ramsey of Old Dominion won the Country Artist-Songwriter of the Year prize. His winning tunes were the hits he co-wrote for the band, “Snapback” and “Song for Another Time,” plus the Sam Hunt hit “Make You Miss Me.”

One unusual aspect of the ASCAP awards was the way in which presentations were shared among various company execs. Nashville VP and all-around good-guy Michael Martin was front and center. But such national honchos as Paul Williams, Elizabeth Matthews, John Titta and John Johnson took turns at the podium, as did such Music City ASCAP figures as Mike Sistad, Beth Brinker, Kele Currier, Evyn Mustoe Johnston and Robert Filhart.

Pictured (L-R): ASCAP President and Chairman Paul Williams, Vince Gill, Founders Award honoree Rodney Crowell and Keith Urban. Photo: Ed Rode

Brett Young kicked the ceremony off energetically with his career launching “Sleep Without You.” Then Williams took the stage. “Welcome to the 55th annual ASCAP Country Music Awards: Give yourselves a hand,” he said in greeting the Ryman crowd of 1,000.

“Tonight is also a celebration of how music can lift us up. And God knows we need it. I believe what you do is holy work. One thing you find in this town is authenticity. It’s in the songs you write, and it’s in the way you treat people.”

Johnson presented the Partners in Music Award to Varnell Enterprises, which has been promoting concerts since 1946, everyone from Roy Acuff to Garth Brooks. The latter offered video greetings from his tour, which has played to six million fans to date. Jim Varnell accepted the honor.

Seth Ennis introduced songwriter Jamie Moore singing “May We All,” which was one of ASCAP’s five most performed songs of 2016. Moore totally nailed his version of the FGL hit.

The prestigious Founders Award went to Rodney Crowell. He was serenaded by Urban with “You Win,” which they co-wrote back in 2001. Gill sang “Oklahoma Borderline,” which was the first song he ever co-wrote with Crowell (and the late Guy Clark). Gill then drew a standing ovation for his prayer-at-twilight rendition of “Til I Gain Control Again.” Steuart Smith made the presentation.

“I’m very grateful; I’m very humbled,” said Rodney. “It’s a gift that we get to do the work that we do. We should all protect it with everything in our hearts.” He then shared with the crowd the fact that he was wearing John Lennon’s suit from the movie It’s a Hard Day’s Night. The place went ape.

LANCO introduced Scooter Carusoe doing a solo version of his top-five ASCAP contender “I Wanna Be That Song” (popularized by Brett Eldredge).

ASCAP CEO Elizabeth Matthews and Vanguard Award honoree Kelsea Ballerini. Photo: Ed Rode

ASCAP CEO Matthews announced that the Vanguard Award was going to Ballerini. Hillary Lindsey made the presentation, saying, “Her innate ability to write a song absolutely blows my mind….She is one of the most loving, kind and infectious spirits I’ve ever met. This is so, so well deserved.”

“This is awesome!” said Ballerini. “Thank you so much!” She particularly expressed gratitude to Sistad for listening to her “bad” songs when she was just 14. Ballerini sang “In Between” from her just-released sophomore CD Unapologetically.

The Sisterhood members Ruby Stewart and Alyssa Bonagura did the introduction for “Lights Come On,” the third of ASCAP’s top-five country contenders. By the way, Ruby is the daughter of Rod Stewart while Alyssa is the daughter of Kathie Baillie and Michael Bonagura of Baillie & The Boys. Songwriters Jimmy Robbins, Jordan Schmidt, Brett Warren and Brad Warren offered a rocking version of their Jason Aldean hit.

Gorley’s ASCAP Songwriter of the Year honor was presented by newly minted Country Music Hall of Fame member Don Schlitz. He has won this ASCAP honor four times in the past.

“The business of songwriting always reminds us that we’re never all alone,” said Don. “This honor is unique because in the history of ASCAP, this songwriter is receiving this for the fifth time. I thought four times was the limit.

“We celebrate him because he celebrates us. For the fifth time, he represents us. How lucky are we?”

Mike Wilson of the charity My Life Speaks talked of Ashley’s commitment to the poor children in rural Haiti. “Thank you for bringing light to a dark place,” Wilson said.

“I have to thank God for many more blessings than I deserve,” said Ashley Gorley in accepting. “There’s been some tragic stuff, [so] first responders…really, really need to be celebrated. For anybody else who goes unnoticed and unrecognized, a medal for you guys.”

Let me interject at this point to say that an hour spent sitting on the wood Ryman pews is like four ordinary hours. As the show passed the 90-minute mark, the balcony emptied and the floor seating had large areas of empty real estate. But on we went.

Midland introduced the fourth top-five contestant, “Snapback.” Old Dominion’s Brad Tursi, Matthew Ramsey and Trevor Rosen co-wrote it and sang it, splendidly. Then Ramsey was announced by Phil Vassar as the winner of his ASCAP award.

“Seventeen years ago, Phil took me out on the road,” Matthew recalled. “Mike Sistad listened to my songs and helped me get going in Nashville….Thank you for helping me get to the moon.”

Williams returned to the stage to say, “Music, which should be a safe haven, has been senselessly violated…by horrific acts.” He asked for a moment of silence for the 58 lives taken in Las Vegas as well as for the members of the Nashville music community we’ve lost during the past year.

Then Jimmy Webb sat at the piano and said, “I love being in Nashville and being around songwriters. It’s like going to a revival and being recharged.” He then paid homage to Glen Campbell, saying, “This man took my songs into the mainstream of American music. He was a great and worthy star.” Webb sang “By the Time I Get to Phoenix” in tribute to the late Campbell.

Pictured (L-R): ASCAP Vice President of Nashville Membership Michael Martin, Songwriter-Artist of the Year Matthew Ramsey (of Old Dominion) and Phil Vassar. Photo: Ed Rode

We’d been there since 5:00 p.m. without dinner. The show was now heading into its second hour. The remaining natives were getting restless.

Carly Pearce introduced “Somewhere On a Beach.” Bentley and the song’s writers Dave Kuncio and Josh Mirenda gave the top award winner a good-natured spin.

“I’d like to thank the city of Nashville for shining a spotlight on songwriters,” said Kuncio. “Thank y’all so much for believing in me,” added Mirenda.

Among the many other songwriters receiving ASCAP accolades during the event were Jon Nite, Chris DuBois, Chris DeStefano, Jerry Flowers, Jeremy Stover, Josh Osborne, Corey Crowder, Craig Wiseman, Marc Beeson, Matt Jenkins, Marla Cannon Goodman, Abe Stoklasa, Ben Hayslip and Zach Crowell.

Twinkling stars in attendance included John & Martina McBride, Dan + Shay, Billy Currington, Desmond Child, Brett James, Buzz Cason, Tyler Hubbard, Brian Kelley, Rudy Perez and Michael Ray.

We headed for the exits around 9:15 p.m. and discovered it was raining. The idea of walking to the after-party at The Stage on Broadway was immediately tossed out. Besides, by then we’d already schmoozed an army of fabulons. Read on.

Tim Nichols, Tim Wipperman, Mark Bright, Mark D. Sanders, Robert Ott, Bobby Rymer, Sally Williams, Herky Williams (ask him about his new TV gig), Dale Dodson, Mary Matthews, Scott & Sandi Borchetta, Ron & Regina Stuve, Rod Essig, Carla Wallace, Celia Froelig, Jimmy Harnen, Terry Wakefield, and Cyndi Foreman worked the room.

So did Ree Guyer, Lisa Harless, Sarah Cates, Leslie DiPiero, Bart Herbison, LeAnn Phelan, John Briggs, Tony Brown, Stuart Dill, Walter Campbell, Andrew Kintz, Ken Levitan, David Crow, Debbie Carroll, Jewel Coburn & Jason Morris, Whitney Daane, Wayland Holyfield, Chris Farren, Connie Harrington, Gary Velletri, Kos Weaver, Kevin Lamb and Blake Chancey

By the time we got to the car, it was pouring a river of water with thunder and lightning as the accompaniment. At 9:30, we pulled into the Broadway McDonald’s. We dined on lukewarm burgers and fries. I was careful not to drip catsup on my tux, since BMI was still to come.

Songwriter Jamie Moore performs his Top Five song “May We All” (recorded by Florida Georgia Line). Photo: Ed Rode

Publisher of the Year Warner Chappell’s Ben Vaughn, Songwriter of the Year Ashley Gorley, Song of the Year songwriters Dave Kuncio and Josh Mirenda, Publisher of the Year Warner Chappell’s Jon Platt. Photo: Ed Rode

ASCAP Board member Jimmy Webb performs “By the Time I Get to Pheonix” in tribute to his longtime collaborator and friend, Glen Campbell, and the members of the music community who passed in 2017. Photo: Ed Rode

Songwriter-Artist of the Year Matthew Ramsey and Brad Tursi of Old Dominion perform their Top Five song “Snapback.” Photo: Ed Rode

ASCAP CEO Elizabeth Matthews, Songwriter of the Year Ashley Gorley, ASCAP President and Chairman Paul Williams and ASCAP EVP of Membership John Titta. Photo: Ed Rode

Carly Pearce’s “Every Little Thing” Goes Gold

Big Machine Records newcomer Carly Pearce‘s debut major label single “Every Little Thing” has been certified Gold by the RIAA. This makes Pearce the only solo female with a charting country debut single to earn this milestone in 2017.

Pearce’s debut album Every Little Thing entered at No. 2 on the country albums chart, and Pearce earned the top spot on Billboard’s all-genre Emerging Artists chart. “Every Little Thing” was a three-week No. 1 on SiriusXM’s The Highway, while another Pearce track, “If My Name Was Whiskey,” also topped the SiriusXM The Highway chart.

“Country music is all I’ve ever known,” Pearce said. “I’ve spent years working towards moments like this, and I can’t begin to describe how ‘Every Little Thing’ has truly changed my life from the initial heartache to now ‘thank you.’ I’m so grateful to all of the fans and radio who have given me this GOLD-certified, Top 5 single! You’ve had more of an impact on me than you’ll ever know.”

“Everlasting Love” Singer Dies In Music City

 


Nashville soul singer Robert Knight has passed away at age 72.

In 1967, he recorded the first version of the pop evergreen “Everlasting Love.” Written by Music City’s Buzz Cason and Mac Gayden, the song has since been recorded by hundreds, including Love Affair (1969), David Ruffin (1969), Carl Carlton (1974), Narvel Felts (1979), Louise Mandrell (1979), Rex Smith & Rachel Sweet (1981), U2 (1989), Gloria Estefan (1995) and David Essex (1995).

“Everlasting Love” also served as the title tune of Robert Knight’s debut LP. It was issued on Cason’s Rising Sons label, distributed by Monument Records. Cason and Gayden produced and arranged it.

Robert Knight was born Robert Peebles in Franklin, TN in 1945. Raised by his grandparents, he was singing professionally by the time he was a teenager.

He became a member of The Paramounts, who recorded for Dot Records in the early 1960s. At this point, DJ and music entrepreneur Noel Ball suggested he change his last name to Knight.

He was in the Nashville R&B group The Fairlanes when Mac Gayden heard him singing at the Kappa Sigma House on the Vanderbilt University campus and recruited him to record the songs that he and Cason were writing.

“Everlasting Love” became a hit on both pop and r&b charts. Knight followed it with the Cason/Gayden song “Blessed Are the Lonely” in 1968.

Ray Stevens provided Knight’s 1968 single “Isn’t It Lonely Together.” He returned to the Cason/Gayden catalog for “Love on a Mountain Top” in 1970.

Knight took his hits to the Apollo Theater in Harlem. He traveled with soul star Joe Tex for six months and became Aretha Franklin’s opening act on a European concert tour.

In the 1980s, “Everlasting Love” was revived to became a favorite on the “Beach Music” scene in the Carolinas.

But Robert Knight eventually drifted away from music. He worked at Vanderbilt as a lab technician and on the grounds crew.

In 2004, the Country Music Hall of Fame opened its acclaimed exhibit “Night Train to Nashville,” and Knight enjoyed a new moment in the spotlight. “Everlasting Love” was included on the show’s accompanying CD, which won a Grammy Award.

In recent years, Robert Knight had been suffering from emphysema and a blood disorder. He passed away on Sunday, Nov. 5. Funeral arrangements have not been announced.

Notes For Notes Opens Nashville Studio With Help From CMA Foundation

Pictured (L-R): Kos Weaver, Executive VP of BMG Nashville; Stephen Dashiff, Notes for Notes student guitarist; Tiffany Kerns, CMA Director of Community Outreach; Rod Hare, Board President/Co-Founder of Notes for Notes; Lindsey Ell, Stoney Creek recording artist; Phillip Gilley, CEO/ Founder of Notes for Notes; Ron Samuels, CMA Foundation Board Member; Justine Avila, Executive Director, Music City Music Council. Photo: Caitlin Harris/CMA

Stoney Creek Records artist Lindsay Ell joined forces Monday with the CMA Foundation, Boys & Girls Clubs of Middle Tennessee, and Lowe’s Renovation Across the Nation, to officially open the flagship Notes for Notes recording studio at the Cleveland Park Boys and Girls Club in Nashville.

Ell performed Stevie Wonder’s “Superstition” with Stephen Dashiff, a promising guitar player from the Notes for Notes studio. The performance was recorded by Executive Vice President of BMG Nashville Kos Weaver, who is a Notes for Notes Nashville Soundboard Member. Ell also performed her current single “Waiting on You.” The songs will be included in a future EP of live recordings from the studio featuring a variety of artists and student musicians.

The CMA Foundation made an initial donation to the first Nashville Notes for Notes chapter in 2014 and has since supported the opening of recording studios in Boys & Girls Clubs and other facilities in several markets. The CMA Foundation receives the bulk of the funding to support these and other worthwhile programs from CMA Music Festival. To date, CMA and the CMA Foundation have donated nearly $2 million to Notes for Notes.

The new Nashville studio features a plethora of gear recently donated by Converse including an API 1608 console. Notes for Notes is also thankful to have the support of so many music instrument and gear manufacturers like Avid, Audio Technica, Casio, Dell, DW, Gibson, Kala Ukuleles, Native Instruments, and Stagg.

The Boys & Girls Clubs of Middle Tennessee received a grant from the Lowe’s Renovation Across the Nation program, which provided support for construction and many willing hands to transform Clubs for kids. Clark Construction, a national construction firm, generously helped manage the project working with a variety of local trades who also supported the buildout.