Don McLean ‘Still Playin’ Favorites’ With New Covers Album

Don McLean is covering a treasury of music from country, folk, gospel, bluegrass, blues, jazz and soul for his new album of covers, Still Playin’ Favorites, due out tomorrow (Oct. 23) through Time Life.

The collection pays homage to American music and features songs made famous by Johnny Cash, Bob Dylan, Clyde Moody, Mel Tillis, Ray Charles, Mahalia Jackson, Elvis Presley, and more, spanning more than 100 years of songwriting. He discusses several of the tracks in a new video series on his YouTube channel, including “Backwater Blues,” originally recorded by Bessie Smith in 1927.

“I just love writing songs and I love hearing songs by good writers that make sense and have lyrics that say something and that are pretty simple,” McLean explains about the concept behind the album. “When it came to recording “Got The Bull By The Horns,” originally performed by Johnny Horton, “I changed a few of the words, I hope he won’t mind,” McLean admits good-naturedly.

Still Playin’ Favorites is modeled after his first album of cover songs, Playin’ Favorites, which was released in 1973 on the heels of his masterworks “American Pie” and “Vincent.”

Still Playin’ Favorites track listing:
1. So Doggone Lonesome (Johnny Cash)
2. Greenback Dollar (Hoyt Axton, Ken Ramsey)
3. Hide Nor Hair (Morton Craft, Percy Mayfield)
4. I Ain’t Never (Webb Pierce, Mel Tillis)
5. Little Sister (Doc Pomus, Mort Shuman)
6. I’m Going To Live The Life I Sing About in My Song (Thomas A. Dorsey)
7. Six White Horses (Clyde Moody)
8. Treat Me Nice (Jerry Leiber, Mike Stoller)
9. Most Likely You Go Your Way (And I’ll Go Mine) (Bob Dylan)
10. Backwater Blues (Bessie Smith)
11. The Keys to the Kingdom (Jenny Lou Carson)
12. Got The Bull By The Horns (Amos E. Byrd, Billy Jones)
13. Tell Old Bill (Traditional, Arranged by Don McLean)
14. She Used To Love Me A Lot (Charles W. Quillen, Dennis Morgan, Kye Fleming)

Katie Kerkhover Joins BMG As Sr. Director, Creative

Katie Kerkhover

BMG has appointed Katie Kerkhover Senior Director, Creative to its music publishing team in Nashville.

Kerkhover will be responsible for BMG’s chart-topping Nashville publishing roster including hitmakers Scooter Carusoe, Ben Goldsmith, James Slater, and Wynn Varble, among others, and signing and developing new songwriters and artists. She will report directly to Chris Oglesby, SVP Creative.

Kerkhover joins from Sony/ATV, where she served as Creative Manager. Previously, she worked as an A&R consultant at CAM Creative and was a touring musician for artists including Sara Evans and Billy Currington.

Said Oglesby, “Katie is a wonderful addition to BMG. Her passion, determination, and character elevate our publishing business in Nashville, as she is the perfect fit for our exceptional songwriters and team. We are thrilled to welcome Katie in her new role and look forward to developing even more high-level opportunities and success for our writers.”

Charley Pride To Receive CMA’s 2020 Willie Nelson Lifetime Achievement Award

Charley Pride

This year’s Willie Nelson Lifetime Achievement Award recipient is legend Charley Pride. Pride will accept the honor during the upcoming 54th annual CMA Awards, which will air live from Nashville’s Music City Center on Wednesday, Nov. 11 on ABC.

“Charley Pride is the epitome of a trailblazer,” says Sarah Trahern, CMA Chief Executive Officer. “Few other artists have grown country music’s rich heritage and led to the advancement of country music around the world like Charley. His distinctive voice has created a timeless legacy that continues to echo through the country community today. We could not be more excited to honor Charley with one of CMA’s highest accolades.”

Previous recipients of the award include Willie Nelson (2012), Kenny Rogers (2013), Johnny Cash (2015), Dolly Parton (2016) and Kris Kristofferson (2019).

The Award was established to recognize an artist who has achieved both national and international prominence and stature through concert performances, humanitarian efforts, philanthropy, record sales and public representation at the highest level. The artist receiving this Award has positively impacted and contributed to the growth of the genre throughout a course of years that have proven to have an unprecedented historical impact on fans and industry alike.

Pride’s distinctive voice and keen song sense made him country music’s first Black superstar, and one of country music’s most enduring artists. Between his chart debut in 1966, and 1989, Pride had 29 No. 1 country hits and over 50 Top 10 tracks, including enduring classics like “Is Anybody Goin’ to San Antone” (1970), “Kiss an Angel Good Mornin’” (1971) and “All I Have to Offer You (Is Me)” (1969).

In 1971, he was named CMA Entertainer of the Year as well as Male Vocalist of the Year in both 1971 and 1972—making him the first artist to win the Male Vocalist honor twice. Pride was also the first Black man to co-host the CMA Awards, taking the reins in 1975 alongside Glen Campbell. He became a Grand Ole Opry member in 1993 and in 2000, was inducted into the Country Music Hall of Fame. He holds three Grammy Awards and was honored with a Lifetime Achievement Award by The Recording Academy in 2017.

This year’s awards show will be co-hosted by Reba McEntire and Darius Rucker on Nov. 11.

CMT Music Awards Winners

Carrie Underwood was this year’s top winner at the CMT Music Awards on Oct. 21, taking home two honors, including the evening’s top prize, Video of the Year, as well as Female Video of the Year, for “Drinking Alone.”

Other winners included Dan+Shay, Luke Bryan, Blake Shelton and Gwen Stefani, Chris Young, and Old Dominion, as well as newcomer Gabby Barrett. Superstar Taylor Swift made an appearance on the show, honoring Barrett with the Breakthrough Video of the Year honor, for her smash hit “I Hope.”

This year’s awards were hosted by Ashley McBryde, Kane Brown, and Modern Family actor Sarah Hyland.

 

Nominees are below (WINNERS in red).

VIDEO OF THE YEAR:
Best video of the year; awarded to the artist (male, female, group/duo or collaboration) and the video director.

Finalists:
Carrie Underwood – “Drinking Alone”
Keith Urban – “Polaroid”
Tanya Tucker – “Bring My Flowers Now”

FEMALE VIDEO OF THE YEAR:
Best video by a female artist; awarded to the artist

Ashley McBryde – “One Night Standards”
Carrie Underwood – “Drinking Alone”
Gabby Barrett – “I Hope”
Kelsea Ballerini – “homecoming queen?”
Maren Morris – “The Bones”
Miranda Lambert – “Bluebird”

MALE VIDEO OF THE YEAR:
Best video by a male artist; awarded to the artist

Jason Aldean – “Got What I Got”
Luke Bryan – “One Margarita”
Luke Combs – “Even Though I’m Leaving”
Morgan Wallen – “Chasin’ You (Dream Video)”
Sam Hunt – “Hard To Forget”
Thomas Rhett – “Remember You Young”

GROUP VIDEO OF THE YEAR:
Best video by a group; awarded to the artists

Lady A – “Champagne Night”
Little Big Town – “Wine, Beer, Whiskey”
Midland – “Cheatin’ Songs (Live From the Palomino)”
Old Dominion – “One Man Band”
The Chicks – “Gaslighter”
The Highwomen – “Crowded Table”

DUO VIDEO OF THE YEAR:
Best video by a duo; awarded to the artists

Brothers Osborne – “All Night (Studio Performance)”
Dan + Shay – “I Should Probably Go To Bed”
Florida Georgia Line – “Blessings”
LOCASH – “One Big Country Song”
Maddie & Tae – “Die From A Broken Heart”

BREAKTHROUGH VIDEO OF THE YEAR:
Best video from an artist’s major breakthrough album; awarded to the artist (male, female or group/duo)

Blanco Brown – “The Git Up”
Caylee Hammack – “Family Tree”
Gabby Barrett – “I Hope”
Ingrid Andress – “More Hearts Than Mine”
Riley Green – “I Wish Grandpas Never Died”
Travis Denning – “After a Few”

COLLABORATIVE VIDEO OF THE YEAR:
Best video from a collaboration; awarded to the artists

Blake Shelton with Gwen Stefani – “Nobody But You”
Carly Pearce and Lee Brice – “I Hope You’re Happy Now”
Dan + Shay and Justin Bieber – “10,000 Hours”
Kane Brown featuring Nelly – “Cool Again”
Marshmello and Kane Brown – “One Thing Right”
Thomas Rhett featuring Jon Pardi – “Beer Can’t Fix”

CMT PERFORMANCE OF THE YEAR
Musical performance on a television show, series or variety special on CMT; awarded to the artist (individual, group or duo)

From CMT Artists of the Year: Ashley McBryde – “One Night Standards”
From CMT Crossroads: Brooks & Dunn and Luke Combs – “Brand New Man”
From CMT Artists of the Year: Chris Young – “Drowning”
From CMT Crossroads: Halsey and Kelsea Ballerini – “Graveyard”
From CMT Artists of the Year: Sam Hunt – “Fancy”
From CMT Crossroads: Sheryl Crow and Chris Stapleton – “Tell Me When It’s Over”

Industry Ink: Kinkead Entertainment, Sean Della Croce, Banner Music

Kinkead Adds To Roster

Pictured (L-R): Kinkead Entertainment Agency’s Bob Kinkead, Julie Devereux; singer-songwriter CJ Solar; Kinkead Entertainment Agency’s Greg Scott, Paige Zuidema, Art Benson, Dennis Kurtz.

Kinkead Entertainment Agency has signed singer-songwriter CJ Solar for booking representation. Solar was MusicRow Magazine’s 2019 Independent Artist of the Year. In addition to co-writing his own singles such as “Watered Down Whiskey” and “American Girls,” Solar co-wrote Morgan Wallen’s No. 1 hit “Up Down,” as well as Jason Aldean’s “I Don’t Drink Anymore” and Jameson Rodgers’ breakthrough hit “Some Girls.”

 

Sean Della Croce Joins Pasadena Records

Sean Della Croce

Singer-songwriter Sean Della Croce has signed with Pasadena Records. The first single from Sean’s album Illuminations, titled “Rebecca Henry” will release Oct. 30, with Illuminations set to release Feb. 26, 2021.

 

Banner Music Adds Copyright/Catalog Manager

Pictured (L-R): Camilla Kleindienst, Greg Kimmel, Daniel Kleindienst

Banner Music has hired recent Belmont University graduate Greg Kimmel as Copyright/Catalog Manager.

“I am grateful to have been given this opportunity during these unprecedented times with such a great company.  I’m excited to be a part of this industry and grow with Banner Music,” says Kimmel.

“Banner Music is always looking to grow, even during a pandemic. We are proud to have found Greg who shares our love for songs, talent and our industry,” says Camilla Kleindienst, CEO of Banner Music.

Dolly Parton, Sara Evans, And More Collaborate On New Single “PINK” To Aid Breast Cancer Research

Five artists, including Dolly Parton, Sara Evans, Monica, Jordin Sparks, and Rita Wilson, are helping in the fight against breast cancer by releasing the new single, “PINK.” The collaboration benefits Susan G. Komen, the world’s leading breast cancer research organization.

“PINK”  was co-written by Victoria Shaw, Erin Kinsey and Jodi Marr, and produced by Shaw. The song will be distributed via Brighter Day Records.

Each year breast cancer kills more than 42,000 women and men in the U.S. alone, and one in 8 women will be diagnosed at some point in her lifetime.

“This is such a beautiful song of hope,” said Parton. “I’m honored to join with these powerful women to help support Susan G. Komen’s life-saving work.”

“Breast cancer is a leading cause of death among African American women! My goal is to change that,” added Monica.  “My life and loved ones have been directly impacted by this disease and I want us all to live in a world without breast cancer. Let’s make pink just another color.”

“As a younger woman, I know that breast cancer can still be a possibility,” said Sparks. “Through all of us working together, we can change the future so that younger generations never have to face breast cancer. This song paints a vision of when that day comes.”

“The song is not just for someone who is a survivor or going through breast cancer treatment, it is for anyone who loves someone who has been impacted by breast cancer,” added Wilson. “That’s what I love about the song.”

“After performing at the Opry Goes Pink last year, I’m thrilled to be supporting Susan G. Komen again this year in a very big way,” said Evans. “There is something magical that happens when women band together to have a positive impact on the world for our sisters and our daughters.”

“In a single moment, a person’s life changes forever – there is life before breast cancer, and life after,” noted Paula Schneider, CEO of Susan G. Komen and a breast cancer survivor. “We are extremely honored that these powerful women have leant their time and talents to help us advance our mission and give a moment of hope to everyone impacted by breast cancer.  Together, we will save lives and get closer to a world without breast cancer.”

Watch the video for the track below:

 

Voting Now Open For AIMP Nashville Chapter’s 2021 Board Of Directors

Voting is now open for the AIMP Nashville Chapter’s 2021 Board of Directors, with three Board seats open and five candidate finalists looking to fill those spots—including Concord Music Publishing’s Duff Berschback, SESAC’s ET Brown, Big Machine Music’s Alex Heddle, songwriter/producer and 102.1 The Ville founder/Program Director Shannon Sanders, and ASCAP’s Mike Sistad.

Voting is open to AIMP Nashville Chapter members and all AIMP Premier Professional members, regardless of Chapter. Current members received an email with a link to the voting form on Monday (Oct. 19), and new members will also receive the link via email after they complete the registration process.

Voting ends Oct. 23, with winners to be announced on Dec. 10. AIMP’s New York and Los Angeles Chapters will also hold their Board elections later this month.

This year’s AIMP Nashville Chapter Board of Directors candidates are:

DUFF BERSCHBACK – Concord Music Publishing
Berschback started in the music business representing songwriters, artists, producers, and music publishers. In 2007, he joined Sony/ATV in Nashville, eventually becoming its SVP for Business Affairs. He was responsible for all business and legal affairs of SATV in Nashville, including negotiating writer agreements, valuation and closing of catalog acquisitions, and litigation oversight. In March 2020, Berschback joined Concord Music Publishing as its EVP of business affairs. He now oversees Concord’s global BA team and is responsible for Concord’s worldwide strategic transactional business, including major acquisitions and significant new media licenses. He also guides Concord’s legislative initiatives, leads litigation strategy and oversight, and provides publishing insight to Concord’s Theatricals and Recorded Music divisions.

ET BROWN – SESAC
Brown joined SESAC’s licensing team in 2009, quickly moving to the Creative Team in 2010. After serving as Manager, Creative Services, he was promoted in early 2020 to Senior Director of Creative Services, where he is responsible for identifying and cultivating new talent across multiple genres. Brown leads SESAC relationships with affiliate writers and publishers in pop/rock and Americana. Over the years, he has worked closely with Skid Row, Nothing More, Black Stone Cherry, Killswitch Engage, as well as Americana greats Margo Price, Jim Lauderdale, Elizabeth Cook, Hayes Carll, and Ray Wylie Hubbard. In addition, Brown’s deep admiration for the craft of songwriting has been instrumental in curating and participating in events throughout the community including the Nashville Film Festival, GRAMMY Next, and TONS. Brown is a graduate of Belmont University, where he received a Bachelor of Business Administration degree in the Music Business program. He is a member of the Americana Association, AIMP, CMA, ACM, IBMA, and the Recording Academy.

ALEX HEDDLE – Big Machine Music
Heddle is the Vice President of Publishing at Big Machine Music, a full-service, independent music publishing company, and sister company of the Big Machine Label Group. Since joining in 2013, Heddle has been vital in the signing and daily development of hit songwriters Jessie Jo Dillon, Ryan Hurd, Maddie & Tae, Josh Thompson, and Benjy Davis. Under his creative direction, the company has consistently placed inside Billboard’s Quarterly Top 10 Publishers lists, totaled 37 country radio No. 1’s, spent 23 total weeks at No. 1 for the Billboard Country Airplay 2020 Chart-Year, and recently enjoyed a span of 40 consecutive weeks with a share of the No. 1 song on the Hot Country Songs chart due to the mega-hits “10,000 Hours” (Dan + Shay) and “The Bones” (Maren Morris). Heddle currently serves as a Music Row Ambassador for St. Jude Children’s Hospital and a member of the AIMP Nashville Awards committee.

SHANNON SANDERS – Award-Winning Producer & Songwriter and Founder/Program Director of 102.1 The Ville
Sanders has the kind of list of accomplishments that truly makes you wonder if he’s somehow been blessed with more hours in the day than the rest of us. Nationally, he’s best-known for his GRAMMYs (2), Emmys (2) and Dove (1) award. But in Music City, the place that is perhaps the most-fitting for his resume, Sanders holds an endless list of titles and positions. Not only is he the founder and program director of Nashville Scene’s “2018 Best Soul Radio Station” pick, 102.1 FM THE VILLE and a National Trustee of the Recording Academy, Sanders is also a city commissioner for the Nashville Convention and Visitors Corporation, a board member of the Nashville Ballet, a member of Phi Mu Alpha Sinfonia, Inc. and, he was one of the music industry leaders selected for Leadership Music’s Class of 2017.

MIKE SISTAD – ASCAP
Originally from Minnesota, Sistad has worked on both the creative and business sides of the music industry. As a musician, he has performed across most of North America, including stops at the Houston Rodeo and Calgary Stampede, as well as radio and TV performances including Garrison Keillor’s “A Prairie Home Companion” and the Grand Ole Opry. A Belmont University graduate, Sistad has worked with legendary Muscle Shoals producer/musician Barry Beckett, as an A&R executive with Arista Records Nashville, and as a band member for 2-time ASCAP Country Songwriter/Artist of the Year Phil Vassar. In his current role as Vice President of Nashville Membership, Sistad continues to work with all aspects of the music industry as it pertains to songwriters, artists & publishing companies. Recent successes include Chris Stapleton, Kelsea Ballerini, Old Dominion, Brothers Osborne, Carly Pearce and many others. Sistad has previously served as both a Board Governor and Chapter Advisor for the Nashville Chapter of the Recording Academy in addition to being a CMA, ACM member and Leadership Music alumni.

Mechanical Licensing Collective Announces Slate Of Informational Panels

The Mechanical Licensing Collective has announced a full week of panels and programming for Oct. 26-30, intended to provide important updates about its progress as the organization prepares to launch its full operations in January 2021.

Each day during the week, The MLC will offer a webinar featuring updates on the progress of different aspects of The MLC’s operations. Participants will also hear from leading stakeholders who were instrumental to the passage of the Music Modernization Act and the establishment of The MLC, including representatives from the U.S. Copyright Office, National Music Publishers’ Association, Nashville Songwriters Association International, Digital Licensing Committee, The MLC Board, and senior leaders of The MLC.

“We’re looking forward to sharing information and engaging with future Members during this exciting week of programming,” said Kris Ahrend, CEO of The MLC. “It’s an important time for future Members of The MLC to catch up on our progress and make sure they are fully-prepared for 2021.”

A schedule of events:
  • Monday, Oct. 26 at 11 a.m. CT: “Join us in Supporting The MLC”
    Established by the historic Music Modernization Act of 2018, The MLC will address longstanding challenges in how music creators collect the mechanical royalties they’re owed. This session will review the origin and purpose of The MLC and hear directly from industry stakeholders about how this organization aims to empower copyright owners around the world. Moderated by Billboard’s Robert Levine, this kickoff event features a panel with National Music Publishers’ Association EVP and General Counsel Danielle Aguirre; The MLC CEO Kris Ahrend; ABKCO Music & Records, Inc. Chief Operating Officer and The MLC Board Chair Alisa Coleman; Digital Media Association President and CEO (and representative for the Digital Licensee Coordinator) Garrett Levin; and United States Copyright Office General Counsel and Associate Register of Copyrights Regan Smith. Register here.
  • Tuesday, Oct. 27 at 11 a.m. CT: “The MLC Portal” 
    This session will provide a look into The MLC Portal. The MLC’s Chief Information Officer Richard Thompson will preview The Portal, discuss the Data Quality Initiative and share updates on next steps. Register here.
  • Wednesday, Oct. 28 at 11 a.m. CT: “Members First: Making Customer Service our Priority”  
    MLC Head of Customer Experience Lindsey Major and Head of Rights Management Maurice Russell will take part in a Q&A about the MLC’s customer service operation. Serona Elton, The MLC’s Head of Educational Partnerships, will moderate this session. Register here.
  • Thursday, Oct.  29 at 11 a.m. CT: “Engaging International, Educational and Third-Party Partners”   
    Three members of the MLC’s leadership team will discuss how they are building partnerships in three key areas. Panelists include Head of Third-Party Partnerships Dae Bogan, Head of International Relations Indi Chawla, and Head of Educational Partnerships Serona Elton. The MLC’s Head of Rights Management, Maurice Russell, will moderate. Register here.
  • Friday, Oct. 30 at 11 a.m. CT: “What’s Next: A Vision for the Future”
    Music Business Association President Portia Sabin joins for a conversation with CEO Kris Ahrend to discuss The MLC’s vision for the future, including a preview of the milestones that lie ahead over the next six months (and beyond) as The MLC continues to ramp up operations. Register here.

Pet Community Center Establishes Donor Society Honoring Phran Galante

Phran Galante

Pet Community Center, Nashville’s only low-cost spay/neuter and wellness veterinary clinic, has established Phrannie’s Phriends, a donor society for those contributing $1,000 or more annually to the nonprofit, in memory of animal welfare visionary Phran Galante, who died in 2019.

Galante was a pioneer in the animal welfare field in Nashville. In 1996, the city’s Metro Animal Control shelter was ranked as the worst in the nation, and she helped lead the Animal Care Task Force and pushed city leaders for change. Galante personally volunteered in the shelter, cleaning, feeding, and caring for the animals until finally in 2001 a new shelter opened under new leadership.

Nashville still had a lot of work to do back then as the city struggled with a shelter euthanasia rate in the 80% range, and Galante was at the forefront as she stepped into the Chair role to lead a coalition effort known as the United Partnership for Animal Welfare and served on the advisory board of Metro Animal Care and Control

Over the next five years, Galante led efforts including a rewrite of city ordinances, spearheading outreach clinics in disadvantaged neighborhoods, and lobbying to end puppy mills and animal fighting. In 2017, PCC honored Galante with the Jourdan Parenteau Leadership in Animal Welfare Award, their highest honor.

“Phran’s support of the Pet Community Center has helped us to spay, neuter, and provide veterinary care to more than 85,000 dogs and cats,” said Natalie Corwin, president and CEO of PCC. “These preventative efforts helped tip the scales at Metro Animal Care and Control, moving the euthanasia rate from 80% in 2011 to under 10% in 2018 and 2019. We are thrilled to establish Phrannie’s Phriends in her memory.”

Donations to Phrannie’s Phriends may be made at petcommunitycenter.org/phrannies-phriends.

Gabby Barrett’s “I Hope” Featuring Charlie Puth Tops Hot AC Chart

Photo: Robby Klein

Warner Music Nashville’s Gabby Barrett hits No. 1 on the all-genre Hot AC chart this week with “I Hope” feat. Charlie Puth. Adding to over 750 million career global streams to date, the 3x multi-Platinum crossover hit marks her first Hot AC chart-topper as well as her first Billboard Hot 100 Top 10, as the song currently sits at No. 8. The track also sits atop the Billboard Hot Country Songs chart for its 13th week.

“I’m so grateful for this amazing achievement. ‘I Hope’ continues to do more than I ever imagined, and I cannot believe it’s the #1 song at HOT AC THIS WEEK,” Barrett shares. “Thank you God for this gift and for all of the blessings I continue to receive, thank you to my team, my sweet husband, my family, my unbelievable fans, the folks at radio, my co-writers, and of course to Charlie Puth for hopping on this song and making it even bigger. I’m so thankful for all of this and I don’t take an inch of it for granted! THANK YOU!”