Beloved Music Row Ambassador Ralph Murphy Passes

Ralph Murphy. Photo: Canadian Country Music Association

Songwriter, publisher, artist, producer and Music Row ambassador Ralph Murphy died Tuesday (May 28) following a brief illness.

Murphy, 75, is a member of the Canadian Country Music Hall of Fame. He was a longtime ASCAP Nashville executive. At various times, he was also a president at NSAI, the head of the Nashville chapter of the Recording Academy and a national NARAS trustee.

As a songwriter, he has had major hits with Ronnie Milsap, Jeannie C. Riley, Crystal Gayle and a number of pop and rock acts. Others who have recorded his songs include Randy Travis, Shania Twain, Don Williams, Ray Price and Lynn Anderson.

Ralph Murphy was born in England and educated in Canada from the age of 6. He began performing and writing songs at age 14. After experiencing the music business in Los Angeles and New York, he moved to London at age 19. He became a recording artist and signed as a songwriter with Mills Music in 1965.

He began having British pop hits as a songwriter in 1966 via such artists as Billy Fury, Vanity Fare and James Royal. He also continued to record as a member of various pop groups.

Murphy migrated to New York in 1969 and then began producing million-selling records for such top Canadian rock groups as April Wine and Mashmakhan in Toronto.

In 1971, Jeannie C. Riley scored a top-10 country hit with Murphy’s song “Good Enough to Be Your Wife.” Charmed by Nashville during his subsequent visits, Murphy moved to Music City in 1978. He formed Picalic Publishing with British-born hit songwriter Roger Cook.

Among the company’s many successful songs were Cook’s “Talking in Your Sleep” and Murphy’s “Half the Way,” both chart-topping hits by Crystal Gayle in 1978-79. Murphy also co-wrote the No. 1 Ronnie Milsap 1982 smash “He Got You.”

Another of his best-remembered songs is “Seeds.” Co-written with Pat Alger, it appeared on Kathy Mattea’s 1992 CD. In 2006, Cliff Richard had a British hit with “A 21st Century Christmas,” co-written by Murphy with Paul Brady.

Ralph Murphy joined the executive team in ASCAP’s Nashville office 25 years ago. He was the organization’s Vice President of International Membership. As such, he became not only one of Music Row’s most visible and liked denizens, but also an ambassador of Nashville’s scene all over the world.

Generous with his time and advice, Murphy was known for his “open door” attitude, making him a welcoming figure of encouragement and support for fledgling songwriters. He became a mentor to many. As another assist to aspiring writers, he wrote Murphy’s Laws of Songwriting: How To Write Hit Songs. The book remains available online.

Ralph Murphy and Lyle Lovett attend the 50th Annual ASCAP Country Music Awards at the Gaylord Opryland Hotel on October 29, 2012 in Nashville, Tennessee. Photo: Rick Diamond/Getty Images for ASCAP

International music businessman John Lomax III commented that it was poignant that Murphy died just prior to the annual international MIDEM convention in Cannes, France. “So few here could move adroitly amid U.S., Canadian and all the major European music industries,” Lomax recalled. “He’d always say when you asked how he was, ‘all the better for seeing you.’”

Canadian music journalist Richard Flohil eulogized Murphy as “the songwriter’s heart and soul. “He leaves behind hundreds of friends who trusted his advice, laughed at his jokes, relished his company,” Flohil wrote yesterday. “He was, for songwriters, a beacon of hope, a fount of inspiration, a source of encouragement, a connector of people. “Songwriters everywhere have lost a hero, a friendly giant, and a friend.”

Ralph Murphy was inducted into the Canadian Country Music Hall of Fame in 2012. Last month, SOCAN presented him with its Special Achievement Award. He won the CMA’s Jo Walker-Meador International Achievement Award in 2011.

In recent years, Ralph Murphy has had health problems. But he continued his good-will visits to Sydney, London, Dublin, Toronto, Berlin and other international music centers. Following a visit to Toronto earlier this month, he contracted pneumonia. This led to his death.

Funeral arrangements have not yet been announced.

ASCAP President and Chairman Paul Williams said, “Ralph Murphy was a giant in music. For more than five decades and across several continents, his bountiful gifts as a songwriter, performer, musician, producer, author, educator and music advocate touched millions of people around the world. As a longtime member of the ASCAP family, he was a relentless champion of ASCAP’s mission to nurture each new generation of music creators to master their craft and fulfill their potential. He would often ask songwriters: “Have you told the whole story?” We’ll never know what stories Ralph had left to tell. But we do know that his legacy will enrich the lives of music creators for years to come. To some of us he was simply ‘Da Murph,’ a title that seems to best describe a true gentleman, world traveler and remarkable friend.”

ASCAP CEO Elizabeth Matthews said,  “Ralph always fought for what was best for all songwriters and I will miss his unique perspective and incredibly valuable insights. Ralph was a loyal ambassador for songwriters whose heart was always in the right place. All of us at ASCAP have lost a great friend and one of our best advocates.  We will miss his story telling, his humor and the warmth and love he shared with so many.”

 

Shane McAnally, Old Dominion’s Matthew Ramsey Talk “Giving Away Magic Tricks” On NBC’s ‘Songland’

Old Dominion with Songland’s Ester Dean, Ryan Tedder and Shane McAnally. Photo by: Trae Patton/NBC

With 40 No. 1 singles and three Grammy Awards to his credit, songwriter and producer Shane McAnally knows quite a bit about crafting songs that not only impact the country radio charts, but songs that help change culture while helping artists reveal more of themselves, both creatively and personally.

McAnally is sharing some of those secrets beginning tonight (May 28) as part of NBC’s Songland, a music competition that pulls back the curtain on the often private world of songwriting that provides so many artists with the essential hit songs that create superstars.

“We always joke that we are giving away magic tricks,” McAnally told MusicRow. “For the every day lover of music who has no idea where hit songs come from, or how it happens, it shows what it really means to us. You get to see the effort and heart that these writers have put on the line for this. That part is so important because songwriters really have been put on the back burner.”

Each week, four unknown songwriters pitch and perform their songs before a major recording artist, as well as a panel of songwriters and producers, which includes McAnally alongside OneRepublic lead singer Ryan Tedder (also known for his production work with Taylor Swift, Adele and Beyonce), and Ester Dean (who has written and produced for Nikki Minaj, Katy Perry and Rihanna).

“We go down the line and start to tell them what we would have done differently. If we have the Jonas Brothers for that episode, they are there and we discuss how to make each song a better fit for them. And these contestants are songwriters, not performers. We’re not judging your voice or what you look like. We are listening to your song and trying to find the gold in that.”

After hearing each song possibility and commenting on ways to improve the track, the artist pairs each songwriter contestant up with either Tedder, Dean or McAnally, to tweak and record the song using the artist’s suggestions. The artist listens to each reconstructed song and selects one entry to record as their next single release.

As part of a recording and publishing deal with Songland, BMG will release the music written and recorded immediately following each episode. Under the agreement, BMG serves as worldwide distributor of Songland Records and the administrator of the show’s publishing company, Eligible Music, for the songwriter contestants’ original music created and recorded during the show.

Old Dominion and Kelsea Ballerini join fellow artists the Jonas Brothers, Charlie Puth, Meghan Trainor, will.i.am, OneRepublic, John Legend, Macklemore, Leona Lewis and Aloe Blacc on the show. Ballerini has co-written and performed chart-topping hits including “Love Me Like You Mean It,” “Dibs,” “Peter Pan.” Meanwhile, the members of Old Dominion have penned hit songs for Kenny Chesney, Sam Hunt, Dierks Bentley, and William Michael Morgan, in addition to their own hits including “Break Up With Him,” “Written In The Sand,” and the band’s current single “Make It Sweet.”

“It’s a look at songwriting that most people don’t get,” Old Dominion’s Matthew Ramsey tells MusicRow. “I haven’t seen a full episode yet, so I don’t know how much they show, but it’s very much like a co-writing session. I’m excited for people to see how we work. It was refreshing to feel like we had something to contribute to them that could help.”

“It’s an instant connection that an artist like Old Dominion can sit there and go, ‘I’ve been where you are,’” McAnally adds. “At that moment when they play their song we start instantly giving feedback, instantly co-writing with them. Ryan might chime in about a chorus or a melody, and the artist is on the spot co-writing and recreating the song to fit them.”

Shane McAnally. Photo: Trae Patton, courtesy NBC

Sometimes the contestants get thrown a curveball, as in Old Dominion’s upcoming episode.

“Ours is a little different than some of the other episodes as we are working on a song for an ad campaign,” Ramsey says. “It was a two-fold challenge for the songwriters in our episode. They had to write a song that would work for Old Dominion, but also would work for a brand.”

McAnally notes that several of the contestants are from Nashville or have written songs in Nashville; some contestants have had publishing deals.

“It always made us lean in a little closer when a contestant said they were from Nashville or had written in Nashville because we know how high that bar is,” he says. “Some contestants that have deals might be in their first deal, some might be in their fifth, but there are so many signed writers that have as little of a leg up as an unsigned writer, so it’s still writers who are in that part of their career that they need a way to break through.”

As exciting as Songland may be for the contestants, and aspiring songwriters watching at home, McAnally says its the personalities that will draw in average television watchers and music lovers.

“People always say, ‘Who would watch a show about songwriting?’ McAnally says. “Well, I love cooking shows and home improvement shows. I don’t do either of those things, and those shows don’t make me want to do them. That doesn’t come naturally to me. But I love the people on those shows and their passion for what they do. And this show does the same. It’s songwriting in place of those things, but you fall in love with these songwriters that come forward and put their hearts on the line and I think that’s what will make people watch.”

In addition to being a hit songwriter and producer, McAnally is a co-founder of the Nashville-based publishing powerhouse SMACKSongs and is co-president of the relaunched Monument Records, alongside Jason Owen.

“There are options there for these songwriters,” McAnally says, noting that he, Tedder and Dean each own publishing companies. “I’m working with and writing with some of these writers and talking about publishing opportunities.”

Though Songland represents a once-in-a-lifetime chance for the contestants, McAnally cautions that the show is still only one step in a long-term career, even for those whose songs are not chosen by an artist.

“I know what it feels like to hear the word ‘no’ over and over again. I’ve been where they are. Even on this show, where you are leapfrogging over managers, publishers, A&R, and you are right in front of the artist with these songs—something I’ve never even gotten to do—I still remind them that this is just one part of it. One song is going to win, but there are so many paths forward for these songwriters.”

Songland premieres tonight (May 28) at 9 p.m. CT on NBC.

Weekly Register: Luke Combs and Blake Shelton Lead The Pack

Pictured (L-R): Luke Combs, Blake Shelton

Albums

Tyler, The Creator takes the top spot this week with his fifth project, IGOR with 164K (74K album only). Luke Combs leads the country heap (No. 14 overall) with This One’s For You, at 25K (3.4K album only/27 million song streams), according to Nielsen Soundscan.

Landing at No. 2 with country albums is Dan + Shay with their self-titled project 17K (1.8K album only/17 million song streams). Morgan Wallen is at No. 3 with If I Know Me, with only 490 album-only units, however with an overall 13K moved, with 14 million song streams. Chris Stapleton is at No. 4 with Traveller 11K (2.7K album only/10 million song streams). And lastly, but surely not least in the top 5, a female: Maren Morris with GIRL at 11K (1.5K album only/11 million song streams).

There were no new entries on the top country album chart.

Songs

Lil Nas X takes the overall No. 1 spot for his “Old Town Road.” The top debut overall is Tyler, The Creator’s “Earfquake.” The song debuts at No. 2 overall with 25 million streams.

Blake Shelton’s “God’s Country” has the top spot on the country songs chart with 11 million streams and now at 60 million RTD. Morgan Wallen‘s “Whiskey Glasses” comes in at No. 2 with 10 million streams (142 million RTD). At No. 3 and 4 is Combs with “Beautiful Crazy” and “Beer Never Broke My Heart,” respectively with streams of 9.9 million (401 million RTD) and 8.5 million (23 million RTD). Rounding out the top 5 is Lee Brice‘s “Rumor,” with 7.5 million streams (138 million RTD).

The top debut on the country streaming songs chart is Lady Antebellum‘s “What If I Never Get Over You,” released from their new Big Machine label, with 3.8 million at No. 30.

Songwriter/Producer Dan Mitchell Passes

Dan Mitchell. Photo: danmitchellnashville.com

By Robert K. Oermann

Dan Mitchell, best known as the cowriter of “If You’re Gonna Play in Texas (You Gotta Have a Fiddle in the Band)” passed away in Nashville last Wednesday (May 22).

Mitchell was a native of Warsaw, Ohio, who formed his first bands in high school. He initially achieved notoriety in Nashville in the 1970s. His songs were recorded by such Country Music Hall of Fame members as The Oak Ridge Boys, Mel Tillis, Connie Smith, Waylon Jennings, Roy Clark and George Jones.

His first top-10 hit as a songwriter was with Moe Bandy’s 1981 recording of “Rodeo Romeo.” Bandy scored again the following year with Mitchell’s “”Only If There Is Another You.”

Alabama’s 1984 No. 1 hit with “If You’re Gonna Play in Texas” has been certified for more than four million airplays by BMI. It also led to more than 30 Gold, Platinum and Multi-Platinum awards for Mitchell.

He wrote and produced several charting singles for Mason Dixon, including “I Never Had a Chance With You” (1984), “Houston Heartache” (1985), “Home Grown” (1986) and “Don’t Say No Tonight” (1987). He also headed the band’s label, Premier One Records.

Mitchell was also the head of Little General Records. The label’s female trio Taylor Made won a MusicRow award in 2012. His label Verastar Records featured singer Marianne Allison in 2015. In 2013, he wrote and produced his son Jason Mitchell’s single “Stomp.” It became a featured song of the Pittsburgh Steelers at their home games.

Dan Mitchell wrote hundreds of other songs. In addition to those listed above, they were recorded by Jack Greene, Joe Stampley, David Houston, Diana Trask, Razzy Bailey, Sammi Smith, Jimmy C. Newman, Big Al Downing, Leona Williams, Leroy Van Dyke, Deborah Allen, Jeff Carson, Pinkard & Bowden, Atlanta, Orion and Narvel Felts, among many others.

He wrote and produced “The Last Outlaw” for Johnny Paycheck. Following the singer’s release from prison in 1991, Mitchell managed him. He also produced records for Southern Exposure, Cody McCarver, Cowboy Troy and Tiny Tim.

In addition to hit songs, he wrote national ad jingles for Toyota (“Miles of Smiles”) and for Miller Beer (“It’s Real”). He also sang and produced these radio and TV spots.

His jingles sung by others were for Dole Pineapple, Lucky Strike cigarettes, Bella Napoli, Roger’s Clothing for Men and Crossroads Mall.

In March, Dan Mitchell was honored by the North American Country Music Association with its Legendary Performer Songwriter Artist Award.

Lauren Alaina Reveals Plans For That Girl Was Me Headlining Tour

Lauren Alaina announced today via an Instagram video message that she will launch her That Girl Was Me Tour this fall. Kicking off in Columbia, Missouri on Sept. 14, the headlining tour will hit Boston, New York, Atlanta and Nashville. Alaina also released the music video for her nostalgic hit, “Ladies in the 90’s,” which was directed by Ben Skipworth.

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Curb Records artist and “Slower” singer Filmore will join Alaina on the road. The Missouri native has tallied over 50 million on-demand streams and has previously opened shows for Sam Hunt, Brett Young, Carrie Underwood and Jon Pardi.

Tickets are available for purchase beginning this Friday, May 31 at laurenalainaofficial.com/tour. Special VIP packages are also available through VIP Nation and include a gift item, meet and greet access, a unique performance from Alaina and more.

That Girl Was Me Tour Dates:
Sep. 14 • Columbia, MO The Blue Note
Sep. 19 • Warrendale, PA Jergel’s Rhythm Grille
Sep. 20 • New York, NY Bowery Ballroom
Sep. 21 • Richmond, VA The National
Sep. 26 • Boston, MA Paradise Rock Club
Oct. 3 • Columbus, OH The Bluestone*
Oct. 5 • Indianapolis, IN 8 Seconds Saloon
Oct. 24 • Atlanta, GA Buckhead Theatre
Oct. 25 • Nashville, TN Exit/In

*Opener TBD

Tin Pan South Reveals 2020 Dates

NSAI announced today that the 28th Tin Pan South Songwriters Festival will be returning once again and is set for Tuesday, March 24 through Saturday, March 28, 2020.

Known as the largest songwriters-only festival of its kind, the event will include nearly 100 shows, with songwriters ranging from newcomers to top hitmakers, filling venues throughout Nashville.

Each year, one round is selected to honor an additional purpose beyond supporting and celebrating the songwriters we all love, and that purpose is to benefit a local non-profit organization. For the 2019 festival, W.O. Smith Music School was chosen as the non-profit partner, and thanks to a sold-out crowd at the round featuring hit songwriters Barry Dean, Luke Laird, Lori McKenna and a few special guests, NSAI was proud to raise $2,000 to gift to the organization.

Additional festival information including the 2020 non-profit partner, performer submission period and ticket on-sale dates will be announced in the coming months.

Country Music Hall Of Fame Announces American Currents Concert Series

The Country Music Hall of Fame and Museum in Nashville will celebrate its new exhibit American Currents: The Music of 2018 this summer with two shows in the Hall of Fame’s CMA Theater.

John Anderson will take the stage on Aug. 8. Meanwhile on Aug. 20, Brad Clawson, Rodney Clawson and Nicolle Galyon will showcase selections from numerous hit songs the family has created.

The two shows are in support of the museum’s American Currents exhibition, and all four performers are featured in American Currents: The Music of 2018, which carefully examines the noteworthy figures and events in country music’s recent past.

Tickets for both shows will be available starting Friday, May 31. For more information or to purchase tickets, visit CMATheater.com.

Eric Church, Jeffery Hyde Leap Into Top 20 On ‘MusicRow’ Top Songwriter Chart

Co-writers Jeff Hyde and Eric Church leap 44 slots into No. 15 and No. 16 this week on the MusicRow Top Songwriter Chart as Church’s “Some Of It” continues climbing and Keith Urban’s new song “We Were” enters the charts. Hyde and Church’s “We Were” was co-written with Ryan Tyndell.

Ashley Gorley tops the MusicRow Top Songwriter Chart for the eighth consecutive week. Michael Hardy and Ross Copperman maintain their positions at No. 2, and No. 3. Luke Combs and Shane McAnally round out the top five at No. 4 and No. 5, respectively.

The weekly MusicRow Top Songwriter Chart, published every week, uses algorithms based upon song activity according to airplay, digital downloaded track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

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ACM’s Special Awards Honorees To Include Brooks & Dunn, Martina McBride, Miranda Lambert, Kacey Musgraves

The Academy of Country Music has named this year’s recipients of the Special Awards for the 54th Academy of Country Music Awards. Honorees will be celebrated during the 13th Annual ACM Honors, an evening dedicated to recognizing the special honorees and off-camera category winners from the 54th Academy of Country Music Awards.

Additional off-camera categories to be feted at ACM Honors include already announced Industry Awards and Studio Recording Awards winners, along with previously announced Songwriter of the Year Award winner, Shane McAnally.

The ACM Cliffie Stone Icon Award will go to Brooks & Dunn and Martina McBride. This award is presented to a country music artist, duo/group or industry leader who throughout their career has advanced the popularity of the genre through their contributions in multiple facets of the industry such as songwriting, recording, production, touring, film, television, literary works, philanthropic contributions and other goodwill efforts.

The ACM Gary Haber Lifting Lives Award will go to WME Partner (and Director at Large on the ACM Board) Gayle Holcomb. This award is presented to a country music artist, duo/group or industry professional who is devoted to improving lives through the power of music, has a generosity of spirit, and is committed to serving others. Holcomb helped launch ACM Lifting Lives in 2009, and made the initial endowment to form ACM Lifting Lives’ Diane Holcomb Emergency Relief Fund, in honor of her late mother. Holcomb remains actively involved in the fund’s charitable events, and is the former Academy of Country Music board chairman.

Miranda Lambert is the recipient of this year’s ACM Gene Weed Milestone Award, which is presented to a country music artist, duo/group or industry leader for a specific, unprecedented or outstanding achievement in the field of country music during the preceding calendar year.

Kacey Musgraves is this year’s honoree for the ACM Jim Reeves International Award, which is presented to an artist or industry leader for outstanding contributions to the acceptance of country music throughout the world.

Meanwhile there is a three-way tie for the ACM Poet’s Award this year, with the honor going to Rodney Crowell, Kye Fleming and Billy Joe Shaver. This award is presented to a country music songwriter for outstanding and longstanding musical and/or lyrical contributions throughout their career, with special consideration given to a song or songs’ impact on the culture of country music.

A Star Is Born, featuring Bradley Cooper and Lady Gaga, has been named the recipient of the Tex Ritter Film Award, which recognizes an outstanding television movie, series or feature film released during the preceding calendar year which prominently features country music. Past recipients of the Tex Ritter Film Award include Beer For My Horses, The Best Little Whorehouse in Texas, Country Strong, Crazy Heart, Dolly Parton’s Coat of Many Colors, Nashville,O Brother, Where Art Thou, Sweet Dreams and Walk the Line, among others.

As previously announced, Shane McAnally has been chosen as the recipient of the Songwriter of the Year award. This award is presented to an individual known predominately as a songwriter, selected by a Professional Panel of judges composed of songwriters, publishers, producers, and performing rights organization representatives.  This is McAnally’s second ACM Songwriter of the Year award. Past recipients of the ACM Songwriter of the Year Award include Ross Copperman, Dallas Davidson, Luke Laird, Shane McAnally, Lori McKenna and Roger Miller.

This year’s ACM Honors will take place Aug. 21 at the Ryman Auditorium. The awards are voted on by the ACM Board of Directors.

Eric Church’s Fan Loyalty Breaks Nashville’s Nissan Stadium Attendance Record

Eric Church. Photo: John Shearer

If there’s one thing to know about Eric Church fans, it’s that they’ll show up.

In Nashville, on Saturday (May 25), their loyalty gave Church the footing to set a new attendance record for a concert crowd at Nissan Stadium, to the tune of 56,521 (breaking the 2018 record of 56,112). This nearly tripled his attendance record from two years prior, across town at the Bridgestone Arena.

“I got a glimpse of this place as I came in, all the way full, all the way sold out,” confirmed The Chief—as he is known to the diehards—from his stadium stage. “I came here 15 years ago and had dreams, but I’m not sure I could dream this big…this is something I’ve never seen before in my life.”

If not about heartbreak, “Record Year” offered the most definitive punch to the vibe of the evening with the line, I owe you a beer/For my record year.

Church made good on that offer, with more than beer available for fan-club members and VIP in the pre-show tailgate. Six food truck vendors were present, alongside activations for vinyl pressing, Jack Daniel’s trailer tours and a tee-shirt screen printing. Known for doing things his own way, Church brought high-end merch with his infamous pop-up stores, offering whiskey glass sets to the tune of $750 in addition to quality clothes.

Eric Church with fans who camped out for pit access. Photo: Courtesy of the Double Down Tour

Speaking of loyal fans, many apparently waited on a first-come-first-serve basis for space in the stadium’s concert pit. Church made an appearance early Saturday morning around 12:30 a.m. in line outside the gates of Nissan Stadium, where fans were camping out beginning Friday afternoon.

In a blitz to sign records which audience members held up around his catwalk, Church prominently elevated artwork for his complete studio discography.

Eric Church. Photo: John Shearer

“Tonight is going to be about all six albums—from Sinners [Like Me] all the way to Desperate Man,” Church declared before playing his banjo-driven debut single from 2006, “How ‘Bout You.” Give me a crowd that’s redneck an’ loud, we’ll raise the roof, more or less chanting the lyrics to the throwback tune, reverberating with the input of the fans in the outdoor stadium. Joanna Cotten helped Church pack a punch of an intro on stage with “Drowning Man” alongside “That’s Damn Rock & Roll” and “Over When It’s Over.” Cotten held a meet and greet of her own for the base she’s steadily growing with the elevation received from her slot on Church’s tours.

Coordinated lighting and a duo of video walls, similar to those seen at CMA Fest’s nightly stadium shows, gave Church the reach to connect with fans all the way in the 300-level seats, who at times were all on their feet.

Church was backed by a six person band, then stripped to acoustic renditions of “Mr. Misunderstood,” “Creepin’,” and “Mistress Named Music.”

Joanna Cotten and Eric Church. Photo: John Shearer

What stood out most about the night is his camaraderie with the audience, who he speaks to– to a tee. Church sings in the first line of Mr. Misunderstood, Sitting in the back of the class; I was just like you/Always left out, never fit in; he reaches the country-bent crowd, declaring their adult independence in the lyrics Grown-ass man from “Desperate Man”; getting left behind in heartbreak in a hometown for “Round Here Buzz”; and the plain-stated crowd favorites “The Outsiders” and “Sinners Like Me.”

He is perhaps most outspoken on songs such as “Kill A Word” and “The Snake,” speaking to a relatively progressive, traditionally conservative political base. The audience balances these traditions and progressions with the haze of marijuana puffing from concert seats with nods to traditional country—namely Hank Williams and Merle Haggard. Both legacies progressive and traditional in their own right.

And all this was before the intermission. Church has been playing two dates in cities throughout 2019, except Nashville. Only one supersize venue was required for Music City. The evening’s feat made him the first artist to play Nissan Stadium alone in the venue’s 20+ year history. He went on stage at 8:45 p.m. and played well after midnight.

Although Church introduced his mother in the audience after the 30-minute intermission, the party really started post-break. Wearing an American flag print like a robe, Church performed “Jack Daniels,” advising if anyone needed, to puke and rally to keep up. And in gratitude, Church played well over three hours.

In the free seats, fans on Nashville’s walking bridge peeked over the gates to hear the reverberated echoes of some of those titles worth hearing remnants of—such iconic material as “Talladega,” “Knives of New Orleans” and “Round Here Buzz.”

Prior to the event, Church made an appearance with his label and management to accept a 30-million album sales plaque.

“He defies pretty much any imaginable odd on how you build a career,” said UMG President Cindy Mabe of Church, who she’s worked with since his first album. “You can watch it out here tonight because he built this fan-base one by one. There are so many people in this town that want to be just like this guy, but there’s only one Eric Church.”

For fans that missed the Nashville Double Down Tour, Church has just been announced as a CMA Fest performer at Nissan Stadium Friday, June 7.

Pictured (L-R): Eric Church, Cindy Mabe and John Peets. Photo: John Shearer

Eric Church. Photo: John Shearer

Upcoming Double Down Tour Dates

June 28 & 29               George, Wash. || The Gorge Amphitheatre
Sept. 13 & 14              Green Bay, Wis. || Resch Center
Sept. 20 & 21              Calgary, Alberta || Scotiabank Saddledome
Sept. 28                       San Francisco, Calif. || Chase Center
Oct. 4 & 5                   Grand Rapids, Mich. || Van Andel Arena
Oct. 11 & 12               Philadelphia, Pa. || Wells Fargo Center
Oct. 25                        Little Rock, Ark. || Verizon Arena
Oct. 26                        Birmingham, Ala. || BJCC Arena
Nov. 1                         Manchester, N.H. || SNHU Arena
Nov. 2                         Hartford, Conn. || XL Center
Nov. 15 & 16              Washington, D.C. || The Anthem
Nov. 22 & 23              Sacramento, Calif. || Golden 1 Center