Moontoast, Gill Auction for Veterans

Social commerce network Moontoast.com has announced the launch of an auction that will partner the website with Country Music Hall of Fame member Vince Gill to benefit the charity Challenge America, a national initiative to provide support to our country’s returning wounded military. 

Moontoast, a site which connects Guides (“those who know”) and Explorers (“those who want to know”), will invite people to bid online for a chance to win one-on-one time with Gill. The highest bidder will receive 90-minutes of Gill’s time and can choose to experience it either in-person, via phone lines or via Moontoast’s Live Video Player. The winner can talk guitars, get some golf tips or just hang out.

Vince Gill

“We are seeing lots of brands and individuals embrace the Moontoast platform as a way to monetize their knowledge, experience and expertise, but Vince is the first to use Moontoast for philanthropy,” says Chief Marketing Officer, Michael Haje. “We think he’s going to raise a lot of money for Challenge America, and at the same time show other artists, athletes and celebrities that Moontoast can be an efficient and effective vehicle for good.”

“The funds raised through this innovative, online auction will help Challenge America continue to ‘connect the dots’ for our country’s returning injured military and their families to resources for a successful transition from battlefield to home front,” said Houston Cowan, Challenge America founder and executive director.

The auction begins today and will run through midnight CT on April 16. To participate, visit http://www.moontoast.com/vincegill/ChallengeAmerica

Services Set for Pirates of the Mississippi Member

Dean Townson

A memorial service will be held tomorrow, Saturday, April 3, for Pirates of the Mississippi’s Dean Townson. Townson died at age 50 on March 25.

Kenneth Dean Townson was the bass player and harmony singer for the Pirates from 1990 to 1995. He sang on all of the group’s hits, including 1991’s “Feed Jake.” He was also the co-writer of the band’s songs “Just for You” (1992) and “Rodeo Queen” (1994). He was formerly a member of the gospel group Bridge.

Dean Townson is survived by his wife Lorraine, son Parker and daughter April, as well as by his parents, brother and sister.

The service will be held at 3 p.m. at Faith Is the Victory Church, 3344 Walton Lane, which is behind Maplewood High School in Madison.

Will The iPad Be Idolized?

American Idol contestants aren’t the only ones to have their performance judged. New tech toys, like the iPad, must also endure a complex series of advance reviews aimed at determining their ability to “make it.” Imagine the house lights coming back up. Randy Jackson yells above the crowd, “Yo—so listen up Dawg. I mean, for me it was dope, the rich screen colors, the convenient size, and all the cool app choices. The touch screen touched me.”

Luckily, for those of us wary of the Idol stage, we get to hear from a completely new set of judges for all things digital. Speaking of www.allthingsdigital.com, no new Apple device would be complete without a hands-on, pre-launch lowdown from personal technology guru, Walt Mossberg.

“This beautiful new touch-screen device from Apple has the potential to change portable computing profoundly, and to challenge the primacy of the laptop,” Mossberg writes in his Wall Street Journal column. “It could even help, eventually, to propel the finger-driven, multitouch user interface ahead of the mouse-driven interface that has prevailed for decades.”

Mossberg is not shy about comparing the new device with Amazon’s book reader. “The iPad is much more than an e-book or digital periodical reader, though it does those tasks brilliantly, better in my view than the Amazon Kindle,” he says. “And it’s far more than just a big iPhone, even though it uses the same easy-to-master interface, and Apple (AAPL) says it runs nearly all of the 150,000 apps that work on the iPhone.

“If you’re mainly a Web surfer, note-taker, social-networker and emailer, and a consumer of photos, videos, books, periodicals and music—this could be for you. If you need to create or edit giant spreadsheets or long documents, or you have elaborate systems for organizing email, or need to perform video chats, the iPad isn’t going to cut it as your go-to device.”
New York Times technologist David Pogue reviewed the iPad from two perspectives, that of a regular person and a “techie.” In his techie version (techies run Linux, use BitTorrent and have more e-mail addresses than pants), Pogue says it’s, “basically a gigantic iPod Touch.” He starts the second review for everyone else with the same line, but adds with obvious adoration, “The simple act of making the multitouch screen bigger changes the whole experience. Maps become real maps, like the paper ones. Scrabble shows the whole board, without your having to zoom in and out. You see your e-mail inbox and the open message simultaneously. The new iBooks e-reader app is filled with endearing grace notes. For example, when you turn a page, the animated page edge actually follows your finger’s position and speed as it curls, just like a paper page. Font, size and brightness controls appear when you tap. Tap a word to get a dictionary definition, bookmark your spot or look it up on Google or Wikipedia. There’s even a rotation-lock switch on the edge of the iPad so you can read in bed on your side without fear that the image will rotate.”

Overall, both reviewers laude high praise on the new device which streets Saturday, April 3. They also agree that battery life exceeds Apple’s 10-hour claims. “We all know you can’t trust the manufacturer,” snarks Pogue. “And sure enough, in my own test, the iPad played movies continuously from 7:30 a.m. to 7:53 p.m. — more than 12 hours.”

Both Mossberg and Pogue note the iPad’s lack of Adobe Flash, a video camera and real keyboard. “I found the iPad virtual keyboard more comfortable and accurate to use than the cramped keyboards and touchpads on many netbooks, though some fast touch typists might disagree,” says Mossberg. Pogue adds, “YouTube, Vimeo, TED.com, CBS.com and some other sites are converting their videos to iPad/iPhone/Touch-compatible formats. But all the news sites and game sites still use Flash.”
So dim the lights please. Apple’s Steve Jobs has been quoted saying, “When people see how immersive the experience is, how directly you engage with it … the only word is magical.” The judges seem pleased, but over the next few weeks America will vote—with its wallets. Will the iPad become another game changing, profit-packed, trophy on Apple’s technology mantle?

BamaJam Sets Battle of the Bands

Verizon Wireless BamaJam 2010 has announced the 2nd Annual Jim Beam Battle of the Bands, offering contestants a chance to win a single a produced by award-winning producer James Stroud of Stroudavarious Records.

The Jim Beam BamaJam Battle of the Bands competition is open to all and will afford six finalists the opportunity to perform a 30-minute set at Verizon BamaJam 2010 in Enterprise, AL. Finalists will be judged by a panel of music industry professionals based on a set of criteria including marketability and talent.

“To participate in Verizon BamaJam on any level is among the most valuable experiences an artist can have,” said Trey Wilson, Vice President of Live Entertainment, Ronnie Gilley Entertainment. ”All six qualifiers will have a chance in the spotlight at Verizon BamaJam and one winner will have the experience of a lifetime with industry icon James Stroud producing a track for them.”

Renee Leymon Leaves Lyric Street

Lyric Street Records’ VP, National Promotion Kevin Herring has announced that Sr. Director of Promotion Renee Leymon is exiting the label. A 12-year veteran of the label, Leymon is leaving to pursue her next opportunity.

“Renee is not only an amazing promotion person, she is a 1st class human being, co-worker, and friend,” Herring says. “We are going to miss her passion and spirit in the halls of Lyric Street and know she will continue to shine.”

BMI Fetes Dallas Davidson’s “Roll”

On Monday, March 29, BMI celebrated yet another No. 1 song co-penned by Dallas Davidson. Recorded and co-written by Billy Currington, “That’s How Country Boys Roll” is Davidson’s third chart-topper on the heels of Brooks & Dunn’s “Put a Girl in It” and the Brad Paisley and Keith Urban collaboration “Start a Band.” His hot streak shows no signs of cooling: six of Davidson’s songs also are currently climbing charts.

(l-r): Parallel Entertainment’s John Dennis, UMG Nashville’s Luke Lewis, EMI Music Publishing’s Gary Overton, co-writers Brett Jones, Dallas Davidson and Billy Currington, producer Carson Chamberlain, and BMI’s Clay Bradley.

Viral Video Campaigns Entice ACM Voters

Hand-shaking, baby-kissing politicians have long been aware that winning elections is all about getting out there and campaigning, and with the advent of fan-voted awards shows, country artists have gotten that message in a big way. While CMT were early champions of the concept with their “fan-voted” CMT Awards, things seem to have reached a critical mass with the upcoming fan-voted ACM Awards “Best New Artist” category, as nominees for Top New Solo Vocalist, Top New Duo and Top New Group take to the Internet with “campaign” videos designed to motivate fans to go to the online “polls.”

Avoiding the serious issues and hot-button topics favored by politicians, artists including Luke Bryan, Joey + Rory and Gloriana have released viral videos that utilize music and humor to win the hearts and minds of their voting fans. What part those videos played in the election results is still an open question, but, tellingly, each of the above artists emerged as a winner in their respective categories.

As effective (and entertaining) as these campaign videos can be, not every country artist is ready to hit the campaign trail just yet. ACM Entertainer of the Year nominee Brad Paisley has been up front regarding his distaste for the process.

“I’m uncomfortable campaigning,” Paisley said at a recent No. 1 party. “Honestly, I don’t like that part of it. I understand that people love to get involved and it’s cool that they can, but vote for who you want.”

MusicRow won’t be polling our readers on the issue, but we’ve compiled a few of the current ACM campaign videos for your perusal. You be the judge.

Luke Bryan

Joey and Rory

Gloriana

Tin Pan South – Day 2 Wrapup

This just in from NSAI Communications Director Erin Burr – A Report on Tin Pan South – Day 2

(l-r): Gary Nicholson, Seth Walker and Jessi Alexander are absorbed in Jon Randall’s emotional song at 3rd & Lindsley.

How much talent is in Nashville during the 18th Annual Tin Pan South Songwriters Festival Presented by Regions Bank? The Listening Room hosted Andrew Dorff, Mark Irwin, Josh Kear and Chris Tompkins, who joked around with each other in between – and sometimes during – songs like “Before He Cheats,” “Here In The Real World,” “Watch The Wind Blow By” and “To Love Somebody.” Complimenting each other with harmonies and instrumental accompaniment, these guys seemed to be having

fun together. Rounding out the evening was a song Lady Antebellum took to #1,“Ne

ed You Now,” co-written by Kear. This show wasn’t just for music lovers; industry pros like ASCAP’s Anna Maki, Pat Rolfe, Jesse Willoughby and Mike Sistad, as well as Tin Pan South songwriters Bo Bice, Sage Keffer, Bobby Tomberlin and proud papa Steve Dorff, helped pack the house.

The theme at the 3rd & Lindsley shows last night was extraordinary musicianship. During the American Federation of Musicians show, the best in the business (keyboardist Bill Cuomo, guitarist Kenny Greenberg, guitarist Warner Hodges, drummer Craig Krampf and bassist Dave Pomeroy) posed as the all-star house band for Paris Delane and special guests Ashley Cleveland, Elio Giordiano and Dan Baird, to name a few. The core group has played on just about every record out there and has had songs in the movies Flashdance and Better Off Dead.

(l-r): The Hard Rock Café hosts tunesmiths Kelley Lovelace, Rivers Rutherford, Dave Berg and Regions Bank’s Lisa Harless, Lee Blank and Nick Stonestreet.

Next up was a round that made you feel like you were relaxing in your living room and that they were playing just for you. The cool vibe mixed with tons of onstage and crowd interaction was full of blues, country and charity (the show was dedicated to The John Jarrard Foundation). Each member seemed genuinely impressed with one another. “I want my fellas in my monitor so I can enjoy some hot-pickin,” said Gary Nicholson as the show began. After Jessi Alexander finished “The Climb,” her husband Jon Randall quipped, “This song was 15 weeks at #1, and all I got was this t-shirt.” A hitmaker in his own right, Randall sang the intense “Whiskey Lullaby” but kept his commentary light and joined his wife on a few tongue-in-cheek songs like “Drown Me” and “Let’s Get Trashed.” Nicholson performed a song he wrote with the late Stephen Bruton for the movie Crazy Heart. While he may be new to Nashville, Seth Walker certainly isn’t new to the music scene as he and Nicholson traded guitar solos throughout the night.

Rocker Bo Bice belts out a song during his round at Douglas Corner Café.

The Hard Rock Café was another hot spot that came alive with hit after hit. During the early show, Dallas Davidson (“Start A Band”), Brett Eldredge (“Ain’t Gotta Be Love”), Scotty Emerick (“Beer For My Horses”) and James T. Slater (“The High Cost of Living

”) jammed out to a packed audience. Behind every great artist, there’s a great songwriter, and Dave Berg (“Stupid Boy”), Kelley Lovelace (“He Didn’t Have To Be”) and Rivers Rutherford (“Real Good Man”) are some of the greatest. These guys took the stage for the late show, performing for local fans, as well as travelers from all across the country. Regions Bank’s Lisa Harless also made an appearance to introduce the group.

Douglas Corner Café’s Front Men In The Round show sold out quickly with American Idol favorite Bo Bice, Daryl Burgess, Greg Crowe and A.J. Masters. With their booming vocals and rockin’ rhythms, it’s no wonder the crowds were lined up down the street. These men have made their mark on the music scene with Faith Hill’s “Love Ain’t Like That” (Masters), Aaron Pritchett’s “Big Wheel,” the official song of the Tennessee Titans (Burgess) and “We’re Fired Up” (Crowe). Adding in the energetic and talented Bice (“Take The Country Outta Me”), who made the rounds supporting various writers every night, made for a stellar show!

Over at The Bluebird Café Pat Alger began his list of tunes with Kathy Mattea’s first #1, “Going, Gone,” and “You’re Gone,” which

(l-r) (Clockwise): Richard Leigh, Jon Vezner, Kathy Mattea and Pat Alger play to a full house at The Bluebird Café.

Garth Brooks recorded but Diamond Rio released. Coincidentally Jon Vezner also sang the tune “Where’ve You Been” that Garth performed the night he was discovered at The Bluebird Café and helped catapult Mattea’s career. She sang one of her biggest hits “18 Wheels And A Dozen Roses,” as well as an a cappella cover of “Now Is The Cool Of The Day,” which she recorded for her album Coal. Richard Leigh also upped the ante for the group with “Don’t It Make My Brown Eyes Blue” and “The Greatest Man I Never Knew.” The audience was also treated to Allen Reynolds who joined the round for a tune. Though she didn’t perform, Lorrie Morgan attended to support and enjoy a great show.

The Rutledge welcomed Gary Burr, Victoria Shaw, Mark Hudson and a couple of special guests – Lila James and South of Eden. The night was a mix of songs and comedy, led primarily by the rainbow-bearded Hudson, whose list included “Livin’ On The Edge,” as well as a song co-written with Carole King called “The Reason.” When he wasn’t “napping” through Hudson’s lengthy – and hilarious – stories, Burr entertained the crowd with “Nothin’ ‘Bout Love Makes Sense,” “What Mattered Most” and “Love Said,” co-written with Richard Marx. The night’s leading lady, Shaw, showcased her songwriting talents during “The River,” I Love The Way You Love Me” and debuted a new tune. The group’s cohesiveness was apparent when they all took turns singing a song they co-wrote – Sarah Buxton’s “Outside My Window.”

Rare Country Music Footage Discovered

LA-based music footage library Reelin’ In The Years Productions has uncovered a 30-minute film of home movies from the 1950s featuring country legend Hank Williams Sr. along with Marty Robbins, the Carter Family, Merle Travis, Lefty Frizzell, Hank Snow, Maddox Bothers & Rose, Bill Monroe and a host of others.

Hank Williams, Sr.

The Carter Family

The images, shot in pristine 16mm color film, capture the artists in performance and in rare candid moments. Highlights include Williams singing at a disc jockey convention in Nashville, Robbins playing guitar on a front lawn, Kitty Wells standing in front of her tour car and Travis preparing to board a small plane.

The newly recovered footage was shot by John Banks, part owner of radio station KRDU in Dinuba, CA while these artists were at the station and at his home. In addition to filming these artists in California, Banks took his 16mm camera to Nashville and captured many artists backstage during a convention of disc jockeys held in the early 1950s.

“There exists precious little footage of many of these artists shot so early in their careers,” says David Peck, President of Reelin’ In The Years Productions. “To now have pristine color film documenting Hank Williams just a few short years before his untimely death, is thrilling. This is an important piece of country music history.”

Ernest Tubb

Lefty Frizzell

The forgotten original 16mm color films had been in the garage of Banks’ widow Bernice until their recent discovery. The film has now been restored and transferred directly to digital

format, highlighting the richness of depth and color that 16mm film offered.
Another recent discovery by Reelin’ In The Years is 50 minutes of home movies from the Louisiana Hayride in the late ‘50s and early ‘60s featuring color 8mm footage of Johnny Cash, George Jones, Ray Price, Faron Young and Hawkshaw Hawkins, among others.
For more information and licensing inquiries visit www.reelinintheyears.com.

Chrysalis Acquires S1 Songs

Chrysalis Music Publishing has announced its acquisition of Irish company First State Media Group, a music publishing firm with operations under the S1 Songs and State One Music brands. Included in the purchase is S1 Songs’ Nashville operation.

FSMG controls over 45,000 music copyrights including the catalogue of Sheryl Crow, the former Dreamworks Publishing catalogue – including “Leaving on a Jetplane,” and “Take Me Home Country Roads” (John Denver), “Disco Inferno” (The Tramps) and “Somebody to Love” (Jefferson Airplane), “Superstar” (The Carpenters). Among the hits to have emerged from S1’s Nashville office are Easton Corbin’s “A Little More Country Than That,” Joey + Rory’s “Cheater Cheater,” Dierks Bentley’s “Feel That Fire” and Jake Owen’s “Eight Second Ride.”

As a result of the transaction, Chrysalis will manage music copyright assets worth in excess of $155 million. The acquisition positions Chrysalis as a significant partner for investors interested in stable music copyright assets.
The acquisition is being fully funded from Chrysalis’ existing facilities.