Faxon's Note To EMI Staff

Roger Faxon


Last week’s sudden takeover of EMI by lien holder Citigroup shocked industry analysts who were not expecting any ownership changes until late March. MusicRow has obtained a copy of a letter from EMI head Roger Faxon that was sent to all EMI employees.
Faxon, spins the development as a “good thing – for EMI, for its staff, and most importantly for the artists and writers we are privileged to represent.” He notes that a sale of the company is inevitable, but he expects the record label and publishing assets to remain united. “It is our belief that EMI is greater than the sum of its parts, and that keeping the business together is the best way to create value for our artists and writers – and for our owners. And that is what we are absolutely focused on.”
Here is the letter in its entirety…

You may by now have heard the news that earlier today ownership of EMI passed from Terra Firma to Citigroup. I wanted to write to you all myself to explain why I think this is a good thing – for EMI, for its staff, and most importantly for the artists and writers we are privileged to represent.
First off, I’d like to explain exactly what has happened. When a company’s value is less than its debts, one solution is to go through an administration procedure which allows the sale of the business in partial satisfaction of those debts. In our case it is not hard to see that our parent company would never be able to repay the £3.4 billion it owed to Citi. With that being the case, it appointed an administrator empowered to sell EMI Group to Citi. This is sometimes called a ‘pre-pack’ because it can be done in a matter of hours – and that’s exactly what happened here.  This was followed by an immediate recapitalization of EMI, reducing the debt by 65% to £1.2 billion.
So that’s what happened, but what does new ownership mean for EMI and for you?
Well first off, it’s business as usual at EMI. Our staff, artists and songwriters are not affected in any way by these changes – all that has happened is that we now have a new owner in the shape of Citi. This change of ownership has taken place in the holding company above EMI, so it does not have an impact on the day to day business, except a positive one as it removes uncertainty and significantly reduces our debt burden. The existing management team, and everybody you deal with on a day to day basis, remains in place.
While clearly speculation will continue around us – this is EMI, after all – today’s news is incredibly positive for the company. We now not only have a clear strategy, but we also have the right capital and financial structure in place to deliver successful outcomes for artists and writers – and in the end, that is why every single one of us at EMI is here.
I am sure that you will all be aware that we have already made dramatic progress in transforming the business and creating a “new” and better EMI. We have been looking at every single system, process and technology that we have in place to ensure that we have the right set-up to be able to connect audiences to the great music that our creative talent produces. Today’s announcement will free us all up to focus our energy on continuing the transformation of the business.
Our new owners have made it very clear that they are absolutely supportive of our business and our strategy. They will provide us with a stable and supportive environment to continue on our present course as we build that Global Rights Management business. Clearly, a music company – even one as great as EMI – doesn’t exactly sit comfortably in a giant financial services company like Citi. So while Citi is clear that they are under no time pressure to sell, and that they intend to stabilize the business, there is no doubt that in due course EMI will be up for sale – just like it has been from the day Terra Firma bought it.
With the recent news about Warner Music being up for sale, we will no doubt continue to be the subject of the usual media frenzy.  The press will inevitably write that EMI will be broken up and sold in pieces, so let me say this as clearly as I can: our global rights management strategy with greater co-operation and collaboration between EMI Music and EMI Music Publishing is the future, and it takes both parts of the business working together to achieve that future. It is our belief that EMI is greater than the sum of its parts, and that keeping the business together is the best way to create value for our artists and writers – and for our owners. And that is what we are absolutely focused on.
I’d also like to quash one other suggestion. Regardless of the country of origin of our owner, EMI remains a British company – both legally and spiritually. The history, tradition, heritage of this company cannot, and will not, be erased by a change in shareholding. We are EMI not because of who owns us, but because of who we are — the home of great artists and songwriters of the past, present and future.
Much has changed at EMI and in our industry over the last three and a half years. But, what has not changed at EMI, and never will, is our fierce devotion to the artists and songwriters we represent. I believe that EMI, in both publishing and in recorded music, is stronger today because of that commitment. And I believe that, as a result of today’s announcement and the progress we have made in changing the company to date, we are better placed than ever to deliver on the promises that we make to every single one of the artists and writers that entrust us with their music.
Thank you to you and your artists for working with EMI, and for your support as we forge a new and exciting music business for the future.
All the best, Roger

Performance News: Toby, Currington, JaneDear girls

Toby Keith Returns to The Opry • Billy Currington on Leno • the JaneDear girls on Access Hollywood

Toby Keith Returns to The Grand Ole Opry

On December 14, 2002, Toby Keith made his first and only appearance on the Grand Ole Opry, until January 29 of this year when he returned to the Opry stage. “The Opry is the most prestigious historical music-related event in all of country music,” Toby says. “I don’t live in Tennessee and it’s always been difficult for me to make the arrangements to perform on that grand stage. But it doesn’t keep me from listening almost ritualistically to it.”

(L-R): Toby Keith and Opry Group/Gaylord Ent. President Steve Buchanan

Billy Currington Celebrates 10th Top 10 On The Tonight Show With Jay Leno

Mercury Nashville recording artist Billy Currington celebrated his 10th Top 10 hit, “Let Me Down Easy,” with a performance on The Tonight Show With Jay Leno on January 27. Currington will join Kenny Chesney on his 2011 ‘Goin’ Coastal’ Tour beginning March 17 in West Palm Beach, FL.

(L-R): Jay Leno and Billy Currington. Photo: Paul Drinkwater

the JaneDear girls Featured on Access Hollywood

Warner Bros. Records’ duo the JaneDear girls (Susie Brown and Danelle Leverett) stopped by Access Hollywood this week while promoting their self-titled debut album released February 1. Their visit came fresh off learning of their ACM Award nomination for Top Vocal Duo of the Year in addition to their nomination for Top New Vocal Duo.

Music Videos: Reba, Sarah Darling

Taillight TV produces Reba video • Sarah Darling gets carried away
>>  Taillight TV produced the music video for Reba McEntire’s “If I Were A Boy.” The video was shot on location in Nashville. (L-R): Big Machine Records’ Sandi Spika Borchetta, Taillight TV Exec. Producer Chandra Pereira, McEntire, producer Brandon Arolfo, and Director Peter Zavadil

>>On the set of her latest video “Something To Do With Your Hands,” Black River Entertainment artist Sarah Darling hams it up with her famous co-star—two-time TNA World Heavyweight Wrestling Champion, AJ Styles. The video was directed by Stephen Shepherd and produced by John Burke. Photo by Kay Williams


CRS 2011 Events Highlight Diverse Talent

Details about CRS 2011 are starting to emerge and Arista Nashville’s Ronnie Dunn and Columbia Nashville’s Joanna Smith will be performing at the 2011 Sony Music Nashville luncheon Thursday, March 3 from 12:30 – 2:20 pm in the NCC’s CMA Performance Hall.
“It’s such a pleasure to have Ronnie Dunn and Joanna Smith representing the exciting new musical future of Sony Music Nashville on the stage of our CRS luncheon this year,” says Sony Music Nashville Chairman and CEO, Gary Overton.
The day before the Sony luncheon (Wednesday, March 2) the KCRS Live! Showcase, presented by Stroudavarious Records, will feature the diverse talents of Bob DiPiero, Aaron Lewis, LoCash Cowboys and Jeffrey Steele.
“I am so pleased to present such a tremendous group of writers at KCRS Live!” says Stroudavarious Records CEO James Stroud. “These artists are all coming at this from different places and with different perspectives, but all of them are at the top of their craft and represent the best of what Nashville has to offer.” Scheduled for Wednesday, March 2, 4-5:20 pm CT at the Nashville Convention Center, the musical event will be hosted by award winning personality Bob Kingsley.

Facebook Helping CMA Music Festival Connect With Fans

The spirit of CMA Music Festival is captured in the latest addition to the Spirit of Nashville poster collection by Anderson Design Group. It was unveiled last night at the Keep the Music Playing All Stars Concert. (l-r) Steve Buchanan, CMA Board Chairman and Gaylord Entertainment Sr. VP of Media and Entertainment; Luke Bryan; Steve Moore, CMA CEO.


Preparations are underway for the 2011 CMA Music Festival, and proving the power of Facebook, the organization will use the social media site to announce the first festival performers. The news will hit the CMA’s official Facebook page on Tuesday, Feb. 8 at 10:00 AM (CST). Running June 9-12, 2011, this will mark the 40th anniversary of the event that began as Fan Fair®.
Half the net proceeds from CMA Music Festival are donated to CMA’s Keep the Music Playing campaign to support music education in Metro Nashville public schools. To date, more than $4.7 million has been contributed on behalf of the artists who perform at the Festival for free.
Luke Bryan hosted and performed at the Keep the Music Playing All Stars Concert last night (2/1) at the Schermerhorn Symphony Center. It honored the best music programs in Metro Nashville Public Schools.

CMT Debuts Sitcom, Hires Development Exec.

Jayson Dinsmore


As CMT expands its reach into original programming, the network has hired experienced development executive Jayson Dinsmore. This news comes following a successful debut of CMT’s first scripted sitcom, Working Class.
Dinsmore is on board in the newly-created position Executive Vice President, Development. He will oversee all development for the channel, based primarily out of CMT’s Santa Monica offices. He reports to President Brian Philips, effective immediately.
Dinsmore spent the last decade at NBC, ending as Sr. VP, Alternative Development. He was responsible for shows including Deal or No Deal, The Sing-Off, Minute To Win It, and many more in the reality, game show and celebrity focused realms. On the specials front, Dinsmore has overseen production on the Tournament of Roses and Macy’s Thanksgiving Day Parades, Miss USA and Miss Universe Pageants, and the Golden Globes.
Over 6.7 million viewers tuned in for the premiere weekend of CMT’s first scripted sitcom, Working Class, starring Melissa Peterman and Ed Asner. The 8:00 p.m. premiere on Friday, Jan. 28 was the highest rated and most watched series debut in CMT history. Reba McEntire and John Schneider will guest star on the Feb. 4 episode. Peterman and Reba first worked together on the CW sitcom, Reba.

Reba guests on "Working Class."

Shelton, Bentley Named As Grammy Presenters

More performers and the first group of presenters have been announced for the 53rd Annual Grammy Awards Sunday, Feb. 13. Nashville is represented twice on the presenters list as nominees Dierks Bentley, Blake Shelton, Norah Jones, Selena Gomez, LL Cool J, and Nicki Minaj have been included in the initial lineup.
In what sounds like a pretty amazing combination, Cee Lo Green will be joined by Gwyneth Paltrow and the Jim Henson Company Puppets for a special one of a kind performance. Additionally, nominees Drake and Rihanna will be performing together during the telecast. They join previously announced performers Lady Antebellum, Miranda Lambert, Arcade Fire, Eminem, Lady Gaga, Muse, and Katy Perry; nominees Justin Bieber and Usher, with Jaden Smith; and nominees B.o.B, Bruno Mars, and Janelle Monáe.
The 53rd Annual Grammy Awards telecast will air 7-10:30 pm CT on the CBS Television Network.

Juno Award Nominees Announced

The 2011 Juno Award Nominees were announced by the Canadian Academy of Recording Arts and Sciences (CARAS) yesterday (2/1).
In the Country Album of the Year category (sponsored by Country Style), nominees include: Carolyn Dawn Johnson, Love Rules; Dean Brody, Trail in Life; Deric Ruttan, Sunshine; Gord Bamford, Day Job; and Johnny Reid, A Place Called Love.
Taylor Swift’s Speak Now and Lady Antebellum’s Need You Now are nominated for International Album of the Year.
2011 marks the 40th anniversary of The Juno Awards. The Awards’ celebration dubbed JUNO Week will take place March 21-27, 2011, culminating in the live CTV broadcast of the Awards, Sunday, March 27 from the Air Canada Centre in Toronto.
For a complete list of nominees, please click here.

Country Stars At Super Bowl Events

Keith Urban, Photo by John Mayer


Country music will be well-represented at Sunday’s (2/6) Super Bowl when the Green Bay Packers take on the Pittsburgh Steelers. Heading to Dallas are Keith Urban, Garth Brooks, Faith Hill, Dierks Bentley, Jack Ingram, The Grascals, and Burns & Poe, plus music from Lady A.
Keith Urban will perform during the pregame festivities at Cowboys Stadium. Game day coverage begins at 1PM/CT on FOX.
Garth Brooks and Dallas Cowboys tight end Jason Witten will host SuperCamp, a youth football and cheerleading camp in the Dallas area during Super Bowl week. An adult VIP experience includes a tailgate party, music and more. Proceeds benefit Brooks’ and Witten’s respective charities.
Dierks Bentley and Jack Ingram will perform at Texas’ Largest Tailgate party on Super Bowl Sunday. The event takes place at the temporarily rebranded “Bud Light Hotel” in downtown Dallas.
A special version of Lady Antebellum‘s song “Stars Tonight” will kick-off Westwood One’s official NFL pre-game radio coverage at 3PM/CT on over 640 stations. Following the Super Bowl, Lady A’s smash hit “Need You Now” will be part of the Fox show Glee.
CMT Crossroads will go live from the Super Bowl festivities for a special episode featuring The Pretenders and Faith Hill. The show premieres live on CMT Sat., Feb. 5 at 9PM/CT.
The Grascals will join Gene Simmons, Five For Fighting, Little Texas and a surprise superstar guest at the Aces & Angels concert in Dallas tonight (2/2).
Burns & Poe will perform at the benefit concert the Swang’n Super Bowl Bash.

DISClaimer Single Reviews (2/2/11)

Country music’s major labels seem to be slumbering in winter doldrums, but Nashville’s pop/rock community is livelier than ever.

So much so that there are three Disc of the Day winners in this edition of DisClaimer.
The Black Keys are nominated for three Grammy Awards. Welcome to Music City, boys.
Rock ‘n’ Roll Hall of Famer Wanda Jackson has returned with hurricane strength on her comeback The Party Ain’t Over CD produced by the always hyper-active Jack White.
And then there’s the overnight stardom of The Civil Wars. The duo staged its national television debut on The Tonight Show with Jay Leno on Jan. 13. It’s “Poison & Wine” video has 500,000 views on YouTube, and “Barton Hollow” is getting raves in The New York Post, USA Today, L.A. Weekly and Paste. It is also rapidly picking up radio airplay. The Civil Wars are playing The Belcourt tonight and The Basement tomorrow. I’d urge you to go, except both gigs are sold out, as are five others on its just-announced tour.
Best of all, out of the blue, we have a DisCovery Award to report. Like The Black Keys and The Civil Wars, it’s a duo. Travis & Julie are homegrown Nashville charmers. Lend them your ears.
THE CIVIL WARS/Barton Hollow
Writer: none listed; Producer: Charlie Peacock; Publisher: none listed; Sensibility (track)
—This duo is comprised of John Paul White and East Nashvillian Joy Williams. “Poison & Wine,” which appears on its Barton Hollow CD, has been featured on TV’s Grey’s Anatomy. The title tune is currently iTune’s Single of the Week and propelled the album to No. 1 on the iTunes chart when it came out this week. With its dark undertow of a beat, wailed ghostly harmonized vocals and majestic, minor-key melody, “Barton Hollow” is pretty darn addictive and hypnotic. Taylor Swift calls the sound “exquisite.” I couldn’t agree more. A must listen.
MICHAEL FORD, JR. & THE APACHE RELAY/Magnolia Street Heartbreaker
Writer: Michael Ford, Jr.; Producer: Doug Williams, Michael Ford, Jr., The Apache Relay and Noah Denney; Publisher: 1988, ASCAP; MF (track)
—This foursome hails from the halls of Belmont University. On this track from their album titled 1988, they wistfully drawl a winsome, lovelorn, acoustic folk ballad. The wobbling fiddle lines and feathery falsetto vocals weave a delicate pop tapestry.
THE BLACK KEYS/Tighten Up
Writer: The Black Keys; Producer: Danger Mouse; Publisher: McMoore McLeest/Wixen, BMI; Nonesuch (track) (www.theblackkeys.com)
—These new Nashvillians (Patrick Carney and Dan Auerbach comprise the group) have two tracks from their Brothers CD up for Grammy Awards. “Black Mud” is nominated as Rock Instrumental. And the shuddering, spare, thumpy, soulful, strangled “Tighten Up” is competing for Best Rock Group Performance. The whole album is nominated as Alternative Album of the Year, and it is an alt delight.
TRAVIS & JULIE/Osmosis
Writer: Travis/Julie; Producer: none listed; Publisher: Rockstar/Nickel Man; TJ (track) (www.travisjulie.com)
—This Nashville duo has a CD called Moon Girl that is a pop-music amusement-park ride. On this track they lay down a deliciously danceable rhythm and positively twirl in melody. Where have these folks been all my life?
RED/Faceless
Writer: Anthony Armstrong/Rob Graves/Jasen Rauch/Mark Holman; Producer: Rob Graves; Publisher: none listed; Provident/Integrity/Sony (track) (www.redmusiconline.com)
—Goths for Jesus? I guess so. This Christian band makes a thrashing, metal-machine, in-your-face sound that’s as loud and proud as Korn, Staind, Linkin Park or any other mainstream hard rockers you can name. The new CD, which dropped yesterday, is called Until We Have Faces. The previous two were nominated for Grammys. This one might make your ears bleed, in an aggressive-yet-melodic way.
RACHEL LOY/Stay
Writer: Rachel Loy; Producer: Carl Thel; Publisher: none listed; RL (track) (www.rachelloymusic.com)
—This Nashvillian has a self-titled, five-song EP that is quite a singer-songwriter showcase. Here, she is a pleading romantic. Elsewhere, she gets the pop-rhythm treatment. Rachel makes her living playing bass in studios and on the road with stars such as Julianne Hough. But this collection of relationship-centric compositions sounds like she’s ready to move into the center-stage spotlight.
WANDA JACKSON/Shakin’ All Over
Writer: Johnny Kidd; Producer: Jack White III; Publisher: EMI Mills/Filmtrax, no performance rights listed; Nonesuch/Third Man (track)
—Unlike Loretta Lynn, whom Jack White previously produced, Wanda Jackson didn’t bring her own songs to the table. So Jack’s musical personality sometimes tends to overwhelm her. He did bring her some splendid songs, including this dandy 1960 Brit hit by Johnny Kidd & The Pirates. Other gems include her cover of Amy Winehouse’s “You Know I’m No Good,” Bob Dylan’s “Thunder on the Mountain” and Little Richard’s “Rip It Up.”
REVIVE/Blink
Writer: Dave Hanbury/Rich Thompson/Mike Tenkate/Jason Ingram; Producer: Jason Ingram & Rusty Varenkamp; Publisher: Up and Over/Revive/EMI CMG/Sony-ATV Timber/West Main/Windsor Hill, SESAC; Provident-Integrity/Essential/Sony (track) (www.reviveband.com)
—The title tune to this Christian foursome’s current CD has a slowly building majesty about it. It says, “The only thing that matters is how we have loved,” in this too-brief life. Inspiring, in the best kind of way.
BOBBY BARE JR. /A Storm, A Tree, My Mother’s Head
Writer: Bobby Bare Jr.; Producer: Bobby Bare Jr. & David Vandervelde; Publisher: Bella Beckham, BMI; Naked Albino/Thirty Tigers (track) (www.bobbybarejr.com)
—The title tune to this fellow’s current CD tells a true tale in a languid, dreamy way. His echoey voice is sparsely accompanied by brushed drumming, keening steel and electric-guitar sighing. And, yes, Mama Jeannie Bare is screaming in the background. Elsewhere on this sideways collection, you’ll find  “Liz Taylor’s Lipstick Gun,” “Rock and Roll Halloween,” “Your Goat Is on Fire” and “Jesus Sandals.” In other words, you absolutely need to own this.
UNCLE SKELETON/Renfro
Writer: none listed; Producer: none listed; Publisher: Upright T-Rex, BMI; Upright T-Rex (track)
—Outside of his pop band Kindercastle, Ross Wariner (Steve’s son) has a different sound with Uncle Skeleton. This ensemble has two CDs, Pancho Chumley and the more recent Warm Under the Covers. You’ll find this track on the former. Its synth-y, rapidly rhythmic tone typifies the spaceship, E.L.O. electronic vibe of Uncle Skeleton, which recently featured high on The Nashville Scene’s “Best of 2010” list.