19th Annual Key West Songwriters Festival Dates Revealed

KWSWF_ColorVectorjpgBroadcast Music, Inc. has revealed the dates for the Florida Restaurant and Lodging Association’s 19th Annual Key West Songwriters Festival presented by BMI. The 2014 dates are set for May 7-11. The Key West Songwriters Festival will again feature five days of one-of-a-kind showcases and concert events from its base operations at the Smokin’ Tuna Saloon to over 30 different venues across the island.
“Our involvement with the Key West Songwriters Festival is just another way we at BMI demonstrate our full commitment to our songwriters, getting their music exposure in meaningful, unique settings,” said BMI’s Executive Director of Writer/Publisher Relations Mark Mason. “We are honored to have the Florida Restaurant and Lodging Association on board to make next year’s festival the biggest and best yet.”
The 18th annual Key West Songwriters Festival in May of 2013 welcomed more than 15,000 fans total and sold-out audiences at all of the ticketed events. The Sony Records concert event crowded Duval Street with more than 5,000 people alone.
An official lineup and additional information for the 2014 Key West Songwriters Festival will be announced in the coming months.
More information is available at keywestsongwritersfestival.com.

'MusicRow' No. 1 Song

tim mcgraw southern girlTim McGraw takes his “Southern Girl” to the No. 1 spot on this week’s MusicRow Chart. After only 12 weeks, the Rodney Clawson, Jaren Johnston and Lee Thomas Miller-written single ascends to the peak position from the Big Machine offices.
“Southern Girl” is the fourth single from McGraw’s Two Lanes of Freedom album. A tour by the same name wrapped in Virginia Beach, Va. at the end of July. By the end of the tour, McGraw not only gave away a customized 2013 Dodge Challenger SRT, but continued the HomeFront program, which awarded mortgage-free homes to 31 veterans in need.

McGraw and Faith Hill’s second Soul2Soul engagements begin at Vegas’ Venetian in October, with tickets available now. Dates at the Resort Hotel Casino run through April 2014.

McGraw garnered three nominations for “Highway Don’t Care” alongside Keith Urban and Taylor Swift for the Nov. 6 CMA events. Final ballots for the program will due Monday, Oct. 28 (5:00 PM/CT) after being sent to CMA members on Thursday, Oct. 10.

Sheryl Crow Celebrates New Album At Her Farm in Nashville

Sheryl Crow and Southern Living welcomed an intimate group of friends and fans to her farm in Nashville, Tenn. on Thursday (9/5) to preview her new album, Feels Like Home, which released Sept. 10.
Upon arriving, attendees enjoyed delicious appetizers inspired by Sheryl’s favorite Southern Living recipes and signature cocktails. Guests also took advantage of the rare opportunity to visit with her horses in their stable before MusicRow‘s own Robert K. Oermann interviewed Sheryl about the songs on her new album. Sheryl also performed selections from her debut country project from Warner Bros. Records during the intimate gathering.

Feels Like Home may be the most focused album I’ve ever made,” Sheryl Crow says of her debut album. “All of my albums have had a few different styles going on in them, and this album definitely has a few different takes on what Country music means to me, but not calculatedly so. First and foremost, I just wanted to make sure that for this album I wrote about were things that I really knew about.”
The project is filled of storytelling and features some of the most powerful and heartfelt vocals of her career. Crow adds, “Country music is rightly suspicious of carpetbaggers who jump on a bandwagon, but in my case, this world in Nashville really does feel like home. I grew up three and a half hours from Nashville, and my parents just moved out of that home that I grew up in recently. So I grew up in a community that was all farmland and churches and schools and a town square. So country is where I come from, and that’s the kind of life I wanted to give my kids, and you can find that sort of life here in Nashville. Even though Nashville has so much more to offer, there is still a small town feel that I love.”
As Crow recalls, “Back when I was growing up, the outside world wasn’t much of our experience, and that’s different now. But we grew up with two radio stations that played country, but now the world is much more connected wherever you are. Clearly, I’m also a girl who loves to rock and fell hard for the Rolling Stones and Dylan too – but you’ll notice my favorite rockers also had close ties to country music. And I’ve loved being part of the community here in Nashville, and the fact that my kids are growing up inside of that community. For me, it’s been amazing to not only be around so many other artists and music people who go to church together, and support each other’s school fundraisers, and basically have a real sense of community here.”

It was a friendly conversation with one Nashville neighbor by the name of Brad Paisley that set Crow on the course to start work on Feels Like Home. “I had a lot of trepidation about trying too hard to make an album within the country format. Because I do love it, and between my friends in Kansas City, and California and even New York, it is what anyone who wants to hear songs, and wants to hear guitar solos and storytelling basically listens to now. But over the years, I’ve seen lots of artists try to make this transition and it hasn’t to me gone well or felt natural or real to me, and the only way I wanted to do this was authentically. Brad instantly understood how to approach this. He said, `Let’s just do what you do. Bring your influences with you. Just turn your vocal up and make your stories a little more concise and you’re already there.’ That realization that I already was at home here is really the reason this album ended up being made.”
Feels Like Home really got started with Crow, Paisley and Chris DuBois — one his frequent collaborators – penning one of the albums’ standout tracks “Waterproof Mascara,” a song that recalls classics by some of country’s greatest female vocalists like Patsy Cline and Loretta Lynn, the later of whom Crow sang with, along with friend Miranda Lambert, on the CMA Awards in 2011. According to Crow, “It meant so much that a great country artist like Brad put his faith in me. There wasn’t a label at that point. Brad just believed we’d land in the right home here, and I do believe with Warner Nashville, I’m on the greatest label for me now. I feel spoiled to be around people who are on fire for music — especially after being in another situation that did not feel like that.”

Gradually, Crow began working with a series of collaborators that included her longtime guitar player and frequent co-writer Jeff Trott (with whom she co-wrote such past Crow classics as “If It Makes You Happy,” “Her Favorite Mistake” and “Everyday Is A Winding Road”) as well as many of Nashville’s finest writers, including DuBois, Luke Laird, Natalie Hemby and Chris Stapleton, among others.
“The thing about country music is the stories you tell usually get to the point quicker,” Crow explains. “So writing the songs for this album, after 20 years writing songs, felt so great because I am still doing what I love, but I’m learning and stretching at the same time. Because I have such a strong curiosity and the songwriting process that’s really at the heart of what goes on in Nashville, it’s been invigorating and satisfying to study what makes a country song work. “
The writing process for Feels Like Home was a little different for Crow. “It took a while because I didn’t want to find people to write a Sheryl Crow song for me, but in the end I loved the experience. One thing I found interesting is that in Nashville people often write in groups of threes – which I don’t think I’ve ever done,” she says. “In fact, other than my first album, I’ve rarely written with anyone else other than Jeff Trott — let alone two other people. But it works — I think there’s a sense that if there are three people there, then a song will actually get finished.”
Crow also credits her co-producer Justin Niebank as a key collaborator on Feels Like Home. “After a little false start, I was asking around for a great engineer, and Vince Gill told me Justin was the man for the job, and he was right. And after a few days, I realized that he was more than just a great engineer, but a real partner in producing this album.”
For Crow, making her first album for a Nashville label is an experience she won’t forget. “It was amazing to be making an album in my community, and have my life still be my primary inspiration,” she says. “I was still driving my kids to school in the morning, and doing mommy things in-between sessions. Having a structured time to work, and being able to work at my house, everything about this just felt very loving and homey. Like the title says, it just felt like home.”

NMPA Takes New Pandora Head To Task In Open Letter

nmpaThe NMPA recently sent a welcome letter to Pandora’s new CEO Brian McAdams, pleading with the new exec to reexamine the company’s treatment and pay scale for songwriters and publishers. In correspondence on the NMPA website, NMPA President/CEO David Israelite accuses Pandora of “turning its back on the very industry that provided the foundation for its success,” citing Pandora’s pay scale of less than $60 for one million plays of songs, or $0.00006 per play.
Israelite also alleges the music giant that streams billions of songs each year is currently suing to pay writers even less, lobbying Congress for favorable treatment, and employing gimmicks to avoid paying writers fairly instead of building solid partnerships with writers.
He ends the letter with a plea for change from new Pandora CEO McAdams, who was dubbed “Digital Executive of the Year,” by Advertising Age, in addition to being named one of the 30 most influential ad executives in Adweek’s 30th Anniversary issue.
“We in the music publishing and songwriting industry hope that you can guide Pandora away from its shameful treatment of songwriters and towards a relationship that respects our creative contribution through fair compensation for Pandora’s use of our songs,” wrote Israelite.
McAndrews previously held senior positions at General Mills and ABC. In 1999, he took over Seattle-based digital agency Avenue A, which was bought by Microsoft for $6 billion dollars in 2007. He also held positions at Microsoft and Madrona and is currently on the boards of The New York Times Co., Grubhub Seamless and AppNexus.

Nashville Songwriters To Host Benefit Show For WaterHope

waterTonight (Sept. 13), songwriters will gather at Nashville’s The Listening Room to perform music and raise money for WaterHope, an organization which provides clean water to regions in need. The event, titled “Words To Water,” will take place at 6:30 p.m. and feature performances by Shane McAnally, Josh Osborne, Brandy Clark, Jimmy Robbins, Matt Ramsey, Trevor Rosen and Matt Jenkins. Tickets cost $10.
Steve and Tracy Tomkovich founded WaterHope in 2004. To date, the organization has raise over $1.2 million and completed more than 50 sustainable water projects.
The Listening Room is located at 217 2nd Ave. S. in Nashville. For more information on Words To Water, visit waterhope.org.
 
 

Weekly Chart Report (9/13/13)

Keith Urban (R) recently stopped by the CMT Radio Live to chat with Cody Alan (L) about the release of his new album, “Fuse,” which dropped this week. His latest single “We Were Us” is our highest debut this week, cutting it’s way to No. 50.

Keith Urban (R) recently stopped by the CMT Radio Live to chat with Cody Alan (L) about the release of his new album, Fuse, which dropped this week. His latest single “We Were Us” is our highest debut this week, cutting its way to No. 50.


SPIN ZONE
After spending 12 weeks on the chart, Tim McGraw’s “Southern Girl” heads north, taking the No. 1 spot with 3170 spins. Meanwhile, Toby Keith’s “Drinks After Work” strengthens its buzz, moving to No. 2. Blake Shelton’s “Mine Would Be You” dashes to No. 3, while Luke Bryan’s “That’s My Kind Of Night” moves to No. 4. Miranda Lambert, who recently celebrated the No. 1 status of “Mama’s Broken Heart,” holds the No. 5 spot for the second week in a row with her single “All Kinds Of Kinds.” Rounding out the Top 10 this week is Jason Aldean’s “Night Train” at No. 6, Taylor Swift’s “Red” at No. 7, Eric Paslay’s “Friday Night” at No. 8, Eli Young Band’s “Drunk Last Night” at No. 9 and Darius Rucker’s “Radio” at No. 10.
Powerhouses Keith Urban and Lambert are the week’s greatest gainers, with their song “We Were Us” skyrocketing to No. 50 with 547 spins. The Band Perry’s “Don’t Let Me Be Lonely” jumps six spots, moving to No. 17 with another 348 spins. Bryan’s “That’s My Kind Of Night” rises to No. 4 with an added 326 spins, while Zac Brown Band’s “Sweet Annie” leaps to No. 31 with an extra 260 spins. Finally, Jake Owen’s “Days Of Gold” ascends to No. 13 with 238 more spins.
MusicRow welcomes six spectacular debuts this week, with Urban and Lambert’s “We Were Us” debuting at No. 50, Jo Dee Messina’s “Peace Sign” at No. 70, Zane Williams’ “Overnight Success” at No. 73, Clinton Gregory’s “You Smile” at No. 77, Tony Stampley’s “When I Get On A Roll” at No. 79 and Tommy Dalton’s “Sweet” at No. 80.
Frozen Playlists: WXMM, WKWS, WXXK
In between performances at the My Country 96.1 VetsRock Show on Long Island this past weekend, Rachel Holder––whose “Lord Help Me” single from Curb takes No. 40 this week––was able to play some corn hole in with Brantley Gilbert.

In between performances at the My Country 96.1 VetsRock Show on Long Island this past weekend, Rachel Holder––whose “Lord Help Me” single from Curb takes No. 40 this week––was able to play some corn hole in with Brantley Gilbert.


Upcoming Singles
September 16
Derek Anthony/Cowboy Way/B L U A N T Music Group
Jamie Stever/Make My Day/Tri-Mount Entertainment
Colton James/101 Proof/Nine North
Payton Taylor/Small Town Paradise/Payton Taylor
Keith Urban feat. Miranda Lambert/We Were Us/Capitol Nashville-RCA Nashville
September 23
Sara Evans/Slow Me Down/RCA Nashville
Randy Houser/Goodnight Kiss/Stoney Creek Records
Erica Nicole/Daughter Of The Revolution/Heaven-Nine North-Turnpike
Hank Williams Jr. feat. Merle Haggard/I Think I’ll Just Stay Here And Drink/Bocephus-Blaster-Quarterback
Gary Allan/It Ain’t The Whiskey/MCA Nashville
September 30
Brandon Hamilton/You Give Me That/Nine North-Turnpike
LoCash Cowboys/Best Seat In The House/Average Joes-Tenacity
Brett Eldredge/Beat Of The Music/Atlantic-WMN
Krystal Keith/Get Your Redneck On/Show Dog-Universal
October 7
Leah Turner/Take The Keys/Columbia Nashville
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Keith Urban feat. Miranda Lambert/We Were Us/Capitol Nashville-Hit Red Records – 50
Jo Dee Messina/Peace Sign/Dreambound Records – 70
Zane Williams/Overnight Success/BE Music – 73
Clinton Gregory/You Smile/Melody Roundup Music – 77
Tony Stampley/When I Get On A Roll/Shongaloo Records – 79
Tommy Dalton/Sweet/Red Horseshoe Records – 80
Most Added
Artist/song/label — New Adds
Keith Urban feat. Miranda Lambert/We Were Us/Capitol Nashville-Hit Red Records – 42
Hunter Hayes feat. Jason Mraz/Everybody’s Got Somebody But Me/Atlantic-Warner Bros. – 14
Dierks Bentley/I Hold On/Capitol – 14
Zac Brown Band/Sweet Annie/Southern Ground-Atlantic – 14
Jo Dee Messina/Peace Sign/Dreambound Records – 10
Randy Houser/Goodnight Kiss/Stoney Creek – 9
Brothers Osborne/Let’s Go There/EMI Nashville – 9
The Band Perry/Don’t Let Me Be Lonely/Republic Nashville – 8
Greatest Spin Increase
Artist/song/label — spin+
Keith Urban feat. Miranda Lambert/We Were Us/Capitol Nashville-Hit Red Records – 547
The Band Perry/Don’t Let Me Be Lonely/Republic Nashville – 348
Luke Bryan/That’s My Kind of Night/Capitol – 326
Zac Brown Band/Sweet Annie/Southern Ground-Atlantic – 260
Jake Owen/Days of Gold/RCA Nashville – 238
On Deck—Soon To Be Charting
Artist/song/label — spins
Outshyne/Moonlight Crush/Millstar – 216
Brent Cobb/Diggin’ Holes/Carnival – 205
American Young/Love Is War/Curb – 186
Randy Houser/Goodnight Kiss/Stoney Creek – 184
Tim Ash/Broke/SMG – 167
Toby Keith, whose “Drinks After Work” has our No. 2 spot this week, took his 'Hammer Down Tour' to Indianapolis and visited with WKLH staff. Pictured (L-R): Fritz Moser (WKLH MD), Keith, Lisa Wall (WLHK), Dave O'Brien (WLHK mornings), and Bob Richards (WLHK OM/PD)

Toby Keith, whose “Drinks After Work” has our No. 2 spot this week, took his ‘Hammer Down Tour’ to Indianapolis and visited with WKLH staff. Pictured (L-R): Fritz Moser (WKLH MD), Keith, Lisa Wall (WLHK), Dave O’Brien (WLHK mornings), and Bob Richards (WLHK OM/PD).


Streamsound artist Austin Webb recently performed his most recent single “Slip On By” at a bonfire charity show for WRNX, benefiting the local police and firemen in the city of East Longmeadow, Mass. RCA Nashville’s Bush Hawg also played. Pictured (L-R): Back - Mike Tyler (WRNX), Austin Webb and Bush Hawg members Shaun Ames, Alex Wilshire, Craig Hand, Ben Helton, Russ Caldwell and Jim Phipps. Front - Streamsound’s Tyler Waugh and RCA Records Nashville’s Dan Nelson

Streamsound artist Austin Webb recently performed his most recent single “Slip On By” at a bonfire charity show for WRNX, benefiting the local police and firemen in the city of East Longmeadow, Mass. RCA Nashville’s Bush Hawg also played. Pictured (L-R): Back – Mike Tyler (WRNX), Austin Webb and Bush Hawg members Shaun Ames, Alex Wilshire, Craig Hand, Ben Helton, Russ Caldwell and Jim Phipps. Front – Streamsound’s Tyler Waugh and RCA Records Nashville’s Dan Nelson.

Charlie Cook On Air: I Wanna Talk About Me

Charlie Cook

Charlie Cook


The start of the college football season. The new NFL season. The ending of great TV shows like Breaking Bad. The start of the network TV season, filled with new shows and the return of favorites like Big Bang Theory and Scandal. The baseball playoffs and The World Series. The NHL season is just a couple of weeks away. High school football every Friday night. Add 40+ hour work weeks and homework every day with the kids. The holiday season is not far off and your listeners are starting to go online to do some shopping. As I write this The United States is still involved with the politics of a new conflict in the Middle East so that dominates the news every day.
Where is your radio station, or your recording career, in all of this? Are you relevant? Are you relatable? Are you a diversion?
It is a lot easier for radio stations to become involved in the listeners’ day. All of the topics mentioned in the first few paragraphs can be subjects for bits or phone conversations. No matter your format, your market is touched by some or all of this. Talking about these subjects makes you local and gets you between the listener and their lives. It connects you to the listener without them even realizing you have done so.
As the new television season kicks off, how about soliciting your listeners to view some of the new shows and review them for your audience? Assign a half dozen listeners and schedule them throughout the first week of the season. How about having contests on the air with listeners Friday morning to pick High School football winners or have each of the morning show’s participants compete with each other?
I know good morning shows already do all of this every morning, but my point is the 15 or so events that are all happening around the same time can cause your staff to sound overwhelmed and lose the listener’s “little things” that mean more to them than to us.
I mentioned that it is easier for radio to pull this off than an individual artist. Performers don’t really have the forum, but I suggest you schedule some time with radio stations around the country in the next month and come prepared to talk, not about your new CD, which will get the needed promotion, but about these local issues.
Spend a minute learning about what is important to the local audience. Is there a high school rivalry the coming weekend? Become aware of the situation and weigh in on it. Do you think the audience would appreciate that you know what’s happening in their lives?
This is the time of the year when you’re setting up fourth quarter CD sales. Building a connection with the local listeners will pay off. I know “doing prep” takes time. For the announcers and the performers, the effort will pay off both short-term and long-term.
Many major market PDs are skittish about putting the artists on air. Too much talk? Baloney. I believe fun, entertaining content in fact will cause longer listening. But an interview that revolves around either the host (you know who you are) or just about the artist is, “been there done that.” As Toby Keith said, “ I Wanna Talk About Me.”
(The views expressed in this article are those of the author and do not necessarily reflect those of MusicRow.)

IEBA's 43rd Annual Conference Set For October

IEBAThe International Entertainment Buyers Association will hold its 43rd annual conference Oct. 19-22 at the Omni Hotel in Nashville. Over 50 live performances will take place on stages over four days at the conference featuring artists like Blackjack BillyChris CagleRachele LynaeBrynn MarieRobin MeadeJo Dee Messina and many more.
The conference will include a keynote Q&A from Billboard’s Ray Waddell, followed by a panel that will feature a case study on the Houston Livestock Show and Rodeo. Additional panels will focus on the evolving revenue streams in the casino business, the new role of the booking agent, and the cost of doing business on the road. Attendees will also have the opportunity to sit down with IEBA’s Board of Directors and other prominent business leaders to discuss the latest trends and hot topics in live entertainment during the event. Table topics will include arenas, casino entertainment, clubs, corporate buying, EDM, fairs, festivals, indian gaming, PACs & small venues, and tour marketing.
IEBA’s Agents Alley gives entertainment buyers and sellers time together to discuss the specifics of the upcoming touring season at two events this year: a Tailgate Party on Sunday, Oct. 20 and a two-hour booking session on Tuesday, Oct. 22.
The conference culminates with an honors and awards dinner Oct. 22. For more information about the conference, visit IEBA.org. Early bird registration rates apply through Sept. 18th.

Jason Aldean To Release Concert Film

jason aldean111

Jason Aldean


Jason Aldean‘s Night Train Tour has garnered plentiful media buzz throughout the past year, playing stadiums from Mississippi to Massachusetts. He played to a sold-out hometown crowd of more than 66,000 fans at the University of Georgia’s Sanford Stadium in April, and now fans can relive (or see for the first time) the experience via a release of the concert film Night Train To Georgia, which will be available Oct. 15.
The piece, a TackleBox Films production, was produced by Shaun Silva, Ivan Dudensky and Don Leopore.
“That day in Athens will always be one of my proudest accomplishments,” said Aldean. “I’ve been working my whole career to get to this point where I can go into a stadium like Sanford, which I’ve idolized my whole life, and leave a mark. I watch it back now to remember the details because it was all overwhelming and a pretty surreal moment for me.”
The 90-minute film features 18 songs, including “She’s Country,” “Big Green Tractor,” “My Kinda Party” and “Take A Little Ride.” It also offers personal interviews and footage from Aldean’s Fenway Park and Wrigley Field shows, as well as appearances by Luke Bryan (“The Only Way I Know”), Kelly Clarkson (“Don’t You Wanna Stay”) and Ludacris (“Dirt Road Anthem”), on songs they’ve recorded together.
A trailer for the film can be seen below.
http://vimeo.com/73504320
 

Lambert, Musgraves, Clark, McAnally Celebrate No. 1

Pictured: ASCAP's Ryan Beuschel, Warner-Tamerlane Music Publishing's Steve Markland, producers Frank Liddell and Glenn Worf, RCA Nashville’s Keith Gale, Songs of Parallel's Tim Hunze, Little Blue Egg's Robin Palmer, Vista Loma's Stephanie Cox, BMI's Clay Bradley, and producer Chuck Ainlay; (Front row, L-R): co-writers Brandy Clark and Miranda Lambert, Shane McAnally, and co-writer Kacey Musgraves. Photo credit: Rick Diamond

Pictured: ASCAP’s Ryan Beuschel, Warner-Tamerlane Music Publishing’s Steve Markland, producers Frank Liddell and Glenn Worf, RCA Nashville’s Keith Gale, Songs of Parallel’s Tim Hunze, Little Blue Egg’s Robin Palmer, Vista Loma’s Stephanie Cox, BMI’s Clay Bradley, and producer Chuck Ainlay; (Front row, L-R): co-writers Brandy Clark and Miranda Lambert, Shane McAnally, and co-writer Kacey Musgraves. Photo credit: Rick Diamond


It was a star-studded event in Nashville yesterday (Sept. 11) as Brandy Clark, Kacey Musgraves and Shane McAnally were feted for penning the chart-topper “Mama’s Broken Heart,” recorded by Miranda Lambert. An industry crowd gathered at Nashville restaurant Cabana.
BMI’s Clay Bradley called “Mama’s Broken Heart” “the ultimate revenge song,” citing the tune’s dramatically different twist on the typical breakup song. “Mama’s Broken Heart” pits daughter against mother, instead of scorned woman against a failed lover. The PRO honored Musgraves with a BMI guitar, commemorating her first No. 1 song.
ASCAP honored Clark and McAnally; this marks Clark’s second No. 1 song as a co-writer (she also co-wrote The Band Perry’s “Better Dig Two”). It is McAnally’s sixth No. 1 song.
Among those being honored were producers Frank Liddell, Chuck Ainlay and Glenn Worf, RCA Nashville’s Keith Gale, Little Blue Egg’s Robin Palmer, Songs of Parallel’s Tim Hunze, Vista Loma’s Stephanie Cox and Warner-Tamerlane Music Publishing’s Steve Markland. Avenue Bank’s Ron Cox was on hand to speak about the company’s donation to the Starkey Hearing Foundation on behalf of the songwriters.
Blake Shelton and American Idol‘s Kree Harrison were among the supporters in the crowd.
Lambert revealed her passion for the song nearly usurped her own wedding to Shelton in 2011. “It was supposed to be on Kacey’s album,” said Lambert. “At my wedding rehearsal dinner, Kacey’s sister was taking photos and Kacey was there, too, and I told her, ‘I want to sing “Mama’s Broken Heart.”‘ The song is that important–the wedding can wait!” Lambert quipped. “The song was worth fighting for.” Musgraves struck a deal with her. “She said, ‘Well, okay, you can record it if I can sing background vocals on it.'” Indeed, that is co-writer Musgraves’ voice you hear backing Lambert on the song.
“I had dreams my whole life,” Clark told the crowd. She gave credit to McAnally, who is not only a co-writer on the song, but is an essential part of Clark’s upcoming album 12 Stories, which releases Oct. 22. “Some [dreams] came true, but now, a lot of dreams that I thought would remain dreams became reality.”
Earlier in the week, the songwriters found out that “Mama’s Broken Heart” was nominated for a CMA trophy for Song of the Year, as was “Merry Go Round,” co-written by Musgraves and McAnally, along with Josh Osborne. The honors were not lost on McAnally. “This is not about the CMAs, but hearing my name called at all was mind-blowing. I grew up watching it every year for a long time,” said McAnally.
For Musgraves, things came full-circle to have Lambert, a fellow Texan, record the song. “We grew up 10 miles down the road from each other. I remember meeting her down the road at the pizza shop when we were 12. I feel so lucky to write songs and call it a job.”