Weekly Register: Alabama Returns To Country Charts

alabama southern drawlAlabama’s first studio album in fourteen years, Southern Drawl, debuted with 21K units sold, landing at No. 2 on the country album chart. Following at No. 3 and 4, respectively, are debuts from Turnpike Troubadours (19K) and Home Free (9.7K).

Luke Bryan stays at No. 1 country (No. 9 overall) with Kill The Lights selling 28K. Rounding out the Top 5 is Brett Eldredge with 9.5K, in his second week of release.

Also making debuts on the country chart are releases from Clare Dunn, Leigh Nash, and Joe Ely.

Bryan also has the top country track (No. 17 overall) with “Strip It Down” selling 43K. Thomas Rhett scores the top country debut track with “Die A Happy Man” selling 40K and entering at No. 2. Rounding out the top 5 country tracks are Cam’s “Burning House” (33K), Carrie Underwood’s “Smoke Break” (27K), and Chris Janson’s “Buy Me A Boat” (27K).

On the overall charts, Drake and Future are riding high at No. 1 on the Top 200 with What A Time to Be Alive debuting with 375K (334K album only). Drake’s track, “Hotline Bling,” sits atop the tracks chart selling 104K.

Lana Del Rey debuts at No. 2 on the Top 200 with Honeymoon selling 116K (105K album only). And Ryan Adams’ cover of Taylor Swift’s 1989 debuts at No. 7 selling 56K, while Swift’s original is at No. 8 with 42K.

Info according to Nielsen Soundscan

turnpike troubadours 2015

Turnpike Troubadours debut at No. 3 on the country album chart.

Uphoric TV Network: First To Offer Inside Look at Music Festivals

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Music fans will soon get a 360-degree look at the global music festival circuit. Uphoric TV, launched by New York-based entertainment marketing company UG Strategies, aims to become the first “television” network dedicated to documenting music festivals across the globe. The network launches with a multi-year contract with Verizon’s mobile television/video platform, Go90, followed by other digital content platforms.

“What ESPN is for sports, we want to be for festivals,” UG Strategies CEO Parag Bhandari tells MusicRow. “We’ve been working with festivals for years, and we began collecting content two years ago.”

Popular Middle Tennessee festivals Bonnaroo and Music City Food+Wine Festival are among the events to be highlighted as part of Uphoric TV’s initial launch. “With the Music City Food+Wine Festival, we featured Kings of Leon. We put a spotlight on the food as well, and talked with the band about music, food, and Nashville.” Other festivals across the globe highlighted by the network thus far include CMJ, the TBD Fest in Sacramento and the Oasis Festival in Marrakech, Morocco.

Among the network’s initial programming: “Industry Profile,” which spotlights publicists, bookers, festival promoters, celebrity chefs, production designers, costume designers, and more in the festival industry; and “Locals Only,” which features local bands in popular festival cities.

Another program, “On The Road,” highlights festival touring. “For example, we followed band The Struts as they traveled between festivals in the UK,” notes Bhandari.

“All Access” offers longer-form artist interviews. “We really try to do something different, like perhaps we will take a band to ride go-karts in Austin, or try local cuisine at a festival in New Orleans and have them talk about music, but also about the local food culture,” he says.

Programming will first be available in the United States only, via Go90, with additional domestic and international distributers and multi-channel networks to be added over the next six-12 months. Verizon plans to launch the service this month with a mix of live programming, web series and original content.

“The social television, mobile television, Hulu/Netflix model is where we feel the demographic is headed,” says Bhandari, “and we wanted to go with a linear route that allows us to expand.”

New West Records GM Ruthig Exits

Michael Ruthig

Michael Ruthig

New West Records General Manager Michael Ruthig has exited the label in order to begin Ruthig Consulting.

“My family and I decided to stay in LA now that the heart of New West will now be in Nashville,” Ruthig tells MusicRow. “I’m grateful to George Fontaine, Sr. for all of his support. I’m setting up a consulting business and will be working with artists and labels.”Ruthig’s last day was Friday (Sept. 25).Ruthig was named to the GM role in 2011. His previous career stops include EMI, Clear Channel, and Live Nation.New West Records has released projects by artists including Corb Lund, Ben Folds, Steve Earle, Delbert McClinton, and many more.
 New West President John Allen has assumed the responsibilities of GM.

Bobby Karl Works The Room: Taylor Swift Takes Nashville

BOBBY KARL WORKS THE ROOM

Chapter 509

Taylor Swift and Mick Jagger. Photo: Getty Images

Taylor Swift and Mick Jagger in Nashville on Sept. 26. Photo: Getty Images

A lucky few got to attend an intimate private party to celebrate Taylor Swift on Saturday (Sept. 26) backstage at Nashville’s Bridgestone Arena.

A small living-room sized area was tented in the rehearsal hall and furnished with beige couches and cocktail tables. Décor also included glass cases containing some of the pop superstar’s costumes. A photo booth was in one corner.

Taylor’s publicist is Tree Paine. She invited her fellow Recording Academy board members to the soiree. Among those accepting were Daniel Hill, Erika Wollam Nichols & Roger Nichols, Jeff Balding, and LeAnn Phelan.

Trey Fanjoy brought Anastasia Brown as her “date.” Phil Thornton brought Taj Johnson-George, who is not only a member of the Grammy-nominated SWV and a 2009 Survivor competitor, but turns out to be a major Taylor Swift fan. She told Taylor that she follows her religiously on social media.

Lisa Harless brought her niece. Julian King, Lori Badgett and Ben Fowler brought their daughters. For Ben’s 10-year-old, it was her first concert, ever.

Taylor greeted each person individually, easily making small talk, especially with the little girls. She autographed a photo for each attendee, personalizing every one. We also each got a souvenir photo with the pop princess.

She joked with Taj that she thought she could take her on. Taylor may have the height, but my money’s on Taj’s Survivor toughness.

Bart Herbison presented Taylor with five No. 1 plaques from the Nashville Songwriters Association. All of them were for songs from her triumphant, eight-million-selling pop collection 1989.

“C’mon, y’all, Yay for Taylor!” he exhorted. We cheered with pleasure.

“Where’s the camera? Let’s take a picture,” said the delighted star.

“It’s my first pop album, but I took my Nashville songwriting sensibilities into the sessions with me,” she added. “That’s what Nashville taught me.

“Thank you for coming to my show. I know how busy you are. You are people I admire and respect so much. Thank you for wanting to spend your Saturday night with me.”

She served us light refreshments and soft drinks. Then momma Andrea Swift took everyone on a backstage tour of the mammoth production. The kids were completely saucer eyed.

On our way into Taylor’s “homecoming” show, we encountered such other fabulons as Victoria Shaw, Peter Cooper, Brandon Heath and Nashville Recording Academy board president Shannon Sanders.

We walked into a concert atmosphere that was deliriously joyous. The audience at a Taylor Swift show is almost as entertaining as the show, itself, with its costumes, homemade signs, battery-powered holiday lights, tutus, headdresses, cat outfits, Taylor-inspired couture and sparkles everywhere. The crowd is simply adorable.

Here’s another cool thing. Taylor’s songs mean so much to them. They sang along to every single lyric of every single song.

Most of the shows on the 1989 Tour have featured surprise celebrity guests. Saturday night’s included two of the greatest, living legend Mick Jagger and awesome vocal phenom Leona Lewis. Taylor rocked “Satisfaction” with the former and sang a soaring rendition of 2008’s No. 1 pop smash “Bleeding Love” with the latter.

The crowd sang, too, and roared deafeningly as each was announced. Jagger wasn’t a surprise to the “lucky few,” since we’d glimpsed him briefly in a hallway backstage. (Friday’s concert featured appearances by Steven Tyler, Kelsea Ballerini and Alison Krauss). The crowd greeted opening acts Vance Joy and Haim with equal enthusiasm.

“Nashville….you have never looked as beautiful as you do, 15,000-strong, on a Saturday night,” said Taylor to the sold-out audience. “I feel like tonight is going to be the crowd of all crowds. And I really want it to be worth your while.”

The concert mainly consisted of material from 1989. She opened with “Welcome to New York,” for instance. But she also offered a few tunes from her years as a country act – “Fifteen” and “Love Story” – plus “We Are Never Ever Getting Back Together.”

The set pieces were simpler than on the Red Tour. A massive video screen backed the three-tiered stage. Twelve athletic male dancers accompanied most songs.

There were nine costume changes. This was sometimes accomplished because of female-empowerment and self-actualization video testimonials from Taylor buddies such as Lena Dunham and Selena Gomez.

A long, long runway extended almost the entire length of the Bridgestone. It rose 20-feet into the air and then rotated like a propeller blade over the audience. Taylor strutted fearlessly on it, in high heels. I wouldn’t walk that elevated thing on a dare, even in sneakers.

But the coolest effect was the light-up bracelet that was taped to every seat in the house. You put it on, and throughout the show, unseen forces made it change color – white, red, green, pink, blue, turquoise – depending on the mood of the song. This synchronized coordination resulted in the lovely vision of the crowd becoming a celestial galaxy.

“You’ve been so generous to me tonight,” said Taylor, “so welcoming, so open.

“I am having such a good time….Getting to hang out with you for two-and-a-half hours is going to be a memory for me. You make me so happy.

“Nashville, I’m going to ask you to sing one last time with me tonight,” she said before beginning the gloriously synth-throbbing “Out of the Woods.” Confetti rained down on our heads as the song reached its crescendo.

Of course it wasn’t the end. We rocked out to the “Shake It Off” finale as even more tons of confetti descended on our heads from the girders.

If you didn’t have a good time, you had to be made of lead.

LifeNotes: Eddie Montgomery Loses Son

Eddie Montgomery

Eddie Montgomery

MusicRow extends its condolences to Montgomery Gentry member Eddie Montgomery and his family. Montgomery lost his son Hunter today (Sept. 27) after an accident that left the 19-year-old on life support in a Kentucky hospital.

“My son Hunter went to heaven today,” said Montgomery. “I appreciate all your prayers and love and thank you for giving us privacy as we grieve and say goodbye.”
 
Funeral arrangements are pending.

MusicRowPics: Bluegrass Master Ron Block Debuts Solo Instrumental Project

Ron Block

Ron Block

Banjo and guitar maestro Ron Block showcased songs from his first instrumental bluegrass project, Hogan’s House of Music, during a visit to the MusicRow offices.

The 16-track collection includes collaborations with numerous top shelf musicians including his Union Station bandmates Barry Bales, Alison Krauss, Dan Tyminski, and Jerry Douglas, along with Stuart Duncan, Sierra Hull, Adam Steffey, Sam Bush, Tim Crouch, Rob Ickes, Clay Hess, Mark Fain, Byron House, Lynn Williams, and Jeff Taylor.

In addition to original compositions, the project includes fresh remakes of bluegrass classics including the Stanley Brothers’ “Clinch Mountain Backstep,” Flatt and Scruggs’ “Lonesome Road Blues,” “You Are My Sunshine,” and “Seneca Square Dance.”

“It starts with listening,” he said of creating original instrumentals. “For one song, I listened to a lot of old Carter family stuff, because I wanted a certain feel for the song. You start off with a general idea, and as things start to get more specific, you follow a certain trail and begin to carve away what isn’t the tune.”

At 13, Block became immersed in traditional bluegrass for about five years. At age 18, he fell in love with rock ‘n’ roll while working at his father’s record store, which led to the purchase of a Les Paul. Those rock influences showed during a live performance of “Clinch Mountain Backstep,” as he noted that he will sometimes play the banjo frets similar to a rock guitar manner, and oftentimes employs a fingerpicking style on electric guitar.

“We’ve all played that Ralph Stanley tune a million times with other people,” said Sierra Hull, who accompanied Block during the performance. “It’s part of that common body of knowledge that all bluegrass musicians have,” she said of improvising melodies for the project. “So when he brings an original song, it’s still within the vein of a familiar bluegrass style, that we kind of speak that language, so he can trust that the musicians he’s hired can play melodies over that particular set of chord changes.”

During his career, Block has collected 14 Grammys, multiple IBMA Awards, a CMA Award, and a Dove Award.

Hogan’s House of Music was produced by Block and recorded at Southern Ground Studios in Nashville. It is available on iTunes, amazon.com, and ronblock.com.

MusicRow staffers welcome Ron Block.

MusicRow staffers welcome Ron Block.

Suit Music Management Scouts First Signee

Suit Music management's Andrew Cohen, Jarrod Holley, Aaron Trevethan

Suit Music management founders. Pictured (L-R): Andrew Cohen, Jarrod Holley, Aaron Trevethan

Young Entertainment Professionals’ (YEP) founder/executive director, Andrew Cohen, has launched Suit Music management with his board member Jarrod Holley. The newly formed company has launched with Los Angeles-based investing partner, venture capitalist Aaron Trevethan.

The entrepreneurs are making the label, agency and publisher rounds taking meetings about talent and will announce their first signing in the near future.

“Being involved with a new music venture is something I’ve aspired to do for a while now,” said Trevethan. “As soon as Andrew and Jarrod approached me with the idea, I knew this was the team to do it with.”

Cohen, formerly of I.R.S. Nashville and Crush Management, has been mentored by industry stalwart John Grady throughout that time promoting Ashley Monroe, Striking Matches and Kristen Kelly.

Prior to moving to Nashville, Holley ran The Invasion Agency, his own regional booking agency in Ohio. In a merchandise capacity, he works with Eli Young Band and has offered tour management services for Frankie Ballard, Eric Hutchinson, Canaan Smith, and Sean McConnell.

YEP now boasts over 11,000 affiliates with a board of directors including publisher Beth Laird (Creative Nation), Mark Brown (Roundhill Music), Grady, Sara Knabe (BMG), Mark Montgomery (Flo/Co), and Holly Bell (Growth and Process Specialists Consulting).

Cohen can be reached at andrew@suitmusicmgmt.com.

Holley can be reached at jarrod@suitmusicmgmt.com.

Trevethan can be reached at aaron@suitmusicmgmt.com.

Industry Ink: Absolute Publicity, Dan Hodges Music, Judy McDonough, Sony Music Nashville

Kay Waggoner Joins Absolute Publicity

Kay Waggoner

Kay Waggoner

Veteran publicist and former television news producer Kay Waggoner has joined Absolute Publicity as a Senior Publicist.

Waggoner will assist in handling media efforts for clients including Larry Gatlin & the Gatlin Brothers, The Marshall Tucker Band, Restless Heart, Pam Tillis, Ray Stevens, and James Robert Webb.

Waggoner can be reached at 615-305-6745 or at kay@absolutepublicity.com.

 

Dan Hodges Music Inks Deal With The Rukkus Room

Pictured (L-R): Dan Hodges(Owner, DHM), Susan Hodges (VP Administration, DHM Administration), Jamie Tate (Owner, Rukkus Room) and Adam Wood (Songwriter, Rukkus Room)

Pictured (L-R): Dan Hodges(Owner, DHM), Susan Hodges (VP Administration, DHM Administration), Jamie Tate (Owner, Rukkus Room) and Adam Wood (Songwriter, Rukkus Room)

The Rukkus Room has inked a worldwide copyright and royalty administration agreement with Dan Hodges Music. The Rukkus Room is owned and operated by Jamie Tate and studio manager Joe Nino-Hernes. Studio credits including projects for Thomas Rhett, Justin Moore, Alan Jackson, Sheryl Crow, Taylor Swift and more.

DHM will administer publishing interests for existing Rukkus Room catalogs, owner Jamie Tate and current staff songwriter, Adam Wood. Rukkus Room and DHM will collaborate to meeting varying needs of both companies.

 

McDonough Joins W Publishing Group

Judy McDonough

Judy McDonough

W Publishing Group has hired veteran publicist Judy McDonough as Director of Publicity. She started in her new role Sept. 15.

“I am personally thrilled that Judy has agreed to join our team at W Publishing,” said Matt Baugher, SVP and W Publishing Group publisher.  “She has much to offer through her vast network of contacts, her fresh thinking, and her deep desire to work with life-changing content. Our authors are going to love working with her and they are going to discover a person who is both strategic and persistent in obtaining relevant coverage for each product. We are fortunate to have some of the most talented people in the industry working here at Thomas Nelson. Judy McDonough is an ideal fit.”

Prior to her work with W Publishing, McDonough ran independent PR firm JEMMedia for seven years. Before JEMMedia, she was a publicist at Capitol Nashville, working with Keith Urban, Eric Church, Lady Antebellum, Garth Brooks, Darius Rucker, and more.

W Publishing Group is a non-fiction imprint of Thomas Nelson.

 

Sony Music Nashville’s Westbrook Welcomes Daughter

Ivy Elizabeth Hetrick

Ivy Elizabeth Hetrick

Sony Music Nashville Marketing Director Sarah Westbrook and her husband welcomed daughter Ivy Elizabeth Hetrick on Thursday, Sept. 24.

The baby weighed 7 lbs, 13 oz. Congratulations can be sent to sarah.westbrook@sonymusic.com.

 

 

 

 

Bobby Karl Works The Room: Blake Shelton Celebrates Five No. 1s

 3528: Pictured: (L-R) BMI songwriter Tommy Lee James, ASCAP songwriter Brent Anderson, BMI songwriter Wade Kirby, ASCAP songwriter Ryan Hurd, producer Scott Hendrix, BMI songwriters Phil O’Donnell and Andrew Dorff and ASCAP songwriter Mark Irwin. (Front Row) ASCAP songwriter Josh Osborne, BMI affiliate Blake Shelton, ASCAP songwriters JT Harding and Josh Kear.

Pictured (L-R): BMI songwriter Tommy Lee James, ASCAP songwriter Brent Anderson, BMI songwriter Wade Kirby, ASCAP songwriter Ryan Hurd, producer Scott Hendrix, BMI songwriters Phil O’Donnell and Andrew Dorff and ASCAP songwriter Mark Irwin. (Front Row) ASCAP songwriter Josh Osborne, BMI affiliate Blake Shelton, ASCAP songwriters JT Harding and Josh Kear.

BOBBY KARL WORKS THE ROOM

Chapter 508

All hail the majesty of Blake Shelton.

Which is to say, “Blake Shelton Week” in Nashville concluded with a humongous celebration of his five most recent No. 1 hits. BMI and ASCAP combined forces to laud the 11 songwriters who penned those tunes at a Thursday afternoon whoop-dee-do at Losers on Division Street (Sept. 24).

“It’s just another week for Blake Shelton,” said BMI”s Bradley Collins. “He throws a street party and 10,000 people show up,” which referred to Wednesday’s phenomenal event on Music Row (Sept. 23). Then there was the star’s fifth-anniversary celebration as an Opry member on Tuesday (Sept. 22).

“Welcome to the five-headed No. 1 party,” Collins added to greet us at this latest of the three Blake bashes.

“Thank y’all for being here at the world’s LONGEST No. 1 party,” said Blake when all the speeches were said and done.

He was so gracious, standing and smiling for an hour and a half while the writers and their many publishers accepted accolades and spoke. He even shouted greetings to the pedal-tavern folks ambling by outside the bar.

BMI’s Collins, Leslie Roberts and David Preston tag-team hosted with ASCAP”s Michael Martin, Mike Sistad and Beth Brinker. The five honored chart-topping Blake hits were “Doing What She Likes,” “My Eyes,” “Neon Light,” “Lonely Tonight” and “Sangria.”

Before the presentations started, Blake posed for LOADS of snapshots with folks. Hiding behind Wes Vause, the Today Show’s Hoda Kotb crept up and popped out to surprise the megastar.

“I’m single now!” Blake exclaimed, grabbing her and planting a kiss. She took a selfie with him.

Collins told the crowd that the five songs being honored had spent 200 weeks on the charts collectively. Wow. He first brought up Wade Kirby and Phil O’Donnell for “Doing What She likes.” This is Kirby’s second No. 1 and O’Donnell’s third.

Kirby recalled that the song was written during a deer hunt. In fact, the song so consumed them (plus it was raining) that no deer were ever harmed.

Pictured: (L-R): (Back Row) BMI’s Bradley Collins, Round Hill’s Mark Brown, WMG’s John Esposito, producer Scott Hendricks, Hori Pro’s Courtney Crist, Lee Krabel and Butch Baker. (Front Row) BMI songwriter Wade Kirby, BMI affiliate Blake Shelton and BMI songwriter Phil O’Donnell.

Pictured: (L-R): (Back Row) BMI’s Bradley Collins, Round Hill’s Mark Brown, WMG’s John Esposito, producer Scott Hendricks, HoriPro’s Courtney Crist, Lee Krabel and Butch Baker. (Front Row, L-R): BMI songwriter Wade Kirby, BMI affiliate Blake Shelton and BMI songwriter Phil O’Donnell.

Next up, Roberts brought on Andrew Dorff, Josh Osborne and Tommy Lee James, the team behind “My Eyes.” Thanks to Kenny Chesney’s chart-topping “Save It for a Rainy Day” this week, Dorff now has four No. 1’s. James has seven of them. ASCAP’s Martin brought on Osborne, who has eight.

Dorff signed with BMI when he was just 12 years old. His father is L.A. songwriting star Steve Dorff.

“He has 12 No 1’s, so I have eight to do to catch up.” said Andrew. The songwriter has three Labrador dogs. “I gotta pay for dog food, so this is important,” he quipped.

James said, “This is a really hard song to sing. There’s no place to breathe in it. But you [Blake] made it sound effortless.”

Preston kept Dorff on stage and added Josh Kear and Mark Irwin for “Neon Light.” “You guys know it’s ‘Blake Shelton Week,’ right?” said Preston. “Well, today is ‘Andrew Dorff Day,’” because of Dorff having two No. 1 hits to celebrate.

Sistad introduced Kear and Irwin. This marked Kear’s 11th No. 1 hit, and he was ASCAP country songwriter of the year in 2013.

“Here’s to one-chord songs,” said Kear of “Neon Light.” “It’s great to hear them on the radio.”

Dorff added that the song was written with Blake in mind: “Thank you for taking my career to the next level. And I want to thank the city of Nashville.”

ASCAP’s Brinker took over to introduce Ryan Hurd and Brent Anderson for “Lonely Tonight.” Both songwriters were celebrating their first No. 1 hit.

 3740: Pictured: (L-R): (Back Row) Branden Bosler (Promotion Coordinator), Chad Schultz (Nat'l Dir. Radio & Interactive Mktg), Mallory Opheim (Regional Promotion Manager), Blake Shelton. (Middle Row) Lou Ramirez (Regional Promotion Manager), Mark Niederhauser (Regional Promotion Manager), Kristen Williams (VP Promotion), Rick Young (Regional Promotion Manager), Kevin Herring (SVP, Promotion). (Front Row) Katie Bright (Director, National Promotion), John Esposito (President & CEO, WMN)

Pictured: (L-R): (Back Row) Branden Bosler (Promotion Coordinator), Chad Schultz (Nat’l Dir. Radio & Interactive Mktg), Mallory Opheim (Regional Promotion Manager), Blake Shelton. (Middle Row) Lou Ramirez (Regional Promotion Manager), Mark Niederhauser (Regional Promotion Manager), Kristen Williams (VP Promotion), Rick Young (Regional Promotion Manager), Kevin Herring (SVP, Promotion). (Front Row) Katie Bright (Director, National Promotion), John Esposito (President & CEO, WMN)

“This is the coolest thing that’s ever happened to me,” said Anderson. “Now I want another one,” said Hurd, who is a Belmont graduate and looks like a Sunday-school picture of The Good Shepherd. I am told he is an aspiring recording artist.

J.T. Harding, Josh Osborne and Trevor Rosin are the co-writers of “Sangria.” Rosin is on the road becoming a star with Old Dominion (“Break Up With Him”), so he wasn’t there.

Because of his double chart toppers, we were informed that it was also “Josh Osborne Day.”

But the ebullient Harding stole the show. “On the count of ‘3,’  let me hear you say, ‘Blake Shelton for President!’” he exclaimed to the crowd. So we did.

“Everything I say is gonna wind up in a tabloid, so it doesn’t matter what I say,” said Blake. Last week, the scandal sheets said he was hooking up with his fellow judge on The Voice, Gwen Stefani. This week, they screamed that he would die if he didn’t go to rehab.

For the record, he seems lean, trim and wonderfully fit. Not to mention enduringly charming.

He pointed out that Gwen Sebastian was his vocal foil on “My Eyes” and that Ashley Monroe was with him on “Lonely Tonight.” He added, “Thank you, songwriters, for giving me the chance to sing your songs.”

“Blake, this means so much to these songwriters that you’re here,” said Sistad. “So thank you for making the time for this.”

The CMA’s Brandi Simms presented medallions to all of the honored songwriters. Ron Cox of Avenue Bank announced that his company will make donations on behalf of all the songwriters to Vanderbilt Children’s Hospital and to St. Jude’s Children’s Hospital.

Needless to say, publishers were there in abundance. Kent Earls, Butch Baker, Mark Brown, Travis Gordon, Dave Pakula, Mike Owens, Kos Weaver and Robin Palmer were among them.

We sweltered on the outdoor deck of Losers. It was an unseasonably warm 89 degrees. Even the ever-affable Blake complained about the lack of air conditioning.

But persevering were Ron Huntsman, Pete Fisher, Brandon Blackstock, Narvel Blackstock, Frank Rogers, Heather Byrd, Cindy Watts, Mike Vaden, Hank Adam Locklin, Preshias Harris and, natch, Scott Hendricks and Music Row personality-plus John Esposito.

Frankly, I felt exhausted. I bet Blake did, too. But a grand time was had by all.

Blake Shelton celebrates at yesterday's No. 1 party.

Blake Shelton celebrates at yesterday’s No. 1 party.

Kenny Rogers To Retire From Touring

Kenny Rogers announces he will retire from touring during an appearance on The Today Show.

Kenny Rogers announces he will retire from touring during an appearance on The Today Show.

Kenny Rogers will soon leave the tour bus behind. After 57 years spent on the road, Rogers announced on NBC’s The Today Show this morning (Sept. 25) that his 2016 world tour will be his last.

Dates and information for Rogers’ final World Tour will be announced at a later date.

To watch Rogers’ announcement on The Today Show, visit today.com.

Rogers is set to ring in the upcoming holidays with his first Christmas album in 17 years, Once Again It’s Christmas (Warner Bros./Warner Music Nashville).

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