The MLC Makes Four Advisory Committee Appointments
The Mechanical Licensing Collective (The MLC) has announced four appointments to the organization’s advisory committees, including one appointment to the Dispute Resolution Committee and three to the Operations Advisory Committee.
Jennifer Falco, Senior Vice President, Licensing at Hipgnosis Songs Group, has been appointed to the Dispute Resolution Committee. In her role, she leads all media licensing operations. With a focus on blanket license negotiations across major platforms such as streaming, audiovisual, and fitness, Falco plays a critical role in shaping licensing strategies. Formerly with Big Deal Music Group and Words & Music, Falco brings extensive experience in licensing operations and managing clearances for advertisements, trailers, and films.
Additionally, Sean McGraw, Senior Vice President, Catalog Management at Downtown Music Publishing, has been reappointed to the Dispute Resolution Committee.
The Dispute Resolution Committee makes recommendations to the Board on policies and procedures for the processing of royalties related to works that are subject to disputes over ownership and is comprised of five songwriters and five representatives of music publishers.
Iwona Wyrzykowska, Senior Vice President, Global Film & TV Administration and Digital Administration Partnerships at Universal Music Publishing Group, has been appointed to the Operations Advisory Committee. With over 18 years of experience in publishing, Wyrzykowska has played a pivotal role in global film and TV administration, digital operations, and copyright management. In her roles at Universal Music Publishing Group, she has driven advancements in music metadata and content management systems.
Jessica Richling O’Malley, Vice President, Mechanical Licensing, Copyright and Archives at Warner Chappell Music, has been appointed to the Operations Advisory Committee. With over 18 years of music industry experience, she is a proven leader in music licensing, managing complex operations and driving innovative strategies. Prior to her leadership role at Warner Chappell, O’Malley spent nine years managing music licensing for Viacom’s flagship MTV programming and played a key role in building Beachbody’s global music licensing department.
Kristina Johnson, Vice President, Copyright at Kobalt Music, has also been appointed to the Operations Advisory Committee. With over a decade of experience, Johnson has held key roles at Universal Music Publishing Group, including Senior Director of North American Copyright, advancing copyright innovation and operational efficiency in the music industry. Johnson specializes in the intersection of publishing administration operations and systems development and is currently pursuing a master’s degree in organizational leadership.
Additionally, Ana Ruiz, Founder and Client Acquisition at Drive Music Publishing, has been reappointed to the Operations Advisory Committee.
The MLC’s Operations Advisory Committee makes recommendations to the Board on policies and procedures related to the operations of the Collective, including the efficient investment in and deployment of information technology and data resources. It is comprised of six representatives of music publishers and six representatives of digital music providers.
The MLC also has an Unclaimed Royalties Oversight Committee, which recommends policies and procedures to The MLC’s Board related to the distribution of unclaimed accrued royalties and is comprised of five songwriters and five publishing representatives. Patrick Curley, President of Third Side Music Inc., and Frank Liwall, CEO of The Royalty Network Inc., have both been reappointed to the Unclaimed Royalties Oversight Committee.
“On behalf of The MLC Board and its nominating committee, we extend our gratitude to those who previously served and to those who submitted applications to serve on our committees,” says Alisa Coleman, Chair of The MLC’s Board of Directors. “This process highlights the dedication of so many to advancing our mission. After careful review and thoughtful consideration, we have selected individuals who bring diverse perspectives and expertise, ensuring our committees continue to reflect and serve the needs of the music community.”
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