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In This Issue: MusicRow Awards Issue Features ’90s Country, Post-Pandemic Anxiety, More

August 26, 2022/by LB Cantrell

MusicRow Magazine, Nashville’s leading music industry publication, released its 2022 MusicRow Awards print issue earlier this week with Capitol Records Nashville’s Jon Pardi gracing the cover.

The print magazine highlights this year’s MusicRow Awards nominees in a range of categories. Presented by City National Bank, the winners for the 34th annual MusicRow Awards will be announced virtually among multiple MusicRow platforms on Tuesday, Aug. 30, 2022. This print issue also honors the Top 10 Album All-Star Musicians Awards, which will also be announced on Aug. 30, recognizing the studio players who played on the most albums reaching the Top 10 of Billboard’s Country Albums Chart during the eligibility period.

The 2022 MusicRow Awards print issue also includes a look at the resurgence of popularity for ’90s country, tapping industry veterans Cris Lacy and Kerri Edwards to analyze this trend.

“It’s the cycle of music,” Lacy tells MusicRow regarding the surge of popularity for ’90s country. “It’s the music that millennials and Gen Z heard their parents listening to. I lean into things that my folks listened to when I was a kid, so I think that’s a piece of it.”

She adds, “I also think ’90s music was really fun. If you look at The Chicks, Faith Hill, George Strait, Alan Jackson, Garth Brooks, Reba McEntire, Joe Diffie and Shania Twain, there was a lot of fun music. It was positive and uplifting. There were certainly meaningful songs, but there were also songs that felt light and carefree. I think we all need that right now. Those two things are converging—the state of the world for the last couple years and the age of younger listeners and what they grew up on.”

Also featured in the 2022 MusicRow Awards print issue is a deep dive into the recent changing of the guard in Music City’s major label publicity departments, as Meg Kehoe takes over for Allen Brown at Sony Music Nashville and Fount Lynch assumes Wes Vause’s former position at Warner Music Nashville. Both Kehoe and Lynch detail their career journeys to this point and discuss their goals for their new positions.

Elsewhere, MusicRow hears from Onsite Entertainment’s Debbie Carroll to discuss the mental and emotional health challenges that have arisen due to the pandemic, and how we as an industry can move on. Onsite is an international leader in the emotional and mental wellness space. This spring the organization launched Onsite Entertainment, an innovative new division explicitly curated to meet the growing needs of the entertainment industry, tapping Carroll to lead the division.

“The pandemic has taken a toll on all of our mental health, so it’s important for everybody to acknowledge that and to normalize it a little,” Carroll shares.

The 2022 MusicRow Awards print issue also features a discussion on the ins and outs of the life of a business manager with FBMM’s Duane Clark. As President & COO of FBMM’s Nashville firm, Clark’s roster of clients includes top recording and touring artists.

In the article, Clark tells MusicRow how he got his start, details his journey with FBMM, and speaks about his philanthropy efforts that recently secured him an ACM Award.

He shares, “It’s a blessing to get to wake up every morning and do what you really are passionate about. I can come in and do what I really love doing and hopefully help guide some folks to their dreams.”

Also included in the 2022 MusicRow Awards print issue is an informative roundup of all the awards applicable to the Nashville music industry.

Single copies of the 2022 MusicRow Awards print issue are available for purchase at musicrow.com for $20, and are included with yearly MusicRow subscriptions.

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LB Cantrell
LB Cantrell
LB Cantrell is Editor/Director of Operations at MusicRow magazine, where she oversees, manages and executes all company operations. LB oversees all MusicRow-related content, including the publication’s six annual print issues and online news. She is a Georgia native and a graduate of the Recording Industry Management program at Middle Tennessee State University.
LB Cantrell
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