Bobby Karl Works The Room: Country’s Black Artists Join Hands In Documentary
Pictured (L-R): Howard Gentry, Brittney Spencer, Siyyad Love, guest, Frankie Staton, Mike Floss, Marcus Dowling, BRELAND, Reyna Roberts, Willie Jones, Blanco Brown, Joshua Kissi, Shy Carter, Amythyst Kiah, Amazon Music’s Raymond Roker
Bobby Karl Works The Room
Chapter 653
Plenty of historic events take place at the Country Music Hall of Fame, but the For Love & Country party there on Monday (April 4) emerged as a true landmark.
As any country fan can tell you, the second decade of the 21st century has witnessed an unprecedented influx of Black artists into the genre. For Love & Country is a documentary film that celebrates this phenomenon, and Monday’s event was the movie’s premiere.
It was also an unprecedented summit meting of today’s Black country talent. Gathered in one spot for the first time were Blanco Brown, Shy Carter, Breland, Reyna Roberts, Brittney Spencer, Amythyst Kiah, Willie Jones and Frankie Staton. Also in the film, but unable to attend were Mickey Guyton, Jimmie Allen, Allison Russell, Rhiannon Giddens and Valerie June.
The Black country population is now so large that Rissi Palmer, Kane Brown, Chapel Hart, Wendy Moten, Tiera Kennedy, Tony Jackson, Charley Crockett, Darius Rucker, Aaron Vance, Paula Boggs, Sacha, Spensha Baker, Karen McCormick, Dalton Dover and many more didn’t find themselves either at the party or in the movie.
Pictured (L-R): Moderator Marcus Dowling, Willie Jones, Breland, Amythyst Kiah, Blanco Brown, Mike Floss, Shy Carter, Frankie Staton, Joshua Kissi, Reyna Roberts, Brittney Spencer. Photo: Jason Kempin/Getty Images for Amazon Music
“I think we are all better for having so much more representation,” said Spencer. “I’m proud to be country and proud to be Black.”
“Music has no color,” added Brown. “I don’t chase radio; I chase purpose. It’s a privilege to be here.”
“We’re a part of healing the world,” said Jones. “ My dream was to see other Black people show their love of country music. Just being a part of this story is a blessing.”
“I’m glad to see everybody up here who is pushing the mission forward,” commented Carter. “It is a mission. It’s important.”
“Up here,” was a panel discussion prior to the screening that was moderated by Marcus K. Dowling, the first Black country-music reporter at The Tennessean. “There is an actual change happening, and it’s represented on this stage tonight,” he said. “History is written by victors: These are the victors….We’re having songs that are changing the conversation.”
Others from Nashville’s African-American community who celebrated this historic gathering included Howard Gentry, Eric Holt, Shannon Sanders, Sharon Gentry and Mike Floss. The premiere was also attended by Missi Gallimore, Kelly Sutton, Jensen Sussman, Julianne Cassidy, Charlotte Burke Bass, Clay Bradley and a large group of young hipsters.
“This is a MOMENT,” observed Bradley, about the Black-country gathering.
The cocktail reception featured roving photographers, open bars and a wait staff circulating with crab cakes, tuna-on-cucumber, hot-chicken skewers, fried green tomatoes, mini BLTs, beef cubes and other taste ticklers. Afterward, guests sampled sweets from a dessert buffet. The Ford Theater was completely festooned with spring flowers, framing the venue’s entry, cascading down its aisles and bedecking the front of the stage. Massed pillar candles flickered where flavored popcorn beckoned.
For Love & Country is an Amazon Music production. It will be released on April 7 on the Amazon Music app and Prime Video. Acclaimed New York filmmaker/photographer Joshua Kissi directed. “I felt like I was a conduit, to be a modern-day storyteller,” said Kissi. “I came in as a spectator. Now I feel like I am at home.”
Back in 1996, Frankie Staton cofounded a Black Country Music Association. “I knew this was possible,” she reflected. “I never dreamed I would see it.”
