Blackbird Studio held a gala event on July 17 to mark the official launch of the facility’s new Dolby Atmos 9.1.6 reference room (Studio C).
Blackbird founder John McBride stated, “Blackbird has always had an extremely high bar that doesn’t allow us to cut any corners in anything we do. So when it came time to create this unique mixing/listening space, we reached out to the companies I know and have worked with, whom I trust based on their knowledge, their products and their track record for getting the job done. The team that helped create this reference room represents the cream of the crop, and we could not have made this a reality without their unwavering support.”
Attendees included Chuck Ainlay, Ben Fowler, Steve Marcantonio, Julian Raymond, Bob Bullock, Michael Cronin and more. They were treated to a listening session with a wide variety of tracks in Dolby Atmos including Elton John’s “Rocket Man,” Beck’s “Seventh Heaven,” and, for the first time ever, Prince’s “When Doves Cry,” newly mixed by engineer David Leonard, who was on hand to discuss this latest mix of the classic track.
Blackbird’s 9.1.6 Dolby Atmos reference room is a state-of-the-art facility with equipment that includes ATC SCM300ASL Pro speakers (L-C-R), ATC SCM100ASL Pro speakers (six top and six side) and ATC SCM1-15ASL Sub subs (four front, two rear/side); AVID Pro Tools | MTRX audio interfaces (two); Antelope Audio 10MX rubidium atomic master clock; and AVID Pro Tools | SYNC HD.
The open floor plan concept room for Studio C was originally designed by multiple GRAMMY and TEC Award-winner, producer, engineer and inventor George Massenburg and Dr. Peter D’Antonio, founder of RPG Diffusor Systems, Inc.
“Very soon after I started to mix in 5.1 new challenges were quickly revealed,” stated Massenburg. “’Hearing’ a complex multichannel mix required fresh skills; yes, localization is important, but maintaining the perception of the overall context and integrating sources also in the sound field was challenging—I felt a new kind of mix environment was (and still is) essential—I never stopped thinking about it. I was given the opportunity to build a massively diffuse, uniform-response room in the early 2000’s to address these issues, and Blackbird Studio C was born. More than just a multichannel mix room, it offered an ideal context and environment to record live acoustic ensembles, providing artists an unparalleled ability to hear each other really well. Recently outfitted with Dolby Atmos Music monitoring technology, Blackbird Studio C now provides mixers with the tools to inspire them to create extraordinary and breathtaking immersive music mixes.”
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