BBR Music Group Adds Elvie Shane To Roster

Pictured (Front row, L-R): Jon Loba (EVP, BBR Music Group), Elvie Shane, Chris Poole (Director A&R, BBR Music Group). (Back row, L-R): Sara Knabe (VP A&R, BBR Music Group), Carson James (SVP Promotion, BBR Music Group), Colton McGee (Director of Business and Legal Affairs, BBR Music Group), Caleb Tooker (UTA), Travis James (UTA), Lisa Johnson (Rome Phrey Publishing), R.J. Romeo (Rome Phrey Publishing), Lance Roberts (UTA). Photo: Cody Heckber

BBR Music Group has signed Kentucky native Elvie Shane, whose song and video for “My Boy,” a song he wrote for his stepson, gained traction in 2018. Music fans may also know Shane from his stint on American Idol in 2016.

Shane is booked by United Talent Agency and is signed to Nashville-based Rome Phrey Publishing.

“The second that I walked into BBR, I became dead set on becoming a part of their team. There was such a sense of respect and camaraderie between the team and I could tell that we share the same type of values—it just immediately felt like home,” said Shane. “BBR and BMG always strive to find iconic artists and I feel so blessed to now be a part of their incredible roster. It’s a dream come true.”

“The first time I heard ‘My Boy’ it had me and our SVP of Promotion, Carson James in tears and it garnered the same reaction from many people throughout the building. As we dug in deeper from there, we got to know Elvie as an accomplished writer and storyteller,” said Jon Loba, EVP BBR Music Group. “Seeing our director of A&R, Chris Poole’s passionate belief in Elvie and his unique sound made us even more confident that Elvie needed to be a part of the BBR family.”

Shane will be performing on the Broadway Stage during CMA Fest, as well as at the inaugural Twin Cities Summer Jam on July 19.

BBR Music Group Adds Elvie Shane To Roster

Pictured (Front row, L-R): Jon Loba (EVP, BBR Music Group), Elvie Shane, Chris Poole (Director A&R, BBR Music Group). (Back row, L-R): Sara Knabe (VP A&R, BBR Music Group), Carson James (SVP Promotion, BBR Music Group), Colton McGee (Director of Business and Legal Affairs, BBR Music Group), Caleb Tooker (UTA), Travis James (UTA), Lisa Johnson (Rome Phrey Publishing), R.J. Romeo (Rome Phrey Publishing), Lance Roberts (UTA). Photo: Cody Heckber

BBR Music Group has signed Kentucky native Elvie Shane, whose song and video for “My Boy,” a song he wrote for his stepson, gained traction in 2018. Music fans may also know Shane from his stint on American Idol in 2016.

Shane is booked by United Talent Agency and is signed to Nashville-based Rome Phrey Publishing.

“The second that I walked into BBR, I became dead set on becoming a part of their team. There was such a sense of respect and camaraderie between the team and I could tell that we share the same type of values—it just immediately felt like home,” said Shane. “BBR and BMG always strive to find iconic artists and I feel so blessed to now be a part of their incredible roster. It’s a dream come true.”

“The first time I heard ‘My Boy’ it had me and our SVP of Promotion, Carson James in tears and it garnered the same reaction from many people throughout the building. As we dug in deeper from there, we got to know Elvie as an accomplished writer and storyteller,” said Jon Loba, EVP BBR Music Group. “Seeing our director of A&R, Chris Poole’s passionate belief in Elvie and his unique sound made us even more confident that Elvie needed to be a part of the BBR family.”

Shane will be performing on the Broadway Stage during CMA Fest, as well as at the inaugural Twin Cities Summer Jam on July 19.

Newcomer Desure Talks Journey From Midland’s Tour Manager To Opening Act [Interview]

Desure

A tour manager does whatever it takes to help an artist put on a good show. In the case of Desure (full name Josh Desure), that meant becoming a performer himself.

Desure recently wrapped a series of dates opening shows for BMLG trio Midland, including a stop at the historic Ryman Auditorium in Nashville—but before he was opening shows for the band, he was their tour manager as the band made their way through the Texas honkytonk circuit and beyond. During one performance at Buck Owens’ Crystal Palace in Bakersfield, California, Desure filled in as an opening act.

“I think it was [Midland’s Mark Wystrach] who said, ‘Do you want to just get up and play some songs?’ They knew I had been writing songs and singing for a while, so I got up and played and they were like, ‘Yeah, you should probably sing instead.’” Desure recalls with a laugh. “The manager of the place said it reminded him of like in the ‘70s when bands would put their tour manager onstage to open for them, like a family affair.”

Desure has known the members of Midland for over 15 years, meeting Jess Carson, and later Mark Wystrach, through playing in Los Angeles bands. Desure grew up a childhood friend of Harper Smith, who later wed Midland’s Cameron Duddy. Desure had been working in photography and production in Los Angeles, until the guys in Midland asked him to try his hand at tour management.

“I quit my job and packed my car in like five minutes,” he recalls. “I drove to Texas the next day, got on the tour bus and left with them. Just left all my stuff baking in the car.”

Having no prior experience with tour management, Desure said the new gig came with some memorable learning curves.

“I rented an RV for us to travel in. An RV is meant to go from A to B and stay there. We were going all over the place in it. Everything was breaking, all the paneling was coming off, but we were playing smaller, more intimate shows and we were just having the best time.”

By the time he got onstage at the Crystal Palace, Desure may have been short on tour management experience, but he was more than ready to take his place on the other side of the mic. He had grown up listening to records by Creedence Clearwater Revival, Neil Young and Bob Dylan, which proved a potent influence on Desure’s confessional style of songwriting. By his early teens, he was playing guitar and singing in bands of varying musical styles.

“I’ve tried to count how many bands I was in during high school,” he says. “I was in punk bands and rock ‘n’ roll bands; we did a lot of Black Sabbath songs. Black Sabbath is everything, I love that band so much. I think rock and country, they go hand-in-hand a bit; [Bob] Seger has that rasp; he could sing for a punk band.”

Now, Desure is signed with BRND MGMT (which also co-manages Midland in conjunction with Sandbox Entertainment) and has folded those country, rock and punk influences into his debut, self-titled EP, which released earlier this month on MEGA/Tuxedo Records.

One of the album’s most gut-wrenching songs, “Los Angeles,” reflects on Desure’s move to Texas and his need to retreat from the L.A. environment.

“I was partying a lot and had no sense—I was just crazy. I had to leave Los Angeles. I needed to get out and just wake up.”

Desure penned all the songs on the album by himself, with the exception of a lone cover of Bob Seger’s “Sailing Nights.”

“Songs are therapy through and through. If I don’t write for a few days, I start to feel odd and I have to get it out. I think it’s important. Sometimes people will come up after shows and let me know how they relate to what I write, and that means everything to me.”

Earlier this month, Desure opened two shows for Willie Nelson and is currently opening concerts for Dwight Yoakam.

“I still don’t believe it. Opening for Midland, even though these concerts are huge and sold out, these are still my best friends. But opening for Willie and Dwight, that’s just good affirmation for me and it’s also just unbelievable.”

Newcomer Desure Talks Journey From Midland’s Tour Manager To Opening Act [Interview]

Desure

A tour manager does whatever it takes to help an artist put on a good show. In the case of Desure (full name Josh Desure), that meant becoming a performer himself.

Desure recently wrapped a series of dates opening shows for BMLG trio Midland, including a stop at the historic Ryman Auditorium in Nashville—but before he was opening shows for the band, he was their tour manager as the band made their way through the Texas honkytonk circuit and beyond. During one performance at Buck Owens’ Crystal Palace in Bakersfield, California, Desure filled in as an opening act.

“I think it was [Midland’s Mark Wystrach] who said, ‘Do you want to just get up and play some songs?’ They knew I had been writing songs and singing for a while, so I got up and played and they were like, ‘Yeah, you should probably sing instead.’” Desure recalls with a laugh. “The manager of the place said it reminded him of like in the ‘70s when bands would put their tour manager onstage to open for them, like a family affair.”

Desure has known the members of Midland for over 15 years, meeting Jess Carson, and later Mark Wystrach, through playing in Los Angeles bands. Desure grew up a childhood friend of Harper Smith, who later wed Midland’s Cameron Duddy. Desure had been working in photography and production in Los Angeles, until the guys in Midland asked him to try his hand at tour management.

“I quit my job and packed my car in like five minutes,” he recalls. “I drove to Texas the next day, got on the tour bus and left with them. Just left all my stuff baking in the car.”

Having no prior experience with tour management, Desure said the new gig came with some memorable learning curves.

“I rented an RV for us to travel in. An RV is meant to go from A to B and stay there. We were going all over the place in it. Everything was breaking, all the paneling was coming off, but we were playing smaller, more intimate shows and we were just having the best time.”

By the time he got onstage at the Crystal Palace, Desure may have been short on tour management experience, but he was more than ready to take his place on the other side of the mic. He had grown up listening to records by Creedence Clearwater Revival, Neil Young and Bob Dylan, which proved a potent influence on Desure’s confessional style of songwriting. By his early teens, he was playing guitar and singing in bands of varying musical styles.

“I’ve tried to count how many bands I was in during high school,” he says. “I was in punk bands and rock ‘n’ roll bands; we did a lot of Black Sabbath songs. Black Sabbath is everything, I love that band so much. I think rock and country, they go hand-in-hand a bit; [Bob] Seger has that rasp; he could sing for a punk band.”

Now, Desure is signed with BRND MGMT (which also co-manages Midland in conjunction with Sandbox Entertainment) and has folded those country, rock and punk influences into his debut, self-titled EP, which released earlier this month on MEGA/Tuxedo Records.

One of the album’s most gut-wrenching songs, “Los Angeles,” reflects on Desure’s move to Texas and his need to retreat from the L.A. environment.

“I was partying a lot and had no sense—I was just crazy. I had to leave Los Angeles. I needed to get out and just wake up.”

Desure penned all the songs on the album by himself, with the exception of a lone cover of Bob Seger’s “Sailing Nights.”

“Songs are therapy through and through. If I don’t write for a few days, I start to feel odd and I have to get it out. I think it’s important. Sometimes people will come up after shows and let me know how they relate to what I write, and that means everything to me.”

Earlier this month, Desure opened two shows for Willie Nelson and is currently opening concerts for Dwight Yoakam.

“I still don’t believe it. Opening for Midland, even though these concerts are huge and sold out, these are still my best friends. But opening for Willie and Dwight, that’s just good affirmation for me and it’s also just unbelievable.”

Pandora Teams With Thomas Rhett, Maren Morris For “Sound Of Summer” Campaign

Pandora has teamed with artists including Thomas Rhett and Maren Morris for the summer release of its “Sound On” brand campaign, which features personalized playlists tailored to individual users, songs of summer predictions, and live experiences/activations around the country.

“As the temperature heats up, so does the speculation over what will become this year’s song of summer,” said Brad Minor, VP of brand marketing & communications at Pandora. “The reality is, everyone’s song of summer is different and is revealed over time. At Pandora, we want to create inspiring experiences on our platform – and out in the world – to empower our listeners to discover the unique summer soundtrack that helps them live their lives at full volume.”

Pandora is teaming up with DJ Khaled for a “Sound of Summer” kick-off party on May 22—the first in a series of events popping up across the country. The series will culminate with a surprise performance featuring one of the biggest names in music, who Pandora predicts will be a fixture on summer playlists. Additional activations will roll out at Hangout Fest, Electric Forest, Firefly Music Festival, Bumbershoot Music & Arts Festival, CMA Fest and WorldPride.

This summer’s rollout marks the third iteration of Pandora’s seasonal “Sound On” campaign, which first launched in November 2018 with a winter theme focused on shared holiday moments. In March 2019, Pandora extended the campaign with a large-scale spring installment, amplifying the emotional hallmarks of the season: renewal, inspiration and discovery.

Pandora Teams With Thomas Rhett, Maren Morris For “Sound Of Summer” Campaign

Pandora has teamed with artists including Thomas Rhett and Maren Morris for the summer release of its “Sound On” brand campaign, which features personalized playlists tailored to individual users, songs of summer predictions, and live experiences/activations around the country.

“As the temperature heats up, so does the speculation over what will become this year’s song of summer,” said Brad Minor, VP of brand marketing & communications at Pandora. “The reality is, everyone’s song of summer is different and is revealed over time. At Pandora, we want to create inspiring experiences on our platform – and out in the world – to empower our listeners to discover the unique summer soundtrack that helps them live their lives at full volume.”

Pandora is teaming up with DJ Khaled for a “Sound of Summer” kick-off party on May 22—the first in a series of events popping up across the country. The series will culminate with a surprise performance featuring one of the biggest names in music, who Pandora predicts will be a fixture on summer playlists. Additional activations will roll out at Hangout Fest, Electric Forest, Firefly Music Festival, Bumbershoot Music & Arts Festival, CMA Fest and WorldPride.

This summer’s rollout marks the third iteration of Pandora’s seasonal “Sound On” campaign, which first launched in November 2018 with a winter theme focused on shared holiday moments. In March 2019, Pandora extended the campaign with a large-scale spring installment, amplifying the emotional hallmarks of the season: renewal, inspiration and discovery.

Independent Digital Distributor Syntax Creative Moving Headquarters To Nashville

Independent digital distributor Syntax Creative is moving its headquarters from San Diego, California to Nashville, Tennessee.

Syntax represents nearly than 60,000 songs from more than 130 record labels, including Crossroads Label Group, Central South, Elevation Church, Mountain Fever, Pinecastle Records, Frontline Records, Vineyard Worship, Influencers Church, Woodlands Church, Saddleback Church, Great Comfort Records, Grrr Records, Humble Beast, Illect Recordings, Rapzilla, Gateway Assembly, Chrematizo Label Group, Darkchild Gospel, Secret Stash Records, Shake It Records, and BEMA Media among others.

“After 20 years of hearing people say, ‘That’s my favorite city,’ when they found out where I’m from, I finally get to move to my favorite city,” Syntax CEO Timothy Trudeau said. “It’s time to think less about the weather and more about what would be best for our clients and our respective families.”

Since 2001, Trudeau has been traveling to Nashville for business as a lion’s share of Syntax’s clients are Nashville-based and digital service partners Google, Apple and YouTube also have offices in Nashville.

“We’ve had years of deep relationships with people that we only meet once in a while,” said Syntax VP of Operations Brandon Musser, who has been with Syntax since its inception. “I’m looking forward to having closer proximity, and the ability to meet more often. And on a personal note, it’ll be nice not to have to water my lawn!”

To learn more, visit: syntaxcreative.com.

Lil Nas X, Midland, Old Dominion To Highlight Spotify House Performances During CMA Fest

Spotify has revealed the performer lineup for its Spotify House series during CMA Fest in Nashville, from June 6-9 at Blake Shelton’s and Opry Entertainment Group’s Ole Red venue.

Arguably one of the biggest draws for the event’s nighttime rooftop series will be Lil Nas X, the rapper behind the runaway hit “Old Town Road,” which sits atop the Billboard Hot 100 for a seventh week, and even fended off Taylor Swift’s new single “Me!” from the top spot.

Midland, Old Dominion, Tanya Tucker, Hunter Hayes, Lauren Alaina, and Maddie & Tae are also slated to perform, in addition to some surprise guest performers during the week. Others on the bill include Morgan Evans, Tenille Townes, Emily Ann Roberts, Mitchell Tenpenny, Filmore, James Barker Band, and Cassadee Pope. 

The Spotify House daytime schedule will run from 11:30 a.m. to 7:00 p.m. Nightly headlining shows and late-night jam sessions will be scheduled from 7:30 p.m. to 2:00 a.m. All shows will be open to the public and space will be limited to first-come, first-served.

Independent Digital Distributor Syntax Creative Moving Headquarters To Nashville

Independent digital distributor Syntax Creative is moving its headquarters from San Diego, California to Nashville, Tennessee.

Syntax represents nearly than 60,000 songs from more than 130 record labels, including Crossroads Label Group, Central South, Elevation Church, Mountain Fever, Pinecastle Records, Frontline Records, Vineyard Worship, Influencers Church, Woodlands Church, Saddleback Church, Great Comfort Records, Grrr Records, Humble Beast, Illect Recordings, Rapzilla, Gateway Assembly, Chrematizo Label Group, Darkchild Gospel, Secret Stash Records, Shake It Records, and BEMA Media among others.

“After 20 years of hearing people say, ‘That’s my favorite city,’ when they found out where I’m from, I finally get to move to my favorite city,” Syntax CEO Timothy Trudeau said. “It’s time to think less about the weather and more about what would be best for our clients and our respective families.”

Since 2001, Trudeau has been traveling to Nashville for business as a lion’s share of Syntax’s clients are Nashville-based and digital service partners Google, Apple and YouTube also have offices in Nashville.

“We’ve had years of deep relationships with people that we only meet once in a while,” said Syntax VP of Operations Brandon Musser, who has been with Syntax since its inception. “I’m looking forward to having closer proximity, and the ability to meet more often. And on a personal note, it’ll be nice not to have to water my lawn!”

To learn more, visit: syntaxcreative.com.

Lil Nas X, Midland, Old Dominion To Highlight Spotify House Performances During CMA Fest

Spotify has revealed the performer lineup for its Spotify House series during CMA Fest in Nashville, from June 6-9 at Blake Shelton’s and Opry Entertainment Group’s Ole Red venue.

Arguably one of the biggest draws for the event’s nighttime rooftop series will be Lil Nas X, the rapper behind the runaway hit “Old Town Road,” which sits atop the Billboard Hot 100 for a seventh week, and even fended off Taylor Swift’s new single “Me!” from the top spot.

Midland, Old Dominion, Tanya Tucker, Hunter Hayes, Lauren Alaina, and Maddie & Tae are also slated to perform, in addition to some surprise guest performers during the week. Others on the bill include Morgan Evans, Tenille Townes, Emily Ann Roberts, Mitchell Tenpenny, Filmore, James Barker Band, and Cassadee Pope. 

The Spotify House daytime schedule will run from 11:30 a.m. to 7:00 p.m. Nightly headlining shows and late-night jam sessions will be scheduled from 7:30 p.m. to 2:00 a.m. All shows will be open to the public and space will be limited to first-come, first-served.