Scooter Brown Band Teams With Charlie Daniels For “American Son”

The Scooter Brown Band is releasing a new album, American Son, on Red River/BFD/Sony Orchard on Friday, Sept. 8. The title track of the project features Charlie Daniels, a music icon that Brown has looked up to his entire life and sought advice from often in recent years. Scooter Brown Band is managed by Daniels’ longtime manager David Corlew and booked by APA Nashville.

“This album sets the tone for what fans can expect from us on the road and on their radios. True country and southern rock music, what we were born and raised on,” said lead singer Scooter Brown.

The Nashville-based southern-rock revivalists have been on the road for the past few years, playing 100 plus shows per year and opening for acts like the Charlie Daniels Band, Travis Tritt, and the Marshall Tucker Band.

American Son Track Listing:
1. American Son (feat. Charlie Daniels)
2. This Town
3. Won’t Back Down
4. Never Met a Heart I Wouldn’t Break
5. Pistols and Pearls
6. Broken Arrow
7. Georgia
8. Story of My Life
9. Guitars, Gun and Whiskey
10. Time is Money
11. Rise Up
12. New York City King Size Rosewood Bed
13. Huntsville

Kip Moore And Tony Hawk To Present Music City Skate Jam

Kip Moore has teamed up with international skateboarding champion Tony Hawk to host the first ever “Music City Skate Jam Presented By Harley-Davidson, which will take place at Music City Walk Of Fame Park in Nashville on Sept. 10.  The fun-filled family event will help raise funds for Moore’s Kip’s Kids Fund and the Tony Hawk Foundation, both of which share a goal of benefiting and empowering youth.

Hawk will demo some of the skating prowess that made him a legend during the event, which will also include a performance by newcomer Jordan Davis, spins by Dee Jay Silver, and a set by Moore. Tickets are on sale now here.

“I think what’s always driven me at my core, throughout my career, was to one day have the capability to make a major impact in inner cities around the country,” said Moore. “I was never a true skater, but always admired the brotherhood of the skating community. Having a chance to team up with a guy like Tony, who’s so respected for all he does, is beyond what I could’ve imagined. I’m super stoked to combine what we do, as we both share similar visions.”

“The Music City Skate Jam is the first event of its kind, bringing skateboarding and country music together,” said Hawk. “I’m excited to show Nashville an unprecedented display of talent, including some of the world’s best skaters and Kip Moore himself.”

DISClaimer: April Kry, Dave McElroy Top Independent Releases

Pictured: April Kry, Dave McElroy

It’s independents’ day.

The major country music record labels all seem to be missing in action this week. That means today’s column gives independent labels a time to shine.

Stepping into the spotlight and center stage is April Kry. This Connecticut-bred Nashvillian has vocal pipes to spare, a solid song and a stupendous production. Oh, and also a Disc of the Day award.

Also, April shares the DisCovery Award with Dave McElroy. He’s evidently been around for a couple of years, but this is his first appearance in DisClaimer.

JEFF LEWIS & NORM CADY/Land of Dreams
Writers: Norm Cady; Producers: Anthony Brown; Publishers: none listed, BMI; Constituting America (CDX)
– Patriotic slogans strung together like beads on a string. It’s like somebody jotted down every sign they saw held up at a Fourth of July parade.

DUSTIN COLLINS/Pieces
Writer: Lincoln Parish; Producers: Dustin Collins/Bill McDermott; Publishers: none listed, BMI/ASCAP; Big Risk (CDX)
– A crunchy country rocker with a definite blue-collar slant. It’s got some cool lines that make it worth a few spins.

APRIL KRY/While We’re Young
Writers: April Kry/Jennifer Pappas/Micah Wilshire/Stephanie Bentley; Producer: Micah Wilshire; Publishers: none listed, BMI; M (CDX)
– I dig this. She sings with powerhouse conviction. The song is as hooky as all get out. The production slaps, bounces and pushes emotional buttons in all the right places. This is as good or better than anything you’ll hear on any major label in the business. Listen and believe. Who are you? Send more.

 

DOMINGO & ESTEBAN HIRACHETA/Free to Believe
Writers: Domingo Hiracheta/Esteban Hiracheta; Producers: Janine Turner/Brandon Vanderford; Publishers: none listed, ASCAP; Constituting America (CDX)
-The freedom-of-religion sentiments are admirable. A competent lead singer would have been nice. There’s a good reason this switches into rapping in the middle.

LORI SMITH/Tumblin’ Paradise
Writers: Keith Follese/Tom McHugh; Producers: Larry Butler/Jack G. Kirby; Publishers: none listed, ASCAP; 615 (CDX)
– She warbles all around the melody, clinging to pitch for dear life.

GEORGE ALLEN TRUAX/My Hometown
Writers: George Allen Truax; Producers: Zac Maroof/Gene Higgins; Publishers: none listed, BMI; SMG (CDX)
– There already is a Montgomery Gentry. And they sing better than this.

DAVE McELROY/Without You
Writers: Dave McElroy/Michael Flanders/Scott Buchanan/Derik Holtquist; Producer: Michael Flanders; Publishers: none listed, ASCAP/SESAC; DM (CDX)
– His husky, whispery vocal style doesn’t have much range. But there’s something extremely appealing about his almost-spoken delivery. His conversational intimacy makes you want to know him.

 

JUSTIN DUKES/Warning Sign
Writers: Justin Dukes/Daniel Johnson; Producer: Chris Goff; Publishers: none listed, SESAC/BMI; Duke’s Entertainment (CDX)
– “Love at your own risk.” His youthful tenor sounds properly bruised.

RUSTY RIERSON/Upon This Rock
Writers: Stephen Amos/Rusty Rierson; Producers: Carster Green/Rusty Rierson; Publishers: none listed, ASCAP/BMI; RR (CDX)
– When he gets confused in a romance, he goes to a mountaintop where he can think straighter. Then she heads up there, too. Guess what? They wind up married and happy. Nicely done.

ALAN TURNER/Windows and Mirrors
Writers: Cole Swindell/Lynn Hutton/Jon Henderson; Producer: Alan Turner; Publishers: none listed, BMI/SESAC; SMG (CDX)
– Anguish and heartache with glass metaphors. He sings it with fierce force.

Shania Twain To Play Nearly 50 Dates On New 2018 Tour

Shania Twain has announced that she will return to the road for her new Shania Now tour next year. The dates, which will support her new album NOW, will be her first tour since “Rock This Country” back in 2015. The new tour includes a stop in Nashville on July 21, 2018. A location for the show is yet to be announced.

The Live Nation tour kicks off May 3 in Tacoma, Washington, and will run through the summer, culminating in Las Vegas on Aug. 4 at MGM Grand Garden Arena.

American Express card members can purchase tickets before the general public beginning Tuesday, Aug. 22 through Thursday, Aug. 24. Tickets will go on sale to the general public on Aug. 25. More pre sale details and ticket information can be found at ticketmaster.com.

NOW will be released on Sept. 29 via Mercury Nashville, and is available in both 12-track standard and 16-track deluxe versions. Fans can pre-order the album and instantly receive “Life’s About to Get Good,” and “Poor Me”, and beginning tomorrow, Aug. 18, pre-orders will also receive Shania’s upcoming brand new single, “Swingin’ With My Eyes Closed,” due out in September. Shania debuted the new tune last night during an appearance on The Tonight Show Starring Jimmy Fallon.

The superstar is also set to headline the Opening Night Ceremony for the 2017 US Open on Aug. 28, in Arthur Ashe Stadium at the USTA Billie Jean King National Tennis Center. The ceremony will be televised live on ESPN2, and she will be performing some of her biggest hits as well as songs from the new album.

Autumn House-Tallant To Join Red Light Management

Autumn House-Tallant has exited her role as VP, A&R at UMG Nashville, MusicRow has confirmed. Beginning Sept. 5, House-Tallant will join Red Light Management as Creative Advisor and A&R executive for Red Light managers and clients.

“I like to change jobs every 17 years. Kidding aside, my time with Mike Dungan and Universal was nothing short of amazing,” House-Tallant tells MusicRow. “You can’t work with Mike and his team and not love it. We are family. I’m just moving down the road for a new adventure with Coran and his team at Red Light Management and I can’t wait to see where this road takes me.”

House-Tallant joined Capitol Records Nashville in 2000, raising a profound artist roster for the label including signing Eric Church, Luke Bryan, Lady Antebellum, Darius Rucker, Little Big Town, Eric Paslay, Jon Pardi and Keith Urban, and ultimately attaining the role of VP, UMG Nashville.

A Nashville native, she graduated from Arizona State University with a degree in Communications/Broadcasting. After college, she returned to Nashville, where she served as a manager at Starstruck Entertainment and later Maverick Music.

Her email address will be [email protected]

Big Machine Label Group Adds To Corporate Communications Team

Big Machine Label Group has expanded its publicity and corporate communications team, with the addition of Megan Brophy. Brophy relocated to Nashville from New York City where she worked as a publicist at top global entertainment firm, ID PR. At ID she maintained a diverse client roster consisting of mostly TV and film actors including Bette Midler, Ellen Page, Elijah Wood and Serena Williams.

Throughout her tenure, she has worked on multiple Emmy, Golden Globe, SAG, Tony and Oscar campaigns including Lupita Nyong’o’s Academy Award win for 12 Years a Slave and most recently Bette Midler’s return to Broadway and Tony Award win for of Hello, Dolly! In addition to her work with talent, Brophy worked on the launch of TV Land Network’s hit, Younger and Off-Broadway’s Lucille Lortel Awards.

She joins the BMLG publicity and corporate communications team which includes Jake Basden, Erin Burr, Charlotte Burke and Shelby Paul.

“As a life-long country music fan, it has been a dream of mine to move to Nashville,” said Brophy. “I couldn’t have asked to work at a better company and I am so thankful to Scott Borchetta and Jake Basden for this opportunity. I’m excited to get started!”

“I met Megan nearly two years ago and knew right away that she would be a fantastic addition to our team,” said Basden. “While the music always comes first, Big Machine Label Group artists often grow into lifestyle brands that require communications strategies for multiple consumer touchpoints. Megan is the perfect addition to our team to ensure we can meet those needs.”

Brophy can be reached at [email protected]

Nashville Public Television To Air Documentary Highlighting Nashville’s Music Row Area On Aug. 17

Nashville Public Television (NPT) will highlight the history of Nashville’s Music Row area, in a documentary set to air Thursday, Aug. 17 at 7 p.m. Music Row: Nashville’s Most Famous Neighborhood, chronicles the area’s history, from the rise of the Grand Ole Opry and the opening of recording studios in downtown Nashville, to the influence from the launching of Owen and Harold Bradley’s Music Row recording studio and Quonset Hut counterpart, through the growth of the neighborhood to house the Nashville music industry’s many labels, publishers, entertainment law offices, and more.

“We’d talked about doing this documentary for the last 10 years, but the impetus to do it now was partly because of how quickly Nashville is changing,” said NPT’s Justin Harvey, the documentary’s producer. “And certainly the fight to save RCA Studio A underscored the need to do it now. We wanted to preserve these spaces on film at least and, in fact, one building was lost while the documentary was being shot.”

Among those taking part in the documentary are MusicRow Magazine contributor Robert K. Oermann, as well as Bill Anderson, Harold Bradley, The Bellamy Brothers, David Briggs, Joe Chambers, Sharon Corbitt-House, Don Cusic, Michael Gray, Craig Havighurst, Kathy Mattea, Charlie McCoy, Jay McDowell, Pat McMakin, Bob Moore, Ray Stevens and Ernie Winfrey. The documentary is narrated by Pam Tillis.

 

Additional broadcast times for Music Row: Nashville’s Most Famous Neighborhood include Monday (Aug. 21) at 7 a.m. on NPT2, and Tuesday, Aug. 22 at noon on NPT2. The documentary will also be available for streaming at the NPT Passport portal. 

Nashville’s Music Community Salutes Jo Walker-Meador

Pictured: Jo Walker-Meador in the Ford Theater at the Country Music Hall of Fame and Museum in her Louise Scruggs Memorial Forum interview on Nov. 12, 2014. Photo: Donn Jones for the Country Music Hall of Fame and Museum

Members of the Nashville music community are paying tribute following the death of Country Music Hall of Fame member and longtime Country Music Association (CMA) Executive Director Jo Walker-Meador, who died Tuesday (Aug. 15) at age 93.

Walker-Meador, native of Orlinda, Tennessee, joined the CMA as an office manager. When the CMA’s founding Executive Director Harry Stone resigned in 1962, she was promoted to the role. Walker-Meador’s vision for country music led to the creation of the Country Music Hall of Fame (created in 1961), the CMA Awards (created in 1967 and nationally televised since 1968), the CMA Music Festival (which launched as Fan Fair in 1972), and more. For Robert K. Oermann’s full MusicRow LifeNotes obit, click here.

“Jo was a champion for country music around the world and a groundbreaker for women in the entertainment business,” says CMA Chief Executive Officer Sarah Trahern. “On a personal note, I will miss her guidance, humor, and friendship. She was the first meeting I set up before I took this job. She taught me lessons in how to gracefully navigate the Board. She was always diplomatic in her storytelling and she had some great ones to share. Over the last six months she was a little more candid and I always looked forward to our time together. She will be greatly missed by all. My heart is broken.”

“She was an amazing, extremely classy, caring, giving wonderful woman,” CMA Board Director and country music artist Kix Brooks says. “All of my dealings with her were what you would consider the essence of class. Jo Walker-Meador moved the CMA, and the entire Nashville music business in a large way from what it was to what it is. She had an amazing talent for always looking forward. Of course, her being a woman during that time, you look at those old pictures of the CMA that are full of men and then there is Jo Walker, knowing what she probably had to deal with in a man’s world, especially in that era. She is to be celebrated. There is a handful of women in our town—her, Donna Hilley, Connie Bradley, Frances Preston that come to mind—that really excelled in a man’s world and did a lot for the way this town was run and for respecting women in the music business. I really applaud her legacy for that. I really do think when someone lives a good long life and accomplishes some of the things that she did, it’s really not sadness that I view the news with. I have to kind of smile and go, ‘Life well lived.’”

“Jo Walker-Meador looked at a mid-sized Southern town and envisioned something grander,” says Country Music Hall of Fame and Museum CEO Kyle Young. “She listened to music that was regional and knew that it could have worldwide impact. And then she quietly and gracefully ushered these things into being. She created grand scenes, then stood behind them. The Country Music Hall of Fame and Museum would not exist without her, and my life is one of millions that are better because of Jo Walker-Meador.”

“The world of country music has lost an irreplaceable force. It was my great privilege to work with Jo,” says Ed Benson, former CMA Executive Director. “Over the years I had the opportunity to see how she used her warm and caring personality and her unique skills to gain friends and supporters all over the world. Jo had an incredible memory for details. She could remember not only the names of the many people with whom she came in contact, but usually the names of their spouses and children too. Jo had a big vision for the power of country music and a determination that it could grow in popularity. She was one of the early supporters of international development. I traveled around the world with her meeting with top industry leaders and government officials to promote country’s growth. She spoke only English, but she knew the international language of music had great value. And of course that personality endeared her to so many. I never met a harder worker than Jo. She was an inspiration to all who had the privilege to work with her. I have been lucky to remain close to her since she retired and I felt she loved me like the son she never had.”

“I always felt like my day was better just by being with Jo,” says Robert Deaton, executive producer for CMA Fest, CMA Awards, and CMA Country Christmas. “When working on one of our shows, she would always leave me with a piece of advice. She would take me by the hand and whisper a legend’s name in my ear as a reminder to not forget where we came from. She was all about love. The love of country music, our artists, and the love of our community. We should all honor the legacy of Jo Walker-Meador. Her mark on our music will last forever. She was one of a kind and will be dearly missed.”

“Besides being a respected role model in the music industry, Jo was also a warm, caring lady,” says Bill Denny, CMA Board member and former Board president/chairman. “She always had time to listen and to offer help. The music industry and the Country Music Association in particular, greatly benefited from her unique ability to pull people together to get a project underway and to see it thru to completion. We will miss her.”

“Jo is so many things to me! She hired me in 1985 as the CMA Administrative Services Manager – she even called my high school principal to make sure I was a good person. She quickly became my mentor and the reason I committed to CMA and created my life there,” says Tammy Genovese, former CMA Executive Director. “Jo was a woman who made it to the top. If she could do it, so could I. So I buckled down, went back to school and earned my MBA, got married, had my kids, and finally did make it to the top – with her as my champion all the way. She was also such a personal inspiration to me and my family. I called her my ‘Nashville Mom’ and I think most of the time she claimed me… I will miss her forever, but know she is happy in Heaven with her precious Bob and watching all her friends and family from around the world celebrate her life. Love you Jo!”

“Jo Walker-Meador was an incredible, pioneering leader in the evolution and growth of the CMA and building the foundation for our future successes,” says Ed Hardy, former CMA Board chairman. “When I was asked by the board to step in and fill the CEO role on an interim basis in 2013, she was one of the very first people who called to offer her help and I gladly accepted it and treasured her counsel. Her legacy as one of the very first women in leadership in the country music industry will endure forever. Until recently, Jo still attended so many CMA functions. She will truly be missed by me and I’m sure by all of my colleagues on the CMA Board and Staff.”

Dolly Parton presents the CMA Irving Waugh Award of Excllence to Jo Walker-Meador during the 1991 CMA Awards. Photo: Beth Gwinn / CMA

“Her dream was to coach basketball, but she wound up coaching country music all over the world,” says Brenda Lee, Country Music Hall of Fame member and former CMA Board member. “I was always amazed at Jo’s memory. She could remember everything and anything. The last Board talk she gave was astounding. She adored the people in country music – the fans, the artists, the singers, all the innerworkings. She adored it. And that’s what we all loved about her. She loved us. It wasn’t just a job to her. She cared. She was a wonderful, kind, sweet person that absolutely gave all. The people meant more to her than the bright lights and city folks. She got the word out, not that it wasn’t before, but it went to a different level with Miss Jo. I was honored to know her personally for a long, long time. I will miss her spirit, laughing with her, having lunch with her and being around the great person that she was. It’s like a bright light went out and will be out for a bit, but Sarah will carry on that tradition and make that light shine again. We can rely on that for sure.”

“I am very saddened about the passing of Jo Walker-Meador!” says Steve Moore, former CMA CEO and Board Chairman. “Almost everyone knows of her legendary passionate leadership and inspirational gifts she dedicated to the music community, but what I remember most was her friendship, passion and love for any and all of us who had the pleasure of being in her presence! Love you Ms. Jo!!”

“Jo was the very face and epitome of grace and aplomb,” says Jim Ed Norman, CMA Board member and CEO of Curb Records. “It may have been a man’s world she accommodated but it ‘wouldn’t be nothing’ without Jo Walker-Meador. Every time we spoke, without knowing it, or forcing it, she reminded me about the importance of kindness, truth and humility. Selfish as it may be, a great regret of mine will be not having spent even more time with her.”

“I had the honor to serve as Chair & President of CMA during Jo’s tenure,” says Ralph Peer II, CMA Board member and Chairman/CEO of peermusic. “Jo was of ultimate importance to the growth in stature and size of CMA as she had an uncanny ability to keep us all going in the same direction for the benefit of everyone in country music. I miss her already!”

“Jo Walker Meador, now joins the ranks of spirited and passionate female leaders such as Frances Preston, Donna Hilley, Maggie Cavender and others who have left everlasting marks on the growth and success of country music,” says David M. Ross, CMA Board member and owner of BossRoss Media. “Her humor, grace and tireless efforts on behalf of country music will be greatly missed.”

“I cannot even describe how sad I am to learn of Jo’s passing,” says former CMA Director of Media Relations and current 888 Management’s Scott Stem. “Everyone in the country music industry owes a debt to Jo Walker-Meador, and I hope everyone will take a moment today to be thankful that she was here and for all that she accomplished. She was a trailblazer for women in this industry without a doubt, but in truth, she was a trailblazer for all of us. She was among the most gracious people I’ve ever met and always made everyone feel important. I first met her soon after getting my first job in the industry when I was green and barely knew anything and she treated me with the same respect that I saw her treat heads of companies with. Throughout the near 30 years I’ve known her, that never changed. I always looked forward to seeing her when she would visit CMA during my time there. She always had wisdom to share. Her memory was impeccable and she could recall events that happened 40 years ago with amazing clarity. She would make it a point to speak with everyone in the building. She was classy, a visionary, intelligent, hard-working, kind, strong and a uniter of people. The country music industry is better for having had Jo Walker-Meador in it. Nashville is better for having had Jo Walker-Meador in it. May she rest in peace.”

“Miss Jo was a beautiful expression of class, charm, grace and a life well lived. I will miss her smile and encouraging words,” says Troy Tomlinson, CMA Board member and President and CEO of Sony/ATV Publishing.

“Jo was an inspiration to a couple of generations of artists and executives in Nashville’s music industry,” says Jody Williams, CMA Board President-Elect and VP, Creative for BMI Nashville. “Along with dear friend Frances Preston, former CEO of BMI, Jo was responsible for creating community among all of the businesses on Music Row.  She led by example, was smart as a whip and accomplished so much for the CMA – securing the organization as the premiere country music trade association in the world. And she did all of this as one of the few female executives in the business, working with and leading hundreds of male business leaders.  In addition, she always greeted you with a big smile and was a natural born nurturer.”

“I don’t think that Jo’s impact on our community can be understated,” says Sally Williams, CMA Board Chairman and SVP of Programming & Artist Relations for Opry Entertainment. “Under her leadership, the CMA propelled our artists and industry to new heights, laying the groundwork for where we are today.”

Jo Walker-Meador inducting Mac Wiseman to the Country Music Hall of Fame in the 2014 Medallion Ceremony at the Country Music Hall of Fame and Museum. Photo: Erika Goldring for the Country Music Hall of Fame and Museum

BMG Rolls Out Royalty Portal App, Expects Artist Portal Before 2018

BMG has made its royalties portal, MyBMG, available as an app for Android and iOS for its songwriters.

The portal allows up-to-date, worldwide information on the value and source of income from songs worldwide. And before the end of the year, MyBMG is expected to incorporate BMG’s recording artist clients into one single publishing and recorded portal.

Engineered by BMG’s technology team, the app also sought consultation from a songwriter team including including Grammy-nominated Jenn Decilveo (“Rise Up”), Eurythmics co-founder Dave Stewart, and Broadway composer Maury Yeston.

Project leader Anke Becker said, “It was a very different experience to the usual process of software development. We were working hand-in-hand with songwriters trying to tease out exactly the information which is most important to them and then ensuring we present that data in as accessible a way as possible. The result we believe is the most user friendly royalties application on the market. We wanted to not only make the product the most transparent, but also make the process of creating and innovating the product transparent and inclusive.”

Based on the latest MyBMG 3.0 web portal launched in March this year, the app include features such as current period (pipeline) royalty information and highly intuitive analytics to give clients insights into their earnings by song, country and source, as well as trends.

Stewart said, “This is a great tool and a wonderful move forward towards helping songwriters understand where they stand, something that has been badly needed since the dawn of copyright. I am proud to be part of the BMG family making steps towards a better future for creatives and leading the way in fair trade for artists.”

Yeston said, “It is incredible how far we have come from the old days of the paper royalty statement. I am really pleased to have been given the opportunity to bring a real songwriter’s point of view to the design of the new BMG app. It’s the kind of collaborative approach I like about BMG. I am certain that the involvement of us songwriters will give a far more authentic and personal experience for users of the app.”

Sebastian Hentzschel, SVP Group Technology at BMG says, “MyBMG is the centrepiece of our drive to empower songwriters by giving them the information they need to manage their careers. The introduction of the mobile app is just a natural continuation to our unrelenting effort to service our artists with the transparency and fairness they deserve. We are going to continuously push out new, amazing features in the coming months and years.”

Ryan Follese To Drop Self-Titled Debut This Friday

Ryan Follese surprised his fans today with an announcement that his full-length, self-titled country debut will be released digitally this Friday (Aug. 18) on BMLG Records.

Follese penned the collection’s 12 tracks with writers like his father Keith Follese (Tim McGraw, Faith Hill), mother Adrienne Follese (Lady Antebellum, Martina McBride), brother Jamie Follese (Hot Chelle Rae), and producer Cameron Montgomery (Maroon 5, Nicki Minaj). The EP was co-produced by Dann Huff.

“I am so excited to put out this full album for the fans who grew up alongside me to those who I’ve just met out with Sam Hunt, FGL and Locash this year,” said Follese. “You have all been a part of my return home, to my roots, and I’m really thankful for your patience during the writing process. I truly believe these songs have always been a part of me, and I hope you’ll feel something too.”

Ryan Follese Track List:
1. “Lose A Little Sleep” | Ryan Follese, Adrienne Follese, Jamie Follese, Keith Follese, Cameron Montgomery *
2. “Put A Label On It” | Ryan Follese, Adrienne Follese, Jamie Follese, Keith Follese, Cameron Montgomery
3. “Float Your Boat” | Ryan Follese, Adrienne Follese, Jamie Follese, Keith Follese, Cameron Montgomery
4. “One More Round” | Ryan Follese, Adrienne Follese, Jamie Follese, Keith Follese, Cameron Montgomery
5. “Sounds Like You” | Ryan Follese, Adrienne Follese, Jamie Follese, Keith Follese, Cameron Montgomery
6. “No Headlights” | Ryan Follese, Adrienne Follese, Jamie Follese, Keith Follese, Cameron Montgomery, Ben Schofield, Stephen Schofield
7. “Summer Like You” | Ryan Follese, Jamie Follese, Jesse Lee, Cameron Montgomery
8. “Growing Up” | Ryan Follese, Adrienne Follese, Jamie Follese, Keith Follese, Cameron Montgomery, Josh Montgomery
9. “One Thing Right” | Ryan Follese, Adrienne Follese, Jamie Follese, Keith Follese, Cameron Montgomery *
10. “Wilder” | Ryan Follese, Adrienne Follese, Jamie Follese, Keith Follese, Cameron Montgomery
11. “Roots” | Ryan Follese, Adrienne Follese, Jamie Follese, Keith Follese, Cameron Montgomery
12. “Sing It” | Ryan Follese

*Produced by Cameron Montgomery and Dann Huff