Industry Pics: Americana Music Fest Week

SiriusXM’s Outlaw Country was live from the Nashville studios on Thursday, Sept. 18 and Friday, Sept. 19, as a part of the Americana Music Festival. Live performances included Carlene Carter & Marc Wiseman, Marty Stuart & His Fabulous Superlatives, Boogie Down Piano Party and “Americana’s Most Wanted Guitar-Pull.”

Marty Stuart and his Fabulous Superlatives. Photo: Parker Young


Carlene Carter. Photo Credit: Parker Young

• • •

The progressive, tradition-based artists responsible for the resurgence of Downtown Nashville’s Lower Broad reunited in the Country Music Hall of Fame and Museum’s CMA Theater for a one-of-a-kind show, playing the songs that inspired Music City’s “new scene” in the mid-90’s. Featuring performances by BR5-49, Paul Burch, and Greg Garing, R.B. Morris, and more, the show also included the musicians’ behind-the-scenes stories of the Lower Broad revival.

Photo: Rick Diamond

BR5-49. Photo: Rick Diamond

• • •

Roots music champion Ry Cooder sat down with Barry Mazor on Friday, September 19 for an exclusive, rare interview about his impact on the American music landscape over the past fifty years. Cooder discussed his distinct legacy that covers his groundbreaking solo albums of the 1970s, his recordings with the Rolling Stones and Rodney Crowell, and soundtracks for such films as The Long Riders and Paris, Texas.

Pictured (L-R): Music journalist and author Barry Mazor, the Country Music Hall of Fame and Museum’s Kyle Young, Ry Cooder, the Americana Music Association’s Jed Hilly and Mark Moffatt backstage. Photo: Rick Diamond

Pictured (L-R): Music journalist and author Barry Mazor, the Country Music Hall of Fame and Museum’s Kyle Young, Ry Cooder, the Americana Music Association’s Jed Hilly and Mark Moffatt backstage. Photo: Rick Diamond

• • •

SoundExchange President, Michael Huppe hosted a gathering at Soulshine Pizza in Nashville in association with the Americana Music Festival and Conference on Friday, Sept. 19. Linda Bloss-Baum, who was recently appointed Sr. Director of Industry Relations, was also mingling. Jim Lauderdale entertained the crowd with an acoustic set while pizza, salad, wings and hummus were served with drinks on the upstairs patio.
Photo: Bev Moser

Photo: Bev Moser


Photo: Bev Moser

Photo: Bev Moser

Todd Wagner Announced As Keynote Speaker at CRS 2015

TW bio photo

Todd Wagner


Entrepreneur and philanthropist Todd Wagner has been announced as the keynote speaker for Country Radio Seminar 2015. Wagner’s address will take place on Wednesday, Feb. 25, 2015, at the Nashville Convention Center in downtown Nashville.
“We are thrilled that Todd has agreed to join us for a unique discussion,” said CRS Executive Director Bill Mayne. “We’ve been looking for the right person to speak on ‘entrepreneurial spirit’ in the marketplace for several years. When you consider his body of work with success in innovation, entrepreneurship and philanthropy, Todd Wagner is the perfect person to share his perspective with our industry!”
Wagner received a B.S. from Indiana University, and then a law degree from the University of Virginia. In 1995, Wagner joined Mark Cuban to launch Broadcast.com, which broadcasts live sporting events, corporate events and radio stations over the Internet. They took the company public in 1998, where it set an opening-day record with shares climbing 249 percent.
Wagner’s business interests also include a stake in the Dallas Mavericks, as well as the Weinstein Company. Additionally, he is a founder and co-chairman of Content Partners LLC. Most recently, Wagner helped launch Chideowhich in January 2014. As the first interactive charity broadcast network, Chideo is the only place where fans can discover and inspire one-of-a-kind content and experiences from their favorite personalities – all while making the world a better place.
CRS 2015 will be held Feb. 25-27, 2015, in downtown Nashville, Tennessee. Visit www.CountryRadioSeminar.com for more information.

Warren Named VP, Market Manager For Cumulus Nashville

Allison Warren

Allison Warren


Cumulus has announced that Allison Warren has been named VP and Market Manager for Cumulus Nashville. She previously served as Director of Sales for Entercom’s Austin stations. She has also served as Director of Sales for Entercom’s Madison, Wis., and Milwaukee locations, as well as Marketing Director for both Entercom and CBS Radio’s Denver stations.
Jeff Brown, Sr. VP for Cumulus said, “Allison was a key part of my team in Denver some years back. She did great work there and has since built a portfolio of successes in vibrant radio markets including Austin, Madison and Milwaukee. Her results-driven, collaborative leadership style will infuse our Nashville operations with the energy and focus needed at this pivotal point in the cluster’s growth. Allison will be an incredible asset to Cumulus’ leadership team.”
Warren added, “I am honored to have been chosen to lead the Cumulus Nashville team. I am excited to reunite with Jeff Brown, connect with the team, and become part of the Nashville business community. It’s a great time for radio and Cumulus Nashville hosts six strong brands delivering local, personal and engaging content. With our ability to deliver innovative solutions, we are poised for success.”

Second Annual Music City Food + Wine Festival Maintains Momentum

Grand-Taste-Events

Entry into the Grand Taste Events.


The world-class Music City Food + Wine Festival took place over the weekend (September 20-21) in Nashville, featuring premier food and musical talent from the Southern region and beyond.
Among Saturday’s events was Trisha Yearwood sharing the secret to her Skillet Apple Pie. “This is the second year for food and music to intertwine in Nashville,” she said during the cooking demonstration. “It makes so much sense for those two elements to combine here. For me, it’s incredibly perfect.”
Trisha-Yearwood

Trisha Yearwood visits with fans before heading back to Atlanta, GA.


After performing two shows on her 50th birthday the night prior, Yearwood arrived in Nashville at 2:00 a.m. with her sister Beth, who joined her onstage for the morning demonstration. “I usually stay to sign books, but I’m getting on a plane to fly back to Atlanta right after this,” said Yearwood, whose career is handled by Ken Levitan’s Vector Management, the company behind the festival. While on a world tour with husband Garth Brooks, Yearwood is prepping a cookware and cutlery line, a new cookbook expected in 2015, and a new album from RCA Nashville, currently available for pre-order. The fifth season of her Food Network cooking show is airing episodes recorded in Oklahoma. “Garth and I just moved back to Nashville,” she said. “Going forward, I’ll be on the road so I don’t know how the [taping] schedule will look.”
The afternoon’s Grand Taste events continued at Public Square Park, including selections from a who’s-who list of fine local restaurants, including mozzarella and peppers from City House, skirt steak from Lockeland Table, bourbon butterscotch pudding from Buttermilk Road/Husk Nashville, pulled pork on a black eyed pea cake from Watermark, pâté from Porter Road Butcher, and a lemon chiffon in caramel cake from the International Culinary School of the Arts. Specialty drinks from Deep Eddy, Dixie, and Titos, were irresistible. World-class vintners were featured alongside those from Nashville’s back yard (Arrington Vineyard), as well as from Paso Robles, CA (Liberty School Wine), and Winebow selections from Chile, Spain, and Italy, and many more.
Vendors welcoming the larger, second-annual crowd included Alabama-based Billy Reid, Nashville-based leather designer Peter Nappi, and Nissan’s Infiniti, whose US headquarters is located in Franklin, Tenn.
Evening events took attendees to Walk of Fame Park for celebrity chef preparations and an outdoor concert. Harvest Night dinner highlights included Ashley Christensen’s pimento grits and succotash, and Amanda Freitag’s falafel cone with green goddess, alongside dishes by Jonathan Waxman, Masaharu Morimoto and Tyler Florence. Rubbing shoulders with the crowd were many of the evenings performers, including hosts Kings of Leon, and celeb guests including Nashville’s Connie Britton.
Finale-Chorus

Harvest Night finale chorus singing “Friends In Low Places.”


The Kings opened the concert with “Dixieland Delight,” kicking off a variety of cover song performances representative of Music City. Jamey Johnson sang “Set ‘Em Up Joe,” Charles Kelley performed “I’m So Lonesome I Could Cry” and then “Hey Good Lookin’” with Ashley Monroe, who also offered “Bartender’s Blues.” Moon Taxi brought “The Race Is On” while a very pregnant Holly Williams sang “I Saw The Light.” Phosphorescent shined with “Guitars, Cadillacs,” Michael McDonald played “You Don’t Know Me” and “Busted,” and Mandy Barnett sang “Walk The Line.” Hunter Hayes performed “Fast As You” and “Folsom Prison Blues” before the Kings of Leon chorus (including Garrett Hedlund from Country Strong, and Hayden Panettiere from Nashville) rounded out the evening with “Friends In Low Places.”
Festivities continued through Sunday, featuring Margot’s Margot McCormack, 404 Kitchen’s Matt Bolus and more.
Music City Food + Wine is produced by Vector Management’s Ken Levitan and Andy Mendelsohn, Kings of Leon, Jonathan Waxman, and C3 Presents (Austin Food & Wine Festival, Austin City Limits Music Festival, and Lollapalooza).
[slide]

ASCAP Songwriters Raise Funds for Nashville CARES

Pictured (L-R): Nashville CARES' Betsy Seaton, Jon Nite, Chris DeStefano, Ashley Gorley, Nashville CARES' Topher McCune, ASCAP's Evyn Mustoe, ASCAP's Michael Martin and Jonathan Singleton. Photo: Alison Toczylowski

Pictured (L-R): Nashville CARES’ Betsy Seaton, Jon Nite, Chris DeStefano, Ashley Gorley, Nashville CARES’ Topher McCune, ASCAP’s Evyn Mustoe, ASCAP’s Michael Martin and Jonathan Singleton. Photo: Alison Toczylowski


ASCAP hosted a songwriters round comprised of top members Ashley Gorley, Chris DeStefano, Jon Nite and Jonathan Singleton on Tuesday, Sept. 16 at The Listening Room in Nashville. The event benefitted Nashville CARES and the 23rd Annual Nashville AIDS Walk & Run, to be held on Saturday, Oct. 4 in Public Square Park. The songwriters round raised over $3,000 for Nashville CARES, and included a silent auction.

Pictured (L-R): Ashley Gorley, Chris DeStefano, Jon Nite, and Jonathan Singleton perform.

Industry Ink: Glen Campbell, Levi Hummon, Rob and Shannan Hatch

Glen Campbell

Glen Campbell


Glen Campbell…I’ll Be Me, will be presented during a benefit screening and concert on Oct. 19 at the Music City Center in Nashville. The evening will also feature performances from The Band Perry, Delta Rae, and Ashley Campbell. Proceeds from the event will benefit Alzheimer’s disease awareness.
Tickets go on sale to the general public on Sept. 26 at 10 am. CT. Tickets begin at $95.
Glen Campbell…I’ll Be Me opens in theaters in New York and Nashville on Oct. 24, followed by a national release to more than 50 cities.
View the official movie trailer below:

• • •

BMLG/Valory Music Co. recording artist Levi Hummon recently performed during an ASCAP event at the home of Desmond and Curtis Child. The evening also featured Valerie Simpson of Ashford & Simpson, who performed the classic “Ain’t Nothin’ Like The Real Thing.” Hummon is published by Desmond Child’s Deston Songs, and managed by Iconic Entertainment.

Pictured (L-R): Levi Hummon and Valerie Simpson

Pictured (L-R): Levi Hummon and Valerie Simpson

 • • •

ruby grace hatchMusicRowLife: Congratulations to songwriter Rob Hatch and SESAC Senior Director Shannan Hatch on the birth of daughter Ruby Grace. Born Monday, Sept. 15, Ruby Grace weighed 8 lbs, 5 ounces, and measured 19.5 inches in length.
It was quite an exciting week for Rob Hatch, who also celebrated the No. 1 song “I Don’t Dance,” recorded by Lee Brice, during a Music Row party on Wednesday, Sept. 17. “I Don’t Dance” also earned a CMA nomination for Song of the Year.
 
 

Nicolle Galyon: 'The Voice' Gave Me Courage

Galyon on 'The Voice' in 2011. Click for more.

Galyon on ‘The Voice’ in 2011. Click for more.


To mark the return of NBC’s The Voice tonight (Sept. 22), MusicRow checked in with former contestant turned hit songwriter, Nicolle Galyon. She appeared on the show’s second season in 2011, and says the experience changed her career.
Since then, Galyon has gone on to win the 2014 MusicRow Breakthrough Songwriter of the Year, and is currently vying for the CMA Award for Song of the Year as a co-writer of Miranda Lambert’s hit “Automatic.”
Galyon moved to Nashville about 12 years ago to attend Belmont University. At the time, she was a classical pianist but didn’t have much experience singing in public or writing songs. “I became a singer out of necessity,” she says, adding that she was “insecure” about her voice and performing.
Competing on The Voice pushed Galyon out of her comfort zone. Here’s her story:
“Sometimes I think I have more courage than I have sense. I’m really ambitious and also really scared of a lot of stuff. I knew that by how much The Voice scared me, it was something I needed to do for myself. I needed to get out there and see what I was made of. And when I came back from doing The Voice, I felt like I’d been carrying a 100 pound weight on my shoulders because it was so nerve-wracking. When I got back to Nashville, I hit the ground running because I thought, ‘If I can do that, I can do anything.’ That’s how I started operating (even if I didn’t recognize it). I was on fire to write songs, and more passionate and inspired about songwriting than ever before. It’s a crazy thing, because The Voice has nothing to do with songwriting, but it had everything to do with me learning to be more courageous in my career. The Voice will always be a cornerstone of faith for me. So it gives me the courage to keep showing up, even to co-writes that I feel nervous about or situations that scare me. You have to take some chances. I didn’t win on the show, but I feel like I won in a bigger way. Today I feel like I have the confidence to own my voice as a singer. I’ve always been confident that I had something to say.”
Galyon accepts the 2014 MusicRow Award for Breakthrough Songwriter. Photo: Moments By Moser

Galyon accepts the 2014 MusicRow Award for Breakthrough Songwriter. Photo: Moments By Moser

Zac Brown Band Inks With BMLG, Republic, Varvatos

ZacBrownBand2014Zac Brown’s Southern Ground Artists, which is home to the Zac Brown Band and others, has entered a strategic partnership with Universal’s John Varvatos Records, Big Machine Label Group and Republic Records.
The deal covers Zac Brown Band’s future releases, with a new album scheduled for release next spring. Also included in the agreement are projects by acts signed to Southern Ground Artists.
ZBB was previously signed to Warner Music’s Atlantic Records, before spending the last year as a free agent.
Brown shared news of the deal with Billboard backstage at the iHeartRadio festival in Las Vegas over the weekend. Joining him at the announcement were BMLG’s Scott Borchetta, Republic’s Monte Lipman, and Varvatos, who grew to prominence as a leading menswear designer.
ZBB is comprised of Brown, Chris Fryar, Clay Cook, Coy Bowles, Daniel de los Reyes, Jimmy De Martini, John Driskell Hopkins and Matt Mangano.

[Updated] LifeNotes: Grand Ole Opry's George Hamilton IV Passes

George Hamilton performs on the Grand Ole Opry. Photo: Chris Hollo

George Hamilton performs on the Grand Ole Opry. Photo: Chris Hollo


[Update]: A Ryman Auditorium memorial service has been set for Grand Ole Opry star George Hamilton IV, who died on Sept. 17. His life will be celebrated at the Ryman at 11 a.m. on Wednesday, Sept. 24, and the event is open to the public. Visitation for the long-tenured Opry star is scheduled for 4-7 p.m. on Tuesday at Williamson Memorial Funeral home, 3009 Columbia Ave. in Franklin. He will be buried at the Salem Moravian Graveyard in Winston-Salem, N.C. on Saturday, Sept. 27.
In lieu of flowers, the family requests memorial donations to Fries Memorial Moravian Church, 251 N. Hawthorne Rd., Winston-Salem, NC 27104, to the Oak Valley Baptist Church Building Fund, 1161 Lewisburg Pike, Franklin, TN 37064 or to the Opry Trust Fund, 2804 Opryland Dr., Nashville, TN 37214.
• • •
[Original post]: Grand Ole Opry star George Hamilton IV, noted as an international popularizer of country music, has died at age 77.
He suffered a heart attack on Saturday and passed away on Wednesday at St. Thomas Midtown hospital. He has been a fixture in the Opry’s cast since 1960.
North Carolina native George Hamilton IV was a 19-year-old college student when he shot to fame with the teen-themed ballad “A Rose and a Baby Ruth.” The song was a top-10 pop hit in 1956 and also launched the career of its writer, John D. Loudermilk.
The hit led to tours with rock ‘n’ roll pioneers such as Buddy Holly, The Everly Brothers and Gene Vincent. Hamilton followed it with such pop successes as “Only One Love” (1957), “Why Don’t They Understand” (1958) and “Now and For Always” (1958).
He recorded 1959’s “The Teen Commandments” with Paul Anka and Johnny Nash. He had his own TV series on ABC in 1959.
Hamilton made the transition to country music in 1960, scoring his first top-10 hit in the genre with “Before This Day Ends.” Other country hits of the early 1960s included Harlan Howard’s “Three Steps to the Phone” (1961), Bill Anderson’s “To You and Yours” (1961), Cindy Walker’s “China Doll” (1962) and his own composition “If You Don’t Know I Ain’t Gonna Tell You” (1962).
He turned to the Les Brown and Bob Gibson’s folk song, the gently loping 1963 hit “Abilene,” which became his signature song on the Opry. Other notable singles during this period included Maybelle Carter’s arrangement of “Fair and Tender Ladies” (1964) and Terry Fell’s landmark trucking song “Truck Driving Man” (1965).
In the mid 1960s, George Hamilton IV became noted for embracing the songs of such pop/folk singer-songwriters as Gordon Lightfoot (1966’s “Early Morning Rain”), Joni Mitchell (1967’s “Urge for Going”), Buffy Ste. Marie (1968’s “Take My Hand for Awhile”) and James Taylor (1969’s “Carolina in My Mind”).
He and Skeeter Davis recorded a 1970 duet of the hippie anthem by The Youngbloods “Let’s Get Together.” He also recorded the songs of such iconoclasts as Phil Ochs, John Hartford, Jim Rooney and Lee Clayton.
He was noted as a political liberal as well as a deeply committed Christian. He often appeared on the Billy Graham Crusades. He was an early booster of Fan Fair, which became the annual CMA Music Festival.
Hamilton’s willingness to tour overseas was another hallmark. He was well known in Europe and took his easy-going country sound to Russia. He had his own television show in Canada for six years during the 1970s. His prominence in Great Britain led to hosting his own BBC TV series. He taped two gospel TV specials in Israel. He starred in London’s first International Festival of Country Music in 1969.
In 1973, he embarked on what was billed as country music’s longest international tour. He became the first American to record an album in Eastern Europe. He has appeared in Sweden, Germany, Czechoslovakia, Finland, Holland, Norway, New Zealand, South Africa, Hong Kong, Australia and elsewhere. These activities earned him the nickname, “Country Music’s International Ambassador.”
His U.S. hits continued in the early 1970s. “She’s a Little Bit Country” (1970), “Back Where It’s At” (1970), “Anyway” (1971) and “West Texas Highway” (1971) all became successful. During his long career, Hamilton placed 40 titles on the country-music charts.
George Hamilton IV was renowned for his gentility, politeness, hospitality and graciousness. He enjoyed reminiscing about Patsy Cline, Ernest Tubb, Roy Acuff, Eddy Arnold, Hank Snow, Chet Atkins and other country legends and often gave visitors backstage Opry tours.
He was the father of recording artist George Hamilton V, who has also been billed as “Hege V.” He published an autobiography in 2000 titled George Hamilton IV: Ambassador of Country Music.
Funeral arrangements have not been announced.

Americana Master Class: YouTube, Spotify, BandPage

Sessions at the 2014 Americana Festival and Conference included a Master Class series covering YouTube, Spotify and BandPage.

• • •

Pictured (L-R): Margaret Hart and Jessica Fiech.

Pictured (L-R): Margaret Hart and Jessica Frech.


Thursday’s (Sept. 18) YouTube session featured Margaret Hart of Google’s YouTube Music and Jessica Frech, a musician. Monetizing advice was excluded, rather tips for driving viewership were discussed. The publically-available presentation outlined Top Strategies for Music Artists and Album Promotion.
Since February 2013, YouTube has been integrated with specific Billboard charts, so YouTube views are pertinent to multiple aspects of an artist’s promotion.
Album teasers/samplers/trailers have benefited some artists “likes” as much as five-time above average, and two-times as much for sharability.
Lyric and Audio Videos considered a pre-music video.“You have to remember YouTube is the second largest search engine behind Google,” says Hart. “If you don’t create a lyric or audio video, someone else will and you may not like the quality and you would miss out on bring those fans to your own channel.” Annotations allow pop-up features to draw viewers to, perhaps, more current videos as a release cycle unfolds.
Optimizing Videos includes those pop-up Annotations, driving users to relevant links. Hart expects annotations will be updated soon. In-video programming offers thumbnails for hovering to subscribe. Searchable titles are crucial, which Fiech notes the artist name should be included at the end of the title. Tags can be saved in settings for automatic insertion, improving SEO. Metadata, on and off YouTube, should also be maintained, including UPC codes and proper registration with Musicbrainz, Freebase, AllMusic, Songkick or Wikipedia.
Video Playlists should be shared in leu of linking to just one video, advised Frech. Playlists automatically roll through to increases views. “This all contributes to ‘watch time,’ which is really important to us,” says Hart of her Google-owned company. One band experienced over 25-percent of views through playlists.
Channel Design involves filling blank space on your channel, primarily as it pertains to the description in your welcome video. “Fill the white space,” says Hart. “That central section is your video description but it takes up half the page.” Add shelves below to organize videos into categories (live, behind-the-scenes, etc.).
Upload Regularly, at least once a month. “Fans wouldn’t subscribe if they weren’t interested in receiving your content,” said Hart. Spice up your channel with behind the scenes, how-to, even Google+ hangouts can be exported to your channel if fans are answering pertinent questions. “Think outside music,” advised Hart, who mentioned Jason DeRulo’s dance tutorials for his single, which was “on the tail-end of its radio life but was still receiving millions of YouTube views. Listen to what fans are talking about. If it’s makeup, put up a video about how to do makeup.”
Collaborations allow pools of fans exposure to new talent. Hunter Hayes and Jason Mraz recorded “Everybody’s Got Somebody But Me” at YouTube’s studio space with eight other YouTube stars to reach each’s fan base.

• • •

Pictured (L-R): Ty Jacobson, Copeland Isaacson.

Pictured (L-R): Ty Jacobson, Copeland Isaacson.

Copeland Isaacson, Spotify’s representative for Americana Country and Christian in Nashville spoke alongside Ty Jacobson of partner company BandPage, on Friday (Sept. 19).

Spotify was added to as one of BandPage’s syndicated partner networks in August. Artists are able to maintain bios, photos and merch for a variety of additional partners including Shazam, YouTube, iHeartRadio, Rdio, SoundCloud, etc.

Spotify, with its 46-million active users worldwide (12-million paying subscribers) claims click-through rates in the 3-4 percent, higher than rates seen from banner ads or Facebook posts.

Most of the afternoon session pertained to store items for BandPage, of which three items pull to Spotify to take advantage of those click-through rates. BandPage requires a PayPal sellers account, however it does not charge any additional fee beyond that. “BandPage does not fulfill orders,” explained Jacobson. “We send fan-facing email confirmations and have support for fans.” But artists are responsible for fulfillment and customer support.

Internally, the streaming site relies on its own Viral 50 chart, computed by plays divided by the number of shares. “We’ll reach out to indie artists and their teams to learn more about them,” said Isaacson. Of note, Spotify biographies are pulled from AllMusic, while SongKick pulls in tour dates.

“Playlisting is a huge tool on Spotify,” explained Isaacson. Whether curated by Spotify teams, or artists for their own pages, “It’s basically a mix-tape,” he continued. An audience member raised their hand to suggest their artist streams were up from 500 to 7500 after inclusion in a Spotify-curated playlist. “Spotify is an incredible driver and we’re just trying to replicate the success stories,” concluded Isaacson. More artist information here.