Aldean Goes Double Platinum, Sets Nashville Date

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Only 10 months after release, Jason Aldean’s My Kinda Party has been certified double platinum by the RIAA for shipments of over two million units. The disc is 2011’s best selling country album and has already spawned three consecutive No. 1 hits, each of which has also been certified platinum for digital downloads. Most recent single “Dirt Road Anthem” went on to score double platinum.

Aldean’s team just announced that his My Kinda Party tour will hit Nashville’s Bridgestone Arena on Feb. 24 with opener Luke Bryan. Tickets through ticketmaster.com.

Aldean is up for five awards at the Nov. 9 CMA Awards.

CMA Awards Re-up With Bridgestone Arena

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Bridgestone Arena and the Country Music Association have entered into a three-year agreement for the Nashville venue to continue hosting the CMA Awards in 2011, 2012 and 2013. “Country Music’s Biggest Night” has been held at the arena annually since it first hosted the event in 2006.

“Being the home of the CMA Awards is a great source of pride for us at Bridgestone Arena,” says Bridgestone Arena Vice President of Booking Brock Jones. “It is a fantastic event and first-class way to showcase our venue, the talented people in the Country Music industry and the community we all call home. We greatly value our relationship with the CMA and all that it represents. We are thrilled to extend our agreement with the CMA Awards for the next three years.”

“Country Music’s Biggest Night deserves a world-class venue and we have that with the Bridgestone Arena in Nashville,” explains CMA Chief Executive Officer Steve Moore. “Our industry appreciates the convenience and amenities, and our attendees enjoy the downtown location with access to clubs and hotels.”

This year’s CMA Awards will be held Wed., Nov. 9.

Weblinks: Early Lady A Numbers

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• Soundscan prognosticators say that the new Lady Antebellum album will chart with debut week sales of about 260K-300K units, according to HitsDailyDouble and Billboard. Regardless, Own The Night is expected to enter at No. 1. Soundscan tallies close Sunday (9/18) and numbers will be released Wednesday morning (9/20). This is the follow-up to Need You Now, which debuted in January 2010 with 481k in first-week sales. The same sales-watchers predict Brantley Gilbert’s release will move about 45-50k in its first week.

• The Country Music Hall of Fame® and Museum’s All for the Hall Los Angeles fundraiser was held Tuesday night (9/13) at L.A. LIVE’s Club Nokia. The guitar pull featured performances by Zac Brown, Sheryl Crow, Country Music Hall of Fame member Vince Gill, and Kevin Cronin. See the LA Times coverage.

• Gibson CEO Henry Juszkiewicz will meet with U.S. Justice Department officials next week, reports The Tennessean. The Gibson manufacturing plant and offices were raided on Aug. 24 by federal officials who claim that Gibson violated the Lacey Act, which is designed to protect endangered imported wood.

• Music streaming services are scrambling to keep up with Spotify, which hit the US in July. Mog is now offering a similar free version. More from the New York Times.

Bobby Karl Works The Room

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Chapter 373—Part 1

The party circuit is on warp speed this week.

In just the first three days of it, there were multiple schmoozefests to attend on the same day, often at the same time. This party boy sometimes felt like he was juggling multiple plates on sticks. Filled with hors d’oeuvres.

Ten Out of Tenn Launch Party

“I am the TOT Mom,” explained Kristen Dabbs when Clay Bradley introduced us at BMI (9/12). “This is our seventh tour and our fourth album.”

The BMI party was to launch this year’s edition of “Ten Out of Tenn,” the compilation CD and its accompanying fall tour, which starts this week. Each year, Nashville’s pop/alternative community pulls together to show just how fabulous our non-country music makers are. They not only share the TOT Vol. 4 CD, but also a bus.

After the first successful compilation, Kristin approached BMI about hosting its annual TOT kick-off celebration, which the organization has been doing for the past three years in a row.

This year’s TOT participants are Katie Herzig, Matthew Perryman-Jones, Gabe Dixon, Tyler James, k.s. Rhodes, Andrew Belle, Trent Dabbs, Amy Stroup, Butterfly Boucher and Jeremy Lister. Most of this collective attended the soiree.

“These are the most unique, valuable songwriters in our community,” said Clay in welcoming the crowd. This year’s tour will hit 16 cities with sensational TOT sounds.

“Everyone at BMI has been amazing in supporting this whole concept,” said Trent. “There’s so much happening – so many people are moving here. Tell all your friends [who live] in the cities that we’re playing.”

Trent introduced Gabe, who recently splendidly showcased his new One Spark CD at the newly expanded and renovated 3rd & Lindsley (9/4). Gabe followed that with a performance of the CD’s “Running on Fumes” on Jimmy Kimmel Live (9/8), which is the same song he did at BMI. The participants all sang and played percussion behind him, then gathered at the front of the stage to form a circle around Trent for an unplugged moment.

Amy was next, followed by k.s. Rhodes, whose ebullient “Where I Come From” fully captures the spirit and camaraderie of Ten Out of Tenn. Last week (9/8), k.s. performed with The Nashville Symphony, by the way.

Susan Myers, Suzanne Alexander, Jon Randall Stewart, David Wykoff, Dan Keene, Heather Byrd, Luke Laird and more were digging the sounds and sampling the roast beef mini sandwiches, quiche slices, fruits, cheeses and beverages.

The Ten Out of Tenn tour runs through Oct. 1 with dates all across the eastern U.S. The group's latest album, aptly titled Volume 4, is available on iTunes. Pictured (L-R): BMI’s Clay Bradley and Ten out of Tenn’s Trent Dabbs, Jeremy Lister, Andrew Belle, K.S. Rhoads, Amy Stroup, Tyler James and Gabe Dixon. Photo: Drew Maynard

 

City National Grand Opening

The party bar has officially just been raised. The opening of the Music Row office of City National Bank (9/12) was among the most flashy and opulent of celebrations. After touring the office, we entered a massive white tent on the blocked-off South Street. Inside, it was like an igloo Casbah. White couches, white carpet, white flowers, white chandeliers, white cloth, white tables, white, white, white. Palm trees stood in the corners.

Bartenders were serving “CNBtini’s,” a specially concocted blue martini. Wait staff circulated, bearing trays of sushi, bacon-wrapped asparagus, mushroom tarts, cheeseburger sliders and other assorted canapes. Las Paletas frozen treats of various flavors were also served.

In one corner was a green screen where you could have your photo taken with a Times Square, tumbling dollar bills or CNB logo digital backdrop. Before you departed, they handed you the finished snapshot in a leather CNB frame.

I am told that event planner Jayne Bubis put the bash together. Well done, Jayne.

Lori Badgett shushed the schmoozing fabulons to introduce celebrity impersonator Pete Peterkin. He came out wailing as Little Richard, then had the crowd clapping and laughing as he “did” Elvis, Tom Jones, Tina Turner, Neil Diamond, Chuck Berry (complete with duck walk), Jerry Lee Lewis, James Brown and Michael Jackson. “I taught them all!” he brayed. “Shut up!” It was quite entertaining.

Tim DuBois, Joe Galante, Dwight Wiles & Diana Johnson, Ed Hardy, Becky Harris, Bob Doyle, Kerry O’Neil, Susan Stewart, Chuck Flood, Pete Fisher, Harry Chapman, Beverly Keel, Dan Hill, Jayne Rogovin, Jon Freeman, Karen Oertley, Barry Coburn, Sherod Robertson, Allen Brown, Sarah Brosmer, Mary Ann McCready, John Lytle, Sally Williams and Mike Vaden were in the throng.

The office, itself, at 54 Music Sq. E., gleamed with modern décor. Posters of the Hollywood films that CNB has financed were placed throughout the space. This is, after all, the bank of everyone from Jack Benny to Marilyn Monroe. CNB loaned Lucille Ball the moolah to buy out Desi Arnez and become the first female head of a major studio, Desilu. CNB provided the big cash for Frank Sinatra to pay off the kidnappers of his son. We are talking loaded and show-biz connected up the wazoo.

And now the CNB largess extends to Music City. At the party, the bank made a $15,000 donation to Jonah Rabinowitz for the W.O. Smith Community Music School.

Let the record show that Holly Bell, who heads the new Nashville division, chose the smaller office and gave the bigger ones to Diane Pearson and Lori Badgett.

“We’re very proud and excited to be here,” said Lori. It showed, believe me.

To mark the grand opening, City National Bank presented a check for $15,000 to Nashville’s W. O. Smith Music School. Pictured (L-R): Jonah Rabinowitz, WO Smith executive director; Holly Bell, SVP/team leader, CNB; Martha Henderson, EVP Entertainment, CNB; Russell Goldsmith, CEO, CNB; Ed Hardy WO Smith board president; and Tony Conway, WO Smith board.

 

Connie Smith Wraps Residency

Zipping on down to the Country Music Hall of Fame, we caught the finale of Connie Smith’s three-concert Artist-in-Residence shows at the Ford Theatre (9/12). So did Ricky Skaggs, The Whites, Dallas Frazier, Marty Stuart, Hunter Kelly, Craig Havighurst, Steve Betts and David McCormick. Bill Denny and Barry Mazur had perfect attendance records, having witnessed all three shows.

Her theme of the eve was “Connie and the Girls.” She welcomed mentor Jean Shepard and disciples The Quebe Sisters Band, Tanya Tucker and Martina McBride. “I stole everything from you,” Tanya told Connie. “Well, not everything, because you’ve still got it.” And how.

Connie closed with “Take My Hand,” featuring daughters Jodi Seyfried, Jeanne Haynes and Julie Barnick. She encored with a hand-clapping “Satisfied.”

Many of the attendees, by the way, were also at the BMI party last week (9/8) celebrating the release of Connie’s awesome Long Line of Heartaches CD.

Onward. The festivities continued on Tuesday (9/13) with a downtown party to salute the 80th birthday of George Jones.

Read Pt. 2 of Bobby Karl Works the Room tomorrow exclusively on MusicRow.com.

Connie Smith with two featured performers, Martina McBride and Jean Shepard, before her final Artist-in-Residency show Monday night (9/12) at the Country Music Hall of Fame ® and Museum. Pictured (L-R): Martina McBride, Connie Smith, Jean Shepard and Museum Senior Vice President of Public Relations Liz Thiels. Photo: Donn Jones

Cumulus – Citadel Transaction Closing Tomorrow

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Cumulus Media’s $2.4-billion takeover of Citadel Broadcasting has been granted approval by company shareholders, the FCC and the Department of Justice. The transaction, due to close tomorrow (9/16) will add an additional 200-plus stations to the nearly 350 that Cumulus already owns.

This merger brings together Nashville country outlets WSM-FM (Cumulus) and WKDF (Citadel), as well as Dallas’ country signals KPLX and KSCS. Also included are WIVK/Knoxville and KIIM/Tucson.

Other country stations affected by the change include MusicRow CountryBreakout Reporters WHWK/Binghamton, NY and WEBB, Augusta, ME.

To satisfy D.o.J. regulatory requirements, Cumulus will divest two stations in the Harrisburg, Pa. market (including country WCAT) and one in Flint, Mich.

Prior to the acquisition, Citadel was the No. 3 largest radio chain in the U.S. following Cumulus. Their combined powers will put them in closer competition with No. 1 radio leader Clear Channel and its approximately 850 stations.

Wade Mainer Dies At Age 104

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Wade Mainer, photo by Flint Journal

America’s oldest country star has died at age 104.

Wade Mainer died Monday, September 12, at his home in Flint Township, Michigan. As a member of Mainer’s Mountaineers, he recorded “Maple on the Hill” in 1935. It became one of the most massive country hits of the Great Depression.

“Take Me in the Lifeboat” was another popular Mainer number from this era. The group is regarded as one that paved the way for the development of bluegrass music. Mainer invented a two-finger style of five-string banjo playing that was widely influential.

He was the subject of Dick Spottswood’s 2010 book Banjo on the Mountain: The First 100 Years of Wade Mainer.

Wade Mainer was born April 21, 1907 in the mountains near Asheville, North Carolina. He formed his band with his fiddling brother J.E. (Joseph Emmett) Mainer (1898-1971). After rising to fame on WBT radio in Charlotte, the group recorded prolifically for RCA’s Bluebird Records label in 1935-39. He also recorded as a duo with Zeke Morris during the same time period.

He formed Wade Mainer & The Sons of the Mountaineers and continued recording for Bluebird in the 1940s. This group was responsible for his other major hit, 1939’s “Sparking Brown Eyes.” The Stanley Brothers later re-recorded several of the band’s songs.

He was performing at WNOX in Knoxville when he was invited to join the cast of the Grand Ole Opry in 1940. He declined the invitation, because it meant breaking his contract.

Mainer in the 1940s.

Wade Mainer entertained Franklin and Eleanor Roosevelt at the White House in 1941. In 1943, Alan Lomax booked him on BBC radio alongside Woody Guthrie, Burl Ives, The Coon Creek Girls and others. He recorded for King Records in 1947 and 1951.

When honky-tonk music swamped old-time string band sounds in the 1950s, Mainer quit music and moved to Flint, Michigan to work for General Motors, 1953-1972.

As a born-again Christian, he began performing and recording again in the 1970s, frequently with wife Julia Brown Mainer. Performing as “Hillbilly Lilly,” she was also a North Carolina country radio entertainment veteran. During this “second” career, he recorded LPs for Old Homestead Records, June Appal Records and other labels, and the couple toured on the folk and bluegrass festival circuits.

Wade Mainer staged his debut on the Grand Ole Opry in 1995. In 1997, he and Julia were featured guests at the Smithsonian Folklife Festival in Washington, D.C. President Reagan conferred a National Heritage Fellowship on him on that occasion.

He was the grand marshal and Heritage Award honoree at Uncle Dave Macon Days in Murfreesboro in 2002, when he again appeared on the Opry.

His annual birthday celebrations in Michigan have become big news in recent years. He was considered to be the last survivor of country music’s “golden age,” the days of Jimmie Rodgers, The Carter Family and Uncle Dave Macon.

 

Morris, Oswald Add Team Member

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Titans fan Bob Mitchell.

Dale Morris and Marc Oswald of Morris Artist Management have added longtime industry exec Bob Mitchell as a management partner.

Mitchell has been associated with the Morris Management team in recent years through his work with their client Gretchen Wilson. He relocated to Nashville in 2009 to help launch Wilson’s Redneck Records following 15 years in record promotion for Sony Music, DreamWorks and the Smith Music Group, as well as time in radio and talent buying.

Mitchell’s office number (615-327-3400 ext. 118), and cell phone number (615-720-7467) remain the same. His new e-mail address is [email protected].

The Dirt Drifters Celebrate Album Release

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Warner Music Nashville’s The Dirt Drifters celebrated the release this week of their full length debut This Is My Blood, with a full-band showcase Tuesday (9/13) at 3rd & Lindsley.

Armed with electrified instruments and a full drum kit, The Dirt Drifters’ (Matt and Ryan Fleener, Jeff Middleton, Jeremy Little, and Nick Diamond) excelled in this environment. Their tales of blue collar struggle, like “Always A Reason” and “Something Better,” sounded large and vibrant, a potent mixture of country grit and heartland rock ‘n’ roll. Singer/guitarist Matt Fleener charmed the crowd with his sly humor, even inadvertently taking an “outlaw” stance when he recalled how his grandmother’s two favorite albums were Willie Nelson’s Stardust and Red Headed Stranger. “What the hell happened to us?” he joked before launching into the blistering “I’ll Shut Up Now,” which features a brief interpolation of Willie’s “On The Road Again.” The album version from This Is My Blood actually features a cameo by Willie.

As for 3rd & Lindsley, the southside musical venue been remodeled and (seemingly) expanded. Performers no longer have to share the cramped stage in the corner, as they now have a large stage on the wall opposite the entrance that should make many of the Broadway honky-tonks jealous.

Produced by Justin Niebank, This Is My Blood features 11 tracks, 10 of which were written or co-written by members of  The Dirt Drifters.

(L-R): Ryan Fleener, Ben Schmitt (The Dirt Drifters Tour Manager), Nick Diamond, Steve Daly (The Dirt Drifters Steel Player), Matt Fleener, Jeremy Little and Jeff Middleton

CCMA Wins With Canadian Hospitality And Talent

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At the Industry Award brunch husband/wife duo Pear elicited a standing ovation, using dueling fiddles to create an avante garde musical mash-up of The Beatles' “Eleanor Rigby” and Michael Jackson’s “Smooth Criminal.”

The Canadian Country Music Association presented its 34th annual week of events (9/9-9/12), culminating in its nationally televised Awards show on Mon., Sept. 12. (Click here for awards winners.) This year’s location was Hamilton, Ontario, about a one hour drive south from Toronto. The organization’s passionate membership—artists and industry—gathered to celebrate their musical triumphs, network profusely, discover some new sounds, and oh yeah, do some dedicated partying.

“This is the first of four award ceremonies during this week,” said Don Green, the CCMA’s new Executive Director at Saturday morning’s Industry Award brunch. “We’ve upgraded the staging, sound and lights this year and hope you enjoy the difference.” In fact, the staging rivaled a TV Award show set with detailed lighting and sound. Green announced that CCMA has over 1600 members and about 47% of them participated in the award voting this year.

The brunch was hosted by Canadian stars Tara Oram and Aaron Pritchett and presented about 15 industry awards to labels, managers, retailers, radio and more. Awards were punctuated with musical performances. Standouts included Jason Blaine and husband/wife duo Pear. Pear elicited a standing ovation after using dueling fiddles to create an avante garde musical mash-up of The Beatles’ “Eleanor Rigby” and Michael Jackson’s “Smooth Criminal.”

Marlee Scott (center) showcased with Sony Canada.

Later that afternoon many of the country artists performed at FanFest on the Jackson Square rooftop plaza for Hamilton’s country fans. The city used the opportunity to schedule two additional events—a Supercrawl and Locke Street Festival. As a result, over 40,000 people came downtown to enjoy the activities, music and beautiful sunshine-packed afternoon.

The four-day gathering was busting with seminars, guitar pulls and showcases. Nashville songplugger Sherrill Blackman and Ole’s Chad Richardson helmed one titled, “Song Spotting: Tips & Tricks for Placement & Plugging.”

Ole's "Hitsville" team. (L-R) Front: Arthur Buenahora, Gilles Godard, Chad Richardson; Back: Denny Carr, Chris Taylor, Robert Ott, Cadence Grace, Michael McCarty

“Hitsville” was another of the many panel offerings for attendees. Created and staffed by Ole Music, this hardcore, reality-TV-ready game show invited songwriters to submit a song. Based upon repeated listens, the judges would decide if it should reach first, second or third base and finally home plate where a publishing contract awaited. Nashville-based Gilles Godard and Arthur Buenahora anchored the third base judging and ole CEO Robert Ott and President Michael McCarty waited at home plate to make the call—“safe” or “out.”

Saturday evening featured parties and various showcases, but one of the highlights for this writer turned out to be a last minute pairing with Premiere Networks VP Promotions and Integrated Marketing Rick Murray, AristoMedia Chairman Jeff Walker and After Midnight’s Blair Garner. We settled in at a local neighborhood Lebanese eatery. Despite the uneven service, the food was tasty and the conversation downright hot. Discussions covered social networking, industry sales solutions, radio airplay, music discovery and how to solve a variety of industry problems. (Too bad I didn’t have a tape recorder handy for that session…)

Sunday morning featured a warm Canadian style breakfast (bacon, scrambled eggs, toast, sausage) for all the delegates, followed by a 2 1/2 hr. roundtable merry-go-round. Panelist groups rotated among the 10 delegate-packed circles every 15 minutes. Among those helping out were Ralph Murphy, Larry Wayne Clark, your Humble Scribe, Victoria Banks and Jeff Walker.

Futurist Jay Frank gave the Keynote Address.

Sunday’s big event was the Gala Awards Dinner (see winners here). Canadian superstar Johnny Reid was honored with the Humanitarian Award. A moving video montage showed some of the artist’s charitable activities. Reid, who was present with new manager Jim Morey, said, “It’s been an enriching experience to work with so many organizations over the years. The word ‘humanitarian’ is a complex word. We hear it all the time. But it’s not just the big concept, it’s also the small things we all do to help others one day at a time. I’m so grateful to be able to do music every day, but I realize that without the love and support of those around me and my fans I’d never find myself here tonight. So I’d like to dedicate this to everyone that offers a ‘wee bit of love to those that need it the most…”

The awards list also included Hall of Fame inductions for Michelle Wright and Bill Langstroth. Longtime Wright manager Brian Ferriman inducted Michelle. “I first heard Michelle 26 years ago at Gladstone Tavern here in Hamilton,” said Ferriman, also a Hall of Fame member.

Performances of note included The Band Perry, a Michelle Wright tribute with Terri Clark, Victoria Banks and Katie Love Hess, and a spellbinding new song from Carolyn Dawn Johnson. Backstage CDJ and I reminisced about getting stranded in Calagary ten years ago at CCMA in the aftermath of 9/11. Together with Scott Siman and Mike Kraski we drove in a van over the border to Cut Bank, Montana where we got picked up by Tim McGraw’s jet and thankfully flown home. I remember Kraski kissing the ground in Nashville after getting off the plane. We were all so happy to get home and be with loved ones during that terrible time.

(L-R) Katie Love Hess, Hall of Fame inductee Michelle Wright, manager Brian Ferriman, Victoria Banks and Terri Clark.

Monday morning’s big draw was the hard hitting Keynote address featuring Nashville futurist Jay Frank and his recent book, Futurehit.DNA. “You must grab the listener within 7 seconds or your chances for success drop exponentially,” Frank warned. “Don’t construct your songs as you would have 10 years ago. Every single play online starts at zero seconds.” Frank noted that country music fans now listen to multiple formats so they are all competition. “Don’t bore us, get to the chorus,” he joked. Frank also argued that all outlets need to be aggressively pursued. “Revenue streams will be greatly fragmented. Record companies are looking more like the publishing business every day. Administrators must be ready to collect small amounts from many sources to be in the new record biz.” Frank also advised new artists, “Radio has abdicated the responsibility of breaking songs to the Internet. Therefore, artists should build a story elsewhere before going to radio.”

Other Nashvillians seen and heard in Hamilton were songwriters Bob Regan and Marty Dodson who performed at the CCMA Great Guitar Pull, Byron Hill who produces hit Canadian artist Gord Bamford, SESAC’s Tim Fink, TBP manager Bob Doyle, Award show performers Luke Bryan plus Ronnie Dunn with manager Clarence Spalding, and Capitol label head Mike Dungan.

If you’ve already attended CCMA, then you know how the hospitality, passion and talent translates into a great experience. If not, next year’s CCMA event will take place in Saskatoon, Sept. 6-9, 2012. Participate! For more information visit www.ccma.org. All photos by Grant Martin except where noted.

CCMA artists performed on the Jackson Square rooftop plaza for Hamilton’s country fans on Saturday afternoon at FanFest. Photo: David Ross

Strait To The Top

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George Strait’s Here For A Good Time shot straight to No. 1 on the Country Albums chart, debuting with 91K first-week sales. The King’s 30-plus year career is showing no signs of slowing down, with the album landing at No. 3 overall. It garnered about 18 percent digital album sales. The title track and lead single was written by Strait, his son Bubba Strait and songwriter Dean Dillon. It is at No. 2 on MusicRow’s CountryBreakout chart.

Strait once again co-produced this album with longtime friend and legendary producer Tony Brown at Shrimpboat Sound Studio in Key West, FL. It’s the same studio where Strait recorded his last three award-winning albums.

Meanwhile, Lady Antebellum’s hot new single “Wanted You More” debuted with 74K digital downloads, landing at No. 1 Country. All signs point to strong first-week sales for the band’s third album Own The Night which was released Tuesday (9/13). Lead single “Just A Kiss” is already past the one million downloads mark. Nearing the Platinum point are “Remind Me” from Brad Paisley and Carrie Underwood, and Jake Owen’s “Barefoot Blue Jean Night.”

Strait by the Numbers
69 million—albums sold
2006—year of induction to the Country Music Hall of Fame
89—singles released
89—Top 20 singles
84—Top 10s
57—No. 1 singles
33—Platinum or multi-platinum albums
30—years active
24—No. 1 albums