CMT Winners [final]

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The CMT Music Awards aired live from Nashville’s Bridgestone Arena tonight (6/9). Winners are noted below in BOLD Blue. Read about the show’s big moments on our Twitter feed. All photos from IzzyNashville.com [Read a show review HERE]

VIDEO OF THE YEAR [Final Nominees]
Best video of the year; awarded to the artist (male, female, group/duo or collaboration) and the video director. Final nominees announced during live telecast, with final voting held online at CMT.com during the show.
·         Toby Keith – “American Ride”
·         Lady Antebellum – “Need You Now”
·         Miranda Lambert – “White Liar”
·         Taylor Swift – “You Belong With Me”
·         Carrie Underwood – “Cowboy Casanova”

FEMALE VIDEO OF THE YEAR
Best video by a female artist; awarded to the artist
·         Miranda Lambert – “White Liar”
·         Reba McEntire – “Consider Me Gone”
·         Taylor Swift – “You Belong With Me”
·         Carrie Underwood – “Cowboy Casanova”

MALE VIDEO OF THE YEAR
Best video by a male artist; awarded to the artist
·         Jason Aldean – “The Truth”
·         Billy Currington – “People Are Crazy”
·         Toby Keith – “American Ride”
·         Tim McGraw – “Southern Voice”
·         Keith Urban – “‘Til Summer Comes Around”

CMT PERFORMANCE OF THE YEAR
Musical performance on a television show, series or variety special on CMT; awarded to the artist (individual, group or duo)
·         Lady Antebellum – “Lookin’ For A Good Time” from the 2009 CMT MUSIC AWARDS
·         Reba McEntire – “Consider Me Gone” from INVITATION ONLY: REBA
·         Tim McGraw – “Southern Voice” from INVITATION ONLY: TIM McGRAW
·         Brad Paisley – “Then” from the 2009 CMT MUSIC AWARDS
·         Carrie Underwood – “Temporary Home” from INVITATION ONLY: CARRIE UNDERWOOD

COLLABORATIVE VIDEO OF THE YEAR
Best video that featured a special collaborative appearance by artists; awarded to the artists (individual, group or duo)
·         Jason Aldean and Bryan Adams – “Heaven” from CMT Crossroads: Bryan Adams and Jason Aldean
·         Kenny Chesney with Dave Matthews – “I’m Alive”
·         Kellie Pickler featuring Taylor Swift – “Best Days of Your Life”
·         Blake Shelton featuring Trace Adkins – “Hillbilly Bone”

USA WEEKEND BREAKTHROUGH VIDEO OF THE YEAR
Best video from an artist’s major breakthrough album; awarded to the artist (male, female, or group/duo)
·         Luke Bryan – “Do I”
·         Laura Bell Bundy – “Giddy On Up”
·         Easton Corbin – “A Little More Country Than That”
·         Steel Magnolia – “Keep On Lovin’ You”

DUO VIDEO OF THE YEAR
Best video by a duo; awarded to the artists
·         Brooks & Dunn – “Indian Summer”
·         Steel Magnolia – “Keep On Lovin’ You”
·         Sugarland – “Keep You”
·         Sugarland – “Nightswimming/Joey”

GROUP VIDEO OF THE YEAR
Best video by a group; awarded to the artists
·         Gloriana – “How Far Do You Wanna Go?”
·         Lady Antebellum – “Need You Now”
·         Rascal Flatts – “Here Comes Goodbye”
·         Zac Brown Band – “Toes”

VIDEO DIRECTOR OF THE YEAR
Best video director of the year; awarded to the director for his or her body of work from the past year
·         Deaton Flanigen (award eligible videos include: Jason Aldean’s “The Truth” and Carrie Underwood’s “Temporary Home”)
·         Chris Hicky (award eligible videos include: Miranda Lambert’s “White Liar” and Justin Moore’s “Small Town USA”)
·         Shaun Silva (award eligible videos include: Kenny Chesney’s “Out Last Night” and Rascal Flatts’ “Summer Nights”)
·         Roman White (award eligible videos include: Taylor Swift’s “You Belong With Me” and Kellie Pickler’s “Best Days of Your Life”)

Tracy Nelson’s Home Destroyed By Fire 

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Tracy Nelson

Acclaimed Nashville vocal stylist Tracy Nelson lost her house and most of her belongings in a fire last Saturday (6/5).

According to friend JoAnne Gardner, Nelson’s home studio was destroyed. It was where she was recording an upcoming CD titled Victim of the Blues. Nelson, her boyfriend/engineer Mike Dysinger and most of their pets are safe. But the status of the computer files that stored her new music is uncertain.

“It’s one of the worst things I’ve ever been through, but we’re OK,” Nelson said yesterday. “We’re safe. People have been incredible. Our neighbor gave us a house across the street to stay in. We lost two of our 11 animals, but it could have been even more horrible.”

The house contained her grandmother’s grand piano as well as her extensive collection of mementos from the Fillmore Auditorium in San Francisco. She did not have enough insurance to cover these and other losses.
A benefit fund has been set up at US Bank under the name “Rosehips Music/Tracy Nelson.” Since she hopes to rebuild on the site in Burns, TN, she says she would also welcome gift certificates to Lowe’s or Home Depot hardware stores.

Tracy Nelson began singing in coffeehouses when she was a student at the University of Wisconsin in Madison. She recorded her first blues album, Deep Are the Roots, in 1964 for Prestige Records.

Relocating to San Francisco, she became the lead singer of Mother Earth in 1968. The group moved to Nashville in 1969, becoming one of the first rock bands to settle in the country capital.

Mother Earth recorded three LPs for Mercury and two for Reprise Records. Its 1968 debut collection introduced her classic song “Down So Low.” It has now been recorded by more than a dozen other artists, including Etta James and Linda Ronstadt.

There was also a Mother Earth Presents Tracy Nelson country album on Mercury in 1971, and she has returned to the country repertoire several times since. She went solo in 1973 and has recorded LPs and CDs for Columbia, MCA, Rounder, Flying Fish, Atlantic and other labels. In 1974 she had a country hit as the duet partner of Willie Nelson (no relation) on “After the Fire Is Gone.”

Her most recent release was 2007’s You’ll Never Be a Stranger at My Door on Memphis International Records.

SOURCE Luncheon Fetes Honorees

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2010 SOURCE Honorees: (Front row l-r) Ruth White, Frances W. Preston (Back row l-r) Carol Phillips, Liz Thiels, Celia Froehlig, Sherytha Scaife Photo: Denise Fussell

The SOURCE Awards Committee hosted a luncheon at The Palm Restaurant in downtown Nashville on Friday, May 28 in honor of the six women who will be receiving their awards at this year’s 2010 Annual SOURCE Awards, taking place Thursday, August 26th at Nashville’s Noah Liff Opera Center. Frances W. Preston will receive the esteemed “Jo Walker Meador Lifetime Achievement Award.”

SOURCE, founded in 1991, is a nonprofit organization seeking to unify women executives and professionals that work in all facets of Nashville’s music industry. For company and individual sponsorship opportunities for the awards dinner and ceremony please contact Jill Napier at [email protected].

2010 SOURCE Awards Honorees:
Celia Froehlig (Black River Music)
Carol Phillips (Horipro Entertainment Group)
Sherytha Scaife (Music Inc.)
Liz Thiels (Country Music Hall of Fame & Museum)
Ruth White (Musician, Author, Publishing Administrator for Porter Wagoner’s Publishing Company)

Metro Music Teachers “Drive” CMA Fest

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Beginning Thursday (6/10), more than 700 journalists in town to cover the 2010 CMA Music Festival will hear first-hand about how CMA’s “Keep the Music Playing” donations benefit the music programs in Metro Nashville Public Schools. More than 50 volunteers – the majority of them music teachers – will be driving five official “Press Express” vans daily from 7:00 AM-1:00 AM. The vans shuttle media throughout various event sites, including the Nashville Convention Center and LP Field.

Proceeds from the CMA Music Festival have benefited charities since 2001. In 2006, a decision was made to direct all funds to one central cause – music education in Metro Nashville Public Schools – through a partnership with the Nashville Alliance for Public Education. As in the past, 50 percent of the net proceeds from the 2010 CMA Music Festival will go to Metro Nashville Public Schools for music education. CMA announced last month that the other 50 percent will be donated to the Community Foundation of Middle Tennessee for flood relief.

“We work very closely with the CMA to improve the music programs in Metro’s schools,” says Pam Garrett, Executive Director of the Nashville Alliance. “The ‘Press Express’ program is an opportunity for our teachers to act as ambassadors for ‘Keep the Music Playing’ and talk about music education and the model the Alliance established to place instruments in the hands of children who need them most.”

To date, CMA has donated over $3.3 million to purchase more than 3,000 musical instruments, equipment and supplies in 67 schools. Thousands of students have been provided with the resources and opportunities they could not have afforded on their own.

Dr. Jesse Register, Director of Metro Nashville Public Schools, is appreciative of the initiative. “We are so grateful for the generosity of CMA over the past several years. We know that 98% of our performing arts students graduate and that has a huge impact on the overall success of our school district. We thank CMA and also the Nashville Alliance for Public Education for their partnership that has brought music education in Metro Public Schools to a whole new level. Our teachers and directors are volunteering in a big way this week to show their gratitude. ‘Keep the Music Playing’ is a magnificent program.”

Beth Voltz, a Strings Teacher at I.T. Cresswell Arts Magnet Middle School, says educators want to recognize CMA’s impact on their music programs. Voltz, who has taught in Metro since 1993, is excited about the opportunity to give back by volunteering as a “Press Express” driver. She will shuttle the media on Thursday from 7:30 AM-4:00 PM. While driving, she plans to share personal stories about how CMA’s donations have impacted her students.

“In the past, we didn’t have enough instruments for our students, and the ones we had were horrible,” says Voltz. “Music programs struggle when students can’t afford to buy their own instruments. Now, we have students who are excelling because they have shiny new instruments that are not broken. I see their joy and that of their families! I can’t tell you how many parents have thanked me for giving their children the opportunity to play an instrument. This is all thanks to CMA and Nashville Alliance.”

“Every hour that a person volunteers for the Festival represents savings that go directly to our schools and neighbors that need it most,” said CMA Chairman of the Board Steve Moore. “We think the media will enjoy the stories the music teachers share about their music program successes. Hopefully, the journalists will take what they learn home and help generate interest in starting similar programs in their local communities and school systems.”

Bobby Karl Works CMA Music Fest

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Chapter 338
The first celebrity I saw at the CMA Music Festival wasn’t a country star.
It was my favorite Tennessee Titan, Cortland Finnegan, playing for the Opry team at the 20th annual City of Hope Celebrity Softball Challenge on Monday evening at Greer Stadium (6/7). He was kidding around with Luke Bryan, who was playing for the After MidNite with Blair Garner team. Luke was upset that he’d been “traded,” since he played on the Opry squad last year. But he brightened up when he saw Cortland.

“He’s the only guy here who talks more country than I do,” said Georgia-bred Luke.

Also suiting up for the charity game were the likes of Carrie Underwood, Vince Gill, Chuck Wicks, Joe Nichols, Craig Morgan, Jason Aldean and Mallary Hope.

On Tuesday (6/8), CAA held its 18th annual CAA BBQ at its West End headquarters. That evening, the Tennessee State Museum hosted a reception to open its exhibit of paintings by William Lee Golden.

Wednesday morning (6/9, Tracy Lawrence became one of the first to host a Fan Club party. His was at the Mercy Lounge. Then it was downtown for the 6th annual CMA Music Festival Kick-Off Parade  (6/9). When we arrived, host Stormie Warren was leading the sizable sidewalk crowd in singing “Happy Birthday” to teen-age fans named Sable and Jessie.

“I want to see some stars!” wailed Jim Bessman in eager anticipation. He didn’t have long to wait.
The U.S. Marine Corps color guard marched by, to the accompaniment of a female bagpiper. Equestrian cops, assorted police vehicles, the Army color guard and a music-note giant balloon preceded red-garbed Grand Marshall Brenda Lee waving merrily from a vintage silver Corvette convertible. The parade is sponsored by Chevrolet, so almost everyone was either in a Corvette or a Chevy pickup. After the Music City Drum & Bugle Corps, for instance, Rodney Atkins and his dog glided by in the bed of a Chevy truck. The fans squealed.
Gloriana, Pam Tillis, Danielle Peck, The Band Perry, Trent Tomlinson, Lynn Anderson, Fast Ryde, James Wesley, James Otto and Point of Grace were all there, along with more bands balloons, tractors, T-Rac (the Titans mascot), cheerleaders, Girl Scouts and Boy Scouts (It seems that Stormie was once an Eagle Scout. Who knew?) Ronnie McCoury was trying to cross Broadway to get to Bridgestone Arena for a Sirius XM radio appearance with Dierks Bentley. We wished him luck.

The 5th annual Block Party was scheduled for that afternoon (6/9) with David Nail, Chuck Wicks, Jerrod Neimann, Joe Nichols and Randy Houser. But we had a lunch date on Music Row with Marty Stuart. Marty was previewing an extraordinary project for Sugar Hill Records titled Ghost Train: The Studio B Sessions.

“This is a cathedral of country music,” said Marty of RCA Studio B, which is now operated as a museum attraction by the Country Music Hall of Fame. “It’s a bit intimidating because of its legacy.”

Marty’s first Nashville recording session was held there, when he was a teenage member of Lester Flatt’s band. And he returned there with his Fabulous Superlatives band to create his new collection.

“Ghost Train is an album of traditional country music,” Marty stated simply. “It’s the music that still melts me and touches my heart.”

The listening session was one audio delight after another. Don Reno’s “Country Boy Rock & Roll” recalled the sound of Marty’s classic hits. Warner Mack’s “Bridge Washed Out” is also splendidly revived on the set. Attendee Ralph Mooney beamed when we heartily applauded his steel-guitar instrumental “Crazy Arms,” which he co-wrote. Enthusiastic shouts followed the Marty & Connie Smith duet “I Run to You,” which they co-wrote. Marty held up his wife’s hand proudly.

Marty wrote seven of the songs, including two instrumentals and the striking recitation “Porter Wagoner’s Grave.” He and Connie co-wrote “A World Without You, and he and Ralph co-wrote the rocking “Little Heartbreaker.” The grim “Hangman” was co-written by Marty and Johnny Cash just four days before the Man in Black died.

Listening and lunching were Jon Weissberger, Duane Allen, Peter Cooper, Bob Paxman, Brad Paul, Craig Havighurst, Marc Dottore, Vernell Hackett, Phyllis Stark, Tom Roland, Gary Paczosa and Mary Hilliard Harrington, plus Fabulous Superlatives Kenny Vaughan, Harry Stinson and Paul Martin.

Just up the street (6/9), SunTrusst Bank’s 12th annual Hot Dog Day was in full swing. The Festival doesn’t “officially” start until Thursday, June 10. But make no mistake, we are well underway.

Jack White & Conan O’Brien at Third Man

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Something is afoot over at Nashville’s Third Man Records. Label owner and White Stripes/Raconteurs/the Dead Weather member Jack White has posted a cryptic YouTube video announcing an appearance featuring talk show refugee Conan O’Brien at the label’s offices tomorrow (6/10).

This afternoon O’Brien tweeted: “Jack White & I are doing something cool tomorrow. Hint: it involves a LOT of Tears for Fears songs.”

According to website TeamCoco.com, “Conan and Jack White are doing something awesome tomorrow that you’re not gonna wanna miss.” The 21-and-over event (whatever it turns out to be) starts at 8:00 PM. Admission is first come first served.

This isn’t the first time the two stars have worked with each other. Last June, White’s band the Dead Weather made their national debut on Conan’s Tonight Show on NBC.

O’Brien will be performing at the Bonnaroo Music Festival on June 11 and 12, as will the Dead Weather.

OfficeMax Joins Lady A For Flood Relief

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OfficeMax has announced that the company is committing $50,000 to a fund-raising challenge as part of Lady Antebellum’s sold-out Fan Club Event benefiting Nashville flood relief on Thursday, June 10. The OfficeMax challenge, in which OfficeMax will match every dollar donated for Nashville schools up to a total of $50,000, will bring much needed support to replenishing essential supplies for Nashville-area schools destroyed in the recent floods.

“Our Nashville-based associates have participated in relief efforts since the flood occurred, and we are very excited to join Lady Antebellum in doing even more for this community,” says Paul Hertz, OfficeMax, Executive Vice President, Retail Operations. “As a company, we are acutely aware of challenges schools face in the best of times and we wanted to bring additional support to Nashville schools at this time of dire need.”

OfficeMax has a strong year-round commitment to helping schools and teachers.

“Most people simply don’t know that teachers spend their own money on classroom supplies,” adds Hertz. In fact, teachers across America spend as much as $4 billion each year of their own money on classroom supplies. For the past three years, OfficeMax has been honoring teachers and leading the fight to end teacher-funded classrooms through our national cause event called A Day Made Better where more than 1,000 teachers at 1,000 schools across the country receive $1,000 worth of classroom supplies. “Along with our nonprofit partner, Adopt-A-Classroom, we strive to make at least one day better for teachers by providing them with essential classroom supplies,” Hertz adds.

Two weeks ago, Lady Antebellum announced that all proceeds from this Event will benefit Nashville flood relief. In addition, a live stream of the intimate concert will be available on their web site for a minimum $5 donation. The live stream of the show will be hosted on www.ladyantebellum.com and www.livestream.com. To order tickets for the live stream concert, visit www.ladyantebellum.com/live.

Mark Chesnutt Readies “Outlaw”

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Saguaro Road Records is pleased to announce the release of Outlaw, Mark Chesnutt’s new collection of all-American, whiskey-soaked standards. From the label that has brought country music enthusiasts recordings from Patty Loveless, Tanya Tucker and Lonestar, Outlaw follows in the same vein, delivered by one of country music’s finest music stylists.

Set to be released on June 22, Outlaw features the songs of some of Chesnutt’s personal heroes and lifelong friends such as Billy Joe Shaver, Willie Nelson, Kris Kristofferson and Waylon Jennings (for whom his eldest son is named). Chesnutt recorded the album with producer Pete Anderson (Dwight Yoakam/Michelle Shocked/Tanya Tucker).

“I cut my teeth on this kind of music and it’s an opportunity for me to pay tribute to some of my biggest heroes in country music,” Chesnutt says.

“Mark Chesnutt put on a vocal display like I’ve never before seen in the studio,” Anderson said. “He stood in front of the mic and sang the whole record, from beginning to end, flawlessly [and in less than three hours]. We are all amazed at the results. There may be singers out there as good as Mark, but there are none better and, at this point in my career, I am thrilled to have had the opportunity to work with this caliber of talent.”

Chesnutt has four Platinum albums, five Gold albums, 14 No. 1 singles and 23 Top 10 singles to his name. Outlaw is his fourteenth studio recording and his first project out of L.A.

For more information visit www.markchesnutt.com.

DISClaimer Single Reviews (6/9/10)

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I kept changing my mind.

At first, I was certain that Eric Church was going to coast off with yet another Disc of the Day award. Then I heard Danny Gokey hit that climactic tenor note at the finale of his stunning ballad and decided that, no, THIS was the performance du jour. Next, the Randy Rogers Band came galloping in with an uptempo tune and snatched the prize away from Danny.

Then, at the very end of the listening session, Steel Magnolia came up to the plate. To say that they knock “Just By Being You” out of the park vocally is a decided understatement. The duo claims the Disc of the Day prize over all the other worthy contenders.

Among the indies, Tommy Steele gets his second straight rave review. That leaves the DisCovery Award open for newcomer-to-the-column Keith Compton. Besides, he made me smile.

BLAINE GRAY/The Corner of Love and Life
Writer: none listed; Producer: none listed; Publisher: none listed; Aaron Ave.  (www.blainegray.com)
—It says something when the steel guitarist attracts more attention than your voice.

JOHN RICH/Country Done Come to Town
Writer: John Rich/Vicky McGehee; Producer: John Rich; Publisher: J. Money/Do Write/Middle Child 2/Big Loud Bucks, ASCAP/BMI; Reprise
—The lyric might be “country,” but the rocking, bass-heavy track certainly isn’t.

TOMMY STEELE/Forever 17
Writer: Jeff Bates/Jack Williams; Producer: Donnie Smith; Publisher: Melrose/Southern Cow, BMI/ASCAP; TCR (CDX) (www.tommysteeleband.com)
—Very cool sounding. The trembling electric guitar, his heart-in-throat vocal and the lyric of enduring love all work splendidly here. Recommended listening.

VERONICA BALLESTRINI/Don’t Say
Writer: Veronica Ballestrini/Cliff Owens; Producer: Cliff Downs; Publisher: Acinorev/4MyGirls, BMI/ASCAP; Timbob (CDX) (www.veronicaballestrini.net)
—She is slightly pitch-y, but manages to stay on track enough to effectively deliver this crunchy-sounding kiss-off to a cheater.

ERIC CHURCH/Smoke a Little Smoke
Writer: Eric Church/Jeff Hyde/Driver Williams; Producer: Jay Joyce; Publisher: Sony-ATV Tree/Sinnerlina/Mammaw’s Cornbread/Pine Box Poetry, BMI; Capitol Nashville (track)
—Thumping and groove soaked, it’s an ode to kicking back that kicks.

DANNY GOKEY/I Will Not Say Goodbye
Writer: Lari White/Chuck Cannon/Vicky McGehee; Producer: Mark Bright; Publisher: SWG/BPJ/Chuck Cannon/Middle Child 2/Big Loud Bucks, BMI/ASCAP; RCA/19 (track)
—I dig this guy. And his back story about the death of his wife in 2008 is perfectly captured in this soulful, soaring ballad. The man sings the fire out of it.

JULIE INGRAM/I Love You
Writer: Francis Wainwright; Producer: Jay Vernali & Julie Ingram; Publisher: INXS, ASCAP; LongShot (CDX)
—Her precise, perfectly enunciated diction gets in the way of my enjoying this as a “country” single. Make yourself sound more sloppy.

KEITH COMPTON/Inflatable Doll
Writer: Keith Compton; Producer: Walt Wilder; Publisher: Taloga/Leedy, BMI; CMM (CDX) (www.cmm-online.com)
—Ya gotta love this. Whenever he’s in the doghouse at home, he gets out his air pump and creates a companion who doesn’t talk back. Lotsa fun.

RANDY ROGERS BAND/Too Late for Goodbye
Writer: none listed; Producer: none listed; Publisher: none listed; MCA Nashville
—As usual, he sings with enormous emotion and grit. The band’s rolling rhythm and hearty harmony vocals are right on the money, too. Give this outfit the big, fat hit it deserves.

STEEL MAGNOLIA/Just By Being You
Writer: Britton Cameron/Patricia Conroy; Producer: Dann Huff; Publisher: Big Music Machine/Golden Gears/Super 98/Patricia Conroy, BMI/SOCAN; Big Machine
—Meghan and Josh are on a roll. They’ve been nominated for ACM and CMT awards, gone on tour with Brad Paisley and scored a top-five hit with “Keep on Lovin’ You.” This follow-up single is a chesty power ballad with them practically shouting in harmony together. A thrilling listening experience. So nice I played it twice.

Rockin’ The Porter Wagoner Fishing Tourney

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Shin Fukae (l.) shows off two of the largemouth bass he and 3 Doors Down lead singer Brad Arnold (r.) caught to land them in 1st place in the 3rd Annual Porter Wagoner Memorial Artists & Anglers Fishing Tournament.

Yesterday morning (6/8), 35 boats loaded with artists and professional anglers launched from Nashville’s Elm Hill Recreation Area for a beautiful day of competitive fishing in the 3rd Annual Porter Wagoner Memorial Artists & Anglers Memorial Fishing Tournament. Fans gathered at the Music Valley Event Center, as Gary Yamamoto Custom Baits’ George Braswell brought each team on stage and weighmaster Willie Cook took the official measurements. At the end of the day, rock star Brad Arnold, of 3 Doors Down, and FLW Angler of the Year Shin Fukae were crowned the winners with a total weight of 21.13 lbs. of bass. Fukae also won the Big Bass Award for his whopping 5.64 pounder.

John Park was a last-minute fill-in for his brother Clint – half of the father-son duo The Parks – who took second with Team Vanderbilt’s Monroe Carell, Jr. Children’s Hospital at Vanderbilt angler Jeff Baker with 10.83 lbs. Emerson Drive’s Brad Mates and pro angler and Phoenix Boats founder Gary Clouse took third with 9.16. All fish were safely released back into the water.

Porter Wagoner, who in addition to being one of the most popular stars ever to grace the stage of the Grand Old Opry, was an avid bass fisherman. In his spare time, he could often be found fishing on local lakes. A photo of Wagoner holding the largest bass he ever caught along with his fishing buddy and Bass Pro Shops founder John L. Morris still hangs in his Opry dressing room. A poster-size version of the same photo hangs inside the entrance to Bass Pro Shops at Opry Mills in Nashville. Wagoner died of lung cancer at age 80 in October of 2007.