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Ryman Auditorium Plans Six-Show Residency With Little Big Town

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The Ryman Auditorium will host its first residency in 2017, with Little Big Town slated for a six-show series beginning Feb. 24, the same day their seventh studio album, The Breaker, will release. Additional shows will be held on Feb. 25, May 19-20, and Sept. 15-16.

Little Big Town’s members Karen Fairchild, Kimberly Schlapman, Phillip Sweet, and Jimi Westbrook made the announcement during a press conference at the Ryman Auditorium, with Nashville Mayor Megan Barry and Ryman Auditorium general manager Sally Williams.

“To launch our 125th-anniversary celebration we wanted to do something new – a Ryman residency,” said Williams. “Little Big Town consistently bring to the table fresh, exciting creations.  ‘Little Big Town at the Mother Church’ will be no exception.  We’re honored to celebrate this major milestone with them and to cement their place in Ryman history moving forward.”
Pictured (L-R): Jimi Westbrook, Nashville mayor Megan Barry, Karen Fairchild, Ryman Auditorium GM Sally Williams, Kimberly Schlapman, Phillip Sweet, and Sandbox Management's Jason Owen.

Pictured (L-R): Jimi Westbrook, Nashville mayor Megan Barry, Karen Fairchild, Ryman Auditorium GM Sally Williams, Kimberly Schlapman, Phillip Sweet, and Sandbox Management’s Jason Owen.

Fairchild said that the residency’s first shows will center around new album The Breaker, and hinted that the residency could include performances from legendary performers who have never played the Ryman stage, with the group providing harmonies.

The Breaker includes the group’s current single, “Better Man,” which was a solo write penned by Taylor Swift. The group said the song was the first time Swift had ever pitched a song.

“We said, ‘We are not just going to blab that you wrote this immediately,'” Fairchild recalled of their conversation with Swift. “She said, ‘That’s the greatest honor as a songwriter that you could ever give me is that you don’t want anyone to know I wrote it.’ We knew we would tell eventually and it was a hard question to dodge for a while and the only reason we didn’t say is because we wanted for you to hear it for what it’s worth and it’s a beautiful song. At her heart, she is the biggest pop star in the world, but she’s a songwriter from Nashville, Tennessee, and she likes to tell a story and we didn’t want you to have any subtext there other than to hear the song, and we did that. It had the biggest add day in our history with our guys at Universal that we’ve ever had.”

Tickets for the Ryman Auditorium residency will go on sale at 10 a.m. Friday.

 

Exclusive: For Thomas Rhett, Risky Moves Bring Big Rewards

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Editor’s Note: Look for an exclusive interview with Thomas Rhett in MusicRow’s 2016 Publisher Issue. In addition to that print piece, the CMA Award-nominated artist spoke with MusicRow about taking an unexpected musical direction, radio’s response to “Vacation” and his determination to release as much music as possible.

Thomas Rhett’s rising star has been a hard-fought battle, professionally and creatively. In 2012, his first single, “Something To Do With My Hands,” peaked at No. 15, while its successor, “Beer With Jesus,” barely cracked the Top 20.

“I was at a point in my career where I thought, ‘If I don’t come up with a hit, maybe this artist career is done,’” Thomas Rhett recalls, “and the Lord is saying, ‘Hey dude, glad you tried it, but I think I just want you to be a songwriter.’”

Those concerns were put to rest when his next single, “It Goes Like This,” became a runaway hit at country radio. The song’s success ushered in an eclectic string of radio singles including “Get Me Some of That,” and the disco-infused “Make Me Wanna.”

Slowly, the Valory Music Co. artist incorporated a wider array of influences into a new batch of songs that would compose his sophomore album, Tangled Up. The new material veered sharply from the traditional fare of his debut album, so much so that Thomas Rhett says he was originally “terrified” by the prospect of releasing the music to fans and to radio.

“I had these fans from my first record that knew me as the ‘Beer With Jesus’ guy, or the ‘It Goes Like This’ guy. I think when people hear the first stuff from you, they get scared and a bit ticked off that you went in a new direction, so I knew putting out Tangled Up would be a risk,” he says.

“I knew it would be a risk if we put ‘Crash and Burn’ out [as Tangled Up’s first single]. I remember my dad said, ‘If “Crash and Burn” works on country radio, then we’re in a for a very strange ride.’ I remember when it went No. 1, I was like, ‘How is this possible?’ I was very grateful, but when you put out something that is different and is not what your core fans are used to, everybody has an opinion and as an artist you have to stick to what you believe in, and know it is good music.”

The risk paid off with the chart-topping (and platinum-selling) success of “Crash and Burn,” as well as the career-changing ballad, “Die a Happy Man,” which Thomas Rhett co-wrote with rising California writers Sean Douglas and Joe Spargur. The single would be certified double-platinum, and spend six weeks atop the country charts.

Thomas Rhett recently renewed his publishing deal with Sony/ATV Music Publishing. “He is a positive influencer,” says Troy Tomlinson, President/CEO of Sony/ATV Music Publishing Nashville. “There are those who embrace success inwardly, and then there are those who embrace success and say, ‘How can we use our influence to help others?’ and that is Thomas Rhett. It’s about positively influencing the community around him.”

The genre-bending Tangled Up went platinum, another milestone in the chiseling of a solid career. Though he mentions that his summer single, “Vacation,” stumbled a bit a country radio, Thomas Rhett takes a long-term, evolutionary perspective.

“Obviously, I’ve definitely had better songs that worked on radio,” he says. “I think it might have pushed it a little too far with that song, but I think every now and then artists have to put something out that is groundbreaking and genre-defining because I think whether a song goes No. 1 or not, sometimes those songs become your biggest songs in your live set.”

Though Tangled Up is barely one year old, Thomas Rhett is already prepping for a follow-up, and he says the project will still find him in experimentation mode.

“That has become my niche,” he says. “I don’t think people are shocked when I put something weird out on radio. I think they think, ‘That must be a Thomas Rhett song.’”

On Oct. 28, Thomas Rhett will release the deluxe version of Tangled Up, which includes five new songs, including his current single, “Star of the Show.”

“I love being able to give fans something new as often as possible,” he says. “Kids these days are getting brand new stuff on Apple and Spotify every day. If you don’t give them something new, you almost become boring and irrelevant in a way. So we are trying to put out as much music as we can, as often as we can.”

MusicRow 2016 Publisher Issue Available Now

MusicRow Publisher Issue 2016
MusicRow, Nashville’s leading music industry publication, is proud to reveal its 2016 Publisher Issue. The October/November issue highlights the music publishing and songwriting community with a directory for premier music publishers and exclusive editorial.

The 72-page magazine goes in-depth with coverage of the track writing trend, Benny Brown and Juli Newton Griffith of BBR Music Group, influences of Sony/ATV songwriter Thomas Rhett, revenue sharing with YouTube, and a roundtable conversation with Warner/Chappell’s Ben Vaughn, THiS Music’s Rusty Gaston, and songwriter/entrepreneurs Ashley Gorley and Jeremy Stover.

The Expanded Writers’ Notes portion includes exclusive interviews with Florida Georgia Line, Josh Hoge, Kelsea Ballerini, Abe Stoklasa, Andrew Dorff, and Jamie Floyd.

CMA Entertainer of the Year nominee Carrie Underwood graces the cover of the 2016 Publisher Issue. Underwood’s Storyteller Tour will wrap Nov. 28 in Utah before she joins Keith Urban to round out the year in Australia and New Zealand. Underwood co-wrote 13 of her 24 No. 1 singles from albums selling in excess of 58 million copies, including her latest gold-certified fifth studio project, Storyteller.

Single copies of the Publisher Issue are available for purchase at musicrow.com for $30, and are included with yearly subscriptions at no additional cost.

ASCAP Country Music Awards To Honor Chris Stapleton With Vanguard Award

Chris Stapleton

Chris Stapleton

ASCAP will present singer, songwriter and performer Chris Stapleton with the ASCAP Vanguard Award at the 54th annual ASCAP Country Music Awards, slated for Oct. 31 at Nashville’s Ryman Auditorium. The honor recognizes the impact of outstanding ASCAP members on musical genres that will help shape the future of American music.

The celebration will also honor the songwriters and publishers behind ASCAP’s most-performed country songs of 2015.

“Every so often, someone comes along with songwriting so masterful, a voice so powerful and a presence so captivating, that it stops you in your tracks,” says ASCAP President Paul Williams. “Chris Stapleton does just that. By distilling Southern sounds and themes into potent songs, he has brought raw soul back to the country charts, and established himself as one of the most respected and original artists in American music today. We are thrilled to honor him with the ASCAP Vanguard Award.”

Previous Vanguard Award recipients include Walk The Moon, St. Vincent, fun., The Civil Wars, Third Day, Band of Horses, Sara Bareilles and more.

Stapleton’s Traveller project was released in May 2015 on Mercury Records Nashville and debuted at No. 2 on the Billboard Country Albums chart. At the 2015 CMA Awards later that year, Stapleton became the first artist to win Album of the Year, Male Vocalist of the Year, and New Artist of the Year at the same time. Following Stapleton’s performance with fellow ASCAP member and singer-songwriter Justin Timberlake, Traveller re-entered the Billboard all-genre album chart at No. 1, staying there for two weeks.

Earlier this year, Stapleton earned four nominations and two wins at the 58th Annual Grammy Awards, where he took home honors for Best Country Album (alongside producer Dave Cobb) and Best Country Solo Performance.

Stapleton is nominated for several CMA Awards this year, including Entertainer of the Year, Single of the Year, Male Vocalist of the Year and Music Video of the Year, as well as Musical Event of the Year, alongside his wife Morgane Stapleton, for their performance of “You Are My Sunshine” from Cobb’s Southern Family compilation.

Stapleton has also co-written six No. 1 hits for some of country music’s biggest artists.

As previously announced, the 54th annual ASCAP Country Music Awards will include the presentation of the prestigious ASCAP Founders Award to Ricky Skaggs, as well as the announcements of the ASCAP Country Music Songwriter of the Year, Song of the Year and Publisher of the Year.

Weekly Register: Luke Bryan’s ‘Farm Tour’ Tops Country Album Chart

Luke Bryan Farm Tour EP

Luke Bryan‘s Farm Tour…Here’s To The Farmer tops the country albums chart this week (and lands at No. 4 on the overall albums rankings) for its debut, with 32K sold. Jason Aldean‘s latest, They Don’t Know, follows at No. 2 with 21K, 185K RTD. Florida Georgia Line‘s Dig Your Roots lands at No. 3 this week, with 21K, surpassing the 200K mark since its Aug. 26 release.

Last week’s No. 1, Aaron LewisSinner, drops to No. 4 this week, with 9.5K, nearing it to a total of 50K. Chris Stapleton‘s Traveller rounds out the Top 5 this week, with 9.4K, and a total approaching 1.6M.

Top country debuts this week also include Dwight Yoakam‘s Swimming Pools, Movie Stars, landing just outside the top 5, ranking at No. 6 with 8.8K. Bradley Walker lands at No. 9 with Call Me Old-Fashioned moving 4.5K. Reckless Kelly‘s Sunset Hotel is at No. 12, with 3.8K sold. William Clark Green lands at No. 31 with Live At Gruene Hall selling 1.1K.

Overall album sales are down 14.6 percent year to date, while overall digital album sales have declined 19.5 percent. Country album sales have dropped 8.2 percent year to date, while country digital album sales have declined 13 percent.

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The Country Music Association’s event song, “Forever Country,” remains atop the country tracks rankings in its second week of release, selling 61K (155K RTD).

Keith Urban’s “Blue Ain’t Your Color” lands at No. 2 this week, with 31K. Kenny Chesney (featuring Pink)’s “Setting The World On Fire” lands at No. 3 with 26K. Florida Georgia Line holds the final two slots in this week’s Top 5, with “May We All” (featuring Tim McGraw) selling 21K and landing at No. 4, and “H.O.L.Y.” landing at No. 5, selling 19K.

The top debut single is Hunter Hayes’ “Yesterdays Song,” landing at No. 29 on the country tracks rankings with 5.8K.

Overall digital track sales are down 24.7 percent YTD, while country track sales are down 22.8 percent.

Weekly Chart Report (9/30/16)

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Click here or above to access MusicRow‘s weekly CountryBreakout Report.

DISClaimer: Two Duets Tie For Disc Of The Day

Eric Church. Photo: Jensen Sutta

Eric Church. Photo: Jensen Sutta

Today’s listening session is the way things ought to be, split almost evenly between male and female voices.

A few of those females come to us courtesy of male collaborations. And two of those finished in a dead heat for the Disc of the Day award. They are Pink singing with Kenny Chesney and Rhiannon Giddens singing with Eric Church. If you have not heard “Setting the World on Fire” and “Kill a Word” yet, drop what you are doing and listen to them now.

The other essential listening (and viewing) experience this week is, of course, the CMA’s multi-artist extravaganza Forever Country.” It is awesome.

There is no DisCovery Award winner this week.

ERIC CHURCH & RHIANNON GIDDENS/Kill a Word
Writers: Eric Church/Jeff Hyde/Luke Dick; Producer: Jay Joyce; Publisher: Sony/ATV Tree Publishing/Longer and Louder Music/Little Louder Songs/Mammaw’s Friend Okra Music/Emileon Songs (BMI); EMI
– “I’d turn lies and hate to love and truth/If I could only kill a word.” To the accompaniment of a steady, thumping beat, Church chants one of his coolest songs to date. While he tries to wish away human unhappiness, Giddens shadows him in harmony, then lets fly with some wafting wailing. Love, love, love this.

YouTube video

 

BLAKE SHELTON/A Guy With a Girl
Writers: Ashley Gorley/Brian Simpson; Producer: Scott Hendricks; Publishers: Combustion Engine/Sadie’s Favorite/WB/Writers of Sea Gayle/Spirit Catalog Holdings/Spirit of Nashville, ASCAP/BMI; Warner Bros
– When he’s out with his darlin,’ she’s so beautiful that he becomes invisible. The rolling tempo never lets up for a second, but big-voiced Blake rides atop it like a pro.

 
AUBRIE SELLERS/Sit Here and Cry
Writers: Aubrie Sellers/Adam Wright; Producer: Frank Liddell; Publisher: Tiltawhirl/Casa de Casa, BMI; Warner Bros
– The song is a solid slab of hillbilly heartache. The dirty-guitar arrangement is a snarling garage-rock outing. Quite a combination.

YouTube video

 

RONNIE DUNN (With KIX BROOKS)/Damn Drunk
Writers: Liz Hengber/Alex Kline/Ben Stannis; Producer: Jay DeMarcus; Publisher: Starstruck Writers Group / Giving Out Wings Music/Vision Board Songs / Airplanes for Stars Music/The Stennis Mightier Music / Dead Aim Music / Young Guns Publishing (ASCAP/BMI/SESAC); Nash Icon
– Spectacularly well-written. Ronnie, as usual, sings the fire out of it. The pulsing production goes from a whisper to a scream, which puts you right on the edge of your seat. This is one righteous record.

 
KIM McABEE & TY HERNDON/Looking Back to See
Writers: Jim Ed Brown/Maxine Brown; Producer: Ty Herndon; Publisher: None listed; Soigne
– I have always loved this Jim Ed & Maxine Brown 1954 golden oldie. But part of its charm is the fact that it is such a bouncy, rapid-fire ditty. Slowing it down like this ruins it for me. Kim McAbee, by the way, is the featured singer with The Buckaroos and has opened The Bakersfield Music Hall of Fame. The venue will host its first induction ceremony next month.

 
KENNY CHESNEY Feat. PINK/Setting the World on Fire
Writer: Ross Copperman/Matt Jenkins/Josh Osborne; Producer: Kenny Chesney/Buddy Cannon; Publisher: EMI Blackwood Music Inc./Atlas Music/WB Music Corp/Smackville Music (ASCAP/BMI); Blue Chair/Columbia
– Rousing and resonant. This has a big, soulful sound, and both of them are singing their faces off. Massive airplay, please.

YouTube video

 

DOLLY PARTON/Head Over High Heels
Writer: Dolly Parton; Producer: Dolly Parton; Publisher: Velvet Apple, BMI; Dolly Records/RCA Nashville
– Cute and coy, with a slightly funky backbeat. She’s headed for a hot date with her honey, tricked out in all her finery.

 
GEORGE STRAIT/Goin’ Goin’ Gone
Writers: Wyatt Earp/Keith Gattis; Producer: Chuck Ainlay & George Strait; Publishers: Western Legend/Warner-Tamerlane/Gattis/Atta Baby, BMI; MCA Nashville
– A working man’s Friday-night plight, set to a bopping rhythm and accompanied by stuttering steel, twanging guitar and some rambunctious party people. His long vocal drawls are exquisite.

 
KELSEA BALLERINI/Yeah Boy
Writers: Kelsea Ballerini/Forest Glen Whitehead/Kelsea Timmer; Producer: Forest Glen Whitehead & Jason Massey; Publishers: Songs of Black River/KNB/Songs of Blue Guitar, ASCAP/BMI; Black River
– This is a pert, attractive come-on to a cute guy that arrives with built-in smiles and winks. Jaunty and likable. Open that car door and let her in for a ride.

YouTube video

 

JAKE OWEN/If He Ain’t Gonna Love You
Writers: Luke Laird/Shane McAnally/Chris Stapleton; Producers: Shane McAnally, Luke Laird & Ross Copperman; Publishers: Songs of Universal/Creative Nation/Universal/Smack Ink/WB/House of Sea Gayle, BMI/ASCAP; RCA
– A slamming rhythm track, an echoey production, some quasi-rapping, ghost background vocals and a dense soundscape are among the ingredients here. It ain’t exactly something you can sing along with, and it’s certainly not very “country,” but it is absorbing listening.

ASCAP Christian Music Awards Honor Ben Glover, Matthew West, Mark Lowry

Pictured (L-R): ASCAP Golden Note Award honoree Mark Lowry, ASCAP Creative Voice Award honoree Jaci Velasquez, ASCAP President and Chairman Paul Williams, Song of the Year co-writer David Garcia, Song of the Year co-writer and Songwriter of the Year Ben Glover, Songwriter-Artist of the Year Matthew West, Phil Keaggy, Publsher of the Year Capitol CMG EVP Casey McGinty, ASCAP VP of Membership Michael Martin

Pictured (L-R): ASCAP Golden Note Award honoree Mark Lowry, ASCAP Creative Voice Award honoree Jaci Velasquez, ASCAP President and Chairman Paul Williams, Song of the Year co-writer David Garcia, Song of the Year co-writer and Songwriter of the Year Ben Glover, Songwriter-Artist of the Year Matthew West, Phil Keaggy, Publsher of the Year Capitol CMG EVP Casey McGinty, ASCAP VP of Membership Michael Martin. Photo: Ed Rode/ASCAP

ASCAP hosted its 38th annual Christian Music Awards celebration on Monday (Sept. 26) at Rocketown in Nashville.

Ben Glover was honored with his fifth ASCAP Christian Music Songwriter of the Year, and picked up the ASCAP Christian Music Song of the Year award for “Flawless,” recorded by MercyMe and co-written with David Garcia. The song was published by 9 T One Songs, Capitol CMG, D Soul Music, MercyMe Music, and Wet As A Fish Music. Glover picked up honors for seven additional most-performed songs, including “Shoulders,” recorded by For King & Country; “Jesus Loves Me,” recorded by Chris Tomlin; “Come As You Are” recorded by Crowder; “That Was Then, This Is Now,” recorded by Josh Wilson; “More of You” and “Through All Of It” recorded by Colton Dixon; and “Save My Life” recorded by Sidewalk Prophets.

Pictured (L-R): Songwriter-Artist of the Year Matthew West, Song of the Year co-writer/Songwriter of the Year Ben Glover, Song of the Year co-writer David Garcia

Pictured (L-R): Songwriter-Artist of the Year Matthew West, Song of the Year co-writer/Songwriter of the Year Ben Glover, Song of the Year co-writer David Garcia. Photo: Ed Rode/ASCAP

“This one feels really special to me. It’s been a hard year for me personally, so this feels really humbling to have this happen,” said Glover, who welcomed his parents and children Emerson and Easton as guests for the evening. “Thank you to David Garcia for your continued friendship and partnership. We’ve had a great run together and it’s awesome to have those kind of people in your life. I’m thankful to be a part of this industry and do what we do.” Glover also thanked his publishing home at Capitol CMG.

The evening launched with remarks from host Michael W. Smith, while Phil Keaggy performed “Not Be Moved” from his recent album All At Once.

Phil Keaggy performs. Photo: Ed Rode/ASCAP

Phil Keaggy performs. Photo: Ed Rode/ASCAP

ASCAP’s President and Chairman Paul Williams, ASCAP Chief Executive Officer Elizabeth Matthews, Vice President of Nashville Membership Michael Martin, Senior Creative Director Mike Sistad, Director of Strategic Services Kele Currier and Creative Manager Beth Brinker were on hand during the evening to honor the writers and publishers with 30 most-performed song awards.

Williams was candid in sharing some of his personal journey with the industry audience. “I am a songwriter and a Christian. My road to Damascus was rehab 26 years ago, and the first thing I did when I left rehab was get baptized. I didn’t want another day to pass,” he said with the applause of the audience. “I’ve been president of ASCAP for eight years. I love coming to this. We need your message, we need your music, we need your ministry, because the world is absolutely insane out there. What I feel in this room is the elegance of kindness, trusting in the Lord and carrying your message to people when they need it…I’m so impressed with everything you do. God bless you and your journey. Let’s have more of your music again, and again, and again. Thank you for making me feel at home every time I come here to Nashville.”

Pictured (L-R): ASCAP VP of Membership Michael Martin, Song of the Year co-writer/Songwriter of the Year Ben Glover, ASCAP CEO Elizabeth Matthews, ASCAP President and Chairman Paul Williams

Pictured (L-R): ASCAP VP of Membership Michael Martin, Song of the Year co-writer/Songwriter of the Year Ben Glover, ASCAP CEO Elizabeth Matthews, ASCAP President and Chairman Paul Williams. Photo: Ed Rode/ASCAP

Matthew West was honored with the ASCAP Songwriter-Artist honor for a third year, having earned the honor in 2013 and 2015. In addition to his own hit songs, West has amassed more than 130 songwriting credits. He also earned three ASCAP most-performed song awards for his own chart-topping singles, “Grace Wins” and “Day One,” as well as “Just Be Held,” recorded by Casting Crowns.

West spoke of the inspiration he has taken from both Smith and from Reverend Billy Graham throughout his life and career. “One of the things I’ve noticed is how many parallels there are in my spiritual journey with my journey as a songwriter. One of the biggest things is those days I don’t feel like opening my Bible but I dig in anyway, God shows up. Likewise, when I sit down and write a song, even when I don’t feel like it, something special shows up, too. This is proof of that. At the end of the day, maybe have you guys say about me that I set as much of an example as a follower of Christ as I have as a songwriter.”

Pictured (L-R): Michael W. Smith, ASCAP President and Chairman Paul Williams, Songwriter-Artist of the Year Matthew West. Photo: Ed Rode/ASCAP

Pictured (L-R): Michael W. Smith, ASCAP President and Chairman Paul Williams, Songwriter-Artist of the Year Matthew West. Photo: Ed Rode/ASCAP

Capitol CMG Publishing was honored as the Christian Music Publisher of the Year for the 14th consecutive year. This year, they published 16 award-winning titles.

The ASCAP Golden Note Award was presented to Mark Lowry, in recognition of his career and lasting impact on modern worship music. He was honored with remarks by Smith as well as comedian Chonda Pierce. The Brentwood Baptist Choir stunned the industry audience with a 122-member performance of Lowry’s well-known Christmas song, “Mary Did You Know.”

Mark Lowry is honored with the Golden Note Award. Photo: Ed Rode/ASCAP

Mark Lowry is honored with the ASCAP Golden Note Award. Photo: Ed Rode/ASCAP

Other performances during the evening included Glover and Garcia performing “Flawless,” as well as Francesca Battistelli’s rendition of “Holy Spirit,” and Jaci Velasquez’s performance of “Trust You.” Velasquez was also surprised with the ASCAP Creative Voice Award, honoring her work as a singer, songwriter, actress, author and radio host.

Francesca Battistelli performs "Holy Spirit." Photo: Ed Rode/ASCAP

Francesca Battistelli performs “Holy Spirit.” Photo: Ed Rode/ASCAP

Carrie Underwood Shares The Storyteller Tour With Nashville

Carrie Underwood. Photo: Jeff Johnson

Carrie Underwood. Photo: Jeff Johnson

“It’s so good to be home!” Carrie Underwood told the crowd during a tour stop at Nashville’s Bridgestone Arena on Thursday night (Sept. 22). She has taken The Storyteller Tour: Stories In The Round to arenas across the country since January, with dates continuing through November.

Underwood packs more than 20 songs into the elaborate production, seemingly effortlessly sailing through the vocally-challenging numbers including “Blown Away,” “Two Black Cadillacs,” “Before He Cheats,” and several from her Storyteller album, including the show opener “Renegade Runaway.”

Appropriate for a concert dubbed Stories In The Round, Underwood’s massive stage stretched across the entire arena, ensuring fans on every side of the arena got a great seat. The three LED rings hanging above center stage lowered, rose, and rotated at other moments during the concert to create a dramatic focal point.

Meanwhile, Underwood was tireless in working the perimeter of the stage, allowing each audience member to have the best seat in the house. She attracted 15,000 fans to her Nashville show.

Even during moments Underwood was not onstage, there was no lack of stimulation for the audience, as members of her ace band showcased their talents. Added to that were smoke, lasers, rising stages and more to keep the audience engaged.

Props were strategically placed throughout the set. After showcasing her drumming skills during a fierce, buzz-worthy performance of “Church Bells” during the ACM Awards earlier this year, Underwood reprised her performance for the second leg of The Storyteller Tour. Later, she sang atop a jukebox illuminated with sparks during “Cowboy Casanova.”

She performed the intimate “What I Never Knew I Always Wanted,” the final track from Storyteller, perched on a piano situated at one end of the stage, as video and images of her husband and son flashed on screens hanging above center stage. A disco ball illuminated the crowd during her recent chart-topper “Heartbeat.”

Lesser entertainers might have been overtaken by such an ornate production; for Underwood, the pageantry only served to accentuate her strengths as both a vocalist and engaging entertainer.

While most Nashville crowds have come to expect a surprise superstar guest appearance or two, it was clear that Underwood didn’t need it. Instead, she showcased a wide range of musical talents, playing guitar on working person’s anthem “Smoke Break,” and holding her own during a harmonica “battle” with a band member during another Storyteller track, “Choctaw County Affair.”

She welcomed tour openers The Swon Brothers and Easton Corbin back to the stage to lead a harmony-rich, crowd sing-along of the Alabama classic “Mountain Music.”

A rare a cappella moment showcased Underwood’s voice at its most nuanced, as she led the audience in a performance of Dolly Parton’s “I Will Always Love You.”

“As a woman in country music, we have so many incredible women to be able to look up to,” she told the crowd. “One of those women to me is Dolly Parton. To me, she is everything. She has the career that everybody in country music wants to have, because she does everything, and she does everything so dang well. She is an incredible vocalist and entertainer and storyteller and songwriter and everybody in the world knows who she is, and she’s a nice person. In Nashville, Tennessee, I think it’s very fitting that we pay tribute to the queen.”

Parton may have accrued more decades of songwriting and touring under her belt, but it seems Underwood is paying close attention, and fashioning her own polished persona as a multi-faceted entertainer, singer, and songwriter.

But make no mistake, Underwood is a singer’s singer, and she let no opportunity to unleash her formidable voice on a high note go to waste.

While she proved more than capable on edgier fare including “Somethin’ Bad,” “Last Name,” and “Undo It,” this Nashville crowd was taken with her more inspirational material, from her 2005 debut hit “Jesus Take The Wheel,” to the powerful “Wasted.”

The show ended with the stage awash in blue laser light, as Underwood stayed center stage for a masterful, inspired rendition of her rangy 2014 hit, “Something In The Water,” complete with a snippet of “Amazing Grace.”

Over the course of the evening, it became clear that during a career that has barely spanned 10 years, Underwood has evolved into an high-caliber entertainer who not only commands her time in the spotlight, but one who relishes it.

Photo: Jeff Johnson

Photo: Jeff Johnson

Weekly Chart Report (9/23/16)

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Click here or above to access MusicRow‘s weekly CountryBreakout Report.