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DISClaimer: Old Dominion, Charlie Worsham, The Railers Offer Summer-Ready Tracks

I’ve got yer country summer playlist right here.

This week’s listening stack is brimming with breezy, uptempo, smile-a-minute singles that are just right for sunny weather. High Valley, Old Dominion, Canaan Smith, Charlie Worsham, Randy Moore and The Railers all popped up with summertime sounds at exactly the same time.

Old Dominion and Charlie Worsham finished in a dead heat for the Disc of the Day prize.

The Railers rule as the DisCovery Award winners. I know, I know: They’re not brand new. But it has been three long years since they were first in “DISClaimer,” so they might as well be.

 

RANDY MOORE/Sunshine State Of Mind
Writer:R. Moore; Producer: R.C. Moore; Publisher: Undead, SESAC; Highway 59 (track)
– Jaunty, catchy and tropical sounding. Very much in the island/Buffett/Parrothead groove. His vocal delivery is loaded with warmth.

WILLIAMS HONOR/No Umbrella
Writers: Gordon Brown/Reagan Richards/Cyndi Thomson; Producer: Gordon Brown; Publishers: All Hour G1B/Lady Rae Gun/Bella Love, ASCAP/BMI; All Hour (track)
– This is a male-female country duo from Asbury Park, NJ. She sings lead in a throaty, emotive tone on this plea to end heartbreak. His production is atmospheric and airy.

GARTH BROOKS/Ask Me How I Know
Writers: none listed; Producer: none listed; Publishers: none listed;Pearl (ERG)
– The verses are cast in a moody, lower-register voice. Then the choruses explode with much more intensity. The lyric addresses a rounder who is going to get his comeuppance from a gal one of these days.

A THOUSAND HORSES/Preachin’ To The Choir
Writers: none listed; Producer: none listed; Publishers: none listed; BMLG (ERG)
– Like much of their music, this is fairly rocked up. Lots of electric guitar in the mix and an overall rowdy vibe.

THE RAILERS/11:59 (Central Standard Time)
Writers: none listed; Producer: none listed; Publishers: none listed; Warner Bros.
– Irresistibly infectious. This bopping party ditty is a perfect summertime sound. Stay up all night with these happy kids.

CHARLIE WORSHAM/Cut Your Groove
Writers: none listed; Producers: Frank Liddell/Eric Masse; Publishers: none listed; Warner Bros.
– I remain a fan. His earnest tenor vocal performance is matched with a breezy track that pushes the tempo onward and upward. Luscious, lustrous, lilting listening.

JERROD NIEMANN/God Made A Woman
Writers: none listed; Producer: none listed; Publishers: none listed; Curb (ERG)
– Pensive and powerful. He finds himself loved and cherished beyond anything he deserves. The ballad swells with strings and steel as he caresses each line.

OLD DOMINION/No Such Thing As A Broken Heart
Writers: none listed; Producer: none listed; Publishers: none listed; RCA (ERG)
– I love the burbling, bubbling rhythm track. The sunny, upbeat, chin-up lyric is packed with supercool advice, notably, “You gotta love like there’s no such thing as a broken heart.” Not to mention, “Chase after the dream, don’t chase after the money.” I guarantee that this little record is going to make you feel good, good, good.

HIGH VALLEY/She’s With Me
Writers: none listed; Producer: none listed; Publishers: none listed; Warner Bros.
– The handclaps are delightful, and the tempo is undeniably compelling. This toe tapper is an instant add, and ya gotta love that.

CANAAN SMITH/Like You That Way
Writers: none listed; Producer: none listed; Publishers: none listed; Mercury (ERG)
– Romance in a sunny, super-positive light. It’s not the deepest thing I’ve ever heard, but it is effortlessly appealing.

Daniel Lee Promoted To VP, Creative At BMG Nashville

Daniel Lee

BMG has elevated Daniel Lee to VP Creative, BMG Nashville. Overseeing a roster of domestic and international hit songwriters, Lee will continue to report to Kos Weaver, EVP BMG Nashville.

Involved in music publishing since relocating to Nashville in 2005, Lee joined BMG in early 2012. His focus will continue to be on acquiring and developing talent, along with creating opportunities in the marketplace for BMG songwriters including Hillary Lindsey, busbee, Brett Beavers, Jim McCormick, Dave Barnes, and Jonny Price, as well as signed artists Clare Dunn and Carly Pearce.

During his tenure at BMG, Lee’s roster of writers and producers have been nominated for five Grammy Awards, 10 ACM Awards, and 10 CMA Awards. In addition, his BMG songwriters have accumulated over a dozen No. 1 singles, securing a number of high profile song placements and singles with artists ranging from Lady Gaga, P!nk, and Hailee Steinfeld to Keith Urban, Maren Morris, Carrie Underwood, and Thomas Rhett.

Weaver commented, “Daniel is one of the most effective music executives I have ever had the pleasure to work with. His gift of nurturing the talent of songwriters and songwriter artists has yielded an impressive string of successes that have meant a great deal to our overall accomplishments. This promotion is well-deserved.”

Bobby Karl Works The 19th Annual Grammy Block Party

Chapter 560

It was perfection.

It is also official: Tuesday’s Grammy Block Party was the music biz’s social event of the year to date.

Staged at the mini amphitheater in Cumberland Park (May 2) on the East Nashville riverbank, this annual Recording Academy fiesta is now in its 19th year. On every level, it achieved nirvana.

“Who did you have to pay off to have perfect weather the second year in a row?” asked Julian King, one of the many Grammy winners in attendance. “This park is the perfect setting,” commented Martha Moore. “I think this is the kind of thing they had in mind when they built it,” added MusicRow owner/publisher Sherod Robertson.

As always, the event showcased a thorough diversity of genres that blossom in Music City. From the Americana talent pool came singer-songwriter Anderson East. Soul rockers Muddy Magnolias blasted girl power.

I am a huge fan of Moon Taxi, and the homegrown Nashville band did not disappoint. Their bright, jangling, pop-rock set was absolutely addictive.

CeCe Winans is the best-selling female gospel star alive. She took no prisoners as she commanded the stage with horns, backup soul sisters and a blazing band. The event booked the superstar trio Lady Antebellum to represent Nashville’s country world.

The 70-degree weather was super balmy, with a lovely breeze blowing off the water and puffy clouds drifting overhead. Some folks brought blankets on which to lounge on the lawn. Others had portable folding seats. Those on the upper rim of the amphitheater enjoyed café tables and chairs.

But most of us mingled on foot. And there was plenty of mingling to do, since the Recording Academy represents the crème de la crème of the city’s music professionals.

Brett James, Trent Summar, Gary Burr & Georgia Middleman, Kevin Griffin of Better Than Ezra, Mark Bright, George Flanigan and event host Shannon Sanders were among the creative types assembled in the crowd.

From Atlanta came soundtrack composer Brandon Bush. From L.A. came Grammy organizer Nick Di Fruscia. That’s how cool our little Nashville event is considered.

Such industry greats as Rod Essig, Steve Lassiter, Becky Harris, Doug Howard, Fletcher Foster, Debbie Linn, Pat McMakin and Daniel Hill mingled. So did media mavens Hunter Kelly, Ed Morris, Beverly Keel, Jon Freeman, Lisa Konicki, Dan Daley, Eric T. Parker, Haley Crow and Suzanne Alexander.

It was wall-to-wall fabulons, folks – Julie Boos, Diane Pearson, Jeff Balding, Neal Spielberg, David Macias, Christy Walker-Watkins, Chris Keaton, Ben Fowler, Shannon Hatch, Karen Clark, Shanna Strassberg, Hank Adam Locklin, Ellen Truly, Dolly Chandler, Edie Emery, Tracy Gershon, Michael McAnally Baum, yaddada, yaddada, yaddada. If you weren’t there, you should have been.

The Grammy Block Party celebrated Cinco De Mayo a few days early with catering by Moe’s Southwestern Grill. The build-your-own soft taco stations were heaped with spiced ground beef and/or chicken, plus all the black beans, brown rice, lettuce, sour cream, peppers, onions, shredded cheeses, salsa tomatoes, queso sauce and jalapena you could want.

The bars rocked, too.

 

Hillary Lindsey Teams With Rezonant Music Publishing And BMG

Hillary Lindsey

Hillary Lindsey has signed an exclusive worldwide publishing deal with a unique partnership of Rezonant Music Publishing and BMG. The agreement covers Lindsey’s catalog worldwide as well as future compositions. The partnership agreement between Rezonant and BMG where BMG will provide creative and synch services.

Receiving her fifth nomination at the 2017 Grammy Awards, for the Keith Urban No. 1 song “Blue Ain’t Your Color,” Lindsey was also recently nominated for Song of the Year and Songwriter of the Year at the 52nd ACM Awards.

With 18 chart-topping singles, Lindsey is the recipient of an Academy Award nomination for Best Original Song (“Coming Home”) and a Golden Globe award for Best Original Song (“There’s A Place For Us”). Lady Gaga’s most recent chart-topping album Joanne featured several songs penned by Lindsey including the hit “Million Reasons” which she performed in duet with Gaga on Saturday Night Live and which Gaga performed during the Super Bowl LI halftime show.

Said Lindsey, “I couldn’t be more excited about moving forward with BMG and am thrilled to welcome Tim and the Rezonant team to the family!”

Rezonant CEO and founding partner Tim Wipperman said, “I am incredibly excited to be working with Hillary, one of the most respected songwriters in the business. I am also very glad to be working with Zach and my old compatriot Kos.”

Zach Katz, BMG US President Repertoire & Marketing, said, “We are excited to be working with Rezonant, which is quickly making a big impression in Nashville, and look forward to continuing to strengthen Hillary’s successes in the future as she continues to thrive.”

Daniel Lee, BMG VP Creative, said, “Hillary Lindsey is a songwriter in the truest sense. The variety of artists who have harnessed her lyrics and melodies and used them to reach new heights in their creative and professional careers speaks to Hillary’s unique ability to engage lovers of music in all walks of life. That she can achieve such profound success and yet continue to treat those around her with effortless kindness and grace is the best evidence that her brightest days are yet to come.”

Kos Weaver, BMG EVP Nashville, said, “It doesn’t get any better than this. In my book Hillary is one of the best songwriter in the world.”

Warner Music Nashville Promotes Megan Joyce To Sr. VP, Business and Legal Affairs

Megan Joyce

Warner Music Nashville (WMN) has promoted Megan Joyce to Senior Vice President, Business and Legal Affairs. Formerly serving as VP, Joyce will continue to oversee artist signings and label partnerships. The position will report to WMN Chairman & CEO John Esposito.

In making the announcement, Esposito said, “Megan has been a critical part of the Warner Music Nashville family since the day she started, and we are thrilled to be able to welcome her into our senior management team. Her expertise and tireless commitment are tremendous assets and will help her continue to thrive in this role.”

Joyce said, “I’m so grateful to Espo for welcoming me into the WMN family three years ago. I am proud to be a part of the most artist-friendly label in town, and I look forward to working with Espo, Matt Signore and the entire team to take us to the next level. I can’t wait to see what my next decade at Warner will bring.”

Prior to her role in Nashville, Joyce acted as VP, Business and Legal Affairs at Atlantic Records in New York. She began her music career in sales and marketing at EMI Music Distribution before joining the Warner team at WEA.

Weekly Chart Report (4/28/17)


Click here or above to access MusicRow‘s weekly CountryBreakout Report.

Little Big Town, Opry Entertainment Celebrate ‘Boondocks’ Merchandise Collection Launch

Little Big Town

On Tuesday (April 25), the Grand Ole Opry’s backstage area was transformed into a party space filled with twinkling lights, crawfish, wine and whiskey bars, an airstream and plenty of southern charm as Opry Entertainment celebrated its exclusive, artist-curated merchandise line with Grand Ole Opry members Little Big Town.

The collection’s title, Boondocks, is taken from the group’s first hit and is the first of four capsule collections Little Big Town and Opry Entertainment plan to release this year. Other Little Big Town songs will similarly inspire the three additional collections.

“This looks like a dream Saturday night,” said Karen Fairchild as she took in the surroundings. “I wish this was my backyard, with a wine bar and a whiskey bar, and an airstream trailer.”

The Boondocks line incorporates southern, woodsy elements into pieces such as greeting cards, wine tumblers, shirts, coffee mugs, totes, guitar straps, and clothing pieces, all emblazoned with lyrics from Little Big Town’s songs, especially “Boondocks.”

The capsule includes a red lacy jacket from Fairchild’s separate Fair Child clothing line, as well as denim and camo jackets. The capsule collection also offers fun patches emblazoned with Little Big Town song titles such as “Girl Crush” and “Happy People” to accessorize clothing.

The collection expands on the ties between Little Big Town and Opry Entertainment. Earlier this year, Little Big Town launched the Ryman Auditorium’s first residency.

“It’s like a tasting room tonight,” said Fairchild, who revealed they were quite thorough in testing products from the Boondocks line. “The wine glasses in the Boondocks collection, we practiced to see if they really will break or scratch. We bounced them off the floor several times, and the Opry knows how to make a good wine glass.”

A leather journal has the set list of the first night of the Ryman residency in the back of it and the chorus to “Boondocks” in the front.

“Hopefully it will inspire everyone to journal and maybe write some songs,” said Fairchild.

“Their vision and love of putting beautiful things together, their creativity, their passion for reaching their fans through merchandise and every form possible, has made this a beautiful collection,” said Kim O’Dell, VP of Retail for Opry Entertainment Group. “It was each of them giving me feedback for months on end to find things they want to get to fans.”

Fairchild and her fellow Little Big Town members Kimberly Schlapman, Phillip Sweet, and Jimi Westbrook each spoke of their favorite pieces from the Boondocks capsule. Sweet favored the leather journal, while Fairchild preferred a sturdy water bottle. Westbrook favored a coffee mug, while Schlapman also claimed a coffee mug emblazoned with the lyrics Old Camp Creek as her favorite.

“We live and die by coffee. I have a newborn,” said Schlapman, who recently announced she and her family had adopted a new baby girl. “I grew up on Camp Creek Road and that’s why we put that line in ‘Boondocks,’” said Schlapman.

“When we wrote [“Boondocks”], we were in a place in our musical journey, that we wanted to speak about our lives and who we were,” Sweet said. “That really was a defining moment for us. We had just been dropped from a major label, but then that was the first song we had success with. It took us to the party.”

“It was the perfect song to launch a lifestyle collection,” remarked Fairchild. “Our days start, because we have babies, with a cup of coffee— “

“Lots of coffee,” Westbrook interjected.

“And because we [also] have babies, it ends with a glass of wine,” said Fairchild. “All of that in between, from things that are fashionable to the jewelry to the journals because we are songwriters, Boondocks was the perfect correlation to show fans how we live our lives through really beautiful things.”

The evening also featured merchandise from the group’s recent retail ventures.

The backstage area at the Grand Ole Opry offered turkey sliders and Crazy Daisy bars from Schlapman’s cookbook Oh Gussie, as well as red wine and chardonnay from the group’s new line 4 Cellars, a partnership with Browne Family Vineyards in Walla Walla, Washington. Schlapman, in 2015, partnered with Cracker Barrel for a product line as well.

Previously, Karen Fairchild spun her love of fashion into the clothing line Fair Child. In addition to Schlapman’s cookbook Oh Gussie, she has a new kitchen line, dubbed Love & Daisies, in the works with the Home Shopping Network. Fairchild said those previous business experiences allowed them to come into the new project with wisdom about the retail process.

“It influences us by knowing what a cohesive collection feels like, down to the way the leather feels on the leather guitar strap. The colors of the bracelets match The Breaker album. We are kind of crazy control freaks, but if you are going to do something like this, you have to be or it’s not cohesive. When you pick up some of those items, you think, ‘Yeah, this a whiskey glass Phillip would have in his house.’ That’s how I’ve learned. And the Opry/Ryman team has been incredible to work with.”

The Boondocks collection marks the second time Opry Entertainment Group has partnered with an artist to launch a line of merchandise, following their work on the Selma Drye by Kellie Pickler line of home goods that launched with Pickler in 2015.

“We did research to find those attributes that fans most relate to,” says O’Dell. “Once we defined those attributes, we started to build lifestyle products inside our stores that gave fans who come through our doors an opportunity not just to buy a memento of their trip here, but the opportunity to incorporate themselves into a country lifestyle and take a piece of it home with them that they couldn’t find anywhere else.”

O’Dell says fans can expect Opry Entertainment collaborations on new collections from additional country artists in the near future.

“We are looking at making sure we grow this to include up and coming artists, A-list artists like Little Big Town and legacy artists. We are working on that simultaneously and every year will include a mix of that.”

The Little Big Town Boondocks collection is exclusively available on Opry Entertainment websites (ryman.com and opry.com) and in Opry Entertainment retail stores in Nashville.

Jack White Signs First Global Publishing Deal With UMPG

Jack White. Photo: Jo McCaughey

Jack White has signed a first-ever global, multi-year agreement with Universal Music Publishing Group (UMPG) to administer the iconic artist’s entire song catalog.

Effective immediately, UMPG is responsible for servicing and administering White’s song catalog with The White Stripes, The Raconteurs, The Dead Weather, his chart-topping solo albums Blunderbuss and Lazaretto, as well as collaborations and future projects.

With the agreement, UMPG will work closely with White and his Third String Tunes and Peppermint Stripe Music publishing companies to develop creative and commercial outlets for his new projects and existing songs. The deal marks the first time a single publisher will administer rights around the world for White’s song catalog.

“Jody and the entire UMPG team uphold a culture that fosters creativity. They are continually at the forefront of the industry,” said Ian Montone, founder of Monotone, Inc. and Jack White’s long time manager. “We are excited to be part of the UMPG family.”

Jody Gerson, Chairman and CEO of UMPG, said, “Jack White is a brilliant and prolific performer, songwriter and producer, whose immense artistry, talent, dedication and uncompromising approach to songwriting have found a new home at UMPG. I’m looking forward to putting the entire global resources of UMPG to work on expanding the popularity and commercial opportunities for his music. I’m thankful to my team for making this agreement a reality and for the passion, focus and meticulous care they bring every day to making UMPG a premiere destination for the world’s most successful songwriters.”

In addition to a 20-year musical career that has seen White garner 170 songwriting credits, 12 Grammy awards and 35 Grammy nominations, as well as gold and platinum albums, White opened Third Man Records in 2009 in Nashville. The company combines work of a record store, record label, distribution center, photo studio and live music venue (with the world’s only direct-to-acetate recording capabilities). Recently White founded Third Man Books, dedicated to poetry, fiction and non-fiction, as well as Third Man Pressing, a new vinyl pressing plant at Third Man Records in Detroit.

White is starring in and executive producing American Epic, the four-part television event airing on PBS in May 2017 about the roots of music in America.

DISClaimer: Willie’s ‘True Love’ Wins The Day

To reverse a common expression: Out with the new, in with the old.

At 83 years young, Willie Nelson has the masterpiece du jour with his “True Love.” Written and sung by a master, it is head and shoulders above every other disc in this week’s stack. It is easily the Disc of the Day.

Mind you, there is plenty of “new” here to like, as well. In fact, there is so much talent among today’s first timers that the DisCovery Award is split three ways.

The male winner is a fellow named Blane Howard, who has an instant wedding classic for your listening pleasure. Blane moved to Nashville from Arkansas to attend Belmont, and now it sounds like he’s on his way.

The female honor goes to Brooke Woods, who has a dandy, sunny bopper. I know nothing about her, since her website refuses to open.

The group award goes to The Buffalo Ruckus, who have the freshest and most innovative country-rock sound I’ve heard in ages. These Texas boys sound like they carry their stompin’ party with them wherever they go.

NOE PALMA/I’ll Be Your Whiskey
Writers: Ryan Griffin/Jason Matthews/Emily Shackelton; Producer: Bart Busch & Jason Matthews; Publisher: none listed
– It says here that he’s a firefighter in Kansas City. Based on this full-throated, super melodic performance, I’d say its time he lit a fire under a country-music career. Well done, son.

THE BUFFALO RUCKUS/Born To Die
Writer: none listed; Producer: none listed; Publisher: none listed
– Rumbling thunder rolls through this rocking track. The bass-heavy production, dramatic guitar slashes, driving percussion and howling, passionate, edge-of-the-seat vocal performance are all fantastically gripping. A wild ride that’s packed with energy, energy, energy.

WILLIE NELSON/True Love
Writers: Willie Nelson/Buddy Cannon; Producer: Buddy Cannon; Publisher: Sony-ATV Countryside/Run Slow, BMI/ASCAP
– Heart tugging and utterly gorgeous. Nelson’s tender reading of this ballad is nothing short of brilliant, and Cannon’s production swirls around him like smoke. Play this and believe. The exquisite new album that contains this is titled God’s Problem Child. Buy it now.

SONIA LEIGH/Jack Is Back
Writers: none listed; Producer: Sonia Leigh & Anthony Olympia; Publisher: none listed
Her performance is quite startling and edgy. The production is even more eyebrow raising, what with its processed vocal effects and pop/rock attack. Fascinating, if not exactly straight-down-the-middle country.

BRAD PAISLEY/Last Time For Everything
Writers: Brad Paisley/Smith Ahnquist/Brent Anderson/Chris DuBois/Mike Ryan; Producer: Luke Wooten & Brad Paisley; Publisher: none listed, ASCAP
– Nostalgia has never sounded better. He looks back at his youth and realizes that so many of those experiences will never be repeated. Meanwhile, guitars stutter around him and the arrangement roars. Brad wins yet again.

JOE LASHER JR./Tap A Tall Light
Writers: Jeremy Stover/Jaren Johnston; Producer: Jeremy Stover; Publisher: none listed, ASCAP
– Very sincere sounding. He sings like he’s sitting right next to you, which is the mark of a real communicator. It doesn’t hurt that the song is splendidly written.

BLANE HOWARD/Promise To Love Her
Writers: Blane Howard/Jordan Kyle Reynolds; Producer: Brad Hill & Blane Howard; Publisher: none listed, ASCAP
– It’s a power ballad sung by a resonant baritone who’s pledging true romance. A ready-made wedding anthem. What’s not to love?

BROOKE WOODS/God Bless The World
Writers: Alex Call/Robby Calvo; Producer: Mark Coleman & Brooke Woods; Publisher: none listed
– The production pumps mightily, defying you to stay in your chair. If the lyric is a little on the goody-two-shoes side, the soaring melody makes up for it.

SARABETH/I Want It That Way
Writers: Andreas Michael Carlsson/Max Martin; Producer: Glen Mitchell; Publisher: none listed
– I never understood this lyric when The Backstreet Boys sang it. I still don’t.

JOHN HORD/More Than I’m Used To
Writers: John Hord; Producer: Rosewood Studios; Publisher: none listed, BMI
– There’s nothing really wrong with it, except that it is average. And compared to the rest of what we’re hearing this week, that just won’t cut it.

 

Industry Praises House Passage Of The Register Of Copyrights Selection And Accountability Act

Nashville Songwriters Association International (NSAI) board members at the U.S. Copyright Office earlier this year. Pictured (L-R): Ben Glover, Church Music Publishers Association (CMPA); John Shorney, acting-U.S. Register of Copyrights Karen Claggett; NSAI Executive Director Bart Herbison; CMPA Board Member, Geoff Lorenz; and Roger Brown.

The U.S. House of Representatives today (April 26) overwhelmingly passed H.R. 1695 by a vote of 378-48 to adopted new rules in selecting the U.S. Register of Copyrights. Also known as “The Register of Copyrights Selection and Accountability Act,” the decision makes the Register of Copyrights a presidentially-appointed, Senate-confirmed position with a 10-year term limit.

The process includes choosing three nominees for the President to select from, one of whom would be appointed as U.S. Register of Copyrights to serve a 10-year term. The bill removes the appointment for the Librarian of Congress. The next step is approval by the U.S. Senate.

NSAI Board members Roger Brown and Ben Glover with Sr. Director of Operations Jennifer Turnbow at the U.S. Copyright Office earlier this year. Acting U.S. Register of Copyrights Karen Claggett and staff look on.

“This action was necessary and ultimately good for songwriters and other creators,” said NSAI Executive Director Bart Herbison. “The new process will help ensure a properly qualified Register and includes a nominating process similar to one recommended by NSAI. This bill makes the Register more accountable to our elected officials and requires Senate confirmation.”

NMPA President & CEO David Israelite commented on the legislation, “At a time when creators constantly must defend their rights, it is critical that the Register of Copyrights is chosen carefully and vetted properly. Making this a presidentially-appointed and Senate-confirmed position not only adds the oversight needed to ensure this critical role is filled by someone up to the challenge, it also elevates the position to where it always should have been – amongst the ranks of the top officials within the administration. Additionally, the 10-year term will assist in maintaining continuity in the role across administrations. Copyright touches every industry and every person, and this bill is a good step towards ensuring the person advising Congress and helping determine policy for songwriters, artists and all creators is the best person for the job.”