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AIMP Nashville Awards Showcase Indie Talent

Spotify Country Top Spot winner “Body Like A Back Road,” (L-R): Adam Parness, Josh Osborne, Zach Crowell, Shane McAnally, Brittany Schaffer

Photos by GETTY Images 

Monday night’s (May 7) AIMP Nashville Awards was a celebration of songs, songwriters and publishers, with SMACKSongs and/or its writers taking home five trophies. The Association of Independent Music Publishers’ Nashville Chapter presented the 3rd annual event at the Ryman Auditorium, welcoming guests with a laid-back, we’re-all-friends-here, vibe.

Highlights included performances by rising artists Luke Combs, Devin Dawson and Ashley McBryde. Each of the nominees for Song of the Year was delivered by songwriters nominated in other categories. Combs and McBryde gave cool countrified versions of pop-influenced hits “All On Me” and “I Could Use A Love Song,” respectively, while Dawson gave a soul-filled take of the more traditional song “Marry Me.” Jordan Davis grooved during “Heartache On The Dance Floor,” Jameson Rodgers and Hannah Ellis made a darling pair for “I’ll Name the Dogs,” Jillian Jacqueline and Steve Moakler offered a smooth shot of “Drinking Problem,” and Kassi Ashton shook the rafters on “Yours.”

Steve Moakler and Jillian Jacqueline perform “Drinkin’ Problem.”

Maren Morris was on hand to present McBryde with the trophy for Rising Artist-Writer of the Year.

Morris then received the Publisher’s Pick award for co-writing “Dear Hate” with Tom Douglas and David Hodges, calling them “amazing poets,” in their absence. “I’m so honored,” she said. “This song means the world to me and I hope it has helped heal.”

The evening was a wonderful way to celebrate years of hard work coming to fruition for songwriters like McBryde and Josh Thompson, who received Rising Songwriter of the Year.

AIMP Nashville Rising Songwriter of the Year Josh Thompson (L) with previous winner Kelly Archer.

Numerous standing ovations throughout the night began with Janine Appleton Ebach who earned Song Champion of the Year. It was a big day for Ebach, whose promotion to Vice President of Curb | Word Music Publishing was also announced. “We do a job that affects generations and I’m grateful to be a part of that,” she said. “I’m grateful to be part of the Nashville music community. We do business like no one else. To quote Jim Ed Norman, ‘There’s people out there with real problems, and we don’t have them.’”

The Independent Spirit Award went to veteran publisher Jeff Carlton, whose career was highlighted in a video reel. He was in the hospital, so his son accepted on his behalf.

SMACKSongs took home trophies for Publisher of the Year, Artist-Writer of the Year (Old Dominion), Song of the Year (“Drinkin’ Problem”), Songwriter of the Year (Shane McAnally) and Spotify Country Top Spot (“Body Like A Back Road”).

The ACM’s Pete Fisher and Rhett Akins presented the Songwriter award to McAnally. “I really am surprised and honored,” he said. “I can’t believe I get to write with so many of my heroes. I am proud to be an independent publisher, and hat’s off to everybody who knows this way is not an easy road, but we are living for the song and living for the dream.”

AIMP Nashville Song Champion of the Year (L-R): previous winner Courtney Crist, 2018 winner Janine Appleton Ebach, and Frank Liddell

Beth Laird and Natalie Hemby (aka The Scrunchies) were the highlight among awards presenters, donning 1980s dresses and attitudes to present Artist-Writer of the Year to Old Dominion, which McAnally accepted on the band’s behalf.

SMACK Pres./co-owner Michael Baum accepted the trophy for Publisher of the Year. “I’m the seen-but-not-heard-force behind SMACKSongs,” he said. “It has been a pleasure getting to know everybody in the Nashville community. We might compete, but we also collaborate, and that’s the magic of Nashville.”

As far as funny presenters, Liz Rose and Jody Williams were a close second to The Scrunchies with their “It all begins with a bong” bit. Song of the Year “Drinkin’ Problem” was written by McAnally and Josh Osborne with Midland, who were on the road.

“I would absolutely not be standing here without Josh Osborne,” said McAnally. “Because of all the creativity and support he has shown me since we met, he has made me such a better writer. And I’m honored I get to do this with him.”

“I feel very lucky to get to be in the rooms that I get to be in and to write these songs,” added Osborne. “It’s my favorite thing to do every day. It’s like a puzzle and trying to figure out how the pieces go together. When they go together just right, you are really fortunate to have a song that somebody wants to record….Song ideas are everywhere. I got this idea from an old episode of MASH, so don’t let anybody tell you you can’t make money by sitting on the couch.”

In closing, AIMP Nashville executive director John Ozier thanked the many people who helped make last night possible, including event co-chairs Baum and Ree Guyer. Award winners were voted on by members of the organization.

AIMP Nashville Rising Artist-Writer of the Year Ashley McBryde

AIMP Nashville 3rd Annual Nominees And Winners

Rising Songwriter Of The Year
Michael Hardy
Matt McGinn
Mitch Rossell
Emily Shackelton
Josh Thompson
Jordan Walker

Rising Artist-Writer Of The Year
Kassi Ashton
Hannah Ellis
Jillian Jacqueline
Ashley McBryde
Steve Moakler
Jameson Rodgers

Artist-Writer Of The Year
Brothers Osborne
Luke Combs
Jordan Davis
Devin Dawson
Maren Morris
Old Dominion 

Song Champion Of The Year
Janine Appleton Ebach 
Stephanie Cox
Leslie DiPiero
Shannan Hatch
Lee Krabel
Jeff Skaggs

Publisher’s Pick
“Craig” Written Walker Hayes
SMACKsongs, Rarespark Media Group

“Dear Hate” Written By Maren Morris, Tom Douglas, David Hodges
Big Yellow Dog Music, Kobalt Music

“Good Company” Written By Matt Alderman, Tommy Cecil, Jared Mullins
Curb/Word Music Publishing, Horipro Entertainment Group, Big Deal Music

“Happy People” Written By Lori McKenna, Hailey Whitters
Creative Nation Music, Carnival Music, Pulse Music

“I Should Go To Church Sometime” Written By Brinley Addington, Michael Hardy, Sarah Turner
Horipro Entertainment Group, Watsky Music

“Space Cowboy” Written By Kacey Musgraves, Luke Laird, Shane McAnally
Creative Nation Music, SMACKsongs

Song Of The Year
“All On Me” Written By Devin Dawson, Jacob Durrett, Austin Smith
Neon Cross Music

“Drinkin’ Problem” Written By Jess Carson, Cameron Duddy, Mark Wystrach, Shane McAnally, Josh Osborne
Black River Publishing, Spirit Music Group, SMACKSongs

“Heartache On The Dance Floor” Written By Jon Pardi, Bart Butler, Brice Long
Song Factory, Curb/Word Music Publishing

“I Could Use A Love Song” Written By Maren Morris, Jimmy Robbins, Laura Veltz
Big Yellow Dog Music, Round Hill Music, Big Machine Music

“I’ll Name The Dogs” Written By Matt Dragstrem, Ben Hayslip, Josh Thompson
Big Loud Publishing, Round Hill Music, This Music, Big Machine Music

“Marry Me” Written By Thomas Rhett, Jesse Frasure, Ashley Gorley, Shane McAnally
Major Bob Music, Combustion Music, Round Hill Music, SMACKSongs

“Yours” Written By Russell Dickerson, Casey Brown, Parker Welling
3 Ring Circus Music

Songwriter Of The Year
Jesse Frasure
Ashley Gorley
Ben Hayslip
Hillary Lindsey
Shane McAnally
Josh Osborne

Publisher Of The Year
Big Loud Publishing
Big Machine Music
Combustion Music
Rezonant Music
Round Hill Music
SMACKSongs 

Independent SpiritJeff Carlton

Spotify Country Top Spot—“Body Like A Back Road” Written By Sam Hunt, Zach Crowell, Shane McAnally, Josh Osborne; Independently Published By Combustion Music, Tape Room Music, SMACKSongs

Pop Artists Compete For Top CMT Music Awards Honors

CMT just revealed this year’s nominees for the CMT Music Awards, which will be hosted by Little Big Town on Wednesday, June 6.

For the first time, this year’s top category, Video of the Year, features several pop artists vying for the win. Among the nominees are Bebe Rexha (ft. Florida Georgia Line) for “Meant To Be,” Justin Timberlake ft. Chris Stapleton for “Say Something,” and Ludacris, who contributed to Carrie Underwood‘s “The Champion.” They join fellow Video of the Year nominees Blake Shelton, Brett Young, Brothers Osborne, Dan+Shay, Jason Aldean, Kane Brown, Lauren Alaina, Kelsea Ballerini, Luke Combs, and Thomas Rhett.

Carrie Underwood, who holds the title of most CMT Music Awards wins with 17, looks to defend her title against superstars Florida Georgia Line and Jason Aldean, who are tied with Underwood for the most nominations this year with four each. Other artists with multiple nominations include Little Big Town (3), Chris Stapleton (3), Lauren Alaina (3), Thomas Rhett (3), Bebe Rexha (2), Blake Shelton (2), Brothers Osborne (2), Carly Pearce (2), Dan + Shay (2), Danielle Bradbery(2), Justin Timberlake (2), Kane Brown (2), Keith Urban (2), Kelsea Ballerini (2), Lady Antebellum (2), LANco (2), Ludacris (2) and Maren Morris (2).

Artists earning their very first CMT Music Awards nominations include a mix of pop, rock and country artists, including Andra Day, Backstreet Boys, Bebe Rexha, Carly Pearce, Common, Derek Trucks, Devin Dawson, High Valley, Justin Timberlake, LANco, Ludacris, Russell Dickerson, Walker Hayes, and Earth, Wind & Fire.

Voting for the CMT Music Awards is now open at cmt.com.

2018 CMT Music Awards Nominations:

Video of the Year
Best video of the year; awarded to the artist (male, female, group/duo or collaboration) and the video director. Final nominees announced the morning of the show, with final voting held on Twitter during the live telecast.

Bebe Rexha feat. Florida Georgia Line, “Meant To Be”
Blake Shelton, “I’ll Name The Dogs”
Brett Young, “Mercy”
Brothers Osborne, “It Ain’t My Fault”
Carrie Underwood feat. Ludacris, “The Champion”
Dan + Shay, “Tequila”
Jason Aldean, “You Make It Easy”
Justin Timberlake feat. Chris Stapleton, “Say Something”
Kane Brown feat. Lauren Alaina, “What Ifs”
Kelsea Ballerini, “Legends”
Luke Combs, “When It Rains It Pours”
Thomas Rhett, “Marry Me”

Male Video of the Year
Best video by a male artist; awarded to the artist

Blake Shelton, “I’ll Name The Dogs”
Dustin Lynch, “Small Town Boy”
Jason Aldean, “You Make It Easy”
Jon Pardi, “Heartache On The Dance Floor”
Luke Bryan, “Light It Up”
Thomas Rhett, “Marry Me”

Female Video of the Year
Best video by a female artist; awarded to the artist

Carly Pearce, “Every Little Thing”
Carrie Underwood feat. Ludacris, “The Champion”
Kelsea Ballerini, “Legends”
Lauren Alaina, “Doin’ Fine”
Maren Morris, “I Could Use A Love Song”
Miranda Lambert, “Tin Man” From 2017 ACM Awards

Duo Video of the Year
Best video by a duo; awarded to the artists

Big & Rich, “California”
Brothers Osborne, “It Ain’t My Fault”
Dan + Shay, “Tequila”
Florida Georgia Line, “Smooth”
High Valley, “She’s With Me”
Tim McGraw & Faith Hill, “Speak To A Girl”

Group Video of the Year
Best video by a group; awarded to the artists

Lady Antebellum, “You Look Good”
LANco, “Greatest Love Story”
Little Big Town, “When Someone Stops Loving You”
Midland, “Make A Little”
Old Dominion, “No Such Thing As A Broken Heart”
Rascal Flatts, “Yours If You Want It”
Zac Brown Band, “My Old Man”

Breakthrough Video of the Year
Best video from an artist’s major breakthrough album; awarded to the artist (male, female or group/duo)

Carly Pearce, “Every Little Thing”
Danielle Bradbery, “Sway”
Devin Dawson, “All On Me”
LANco, “Greatest Love Story”
Russell Dickerson, “Yours”
Walker Hayes, “You Broke Up With Me”

Collaborative Video of the Year
Best video from a collaboration; awarded to the artists

Bebe Rexha feat. Florida Georgia Line, “Meant To Be”
Carrie Underwood feat. Ludacris, “The Champion”
Cole Swindell feat. Dierks Bentley, “Flatliner”
Justin Timberlake feat. Chris Stapleton, “Say Something”
Kane Brown feat. Lauren Alaina, “What Ifs”
Thomas Rhett feat. Maren Morris, “Craving You”

CMT Performance of the Year
Musical performance on a television show, series or variety special on CMT; awarded to the artist (individual, group or duo)

Andra Day, Common, Little Big Town, Lee Ann Womack and Danielle Bradbery, “Stand Up For Something” (From 2017 CMT Artists of the Year)
Backstreet Boys and Florida Georgia Line, “Everybody” (From CMT Crossroads)
Charles Kelley, Jason Aldean, Darius Rucker and Derek Trucks, “Midnight Rider” (From 2017 CMT Music Awards)
Earth, Wind & Fire and Lady Antebellum, “September” (From CMT Crossroads)
Jason Aldean, Keith Urban, Chris Stapleton and Little Big Town, “I Won’t Back Down” (From 2017 CMT Artists of the Year)
Keith Urban feat. Carrie Underwood, “The Fighter” (From 2017 CMT Music Awards)

Andrew Colvin, Adam Voith Join WME’s Nashville Office

Pictured: Andrew Colvin (L), Adam Voith (R)

Andrew Colvin and Adam Voith have joined WME’s Nashville office. The duo join from Billions where they worked with a leading roster of contemporary artists including Bon Iver, Dawes, Brett Dennen, Robert Ellis, Jason Isbell, Lucero, Kevin Morby, Mumford & Sons, Erin Rae, The Staves, Justin Townes Earle, and Vampire Weekend.

“Andrew and Adam have distinguished themselves with their impeccable taste, stellar reputations, and a unique understanding of artists’ needs. Since arriving in Nashville less than a decade ago, they have already had a significant impact on the music community here,” said Scott Clayton, Head of WME’s Rock Division and Co-head of the Nashville office.

“Andrew and Adam are a tremendous addition to our team as we continue to build out our contemporary business in Nashville,” added Jay Williams, Partner and Co-Head of WME’s Nashville office. “We look forward to working with them to provide their artists with further resources to support their careers.”

Colvin moved to Nashville in 2012 and subsequently to Billions following nearly a decade in New York with Ground Control Touring. The artists he has worked with include The Baseball Project, Blue Rodeo, Brett Dennen, Cory Chisel, Dawes, Dawn Landes, The Dream Syndicate, Justin Townes Earle, Jason Isbell, Jonny Fritz, Lucero, The Minus 5, Robert Ellis, The Sadies, and Traveller. He has been nominated for Third Coast Agent of the Year by Pollstar.

Voith moved to Nashville in 2011, and has been in the business for nearly two decades working at various boutique agencies. The artists he represents include Amason, Bear’s Den, Blank Range, Bon Iver, Dams of the West, Hiss Golden Messenger, Kevin Morby, The Mountain Goats, Mumford & Sons, Erin Rae, ROSTAM, The Staves, The Tallest Man on Earth, and Vampire Weekend. Voith earned a nod from Pollstar as Third Coast Agent of the Year, and has been nominated multiple times for the Bobby Brooks Agent of the Year award. His client Mumford & Sons took home Major Tour of the Year in 2014.

Curb Consolidates Curb Music Publishing, Word Music Publishing, And Wordcountry

Janine Appleton Ebach

Mike Curb has announced the formation of Curb | Word Music Publishing. This entity will combine the music publishing enterprises Curb Music Publishing, Word Music Publishing and Wordcountry into one powerhouse company.

Janine Appleton Ebach, who is currently the Head of Wordcounty, will be elevated to the position of Vice President of Curb | Word Music Publishing. She will report to Josh Bailey, SVP A&R & Publishing for Curb | Word Entertainment and Jim Ed Norman, CEO, Recorded Music and Publishing for Curb | Word Entertainment.

“We are very fortunate to have Janine leading this team. She’s achieved tremendous success with Wordcountry and I’m confident that success will continue on as we further unite the Curb and Word teams,” comments Mike Curb, Chairman of Curb | Word Entertainment.

“The success of Wordcountry speaks directly to Janine’s remarkable leadership ability. Her keen creative sense and her strong artist relations skills make her a perfect fit for Curb | Word combined venture. The same creative spirit that led to her phenomenal success with Wordcountry will no doubt inform her new role with Curb | Word Music Publishing,” comments Jim Ed Norman.

A native of Missouri, Appleton joined Word Music Publishing in 2013, after spending 7+ years at THIS Music Publishing as Creative Director. In September of 2017, she was instrumental in the creation of Word’s extraordinarily successful Country division, Wordcountry.

Since its inception and under Appleton’s direction, Wordcountry has had cuts in multiple genres, along with three No. 1 Country Singles, most recently the Gold-certified song “Singles You Up” (Jordan Davis); Platinum-certified “Sleep Without You” (Brett Young) and “Heartache On The Dance Floor” (John Pardi).

Wordcountry also has current singles on the charts by Trent Harmon & Danielle Bradbery and several others due in the coming months.

“I’m extremely humbled and excited to expand my current role from Head of Wordcountry to VP of Curb | Word Music Publishing. I’m honored to lead and combine these great publishing companies into one joint force. There are many talented writers and artists on both rosters that I will now have the privilege to represent, and I look forward to celebrating many successes as a unit in this new season for Curb | Word Publishing,” comments Appleton.

Reporting to Appleton will be Colt Murski, Senior Creative Director and Nina Jenkins, Creative Manager.

Appleton earned a Music Business degree from the Mike Curb College of Entertainment & Music Business at Belmont University. She is a current nominee for the 2018 AIMP ‘Song Champion of the Year’ and is an active member of the W.O. Smith School Board.

busbee Signs Global Deal With Warner/Chappell Music

Pictured (Front row, L-R): Ben Vaughn (WC), busbee, T.D. Ruth (Keller Turner Ruth Andrews & Ghanem). (Back row, L-R): all WC – Steve Butler, Travis Carter, Alicia Pruitt, Jessi Vaughn, Alison Junker, Will Overton, Katie Jelen (synch), BJ Hill, Ryan Beuschel

busbee has signed a worldwide publishing agreement with Warner/Chappell Music. The writer and producer known for his genre-bending talents has collaborated with a broad range of artists, including Shakira, Usher, Lady Antebellum, Jon Bellion, Blake Shelton, Timbaland, 5 Seconds of Summer, Keith Urban, and Jason Aldean, among others. He was previously signed to BMG.

“busbee is a visionary whose experimental approach to songwriting will fit in perfectly at Warner/Chappell, ” said Jon Platt, CEO of Warner/Chappell Music. “With the support of Katy Wolaver, Ben Vaughn, and our entire global team I’m confident that he will push boundaries and deliver global hits across a mix of genres.”

In 2017, busbee received a BMI Song of the Year award for co-writing Florida Georgia Line’s No. 1 hit, “H.O.L.Y.” He also co-produced Grammy-winning artist Maren Morris’ breakthrough album, Hero, and co-wrote her first two hit singles, “My Church” and “80s Mercedes.” busbee also co-wrote Carrie Underwood’s “The Fighter” with Keith Urban which he won an ACM Award for last month, and produced Lady Antebellum’s 2017 Grammy-nominated album, Heart Break, co-writing six songs, including the hit single, “You Look Good.” Additionally, busbee produced and contributed to songs on the breakout albums from emerging country stars Lauren Alaina (Road Less Traveled) and Carly Pearce (Every Little Thing), having written Pearce’s breakout single of the same name, which made her the only female to debut at No. 1 on Billboard’s Country Airplay chart in 2017.

He also co-wrote and co-produced Rachel Platten’s “Collide”; co-wrote and produced P!nk’s “Wild Hearts Can’t Be Broken” and co-produced Gwen Stefani’s recent holiday album, You Make It Feel Like Christmas, co-writing all six of the original songs. Other notable busbee hits include “Try” by P!nk, “Dark Side” by Kelly Clarkson, and numerous other top ten singles. His recent collaborations include Jon Bellion, Justin Tranter, James Arthur, Lady Antebellum, Missio, and Maren Morris for her forthcoming project.

“Warner/Chappell feels like home. From my early meetings with the creative teams in L.A. and Nashville to my interactions with executives at every level, I can confidently say it is not only the best fit for me as a creative but it’s also the best place to grow my business,” said busbee. Adding, “They have the reach, wisdom and integrity to elevate careers within all viable markets – it’s no surprise they continue to be the premier publisher in the world, year after year. I’m honored to be partnering with Warner/Chappell.”

Elle King Inks Management Deal With Red Light’s Mary Hilliard Harrington

Elle King

Hitmaker Elle King has signed a management deal with Red Light’s Mary Hillard Harrington, MusicRow has confirmed.

Harrington, who previously ran PR company The Greenroom, also manages Dierks Bentley. King had a hit with Bentley in 2016 on “Different For Girls,” which earned RIAA Platinum status.

“Elle has been a friend for a long time, so when she came to me about management, it was a HELL YES!” Mary Hilliard Harrington tells MusicRow. “She’s a brilliant artist who has made a deeply personal and incredibly special album that I can’t wait for the world to hear. Our whole team at Red Light is excited to jump in with her.”

King is signed with RCA and is known for her RIAA 2x Platinum-certified single “Ex’s & Oh’s.”

Weekly Chart Report (5/4/18)

Click here or above to access MusicRow’s weekly CountryBreakout Chart Report.

Dan Anderson Joins BIG Label Records

Dan Anderson

Veteran sales and marketing executive Dan Anderson has joined BIG Label Records. Anderson, most recently VP of Sales at Black River Entertainment, moves to BIG Label Records in a similar role effective immediately.

Prior to Black River, as an artist manager, Anderson worked at Morress Nanas Entertainment and Red Light Management and was Director of Artist Development and Marketing at Sony Music/BNA Records.

“I’ve known Dan since the late 1990s both professionally and personally. He’s hard working and innovative with a keen eye towards the future and firm knowledge of the past and present. He’s creative and disciplined and he’ll fit right in with what we’re doing with Aaron Watson and the new acts that we’ll be adding to the label,” says BIG Label Records head Tony Morreale.

“Tony and I go back 20 plus years,” adds Anderson. “I have admired him throughout his career as he has always looked at things from a different angle. I look forward to working him and the rest of the team as we continue to build Aaron Watson’s career as well as prospective artists we work with in the future.”

The move to BIG Label Records reunites Anderson and Morreale who worked together for nearly eight years at BNA in artist development and promotion respectively.

Morreale remarks, “We had some great times as part of the team that broke Chesney and Lonestar. There was a lot optimism in the business then and Dan brings that fire to an already dynamic and energetic group at BIG Label Record. We’re glad to have him!”

“In Watson’s organization, we always work off the premise that great people are the foundation for building great businesses,” adds CDA Entertainment’s Gino Genaro, Watson’s longtime manager. “There is no doubt that Dan is a multi-talented star, bringing a multitude of skills to the table. As we continue to build to a full service label, we are thrilled at the opportunity to have him join the team.”

Anderson can be reached at [email protected].

EXCLUSIVE: Tony Brown Talks New Book ‘Elvis, Strait, To Jesus’

Tony Brown is releasing a new coffee table book featuring exclusive photographs and stories about his more than 40-year career as one of Nashville’s leading producers and executives.

Elvis, Strait, To Jesus showcases the people who have played pivotal roles in Brown’s life, dating back to his early career playing Southern gospel music with JD Sumner and The Stamps Quartet, which lead to work with Elvis Presley, and then through Nashville’s ‘90s boom where he produced multi-platinum albums by George Strait and many others.

Each person in the book was photographed in a French Renaissance chair, which belongs to Brown. Alongside photos from throughout his career, Brown and collaborators Rick Caballo and Melissa Core-Caballo, created new photographs using Brown’s chair as the backdrop. They even drove the chair to Atlanta for a photo shoot with Lyle Lovett, and to a Nashville recording studio to meet up with Strait.

Brown recalls, “George lives in San Antonio and he was coming to town to work on his new album, so I took the chair down to Chuck Ainlay’s studio and put up the black backdrop. I said ‘George, I’m glad you came in for this because you’re in the title, and the other two guys aren’t around anymore.’ He looked at me with that little George Strait smirk and chuckled.”

When it was time to photograph legendary producer and executive Jimmy Bowen, Brown took the opposite approach. “Jimmy Bowen was the guy who gave me my shot,” he says. “He lives in Phoenix and he couldn’t fly here, so I flew out to sit in his chair, because I wouldn’t even have a book without him.”

Also featured in the book are Lionel Richie, Vince Gill, Trisha Yearwood, Cyndi Lauper, Billy Joel, Joe Cocker, Steve Earle, Patty Loveless, Jimmy Buffett, Barbra Streisand and many more.

“I hadn’t seen some of those people, like Jerry Bradley, in 20 years, so it was fun catching up with them. It made me realize how lucky I’ve been in my life. I have been so blessed.”

Growing up in North Carolina, Brown’s father was an evangelist. At age 13, a lady at church taught him to play piano. “I believe in destiny,” he says. “I picked up on my gift. I paid attention. Being raised in a religious family, a poor family, gave me a set of morals and values.”

His first job in music was playing piano with JD Sumner and the Stamps Quartet. He left that gig to play with The Oak Ridge Boys, before Donnie Sumner (JD’s nephew) tapped him to join his group called Voice, which was working with Elvis. [Donnie and William Lee Golden are both in the book.]

“Our job was to play songs around Elvis’ house in Palm Springs, or Beverly Hills or Graceland, wherever he was. He eventually added us to his tour to open for the comedian Jackie Kahane. After our set, I would watch Elvis’ piano player Glen D. Hardin during Elvis’ set. About a year and a half into the gig, Glen was tapped to do Emmylou Harris’ tour, and I got his gig with Elvis. Elvis’ last show was in Indianapolis on June 26, 1977. On Aug. 16, we were at the airport getting ready to go on the next tour when we found out he had died.”

Following Elvis’ death, Brown landed in Nashville. “I got a job pitching songs for David Briggs’ publishing company. He played electric piano for Elvis, and I played acoustic piano. Then Glen D. quit Emmylou’s tour and I auditioned and got that job. They were going on tour with John Denver for a year. I accidentally followed in Glen D.’s footsteps and it led to a lot of good things, so he is in the book. With Emmylou, I met Rodney Crowell, Rosanne Cash and Vince Gill.

“When I first got in the business, Jerry Crutchfield, Tom Collins, Bob Montgomery, James Stroud, and Jimmy Bowen were producing all the records. I was the new guy in town. I kept wondering, ‘How do you get into that?’ Now I’m one of the old guards and all these new cats are guys that were pitching songs to me. Michael Knox, who produces Jason Aldean, used to pitch me all these great Warner/Chappell songs for George Strait. Jeff Stevens, who used to write all the songs, is now producing Luke Bryan. It’s interesting to see how the cycle changes. I look back on my life and I’m glad I was sitting in my chair during those golden years, when Soundscan started and everybody realized country music was selling records. Every label had about five or six multiplatinum acts. It’s just not that way anymore. My first George Strait and Wynonna Judd records sold 6 million each.

“As I got bigger and bigger in the industry, I realized celebrities, to me, weren’t just singers and actors, they were record executives and musicians and songwriters.”

That’s why Elvis, Strait, To Jesus showcases all the people who were crucial to Brown’s destiny. “You sometimes take for granted the things that have happened to you,” he sums, “but you look back and there’s a common thread.”

Brown is also grateful to his collaborators and says he couldn’t have done the book without them. “Rick and Melissa are completely God sent. We did it together and it’s been a lot of fun.”

——————–

The Country Music Hall of Fame and Museum will host a book signing for Elvis, Strait, to Jesus: An Iconic Producer’s Journey with Legends of Rock ‘N’ Roll, Country & Gospel Music on Thursday, May 3 at 1 p.m. in the museum’s 5th Avenue lobby. The event is free and open to the public.

Elvis, Strait, to Jesus is published by Center Street with design and creative direction by Dead Horse Branding’s Rick Caballo. Photography by Rick and Melissa Core-Caballo is featured throughout the publication, accompanied by images from Brown’s personal archives.

To order, visit www.tonybrownenterprises.com.

Guitar Maker Gibson Brands Files for Bankruptcy

Nashville-based Gibson Brands filed for bankruptcy on Tuesday (May 1), citing sharply diminishing sales and continued struggles with its debt load after a series of acquisitions. The 124-year-old company known as the maker of the legendary Les Paul electric guitar, filed for chapter 11 in U.S. Bankruptcy Court in Delaware.

Gibson Brands has more than $500 million in loans due within the next six months. According to a statement from Gibson CEO Henry Juszkiewicz, the majority of Gibson’s creditors (69 percent) have agreed to a restructuring agreement that will allow Gibson to continue operating, as well as refocus on providing musical instruments. As part of that plan, the company will dissolve its Innovations unit, which operates largely outside the United States.

The company also said existing noteholders have agreed to provide $135 million in debtor-in-possession financing.

In addition to guitars, Gibson manufactures instruments under the Dobro, Wurlitzer and Baldwin Piano brands. The company employs nearly 900 people in its Nashville, Memphis, and Bozeman, Montana facilities.