Little Big Town, Carrie Underwood, Bonnie Raitt, Taylor Swift and The Civil Wars were among today’s (2/10) winners at the 55th Annual Grammy Awards pre-telecast ceremony in Los Angeles. A full list of winners is below.
The official Grammy telecast on Feb. 10 revealed winners in further categories, listed here.
BEST COUNTRY DUO/GROUP PERFORMANCE
Pontoon
Little Big Town
Label: Capitol Records Nashville
BEST COUNTRY SONG
Blown Away
Josh Kear & Chris Tompkins, songwriters (Carrie Underwood)
Track from: Blown Away
Label: 19 Recordings Limited/Arista Nashville; Publishers: Global Dog Music/Lunalight Music, Big Loud Songs/Angel River Songs
BEST SONG WRITTEN FOR VISUAL MEDIA
Safe & Sound (From The Hunger Games)
T Bone Burnett, Taylor Swift, John Paul White & Joy Williams, songwriters
(Taylor Swift Featuring The Civil Wars)
Label: Big Machine Records/Universal Republic; Publishers: Sony ATV Tree Publishing, Taylor Swift Music, Sensibility Songs, Absurd Music, Shiny Happy Music, Baffle Music, Henry Burnett Music
BEST AMERICANA ALBUM
Slipstream
Bonnie Raitt
Label: Redwing Records
BEST BLUEGRASS ALBUM
Nobody Knows You
Steep Canyon Rangers
Label: Rounder
BEST ROCK ALBUM
El Camino
The Black Keys
Label: Nonesuch
PRODUCER OF THE YEAR, NON-CLASSICAL
Dan Auerbach
El Camino (The Black Keys) (A)
Locked Down (Dr. John) (A)
Savage (Hacienda) (S)
Shakedown (Hacienda) (A)
BEST GOSPEL SONG
Go Get It
Erica Campbell, Tina Campbell & Warryn Campbell, songwriters (Mary Mary)
Label: Columbia; Publishers: EMI April Music, It’s Tea Tyme, That’s Plum Song, Wet Ink Red Music
BEST CONTEMPORARY CHRISTIAN MUSIC SONG (TIE)
10,000 Reasons (Bless The Lord)
Jonas Myrin & Matt Redman, songwriters (Matt Redman)
Track from: 10,000 Reasons
Label: sixstepsrecords/Sparrow Records; Publishers: Thankyou Music/sixsteps Music/worshiptogether.com Songs/Said And Done Music/Shout! Publishing
Your Presence Is Heaven
Israel Houghton & Micah Massey, songwriters (Israel & New Breed)
Track from: Jesus At The Center Live
Label: Integrity Music; Publishers: Integrity’s Praise! Music/Sound of the New Breed, Regenerate Music
BEST GOSPEL ALBUM
Gravity
Lecrae
Label: Reach Records
BEST CONTEMPORARY CHRISTIAN MUSIC ALBUM
Eye On It
TobyMac
Label: ForeFront Records
BEST GOSPEL/CONTEMPORARY CHRISTIAN MUSIC PERFORMANCE
10,000 Reasons (Bless The Lord)
Matt Redman
Track from: 10,000 Reasons
Label: sixstepsrecords/Sparrow Records
BEST SPOKEN WORD ALBUM
Society’s Child: My Autobiography
Janis Ian
Label: Audible, Inc.
BEST CLASSICAL COMPENDIUM
Penderecki: Fonogrammi; Horn Concerto; Partita; The Awakening Of Jacob; Anaklasis
Antoni Wit, conductor; Aleksandra Nagórko & Andrzej Sasin, producers
Label: Naxos
BEST POP DUO/GROUP PERFORMANCE
Somebody That I Used To Know
Gotye Featuring Kimbra
Track from: Making Mirrors
Label: Universal Republic
BEST POP INSTRUMENTAL ALBUM
Impressions
Chris Botti
Label: Columbia
BEST DANCE RECORDING
Bangarang
Skrillex Featuring Sirah
Skrillex, producer; Skrillex, mixer
Track from: Bangarang
Label: OWSLA/Big Beat/Atlantic
BEST DANCE/ELECTRONICA ALBUM
Bangarang
Skrillex
Label: OWSLA/Big Beat/Atlantic
BEST TRADITIONAL POP VOCAL ALBUM
Kisses On The Bottom
Paul McCartney
Label: Hear Music
BEST HARD ROCK/METAL PERFORMANCE
Love Bites (So Do I)
Halestorm
Track from: The Strange Case Of…
Label: Atlantic
BEST ROCK SONG
Lonely Boy
Dan Auerbach, Brian Burton & Patrick Carney, songwriters (The Black Keys)
Track from: El Camino
Label: Nonesuch; Publisher: McMoore McLesst Publishing
BEST ALTERNATIVE MUSIC ALBUM
Making Mirrors
Gotye
Label: Universal Republic
BEST BLUES ALBUM
Locked Down
Dr. John
Label: Nonesuch
BEST FOLK ALBUM
The Goat Rodeo Sessions
Yo-Yo Ma, Stuart Duncan, Edgar Meyer & Chris Thile
Label: Sony Classical
BEST R&B PERFORMANCE
Climax
Usher
Track from: Looking 4 Myself
Label: RCA Records
BEST TRADITIONAL R&B PERFORMANCE
Love On Top
Beyoncé
Track from: 4
Label: Columbia Records
BEST R&B SONG
Adorn
Miguel Pimentel, songwriter (Miguel)
Label: RCA/Bystorm Entertainment; Publisher: Art Dealer Chic
BEST R&B ALBUM
Black Radio
Robert Glasper Experiment
Label: Blue Note
BEST RAP PERFORMANCE
N****s In Paris
Jay-Z & Kanye West
Track from: Watch The Throne
Label: Roc-A-Fella Records, LLC
BEST RAP SONG
N****s In Paris
Shawn Carter, Mike Dean, Chauncey Hollis & Kanye West, songwriters (W.A. Donaldson, songwriter) (Jay-Z & Kanye West)
Track from: Watch The Throne
Label: Roc-A-Fella Records; Publishers: Hit-Boy Music/Very Good Beats, Hip Hop Since 1978, Dean’s List Productions, Unichappell Music
BEST RAP ALBUM
Take Care
Drake
Label: Cash Money Records
BEST NEW AGE ALBUM
Echoes Of Love
Omar Akram
Label: Real Music
BEST IMPROVISED JAZZ SOLO
Hot House
Gary Burton & Chick Corea, soloists
Track from: Hot House
Label: Concord Jazz
BEST JAZZ VOCAL ALBUM
Radio Music Society
Esperanza Spalding
Label: Heads Up International
BEST JAZZ INSTRUMENTAL ALBUM
Unity Band
Pat Metheny Unity Band
Label: Nonesuch
BEST LARGE JAZZ ENSEMBLE ALBUM
Dear Diz (Every Day I Think Of You)
Arturo Sandoval
Label: Concord Jazz
BEST LATIN JAZZ ALBUM
¡Ritmo!
The Clare Fischer Latin Jazz Big Band
Label: Clare Fischer Productions/Clavo Records
BEST LATIN POP ALBUM
MTV Unplugged Deluxe Edition
Juanes
Label: Universal Music Latino
BEST LATIN ROCK, URBAN OR ALTERNATIVE ALBUM
Imaginaries
Quetzal
Label: Smithsonian Folkways Recordings
BEST REGIONAL MEXICAN MUSIC ALBUM (INCLUDING TEJANO)
Pecados Y Milagros
Lila Downs
Label: Sony Music
BEST TROPICAL LATIN ALBUM
Retro
Marlow Rosado Y La Riqueña
Label: Pink Chaos Productions
BEST REGIONAL ROOTS MUSIC ALBUM
The Band Courtbouillon
Wayne Toups, Steve Riley & Wilson Savoy
Label: Valcour Records
BEST REGGAE ALBUM
Rebirth
Jimmy Cliff
Label: UMe/Sunpower
BEST WORLD MUSIC ALBUM
The Living Room Sessions Part 1
Ravi Shankar
Label: East Meets West Music
BEST CHILDREN’S ALBUM
Can You Canoe?
The Okee Dokee Brothers
Label: Okee Dokee Music LLC
BEST COMEDY ALBUM
Blow Your Pants Off
Jimmy Fallon
Label: Warner Bros. Records/LoudMouth Entertainment
BEST MUSICAL THEATER ALBUM
Once: A New Musical
Steve Kazee & Cristin Milioti, principal soloists; Steven Epstein & Martin Lowe, producers (Glen Hansard & Marketa Irglova, composers/lyricists) (Original Broadway Cast With Steve Kazee, Cristin Milioti & Others)
Label: Masterworks
BEST COMPILATION SOUNDTRACK FOR VISUAL MEDIA
Midnight In Paris
(Various Artists)
Label: Madison Gate Records, Inc.
BEST SCORE SOUNDTRACK FOR VISUAL MEDIA
The Girl With The Dragon Tattoo
Trent Reznor & Atticus Ross, composers
Label: Null/Madison Gate
BEST INSTRUMENTAL COMPOSITION
Mozart Goes Dancing
Chick Corea, composer (Chick Corea & Gary Burton)
Track from: Hot House
Label: Concord Jazz
BEST INSTRUMENTAL ARRANGEMENT
How About You
Gil Evans, arranger (Gil Evans Project)
Track from: Centennial – Newly Discovered Works Of Gil Evans
Label: ArtistShare
BEST INSTRUMENTAL ARRANGEMENT ACCOMPANYING VOCALIST(S)
City Of Roses
Thara Memory & Esperanza Spalding, arrangers (Esperanza Spalding)
Track from: Radio Music Society
Label: Heads Up International
BEST RECORDING PACKAGE
Biophilia
Michael Amzalag & Mathias Augustyniak, art directors (Björk)
Label: One Little Indian / Nonesuch
BEST BOXED OR SPECIAL LIMITED EDITION PACKAGE
Woody At 100: The Woody Guthrie Centennial Collection
Fritz Klaetke, art director (Woody Guthrie)
Label: Smithsonian Folkways Recordings
BEST ALBUM NOTES
Singular Genius: The Complete ABC Singles
Billy Vera, album notes writer (Ray Charles)
Label: Concord
BEST HISTORICAL ALBUM
The Smile Sessions (Deluxe Box Set)
Alan Boyd, Mark Linett, Brian Wilson & Dennis Wolfe, compilation producers; Mark Linett, mastering engineer (The Beach Boys)
Label: Capitol Records
BEST ENGINEERED ALBUM, NON-CLASSICAL
The Goat Rodeo Sessions
Richard King, engineer; Richard King, mastering engineer (Yo-Yo Ma, Stuart Duncan, Edgar Meyer & Chris Thile)
Label: Sony Classical
BEST REMIXED RECORDING, NON-CLASSICAL
Promises (Skrillex & Nero Remix)
Skrillex, remixer (Nero)
Joseph Ray, Skrillex & Daniel Stephens, remixers
Label: Cherry Tree/Interscope
BEST SURROUND SOUND ALBUM
Modern Cool
Jim Anderson, surround mix engineer; Darcy Proper, surround mastering engineer; Michael Friedman, surround producer (Patricia Barber)
Label: Premonition Records
BEST ENGINEERED ALBUM, CLASSICAL
Life & Breath – Choral Works By René Clausen
Tom Caulfield & John Newton, engineers; Mark Donahue, mastering engineer (Charles Bruffy & Kansas City Chorale)
Label: Chandos
PRODUCER OF THE YEAR, CLASSICAL
Blanton Alspaugh
Chamber Symphonies (Gregory Wolynec & Gateway Chamber Orchestra)
Davis: Río De Sangre (Joseph Rescigno, Vale Rideout, Ava Pine, John Duykers, Kerry Walsh, Guido LeBron, The Florentine Opera Company & Milwaukee Symphony Orchestra)
Gjeilo: Northern Lights (Charles Bruffy & Phoenix Chorale)
In Paradisum (Brian A. Schmidt & South Dakota Chorale)
Life & Breath – Choral Works By René Clausen (Charles Bruffy & Kansas City Chorale)
Music For A Time Of War (Carlos Kalmar & The Oregon Symphony)
Musto: The Inspector (Glen Cortese & Wolf Trap Opera Company)
BEST ORCHESTRAL PERFORMANCE
Adams: Harmonielehre & Short Ride In A Fast Machine
Michael Tilson Thomas, conductor (San Francisco Symphony)
Label: SFS Media
BEST OPERA RECORDING
Wagner: Der Ring Des Nibelungen
James Levine & Fabio Luisi, conductors; Hans-Peter König, Jay Hunter Morris, Bryn Terfel & Deborah Voigt; Jay David Saks, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)
Label: Deutsche Grammophon
BEST CHORAL PERFORMANCE
Life & Breath – Choral Works By René Clausen
Charles Bruffy, conductor (Matthew Gladden, Lindsey Lang, Rebecca Lloyd, Sarah Tannehill & Pamela Williamson; Kansas City Chorale)
Label: Chandos
BEST CHAMBER MUSIC/SMALL ENSEMBLE PERFORMANCE
Meanwhile
Eighth Blackbird
Label: Cedille Records
BEST CLASSICAL INSTRUMENTAL SOLO
Kurtág & Ligeti: Music For Viola
Kim Kashkashian
Label: ECM New Series
BEST CLASSICAL VOCAL SOLO
Poèmes
Renée Fleming (Alan Gilbert & Seiji Ozawa; Orchestre National De France & Orchestre Philharmonique De Radio France)
Label: Decca Records
BEST CONTEMPORARY CLASSICAL COMPOSITION
Hartke, Stephen: Meanwhile – Incidental Music To Imaginary Puppet Plays
Stephen Hartke, composer (Eighth Blackbird)
Track from: Meanwhile
Label: Cedille Records
BEST SHORT FORM MUSIC VIDEO
We Found Love
Rihanna Featuring Calvin Harris
Melina Matsoukas, video director; Juliette Larthe, Ben Sullivan, Candice Ouaknine & Inga Veronique video producers
Label: Def Jam
BEST LONG FORM MUSIC VIDEO
Big Easy Express
Mumford & Sons, Edward Sharpe & The Magnetic Zeros & Old Crow Medicine Show
Emmett Malloy, video director; Bryan Ling, Mike Luba & Tim Lynch, video producers
Label: S2BN Films

Passions build as Rayna and Juliette’s Red Lips White Lies tour continues on to a stop in Chicago.
As Deacon steps in as the band leader for Juliette, it’s no secret he’s out of his element amid the racks of stage costumes and an entourage of dancers and assistants as the crew gets ready for the show. “It takes a lot of people to make a good show,” Juliette quips. “Really? Johnny Cash only needed three,” Deacon replies. Later, he tells Juliette, “I’m still getting used to all the glitter.”
After Rayna finishes performing “I’m Already Gone” in concert, Juliette steps onstage surrounded by smoke machines, wind machines and a troupe of backup dancers to perform the peppy pop/country tune “I’m A Girl” (written by Mallary Hope, Shane Stevens, and Matthew West). Her insecurity shows as she notices Deacon’s distaste for the flashy act and she starts questioning the possibility of changing her brand.
Afterward, in her dressing room, Juliette tells her manager Glenn that she wants to change her sound, a move he strongly discourages. Later, a songwriting session with Deacon produces a new song (“Consider Me,” written by Ashley Monroe and Brendan Benson) and a newfound sense of confidence in Juliette to try a stripped down sound. At another concert stop, she steps onstage in jeans and a white shirt—a far cry from her usually spangled stage wardrobe, to sing a ballad she co-wrote with Deacon. As she asks Deacon to step up to perform it with her, Rayna and her team watch from the side of the stage, clearly noticing how much the setup resembles the heyday when Rayna performed with Deacon. After the performance, Juliette’s manager has some harsh words for Deacon: “It felt like a Deacon-Rayna show out there. Whatever you’ve got going on with Rayna, Juliette is not your solution.”
At the beginning of the episode, it seems not much is going on with Rayna and Deacon, as Deacon ignores or avoids Rayna’s attempts to smooth out their friendship, which makes for a few awkward elevator encounters. That doesn’t last long, as Deacon finally gives in to his long-held feelings for Rayna, kissing her in an elevator at the hotel.
Edgehill Republic head Marshall Evans agrees to give Rayna her own label, and she talks to Watty about signing a duo she remembered him mentioning from Nashville– Deacon’s niece Scarlett and her performance partner Gunnar.
Speaking of Gunnar and Scarlett, back in Nashville they decide to become roommates after Scarlett receives a visit from her landlord demanding rent money. Scarlett admits that Avery still owes her money for the rent after he left. It’s a good deal for Gunnar, who has gotten plenty of flak from his “friends” after joining the band with Scarlett. Gunnar moves in, right about the time that Avery shows up at Scarlett’s door. Rent money in hand, Avery apologizes for his actions and asks if they can rekindle a friendship. It’s too little, too late when he realizes Scarlett has Gunnar for a new roommate, which leads to harsh words and a fist fight between the two musicians. Avery’s possessive side bleeds through and Gunnar calls him on it, prompting Avery to leave. He ultimately does some thinking about what a jerk he’s been and the situation he’s gotten into. Avery musters the courage to leave his cougar lover/manager, Marilyn.
While Deacon and Rayna’s passion rekindles on tour, back home Rayna’s husband Teddy runs into Peggy in Hillsboro Village. The polite conversation leads to an affair after Peggy suggests he needs to be with someone who respects him and believes in him.
Meanwhile, on tour, Juliette sees what she thinks is a negative outcome to her impromptu performance of “Consider Me” after a reviewer in the audience had negative things to say, as did others on Twitter. Juliette is crushed by the unpopular response, until her assistant shows her how many views the YouTube video of the performance has gotten in the few hours since the show, along the the hundreds of positive comments from fans on the video.
After their brief passionate reunion, Rayna calls Deacon to her hotel room to talk about what happened. She gets a shock when it’s not Deacon who meets her at her door, but her husband Teddy. The episode ends with a cliff-hanger as Teddy says he’s tired of trying to fix the relationship and asks Rayna for a divorce.