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Legendary Merle Haggard Passes At 79

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Merle Haggard. Photo: Myriam Santos

America has lost one of its greatest song poets.

Singer, songwriter, guitarist, fiddler, bandleader and music legend Merle Haggard died today on his 79th birthday, at his home outside of Redding, California.

One of the most influential and revered artists in music, Haggard was a permanent fixture on the country charts for three decades. He is a member of the Country Music Hall of Fame and the Nashville Songwriters Hall of Fame. He is also the recipient of a Grammy Lifetime Achievement Award and a Kennedy Center honoree.

Perhaps no other singer-songwriter in contemporary country music has assembled as large a body of practically unblemished work. He stands almost alone in terms of artistic consistency, musical integrity, purpose and vision.

His songwriting achievements include such classics as “Mama Tried,” “Sing Me Back Home,” “Okie From Muskogee,” “Hungry Eyes,” “Workin’ Man Blues,” “If We Make It Through December,” “Big City” and “Today I Started Loving You Again,” among many, many others. His recorded legacy is vast and varied. He venerated blues, swing, pop, folk, gospel, honky-tonk, rockabilly and several other roots genres. Haggard respected country tradition and recorded tributes to Jimmie Rodgers (1969), Bob Wills (1970) and Elvis Presley (1977). He recorded with The Texas Playboys as well as with Mother Maybelle and The Carter Sisters, George Jones, Willie Nelson and Ernest Tubb.

MusicRow Podcast Featuring The Legendary Merle Haggard

“The Hag,” as he was known, placed 112 titles on the country charts, scored 71 top-10 hits and had 38 No. 1 successes. He recorded more than 90 albums.

Few stars have biographies as dramatic as Merle Haggard’s. His parents were “Okie” migrants to California during the Great Depression. He was born Merle Ronald Haggard on April 6, 1937 and raised in a converted railroad boxcar in Oildale, near Bakersfield, CA. His father died of a stroke when Haggard was nine, and his mother went to work fulltime to support the family.

Absent any parental supervision, Haggard became wild and rebellious as a youth, getting involved in petty theft, writing bad checks and riding the rails as a hobo. He was sent to juvenile-detention facilities and reform schools several times for shoplifting, truancy, robbery and other crimes, but this failed to curb his ways.

An encounter with Lefty Frizzell led him to start performing music professionally. A school dropout, he also worked as a teenage farmhand, oil field worker, truck driver and short-order cook.

Haggard was arrested in 1957 for attempted burglary and sent to San Quentin State Prison in California. He turned 21 in the penitentiary as convicted felon No. A-45200.

In 1958, he attended a prison performance by Johnny Cash, which deepened his commitment to a country career. One of his best penitentiary friends was executed on Death Row, and Haggard spent time in solitary confinement. These events all led him to turn his life around.

While locked away, Haggard took high-school equivalency courses. He also performed in the prison’s country band. He was paroled in 1960. For the rest of his life, he was haunted by memories and nightmares of his life in the penitentiary.

Upon his release, he dug ditches and worked as an electrician’s assistant. But he was soon entertaining in Bakersfield nightclubs and was signed by the independent imprint Tally Records. He debuted on the charts on that label with his 1963 version of Wynn Stewart’s yearning “Sing a Sad Song.” He scored his first top-10 hit in 1965 with songwriter Liz Anderson’s “(All My Friends Are Gonna Be) Strangers.”

The star named his award-winning band The Strangers as a salute to that hit in 1965. In that same year, Capitol Records picked up his recording contract. Capitol producer Ken Nelson took a “hands off” approach to Haggard and his musical vision, to the star’s lasting gratitude.

Liz Anderson also wrote Haggard’s first No. 1 hit, the seemingly autobiographical “The Fugitive.” Ironically, at the time, she knew nothing of his prison past.

By then, Merle Haggard was also making hits with his own songs. “Swinging Doors” (1966), “The Bottle Let Me Down” (1966), “I Threw Away the Rose” (1967), “Branded Man” (1967), the death-row ballad “Sing Me Back Home” (1967), “The Legend of Bonnie and Clyde” (1968), the Grammy Hall of Fame winner “Mama Tried” (1968), “I Take a Lot of Pride in What I Am” (1968), “Hungry Eyes” (1969) and the iconic “Workin’ Man Blues” (1969) were all top-10 hits written by Haggard in the 1960s.

The California based Academy of Country Music (ACM) saluted him with nine awards in 1965-69. The ACM honored him four more times in the 1970s.

Merle Haggard. Photo: Myriam Santos

Merle Haggard. Photo: Myriam Santos

Along with Buck Owens, Red Simpson and Wynn Stewart, Merle Haggard is regarded as a cornerstone figure of The Bakersfield Sound. Characterized by bright-sounding Telecaster electric guitar leads, aggressive production touches and a more edgy approach than contemporary Nashville Sound records, this style marked California country’s heyday. Another exponent was Bonnie Owens, the former wife of Buck who became Haggard’s duet partner, backup singer, co-writer and second wife.

In 1970, Merle Haggard’s “Okie From Muskogee” was named Single of the Year by the CMA. The controversial, hippie-bashing song was the voice of the people President Nixon called “The Silent Majority.” Haggard followed it with the even more redneck “The Fightin’ Side of Me.”

Still, many from the counterculture began to bring his works to the attention of left-leaning young people. The Grateful Dead, Joan Baez, The Byrds, The Everly Brothers, The Flying Burrito Brothers and others recorded his songs.      

Haggard, himself, added to his political ambiguity. He wanted to put out his interracial love song “Irma Jackson” as a single, but this was vetoed by Capitol. He was asked to endorse reactionary presidential candidate George Wallace, but refused. He returned to San Quentin to perform for the inmates in 1971.

By this time, Merle Haggard was one of the most famous country singers on earth. He was honored with a star in the Hollywood Walk of Fame in 1969. The CMA named him its Male Vocalist and Entertainer of the Year for 1970. California Governor Ronald Reagan granted him a full pardon in 1972. Haggard entertained President Nixon at the White House the following year. The country icon appeared on the cover of Time magazine in 1974.

Between 1973 and 1976, he scored nine consecutive No. 1 hits. His Let Me Tell You About a Song was the CMA Album of the Year for 1972.

He was featured in films such as 1968’s Killers Three, 1967’s Hillbillys in a Haunted House and 1969’s From Nashville With Music. He also had acting roles in the TV movies Huckleberry Finn (1975) and Centennial (1979), as well as several TV series.

On disc, his early 1970s hit streak included a revival of Ernest Tubb’s “Soldier’s Last Letter” (1971), plus “Someday We’ll Look Back” (1971), “Daddy Frank” (1971), “Carolyn” (1972), Hank Cochran’s “It’s Not Love (But It’s Not Bad)” (1972), “I Wonder If They Ever Think of Me” (1973), the hard-luck recession anthem “If We Make It Through December” (1973), “Old Man From the Mountain” (1974), Dolly Parton’s “Kentucky Gambler” (1974), “Always Wanting You” (1975), the TV show theme song “Movin’ On” (1975), “The Roots of My Raising” (1976) and a remake of the Cindy Walker/Bob Wills western-swing favorite “Cherokee Maiden” (1976).

His commitment to constant touring was renowned. Although he seldom spoke on stage, his musicianship made him a master showman. In addition, he did humorous imitations of such fellow country stars as Marty Robbins, Hank Snow, Buck Owens and Johnny Cash during his concerts. There were no set lists. Neither his band nor the audience knew which song would be next.

Haggard’s vocal performances seemed to take on new depth and expressiveness after he began recording for MCA in 1976. During the next four years, Haggard released such timeless singles as “If We’re Not Back in Love By Monday” (1977), “Ramblin’ Fever” (1977), “I’m Always on a Mountain When I Fall” (1978), “My Own Kind of Hat” (1979), “The Way I Am” (1980), “I Think I’ll Just Stay Here and Drink” (1980) and “Rainbow Stew” (1981).

This era of his career found him continuing to champion the problems of blue-collar Americans and the common man. Journalists referred to him as a working-class hero. He also often addressed alcoholism, depression and middle age. He was inducted into the Nashville Songwriters Hall of Fame in 1977.

His duet partners during this period included Clint Eastwood. The team had a No. 1 hit in 1980 with “Bar Room Buddies.” This appeared on the soundtrack of Eastwood’s movie Bronco Billy, as did Haggard’s No. 1 solo hit “Misery and Gin.” Haggard also recorded duets with singer-songwriter Leona Williams, his third wife.

He signed with Epic Records in 1980, and his decade-long tenure at the label witnessed yet another creative flowering. He recorded hit duets with George Jones (1982’s “Yesterday’s Wine”) and Willie Nelson (1983’s “Pancho and Lefty,” which earned them a CMA Award). Haggard won a 1984 Grammy for his version of the Lefty Frizzell/Whitey Shafer standard “That’s the Way Love Goes.”

His solo Epic hits also included such blockbusters as “My Favorite Memory” (1981), “Big City” (1982), “Are the Good Times Really Over” (1982), “Going Where the Lonely Go” (1982), “Someday When Things Are Good” (1984), “A Place to Fall Apart” (1984), “Natural High” (1985), “Kern River” (1985), “I Had a Beautiful Time” (1986), “Twinkle, Twinkle Lucky Star” (1987) and “A Better Love Next Time” (1989).

He published his first autobiography, Sing Me Back Home, in 1981. A second one appeared in 1999, My House of Memories.

Merle Haggard underwent financial, alcohol and drug difficulties during the 1990s. But he was inducted into the Country Music Hall of Fame in 1994. He won a Living Legend honor at the Music City News Awards in 1990 and an Award of Merit at the 1991 American Music Awards.

Two tribute albums to his music were released in 1994. Tulare Dust featured performances of his songs by Dwight Yoakam, Rosie Flores, Lucinda Williams and Billy Joe Shaver, among others. Mama’s Hungry Eyes co-starred Emmylou Harris, Vince Gill, Brooks & Dunn, Alabama, Alan Jackson, Randy Travis, Pam Tillis and more. In 1997, TNN aired a tribute-concert TV special titled Workin’ Man, which included Tim McGraw, Trace Adkins, John Anderson, Mark Chesnutt and others.

The emergence of the Americana music genre provided Merle Haggard with a career renaissance. Later-career albums earned him strongly positive reviews. These included 2000’s If I Could Only Fly, 2001’s Roots, 2002’s The Peer Sessions, 2003’s Like Never Before, 2004’s Unforgettable, 2005’s Chicago Wind, 2007’s The Bluegrass Sessions, 2007’s Working Man’s Journey, 2010’s I Am What I Am and 2011’s Working in Tennessee. He recorded for Curb, Epitaph, EMI, Audium, Vanguard and other imprints.

Photo: merlehaggard.com

Photo: merlehaggard.com

He was part of the all-star ensemble on the Grammy-winning “Same Old Train” record of 1998. He sang duets with Jewel (1999) and Gretchen Wilson (2005). He toured with Bob Dylan in 2005. He played Bonnaroo in 2009.

In 2007, he and Willie Nelson recorded with Ray Price on the critically applauded CD Last of a Breed. His 2015 duet reunion album with Nelson was the equally acclaimed Django and Jimmie.

Meanwhile, the Dixie Chicks, Eric Church, Brooks & Dunn, Colin Raye, Shooter Jennings and Lynyrd Skynyrd all saluted him in the lyrics of their songs. In 2006, Haggard was honored as a BMI Icon. He has, to date, 48 BMI Awards that add up to over 25 million performances.

Also in 2006, he received the Grammy Lifetime Achievement Award. The ACM gave him its Poet’s Award in 2008. Befitting his status as a legend, Merle Haggard was presented with a Kennedy Center Honor in 2010. California State University in Bakersfield gave him an honorary degree in 2013, a doctorate in fine arts.

Always a rugged individualist who resisted political labels, Haggard remained an outspoken American patriot. He opposed the war in Iraq in 2003 and defended the Dixie Chicks’ free-speech rights. He endorsed Hillary Clinton’s presidential aspirations in 2007, then wrote a song expressing hope for Barak Obama’s inauguration. In recent years, he became interested in conservation and environmental issues. He did yoga, smoked pot, dabbled in herbal medicine and believed in UFO’s and extraterrestrial life.

He had been having health issues since the 1990s. Haggard underwent an angioplasty in 1995 for clogged arteries and received two heart stents in 1997. He suffered herniated discs in his lower back in 2002. In 2008, he had lung-cancer surgery. He was hospitalized with pneumonia in 2012, 2015 and 2016.

Merle Haggard married five times. He was wed to first wife Leona Hobbs from 1956 to 1964, and they had four children — Dana, Marty, Kelli and Noel. Marty and Noel became country singers. Singer-songwriter Bonnie Campbell Owens was Haggard’s wife between 1965 and 1978. She remained in his band after they divorced. Bonne Owens and Leona Hobbs both died in 2006.

His union with singer-songwriter Leona Williams lasted from 1978 to 1983. He married Debbie Parret in 1985 and divorced her in 1991. He has been married to Theresa Ann Lane since 1993. They have two children, Janessa and Ben.

The funeral service for Merle Haggard was held at his home in Palo Cedro, California, on Saturday, April 9. Marty Stuart officiated and sang, along with his wife, Connie Smith.

 

DISClaimer: Alan Jackson’s Ballad, Carrie Underwood’s Anthem, Restless Heart’s Homage

Alan Jackson

Alan Jackson

Let’s be like an awards show today and give out accolades in multiple categories. In a challenging field that includes such stars as Luke Bryan, Randy Houser, Blake Shelton, Jake Owen and Charles Kelley, veteran Alan Jackson wins the Male Vocalist Disc of the Day honor.

With no competition at all, Carrie Underwood easily takes home the Female Vocalist Disc of the Day. Also with no competition in sight, Restless Heart wins the Group Disc of the Day prize.

The DisCovery Award goes to the lone newcomer in today’s stack of platters, Travis Rice.

ALAN JACKSON/The One You’re Waiting On
Writers: Adam Wright/Shannon Wright; Producer: Keith Stegall; Publishers: Tiltawhirl/Casa de Casa/Razor and Tie, BMI; ACR/EMI
-It’s a quiet country ballad about a gal waiting all night for her fellow to show up. Alan’s vocal is a burning ember of want and need. The steel guitar and mandolin passages are breathtaking. In a word, gorgeous.

CHARLES KELLEY/Lonely Girl
Writers: Chris Stapleton/Jesse Frasure; Producer: Paul Worley; Publishers: WB/House of Sea Gayle/ClearBox Rights/Rio Bravo, ASCAP/BMI; Capitol (track)
– The deep-thump in the percussion, the riffing guitar and piano passages and Kelley’s high-tenor vocal performance send this into the sonic stratosphere. Sizzling romance in every note.

RANDY HOUSER/Song Number 7
Writers: Austin Wilson/Ben Hayslip/Chris Janson; Producer: Derek George; Publishers: Legends of Magic Mustang/W.B.M./WB/Thankful For This/Red Vinyl/Words and Music, SESAC/ASCAP; Stoney Creek
– As the songs flow through the speakers during an evening, love burns brighter and brighter. Song number seven takes him all the way to heaven. As always, Randy roars as a vocalist. He’s a mighty man.

Carrie_Underwood_Church_Bells_2016

CARRIE UNDERWOOD/Church Bells
Writers: Zach Crowell/Brett James/Hillary Lindsey; Producer: Mark Bright; Publishers: External Combustion/Songs of Southside Independent/Who Wants to Buy My Publishing/Atlas/WB/Songs of Brett/Hillarody Rathbone/BMG Rights, ASCAP; Arista/19 (track)
– The album is called Storyteller, and this track has a heck of a plot. The beautiful, wild-child, poor gal snags a rich man. But he turns out to be a drunk wife beater. Until she poisons him to death. All of this is set to a stomping rhythm track and a soaring, hooky melody. A smash.

MICHAEL RAY/Think A Little Less
Writers: Jon Nite/Thomas Rhett/Barry Dean/Jimmy Robbins; Producer: Scott Hendricks; Publishers: EMI April/Jon Mark Nite/EMI Blackwood/Cricket on the Line/Songs of Universal/Creative Nation/Country Paper/Pulse Nation/Extraordinary Alien, ASCAP/BMI; Atlantic
-He implores her to kiss more and think less, so he can get her out of the bar and out of her clothes. Well-written, produced with clarity and sung with finesse.

JAKE OWEN/American Country Love Song
Writers: Ross Copperman/Ashley Gorley/Jaren Johnston; Producers: Shane McAnally/Ross Copperman; Publishers: none listed, BMI/ASCAP; RCA (CDX)
-The quasi-spoken verses open up into rapidly sung choruses. The track has an echoey resonance that suits the upbeat lyric nicely. Still, there was something “in one ear and out the other” about the whole thing.

Travis Rice

Travis Rice

TRAVIS RICE/Women, Water & Beer
Writer: Travis Rice; Producer: Noah Henderson; Publishers: none listed; TR
-This rural Tennessee country performer is an industrial-strength hunk. As a vocalist, he is a fairly generic honky-tonk baritone. As a songwriter, he shows promise.

BLAKE SHELTON/Came Here To Forget
Writers: Craig Wiseman/Deric Ruttan; Producer: Scott Hendricks; Publishers: Round Hill/Big Loud Proud/Red Toe Rocker/WB/Doc and Maggie/Thankful For This, ASCAP; Warner Bros.
– It is a measure of how big a star Blake has become that this practically tuneless song is the fastest-rising single on country radio.

LUKE BRYAN/Huntin’, Fishin’, And Lovin’ Every Day
Writers: Luke Bryan/Dallas Davidson/Rhett Akins/Ben Hayslip; Producers: Jeff Stevens/Jody Stevens; Publishers: Sony-ATV/Peanut Mill/EMI Blackwood/Two Chord Georgia/Brooks County Boy/WB/Tar Cam Knox/Thankful For This, BMI/ASCAP; Capitol (CDX)
– They say, “Write what you know.” These outdoorsy guys certainly do that here. And it is impossible not to feel the simple joy that Luke brings to his performance. Cheerful, smiley and catchy as all get out.

Restless Heart

Restless Heart

RESTLESS HEART/Wichita Lineman
Writers: Jimmy Webb; Producers: Dave Innis/Harry Smith; Publishers: none listed; Breezewood (MP3)
– Beautifully done. This homage to Glen Campbell is pristinely produced and arranged, with the orchestrations retaining all the warmth and heart-tugging yearning of the original, yet polishing the song with a new, burnished glow. Vocally, the boys get it totally right. It’s tough to measure up to a masterpiece, and they do. Awesome job.

 

Luke Bryan Leads Finalists For American Country Countdown Awards

ACCA logo

Luke Bryan dominates this year’s American Country Countdown Awards finalists list, with seven category nods, including Artist of the Year, Male Vocalist of the Year, two titles in for Song of the Year (“Home Alone Tonight” and “Strip It Down”), Album of the Year (for Kick The Dust Up), Digital Song of the Year (“Kick the Dust Up”) and Touring Artist of the Year.

The nominations were revealed Wednesday morning (April 6).

Sam Hunt follows with five, Thomas Rhett and Zac Brown Band each with four, and Florida Georgia Line with three.

Additionally Carrie Underwood has been added as a performer. Underwood is nominated for Female Vocalist of the Year and Album of the Year (for Storyteller). She joins previously-announced performers Florida Georgia Line, Thomas Rhett and more.

The 2016 American Country Countdown Awards will air live from the Forum in Los Angeles on Sun., May 1 (8:00-10:00 PM ET live/PT tape-delayed) on FOX. The two-hour event is the first country music awards show to air live from Los Angeles in more than 10 years.

The American Country Countdown Awards are based on country music’s longest-running radio countdown show, American Country Countdown with Kix Brooks. This year’s host and additional performers and presenters will be announced soon.

Finalists and winners for all categories are based on radio airplay charts, sales and streaming data from April 1, 2015 to March 28, 2016 provided by BuzzAngle Music. Touring data is from Pollstar. The NASH Icon Award is chosen by The American Country Countdown.

The awards show is produced by dick clark productions. Allen Shapiro (CEO, dick clark productions), Mike Mahan (President, dick clark productions), Mark Bracco (Executive Vice President, Programming and Development, dick clark productions), Kix Brooks, Richard Godfrey and Tom Forrest are executive producers.

ARTIST OF THE YEAR
Blake Shelton
Florida Georgia Line
Jason Aldean
Luke Bryan
Sam Hunt

MALE VOCALIST OF THE YEAR
Blake Shelton
Jason Aldean
Luke Bryan
Sam Hunt
Thomas Rhett

FEMALE VOCALIST OF THE YEAR
Cam
Carrie Underwood
Jana Kramer
Kelsea Ballerini
Miranda Lambert

GROUP/DUO OF THE YEAR
A Thousand Horses
Dan + Shay
Florida Georgia Line
Old Dominion
Zac Brown Band

BREAKTHROUGH MALE OF THE YEAR
Chris Janson
Michael Ray
Sam Hunt

BREAKTHROUGH FEMALE OF THE YEAR
Cam
Jana Kramer
Kelsea Ballerini

BREAKTHROUGH GROUP/DUO OF THE YEAR
A Thousand Horses
Dan + Shay
Old Dominion

SONG OF THE YEAR
“Stay A Little Longer” – Brothers Osborne
“Home Alone Tonight” – Luke Bryan featuring Karen Fairchild
“Strip It Down” – Luke Bryan
“Die A Happy Man” – Thomas Rhett
“Homegrown” – Zac Brown Band

ALBUM OF THE YEAR
“Storyteller” – Carrie Underwood
“Traveller” – Chris Stapleton
“Kick The Dust Up” – Luke Bryan
“Montevallo” – Sam Hunt
“Jekyll + Hyde” – Zac Brown Band

DIGITAL SONG OF THE YEAR
“Girl Crush” – Little Big Town
“Kick The Dust Up” – Luke Bryan
“Die A Happy Man” – Thomas Rhett

DIGITAL ALBUM OF THE YEAR
“Anything Goes” – Florida Georgia Line
“Montevallo” – Sam Hunt
“Tangled Up” – Thomas Rhett

TOURING ARTIST OF THE YEAR
Garth Brooks
Kenny Chesney
Luke Bryan
Shania Twain
Zac Brown Band

 

Weekly Register: Tim McGraw, Chris Stapleton Lead Country Charts

Chris Stapleton

Chris Stapleton

Chris Stapleton, who picked up even more trophies on Sunday night’s ACM Awards, moves back to the No. 1 spot on the country albums chart (and No. 8 overall) this week, as Traveller moves 24K. This make 1.1 million sold RTD for Traveller.

He’s followed by Joey+Rory‘s Hymns project, which sold 21K this week. Sam Hunt‘s Montevallo moved 6.6K this week, enough to put it third this week. Thomas Rhett‘s Tangled Up, which features the new ACM Single of the Year “Die A Happy Man,” moved 5.5K to move into the fourth spot this week, while Loretta Lynn‘s Full Circle is at No. 5, with 4.9K sold.

The top country debut is from Margo Price. Her Midwest Farmer’s Daughter debuts at No. 10, with 4K sold.

Zayn takes the top spot in the overall album rankings, with Mind of Mine selling 157K (112 album only). Album sales are down 16.6 percent overall YTD, while overall digital album sales are down 23.9 percent. Country album sales are down 4.3 percent, while country digital album sales down 13.9 percent.

Tim McGraw Humble and KindTim McGraw‘s “Humble and Kind” powers to the top of the country tracks chart (and No. 18 overall), with 38K. Kenny Chesney‘s “Noise” debuts at No.2 (No. 23 overall) with 33.4K, while Maren Morris‘ “My Church” lands at No. 3 with 32.9K sold. Brett Eldredge‘s “Drunk On Your Love” is at No. 4 with 32.7K. Blake Shelton‘s “Came Here To Forget” rounds out the Top 5 with 32.6K sold.

Overall digital track sales are down 25.2 percent from last year, while country digital track sales are down 21.3 percent.

On the overall digital track sales rankings, Lukas Graham’s “7 Years” returns to the No. 1 spot, with 155K sold. The top debut comes from Nick Jonas with “Close” landing at No. 12 with 55K sold.

Information provided by Nielsen Soundscan.

ACM Awards: Aldean, Lambert, Little Big Town, Stapleton Win Big

Jason Aldean. Photo: Jim Wright

Jason Aldean. Photo: Jim Wright

Jason Aldean won Entertainer of the Year at the ACM Awards, while Miranda Lambert, Little Big Town and Chris Stapleton racked up multiple wins on Sunday night (April 3) in Las Vegas.

“I was just starting to think this one wasn’t in the cards for me,” he said, referencing the fact that he’s been nominated for the last six years in that category, but only just now won the award. Because he is a former Male Vocalist and Top New Male Vocalist winner, Aldean can also claim a rare Triple Crown achievement. He thanked his wife and daughters, his business associates, country radio and country fans. “This is one of the best nights of my professional career,” he stated.

Lambert and Little Big Town won a Vocal Event of the Year award for “Smokin’ and Drinkin'” during a red carpet appearance. As the show progressed, Little Big Town picked up their third Vocal Group of the Year award. Lambert, meanwhile, collected her seventh consecutive Female Vocalist award.

Stapleton continues to rack up awards, for Album of the Year (Traveller), Male Vocalist of the Year, and Song of the Year (“Nobody to Blame”). Prior to the telecast he was named New Male Vocalist. As previously announced, Kelsea Ballerini picked up New Female Vocalist and Old Dominion claimed New Duo/Group of the Year.

Dolly Parton won the Tex Ritter Award for achievements in presenting country music in film, saluting her TV movie, Dolly Parton’s Coat of Many Colors. One of the most star-studded performances came when Parton and Katy Perry teamed up for a medley of “Coat of Many Colors,” “Jolene,” and “9 to 5.” Parton wore a glittery, multi-colored jacket and white pants, while Perry pulled out a pink, shiny outfit with yellow accents, and they hammed it up with funny choreography and silly riffing. Alyvia Alyn Lind, who starred as a young Parton in the movie, danced in the audience.

Dolly Parton and Katy Perry. Photo: Getty Images/Ethan Miller

Dolly Parton and Katy Perry. Photo: Getty Images/Ethan Miller

Other highlights included Blake Shelton’s surprise appearance at the beginning of the show, when he suddenly appeared to overshadow Dierks Bentley’s first year as co-host, stepping out on stage to surprise Luke Bryan, who couldn’t help but grin.

New singles were the name of the game in Las Vegas. Bryan performed “Huntin, Fishin’ and Lovin’ Every Day,” Shelton sang “Came Here to Forget” and, later in the show in the middle of the audience at MGM Grand, Bentley offered “Somewhere on a Beach.”

Eric Church’s rendition of “Record Year” paid tribute to late heroes like David Bowie, Glenn Frey, Lemmy and Scott Weiland. Charles Kelley offered “Lonely Girl” from his new solo album, Ballerini teamed up with Nick Jonas for a mashup for “Love Me Like You Mean It” and “Peter Pan,” and Cam brought the rowdy crowd to a hush with “Burning House.” Cole Swindell scaled it way back for an acoustic rendering of “You Should Be Here.”

Pictured (L-R)L Nick Jonas, Kelsea Ballerini. Photo: ACM Instagram

Pictured (L-R): Nick Jonas, Kelsea Ballerini. Photo: Instagram.com/acmawards

Kenny Chesney roused the crowd with “Noise,” while Stapleton took a subdued approach with “Fire Away.” Aldean’s “Lights Come On” and Keith Urban’s “Wasted Time” previewed new albums, while Thomas Rhett delivered “Die a Happy Man.” Earlier in the night, he picked up his first ACM Award when that tune won Single of the Year.

Other performance slots included Sam Hunt’s elegant “Make You Miss Me,” Tim McGraw’s eloquent “Humble and Kind,” Old Dominion’s catchy “Snapback,” and Carrie Underwood’s dramatic “Church Bells,” incorporating the impactful production value that she’s become known for.

What an inspirational performance from @thetimmcgraw. #HumbleandKindACMs #ACMs ?: @gettyentertainment

A photo posted by Academy of Country Music (ACM) (@acmawards) on

See a full list of ACM Awards winners.

ACM Awards Reveal Winners For 2016

2015_acm_award_logo_tunein_cmyk_type_041415

The Academy of Country Music Awards honors country music’s biggest artists with its annual awards show, and this year, it returned to its Las Vegas home at the MGM Grand Garden Arena, after last year’s 50th anniversary celebration in Dallas, Texas.

Some honors were given even before the televised ceremony. Little Big Town and Miranda Lambert took home the honor for Vocal Event of the Year, while Florida Georgia Line took home Vocal Duo of the Year. Eric Church earned Video of the Year for “Mr. Misunderstood.”

Jason Aldean earned his first Entertainer of the Year honor.

Chris Stapleton earned the prestigious Male Vocalist of the Year honor. Additionally, Stapleton, along with co-writers Barry Bales and Ronnie Bowman, took home the evening’s first award on the telecast, picking up Song of the Year for “Nobody To Blame.” Stapleton and producer Dave Cobb also took home Album of the Year for Traveller.

Thomas Rhett‘s “Die A Happy Man” earned Single Record of the Year. Little Big Town took home Vocal Group of the Year, while Miranda Lambert earned Female Vocalist of the Year.

Katy Perry was also on hand to honor Dolly Parton and the movie Dolly Parton’s Coat Of Many Colors with the Tex Ritter Award, prior to a duet performance of Parton’s classics “Coat Of Many Colors,” “Jolene,” and “9 to 5.”

Previously announced awards include New Male Vocalist of the Year (Chris Stapleton), New Female Vocalist of the Year (Kelsea Ballerini), and New Duo/Group of the Year (Old Dominion). Additional honors for Songwriter of the Year (Ross Copperman), Producer of the Year (Dave Cobb), as well as numerous Special Awards and studio awards were also previously revealed.

A recap of the show can be read here.

Nominees (winners marked in bold):

ENTERTAINER OF THE YEAR
• Jason Aldean
• Garth Brooks
• Luke Bryan
• Eric Church
• Miranda Lambert

MALE VOCALIST OF THE YEAR
• Jason Aldean
• Dierks Bentley
• Eric Church
• Brett Eldredge
• Chris Stapleton

FEMALE VOCALIST OF THE YEAR
• Kelsea Ballerini
• Jana Kramer
• Miranda Lambert
• Kacey Musgraves
• Carrie Underwood

VOCAL DUO OF THE YEAR
• Brothers Osborne
• Dan + Shay
• Florida Georgia Line
• Joey + Rory
• Maddie & Tae

VOCAL GROUP OF THE YEAR
• Eli Young Band
• Little Big Town
• Old Dominion
• Rascal Flatts
• Zac Brown Band

NEW MALE VOCALIST OF THE YEAR
• Brett Eldredge
• Chris Janson
• Thomas Rhett
• Chase Rice
• Chris Stapleton

NEW FEMALE VOCALIST OF THE YEAR
• Kelsea Ballerini
• Cam
• Mickey Guyton
• RaeLynn

NEW VOCAL DUO OR GROUP OF THE YEAR
• A Thousand Horses
• Brothers Osborne
• Maddie & Tae
• Old Dominion
• Parmalee

ALBUM OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
I’m Comin’ Over – Chris Young
Producers: Corey Crowder, Chris Young
Record Label: RCA Records

Montevallo – Sam Hunt
Producers: Zach Crowell, Shane McAnally
Record Label: MCA Nashville

Mr. Misunderstood – Eric Church
Producer: Jay Joyce
Record Label: EMI Records Nashville

Tangled Up – Thomas Rhett
Producers: Dann Huff, Jesse Frasure, Chris DeStefano, Joe London
Record Label: The Valory Music Co.

Traveller – Chris Stapleton
Producers: Dave Cobb, Chris Stapleton
Record Label: Mercury Records

SONG OF THE YEAR
“Burning House “– Cam
Songwriters: Jeffrey Bhasker, Tyler Johnson, Cam
Publishers: Marvelous Oaks Records (ASCAP), Creative Pulse Music (BMI), One Year Yesterday Publishing (BMI), Sony/ATV Songs LLC (BMI), These Are Pulse Songs (BMI), Way Above Music (BMI)

“Girl Crush” – Little Big Town
Songwriters: Hillary Lindsey, Lori McKenna, Liz Rose
Publishers: HillarodyRathbone Music (ASCAP), Hoodie Songs (BMI), Songs of Crazy Girl Music (BMI), Songs of Universal Inc (BMI), Warner-Tamerlane Publishing Corp. (BMI)

“Nobody To Blame” – Chris Stapleton
Songwriters: Chris Stapleton, Barry Bales, Ronnie Bowman
Publishers: House of Sea Gayle Music (ASCAP), WB Music Corp (ASCAP), Quackhead Music (BMI), RayLynn Publishing (BMI)

“Raise ‘Em Up” – Keith Urban Featuring Eric Church
Songwriters: Tom Douglas, Jaren Johnston, Jeffrey Steele
Publishers: Jeffrey Steele Music (BMI), Sony/ATV Tree Publishing (BMI), TomDouglasMusic (BMI), Sony/ATV Harmony (ASCAP), Texa Rae Music (ASCAP)

“She Don’t Love You” – Eric Paslay
Songwriters: Eric Paslay, Jennifer Wayne
Publishers: Five Stone Publishing (ASCAP), Spirit Two Nashville (ASCAP), Songwriters of Platinum Pen Publishing (BMI)

SINGLE RECORD OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
• “Burning House” – Cam
Producers: Jeff Bhasker, Tyler Johnson, Camaron Ochs
Record Labels: Arista Nashville, RCA Records, Kravenworks

• “Buy Me A Boat” – Chris Janson
Producers: Brent Anderson, Chris DuBois, Chris Janson
Record Label: Warner Music Nashville

• “Die A Happy Man” – Thomas Rhett
Producers: Dann Huff, Jesse Frasure
Record Label: The Valory Music Co.

• “Girl Crush” – Little Big Town
Producer: Jay Joyce
Record Label: Capitol Records Nashville

• “I’m Comin’ Over” – Chris Young
Producers: Corey Crowder, Chris Young
Record Label: RCA Nashville

• “Take Your Time” – Sam Hunt
Producers: Zach Crowell, Shane McAnally
Record Label: MCA Nashville

VIDEO OF THE YEAR [Awarded to Producer(s)/Director(s)/Artist(s)]
• “Biscuits” – Kacey Musgraves
Director: Mark Klasfeld
Producer: Nicole Acacio

• “Burning House” – Cam
Director: Trey Fanjoy
Producer: Trent Hardville

• “Girl Crush” – Little Big Town
Directors: Karla Welch, Matthew Welch
Producer: Amanda Prunesti

“Mr. Misunderstood” – Eric Church
Directors: Reid Long, John Peets
Producer: Megan Smith

• “Riser” – Dierks Bentley
Director: Wes Edwards
Producer: Jennifer Rothlein

VOCAL EVENT OF THE YEAR [Awarded to Artist(s)/Producer(s)/Record Company–Label(s)]
• “Hangover Tonight” – Gary Allan Featuring Chris Stapleton
Producers: Gary Allan, Greg Droman
Record Label: MCA Nashville

• “Home Alone Tonight” – Luke Bryan Featuring Karen Fairchild
Producers: Jeff Stevens, Jody Stevens
Record Label: Capitol Nashville

• “Raise ‘Em Up” – Keith Urban Featuring Eric Church
Producers: Nathan Chapman, Keith Urban
Record Labels: Hit Red Records, Capitol Nashville

• “Smokin’ and Drinkin’” – Miranda Lambert Featuring Little Big Town
Producers: Frank Liddell, Chuck Ainlay, Glenn Worf
Record Label: RCA Nashville

• “Wild Child” – Kenny Chesney With Grace Potter
Producers: Buddy Cannon, Kenny Chesney
Record Labels: Blue Chair Records, Columbia Nashville

Florida Georgia Line Receive RIAA Diamond Trophies, ACM Vocal Duo Award

Florida Georgia Line's Tyler Hubbard and Brian Kelley.

Florida Georgia Line’s Tyler Hubbard and Brian Kelley. Photo: Justin Mrusek

Florida Georgia Line’s Tyler Hubbard and Brian Kelley collected special trophies on Friday night (April 1) in Las Vegas for their record-breaking single, “Cruise.” That breakout hit has achieved the first-ever Diamond certification for a country single, marking 10 million units sold. RIAA Exec. VP of Communications and Marketing Jonathan Lamy presented the award.

Held at Skyfall Lounge at the Delano, the stylish event was a gesture of thanks to the Nashville music community’s support. At the same party, Hubbard and Kelley were surprised with news of their win as ACM Vocal Duo of the Year, marking the fourth consecutive year they have won that award.

Pictured (L-R): Scott Borchetta, Pres./CEO, Big Machine Label Group; Tyler Hubbard; Brian Kelley; Jimmy Harnen, Exec. VP, BMLG/Pres., Republic Nashville. Photo: Justin Mrusek

Pictured (L-R): Scott Borchetta, Pres./CEO, Big Machine Label Group; Tyler Hubbard, Brian Kelley; Jimmy Harnen, Exec. VP, BMLG/Pres., Republic Nashville. Photo: Justin Mrusek

Kelley said, “We are blown away and couldn’t be more honored by these milestone moments. Our fans keep us doing what we do and made this possible!”

Hubbard added, “The past year has been such an incredible ride. Each time we release a single we can only pray that people are going to respond positively and thankfully they did. We have the best fans in the world, by far!”

The duo will perform “Confession” on the ACM Awards on Sunday night. They’re expecting to release their third full-length album later this year.

Pictured (L-R): Hayley Stommel-Hubbard, Tyler Hubbard, Brian Kelley, Brittney Kelley. Photo: Justin Mrusek

Pictured (L-R): Hayley Stommel-Hubbard, Tyler Hubbard, Brian Kelley, Brittney Kelley. Photo: Justin Mrusek

Pictured (L-R, Back Row)  Jess Rosen, Robin Greenhill, Lou Taylor, Cheif Zaruk, Seth England

Pictured (L-R, Back Row) Jess Rosen, Robin Greenhill, Lou Taylor, Chief Zaruk, Craig Wiseman, Seth England. (Front Row) Brian O’Connell, Tyler Hubbard, Brian Kelley, Clay Hunnicutt. Photo: Justin Mrusek

Weekly Chart Report (4/1/16)

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Click here or above to access MusicRow‘s weekly CountryBreakout Report.

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DISClaimer: Americana Prizes Go To Griffin House, The Roosevelts

Griffin House

Griffin House

As we sample some current Americana music today, we find offerings from old friends and new.

In the “old friends” category, welcome back Josh Kelley, Will Kimbrough, Anthony Crawford, Griffin House, Hayes Carll and Parker Millsap. Also meet my “new friends” Left Arm Tan, The Grahams, The Roosevelts and Andrew Adkins, all of whom are here with their debut CDs.

As it happens, we have award winners from both camps. The always masterful Griffin House claims the Disc of the Day prize. The instantly-charming The Roosevelts earn a DisCovery Award.

Josh KelleyJOSH KELLEY/It’s Your Move
Writers: Josh Kelley/Rachel Thibodeau/Ben Glover; Producer: Josh Kelley; Publisher: none listed; Sugar Hill
-Many of you will remember Josh from his 2011 run at mainstream success with “Georgia Clay” on MCA. He’s producing himself now on Sugar Hill. His New Lane Road collection drops on April 22, but you can sample this as its lead single now. It’s an aching ode to a lover who’s drifting away. He’s Charles Kelley’s brother, and they share a vocal affinity for a lustrous melody delivered with throaty warmth. He might be signed to an Americana label, but this is as polished and commercial as anything on country radio today.

GRIFFIN HOUSE/Paris Calling
Writer: Griffin House; Producer: Griffin House & Jon Leidersdorff; Publisher: none listed; GHM
-Ten albums into his career, this Nashville troubadour continues to crank out first-rate music. A case in point is this track from his new So On and So Forth collection. The sweetly melodic ode to the City of Light flows as fluidly as the Seine. Even before the album was released this month, CNN invited him to perform it on the air. That’s par for the course, since House’s folk-pop songs have been featured on a number of film and TV soundtracks. His vulnerability tugged at my heartstrings during several of his latest lyric masterpieces. I remain a huge fan.


THE ROOSEVELTS/Peaches
Writers: James Mason/Jason Kloess; Producer: Dwight Baker; Publisher: Beard Face/J Klo, BMI; In Stereo
-This fully bearded Nashville duo churn up a big, crunchy, rootsy sound on a remarkably assured debut album, The Greatest Thing You’ll Never Learn. The lead-off tracks have terrifically infectious hooks, jaunty energy and hearty good vibrations. I was so smitten, I dove instantly into the whole collection until I got to this smoldering soul stew of bluesy heartache. An A+ from this listener.

PARKER MILLSAP/Heaven Sent
Writer: Parker Millsap; Producer: Gary Paczosa & Parker Millsap; Publisher: Northwentz, BMI; Okrahoma
-I was a huge fan of Millsap’s debut album. His new one, The Very Last Day, includes this striking song about a gay son yearning for acceptance from his fundamentalist preacher father. Gripping and essential.

ANDREW ATKINS/May the Stars Fall at Your Door
Writer: Andrew Adkins; Producer: Andrew Adkins; Publisher: Whiskey Begonias, ASCAP; Electranead
-This Music City dude does it all. He writes ‘em, sings ‘em, produces himself and plays most of the instruments on his Glass Castles album. This track from it has a very cool “pulsing” vibe that throbs beneath his clear tenor voice. The poetic lyrics fit the synth-y sound just right.

THE WOOD BROTHERS/Singin’ to Strangers
Writers: C. Wood/O. Wood/J. Rix; Producers: Chris Wood, Oliver Wood & Jano Rix; Publisher: Royal Kook/Wood Sound/Spinach Pitts, BMI/ASCAP; Honey Jar
-This Nashville trio leads off its current Paradise album with this folk-punk outing characterized by slamming beats, manic harmonica, electric-guitar punctuation and bawling vocals. Compulsively listenable.

Hayes Carll. Photo: Jacob Blickenstaff

Hayes Carll. Photo: Jacob Blickenstaff

HAYES CARLL/Love Don’t Let Me Down
Writer: Hayes Carll/Darrell Scott; Producer: Joe Henry; Publisher: Highway 87 Publishing/BMG Firefly/I Imagine Music, ASCAP/SESAC; Hwy87
-Americana fave Carll returns on April 8 with his new Lovers and Leavers collection. This stately, solemn ballad is its first focus track. The deep echo, plaintive delivery, eloquent guitar work and lonely lyric cast a magical spell.

LEFT ARM TAN/Freedom Bus
Writers: Troy Austin/Daniel Hines/Jeff Scroggins/Tim Manders/Brian Lee; Producer: Salim Nourallah; Publisher: none listed; LAT
-This loose-limbed rollicking rocker has good times written all over it. A guaranteed toe tapper. The group’s Lorene album that contains it has a due date of April Fool’s Day. The estimable Walt Wilkins and Ken Bethea from The Old 97’s make guest appearances.

WILLIE SUGARCAPPS/Dreamer’s Sky
Writer: Will Kimbrough; Producers: Trina Shoemaker & Willie Sugarcapps; Publisher: none listed; BCPR
-This is an “all-star” collective featuring such super talents as Will Kimbrough, Anthony Crawford, Savana Lee, Grayson Capps and Corky Hughes. Based on the first Willie Sugarcapps album, the band became big NPR favorites. The sophomore collection, titled Paradise Right Here, drops on April 15. It contains this drawling, easy-swaying string-band ditty celebrating the joy of relaxation.

THE GRAHAMS/Griggstown
Writer: none listed; Producer: Wes Sharon; Publisher: none listed; Creative/Three
Alyssa Graham has a piercing vocal delivery with a trembling vibrato. Doug Graham’s harmony singing is right on the money. This strummy, catchy, rapidly shuffling track is from an album titled Glory Bound. Guests include Sara Watkins, Sean Watkins, Byron Berline, The Milk Carton Kids and David Garza.