LeAnn Phelan Leads 11th LP Creative Therapy Workshop For Songwriters

LeAnn Phelan. Photo: Rachel Deeb

Music executive LeAnn Phelan is hosting her 11th LP Creative Therapy Workshop for songwriters this week, Jan. 2 – 5.

Over the last 25 years, Phelan has helped to develop songwriters in various roles, including Senior Director, A&R at Sony Records; Co-Head of Creative at ASCAP; and her current role as owner of LP Creative Management.

During the pandemic, she created the LP Creative Therapy Workshop platform to connect songwriters everywhere. Since then, the workshop has featured more than 80 top industry guests and over 200 songwriters from across the globe.

“Our community has a lot of great mentors doing great work. It takes a village to support our developing songwriters and I’m proud to be part of that village,” shares Phelan.

The four-day event consists of hour-long Zoom calls beginning at 5 p.m. CT each day. Highlights and topics include: Five Things Publishers Expect from Songwriters, Five Ways Publishers Find Songwriters, Five Things Most Hit Songwriters Have in Common, Q&As, and special guests.

The first class, which took place yesterday (Jan. 2), featured renowned songwriter Tom Douglas. Those that sign up will be able to replay the classes.

The LP Creative Therapy Workshop is not genre specific and is open to songwriters located all over, as well as to anyone wanting to expand their knowledge of the industry. For more information, click here.

Jimmie Allen Heads Into 2023 With Fourth Career No. 1, ‘Down Home’

Jimmie Allen. Photo: Chris Beyrooty

Multi-Platinum entertainer Jimmie Allen is starting off 2023 by notching his fourth career No. 1 as his current single “Down Home” hits the top of the Country Aircheck/Mediabase chart.

Released in March of 2022 via Stoney Creek Records/BBR Music Group, “Down Home” serves as the lead single from Allen’s third album, Tulip Drive. The track serves as a letter to his late father James, who passed away in 2019.

“Dear Dad, I knew you existed and now the world knows too. Thank you to country radio for helping me share the memory of my father through this song,” Allen shared on social media. “My [co-writers] Cameron Bedell, Tate Howell and Rian Ball, I’m thankful to y’all for pushing me to do this song but I also thank you for being patient and writing it with me when I was emotionally ready… To every person that listened to this song, thank you. I read every message about how this song related to you and the person you lost. I’m sending love and peace your way in dealing with your loss.”

The Grammy nominated singer-songwriter most recently performed “Down Home” on New Year’s Eve Live: Nashville’s Big Bash on CBS, as well as served as co-host for the star-studded celebration alongside Elle King and Rachel Smith. Nashville’s Big Bash also saw Allen join forces with Flo Rida for the broadcast premiere performance of their collaboration “No Bad Days.”

It was also recently announced that Allen will serve as a keynote commencement speaker at Delaware State University on May 12.

“Delaware State University is where I am proud to say I attended. I met lifetime friends there and learned so much about who I am as a Black man, and navigating my way through life,” Allen shared. “I’m honored to be the keynote speaker and hope I can share something that will inspire the next generation of leaders. Thank you to President [Tony] Allen and the rest of the DSU family for having me. Let’s go Hornets!!”

The CMA and ACM award-winner will return to the road as a special guest on Carrie Underwood’s “The Denim & Rhinestones Tour,” which resumes on Feb. 2 in Miami with stops in New York City, Los Angeles and Nashville.

Muscadine Bloodline Gears Up For New Album, ‘Teenage Dixie,’ In February

Muscadine Bloodline. Photo: Matt Turpin

Muscadine Bloodline, the duo of Charlie Muncaster and Gary Stanton, is set to release their new album, Teenage Dixie, on Feb. 24.

The 16-track project is chock full of stories about family, history and rowdy adolescence, serving as a love letter to their youth and a take on what “dixie” means for two men who grew up in the thick of it. The project was co-written by Muncaster and Stanton alongside collaborators Brent Cobb, BJ Barham (American Aquarium), Adam Hood, and more.

“Teenage Dixie is a collection of stories with an eccentric underlying tone based in the south. Some are autobiographical, some are true in history books, some are fables about real figures, while some are stories told from a grandson of a man who is larger than life,” the pair share. “Regardless of this being inspired by the south, we are all a product of our raising and shaped by our upbringing. This record incorporates some of our favorite elements of a place that, for some, is anything but stereotypical.”

The album’s string of early singles has already notched the duo more than 450 million combined streams and spots on three separate Billboard charts.

Teenage Dixie Track List:
Teenage Dixie (Charles Muncaster, Gary Stanton, Ryan Youmans)
Pocketful of 90’s Country (Muncaster, Stanton, Youmans, Zoltan Tobak)
Made Her That Way (Muncaster, Jordan Fletcher)
Me On You (Muncaster, Stanton, Youmans)
Inconvenience Store (Muncaster, Stanton, Youmans, Tobak)
Evinrudin’ (Adam Hood, Brent Cobb, Muncaster, Stanton)
Cryin’ in a GMC (Stanton)
WT vs the Devil (Stanton)
Devil Died in Dixie (Stanton)
Life Itself (Stanton)
Good to Drive (Muncaster, Stanton, Youmans)
Named After Natives (BJ Barham, Muncaster, Stanton)
Old Man Gillich (Stanton)
Azalea Blooms (Barham, Stanton)
Knife To a Gunfight (Stanton, Youmans)
Shootout in Saraland (Stanton)

Danielle Bradbery’s ‘A Special Place Tour’ Slated For February

Danielle Bradbery. Photo: CeCe Dawson

Danielle Bradbery is kicking off her first-ever headlining “A Special Place Tour” in February.

The tour starts Feb. 23 in Indianapolis and visits New York, Philadelphia, Dallas, Austin and more before wrapping April 1 in Bradbery’s hometown of Houston. Bradbery’s fan club pre-sale starts today (Jan. 3) before the public on sale on Jan. 5 at DanielleBradbery.com.

“I’m so excited to hit the road for my very first headline tour,” Bradbery shares. “I’ve built a show that I’m really proud of and I can’t wait for everyone to see it.”

The tour supports Bradbery’s new single “A Special Place,” which goes to country radio on Feb. 13, and has already racked up more than 2.5 million global streams. The track was penned by Maren Morris, Sasha Sloan, Shane McAnally and Jimmy Robbins.

Bradbery will also join her “Midnight Crisis” duet partner Jordan Davis on the road on select dates beginning Feb. 1 in Denver.

Chris Young, Randy Houser Among 2023 Maui Songwriters Festival Lineup

Pictured (L-R, top row): Chris Young and Randy House; (L-R, bottom row): Mitchell Tenpenny and Natalie Grant

Sony Music Publishing Nashville and the Grand Wailea have announced the lineup for the 2023 Maui Songwriters Festival set for Jan. 15-17.

Performers for the sixth annual, three-day festival include Chris Young, Mitchell Tenpenny, Randy Houser, Kameron Marlowe, Lukas Nelson and Madeline Edwards.

VIP tickets will also include performances by Natalie Grant and Canadian composer Bernie Herms, plus a meet-and-greet with the artists. Maui’s international Ukulele sensation Derick Sebastian will also be performing. All events will be emceed by SiriusXM’s Storme Warren.

In addition to the ticketed festival, Grand Wailea will host performances at its Botero Lounge, including Maui’s own Lily Meola–winner of Heidi Klum’s Golden Buzzer on America’s Got Talent–as well as Meghan Patrick, Ella Langley and JT Harding.

Tickets are available at mauisongwritersfestival.com or grandwailea.com. A portion of proceeds will be donated to the Boys & Girls Clubs of Maui to support Maui’s youth.

NMPA, NSAI & DiMA End 2022 With Landmark Agreement For Phonorecords IV Proceeding

Following an already impactful year for songwriters and music publishers, 2022 closed with the news that the Copyright Royalty Board accepted the settlement from the National Music Publishers’ Association (NMPA), the Nashville Songwriters Association International (NSAI), and the Digital Media Association (DiMA) for certain mechanical streaming rates in the U.S. for the years 2023-2027.

The agreement will provide higher royalty rates for songwriters and music publishers. The headline royalty rate will be set at 15.35%, which will be phased in over the five-year term.

The deal also includes further changes, such as increases to the per-subscriber minimums and the “Total Content Costs” (TCC) calculations, which reflect the rates that services pay to record labels. The agreement also modernizes the treatment of “bundles” of products or services that include music streaming and updates how services can offer incentives to attract new subscribers into the music ecosystem.

“Starting January 1, songwriters will enjoy the highest rates in the world and the highest rates in the history of digital streaming,” shares NMPA President & CEO David Israelite. “Thanks to the many songwriter advocates who worked hard to make this happen. There are still many challenges ahead to ensure that songs receive their proper value, but the future is bright.”

He adds, “This historic settlement is the result of songwriters making their voices heard. Instead of going to trial and continuing years of conflict, we instead move forward in collaboration with the highest rates ever, guaranteed. We thank the digital services for coming to the table and treating creators as business partners. Critically, since this is a percentage rate, we know that as streaming continues to grow exponentially, we will see unprecedented value of songs.”

Supported by DiMA member companies Amazon, Apple, Google, Pandora and Spotify, as well as NSAI’s Board of Directors and the NMPA Board, the new agreement ensures that all parties will benefit from and be motivated to work together to maximize the continued growth of the industry.

“This collaborative process will lead to increased songwriter compensation from digital streaming companies and locks in our historic 43.8% increase from the previous CRB proceeding,” notes NSAI Executive Director Bart Herbison. “Along with the upward rate momentum there are also new structures to help ensure minimum payments.”

“This agreement represents the commitment of the streaming services to bringing the best music experiences to fans and growing the streaming ecosystem to the benefit of all stakeholders, including the creative foundation of songwriting. For streaming services, this moment presents an opportunity to pursue new collaborations with publishers and songwriters in the context of economic certainty that will support continued innovation,” explains Garrett Levin, DiMA President and CEO. “Perhaps more than anything, this agreement demonstrates the potential for industry progress when parties come to the table for good faith discussions.”

The settlement in its entirety can be viewed here.

Country Grammy Honoree Anita Pointer Passes

Anita Pointer. Photo: Courtesy of Robert K. Oermann archive

Anita Pointer of The Pointer Sisters passed away on New Year’s Eve, Dec. 31, 2022, at age 74.

The second oldest of the four singing sisters, she died surrounded by her family at her home in Beverly Hills, California. In The Pointer Sisters, Anita harmonized with her sisters Ruth (b. 1946), Bonnie (1950-2020) and June (1953-2006).

The Pointer Sisters are mainly remembered for a string of huge pop, soul, and disco hits such as “Jump (For My Love),” “I’m So Excited,” “Fire,” “Neutron Dance” and “Automatic.” But the group also made its mark in country music with “Fairytale,” and Anita Pointer sang a country smash as the duet partner of Earl Thomas Conley.

Anita Porter was born in Oakland, California in 1948. The Pointers’ parents were both from Arkansas, and the family made trips annually to visit grandparents there. Anita liked it there so much that she decided to to attend fifth, seventh and tenth grades in rural Arkansas. This is when she became influenced by country music.

The Pointer Sisters formed their act in 1969. Their first hit single was 1973’s “Yes We Can Can,” written by New Orleans R&B legend Allen Toussaint. Then came 1974’s “Wang Dang Doodle” written by blues titan Willie Dixon. Performances like these gave the group its reputation for reinvigorating classic American music styles.

This led to the honky-tonking sound of “Fairytale.” It was written by Anita with her sister Bonnie, and recorded in 1974 at the Quadraphonic Studios on Music Row. Because of “Fairytale,” The Pointer Sisters were embraced by the country-music community. With Anita singing lead, The Pointer Sisters staged their Grand Ole Opry debut on October 25, 1974. “Fairytale” won the 1974 Grammy Award for Best Country Group Vocal and also received a Grammy nomination for Best Country Song.

Bonnie Pointer went solo in 1977, and Anita, Ruth and June continued as a trio. This was the lineup that scored 10 giant pop/dance hits in 1978-1988.

The biggest was “Slow Hand,” written by John Bettis and Michael Clark. The song’s demo was recorded on Music Row by future country star Pam Tillis in her “disco/soul-sister” voice so that the song could be pitched to a Black act. The Pointer Sisters took it to the upper reaches of both the soul and pop charts in 1981 and earned a Gold Record. In 1982, country superstar Conway Twitty brought the song back to Nashville and took it to No. 1 on the country charts.

Anita Pointer returned to the country hit parade as the duet partner of Earl Thomas Conley in 1986. Their single “Too Many Times” hit No. 2 on the charts as a country collaboration.

The Pointer Sisters earned a Star on the Hollywood Walk of Fame in 1994. After many concert seasons with her sisters, Anita retired from performing in 2015.

No cause of death nor funeral arrangements have been announced. In a statement, her family said, “She was the one that kept all of us close and together for so long….Her love of our family will live on in each of us. Heaven is a more loving, beautiful place with Anita there.”

Becky Isaacs Of The Isaacs In Recovery After Dec. 15 Car Accident

Becky Isaacs. Photo: Courtesy of Marushka Media

Becky Isaacs of The Isaacs is recovering after being hit in a head-on, two-car collision that occurred Dec. 15 in Hendersonville, Tennessee, leaving one person dead.

Isaacs, who was traveling alone, was given immediate care by local first responders and taken to Skyline Medical Center, where it was determined that she suffered a fracture in her left tibia and three fractured ribs. She underwent surgery to insert a plate and nine screws in her right tibia and full reconstruction of her right knee.

Isaacs will be in rehab and unable to put any weight on either leg for four to six weeks.

“There are no words to express my gratitude for the outpouring of love from family, friends, the church community and the entertainment industry,” says Isaacs. “I am grateful to the first responders and to the incredible doctors, nurses and staff at Skyline Medical Center for the exceptional care that has been shown to me and my family. I am forever humbled by it all. In spite of the challenges that lay ahead, my faith is strong because I know the hand of God will not lead me where His grace will not keep me. My prayers go out to the family of the gentleman who lost his life in the accident.”

The Isaacs’ remaining December concerts were cancelled, and the band will have someone stand in for Isaacs over the duration of her recovery. The medical team predicts she will be back on stage by the end of February, depending on progress during rehabilitation.

The group is slated to tour with Reba McEntire beginning March 9 in Jacksonville, Florida.

“Becky has a long road to recovery but with the determination she has and the fighter we know her to be, we are praying for and expecting a full recovery,” the Isaacs family shares. “We know God has been with her through it all. Thank you for the love and continued prayers for her and our family.”

A GoFundMe has been established to help with medical expenses. Cards and well wishes can be sent to Becky Isaacs, P.O. Box 370, Goodlettsville, TN 37070.

Mark Your Calendar—January 2023

Single/Track Releases

January 5
Old Dominion
/Memory Lane/Arista Nashville/Sony Music Nashville

January 9
Coffey Anderson
/Walk A Mile

January 17
Randy Rogers Band
/Fast Car/Thirty Tigers

January 23
Jackson Dean
/Fearless/Big Machine Records
Chayce Beckham/23/Wheelhouse Records

January 27
Shenandoah
/Revival/8 Track Entertainment
McBride & The Ride/Marlboros & Avon

 

Album/EP Releases

January 13
Margo Price/Strays/Loma Vista Recordings
Blessing Offor/My Tribe

January 20
Hardy/The Mockingbird & The Crow/Big Loud

January 27
Elle King/Come Get Your Wife/RCA

 

Industry Events

January 30
2022 CMA Touring Awards

Canadian Country Legend Ian Tyson Passes

Ian Tyson. Photo: Courtesy of Robert K. Oermann archive

Revered as an icon in folk, country and cowboy music, Ian Tyson died on Thursday, Dec. 29, at age 89 at his ranch in Alberta, Canada.

Tyson was a member of the Canadian Country Music Hall of Fame. He was the songwriter of the country standards “Four Strong Winds” and “Someday Soon.”

The former was a 1965 top-10 hit for Bobby Bare. Among the hundreds of others who have recorded it are Hank Snow, The Browns, Bob Dylan, John Denver, Waylon Jennings, Johnny Cash, Joan Baez, Chad & Jeremy, Harry Belafonte, The Carter Sisters, David Houston, the Searchers, The Seekers and Neil Young. “Four Strong Winds” is considered the unofficial anthem of Alberta and was voted by CBC Radio listeners as the greatest Canadian song of all time.

“Someday Soon” was a country single for Kathy Barnes (1976) and Moe Bandy (1982) before having its biggest success as a hit for Suzy Bogguss in 1991. Among the many others who have recorded Tyson’s classic are Skeeter Davis, Judy Lynn, Crystal Gayle, Steve Forbert, The Kingston Trio, Lynn Anderson, Chris LeDoux, Glen Campbell, Judy Collins and Tanya Tucker.

The singer-songwriter was born in Victoria, British Columbia and became a rodeo rider while still in his teens. He took up the guitar while he was recuperating from a rodeo injury. Following his recovery, he hitchhiked across the continent to settle in Toronto.

In 1959, while singing on the coffeehouse circuit there and working as a commercial artist, Tyson met Ontario singer-songwriter Sylvia Fricker. They formed the folk duo Ian & Sylvia in 1961 and were the first to record his “Four Strong Winds” and “Someday Soon,” as well as her classic, “You Were On My Mind.”

Married in 1964, they issued a dozen albums and rose to folk stardom alongside Dylan, Baez, Collins, Denver, Gordon Lightfoot, Buffy Sainte Marie, Joni Mitchell and Peter, Paul & Mary, among many others. Tyson contributed “Play One More,” “So Much for Dreaming,” “Farewell to the North,” “I Learned From Leah” and other favorites to Ian & Sylvia’s records.

Bob Dylan recorded his song “One Single River” in 1967 during his “Basement Tapes” sessions with The Band. Others who have recorded Ian Tyson songs include Michael Martin Murphey, Don Williams, Flatt & Scruggs, Nanci Griffith, The Brothers Four, Bobby Darin, Trini Lopez, J.D. Crowe & The New South, Jonathan Edwards, The Chieftains, Tony Rice, George Hamilton IV, The Hagers, Ace Cannon, Harpers Bizarre and singing cowboy Don Edwards.

In 1968, Ian & Sylvia came to Music City to record their collection titled Nashville. It featured instrumental support by Jerry Reed, Pete Drake, Buddy Spicher, Harold Bradley, Norbert Putnam and more of Music City’s finest. Tyson produced many of the duo’s later albums, as well as most of his subsequent solo efforts.

The duo became major contributors to the country-rock movement by forming the band Great Speckled Bird in 1970. On the group’s three acclaimed albums, Tyson provided such memorable songs as “Summer Wages,” “Some Kind of Fool” and “Old Cheyenne.” In 1970-75, the couple broadcast on the Canadian TV series Nashville North, which he hosted.

He recorded a solo country album titled Ol’ Eon in 1974. Following their finale concerts and amicable divorce in 1975, both Ian Tyson and Sylvia Fricker Tyson pursued solo careers. So did their son, Clay Tyson (b. 1966).

Ian Tyson moved back to the Canadian West to farm, train horses and acquire a ranch. He resumed recording in 1978 with the album One Jump Ahead of the Devil, which was partly recorded in Nashville.

Old Corrals & Sagebrush (1983) was completely comprised of cowboy songs, both vintage and new. Tyson was quickly embraced by the cowboy renaissance of the early 1980s. He performed at the inaugural Elko Cowboy Poetry Gathering in 1983, and he attended most of those festivals during the next 30 years.

Now identified with western music, Ian Tyson released 15 additional collections of his cowboy songs, including 1987’s Cowboyography, which won him a Juno Award in Canada. It contained his classic “Navajo Rug,” which was also recorded by Tom Russell and Jerry Jeff Walker. Among the other Tyson solo-album highlights were I Outgrew the Wagon (1993), And Stood There Amazed (1991) and Songs From the Gravel Road (2005).

He returned to Nashville to record with producer Jim Rooney for 1994’s Eighteen Inches of Rain, with producer Steve Buckingham for 1999’s Lost Herd and with producer Harry Stinson for 2009’s Yellowhead to Yellowstone.

During this “second” career, Tyson was named Male Vocalist of the Year by the Canadian Country Music Association three times in the 1990s. His top-10 Canadian country hits are “Cowboy Pride” (1987), “Fifty Years Ago” (1988), “Springtime in Alberta” (1991), “Lights of Laramie” (1992) and “Alcohol in the Bloodstream” (1993).

He became the industry’s leading proponent of “cowboy culture” north of the border. Ian Tyson was inducted into the Canadian Country Music Hall of Fame in 1989. Ian & Sylvia were inducted into the Canadian Music Hall of Fame in 1992 and made Members of the Order of Canada two years later.

In 2007, he was saluted with the album The Gift: A Tribute to Ian Tyson. Among the artists participating were Lightfoot, Russell, Corb Lund, Chris Hillman, Jennifer Warnes, Blue Rodeo and Ramblin’ Jack Elliott. Tyson’s autobiography, The Long Trail: My Life in the West, was published in 2010. In 2012 came Four Strong Winds: Ian & Sylvia a book by John Einarson.

Ian Tyson had been in declining health for several years, following open-heart surgery in 2015. The family will hold a closed service and has requested privacy at this time. Donations in Tyson’s memory can be made to The Ian Tyson Legacy Fund (westernfolklife.org/donate).