Thomas Rhett performs during “Home Team Tour 23” show at Bridgestone Arena. Photo: Grayson Gregory
Thomas Rhett took over Bridgestone Arena on Friday night (Sept. 29) for the first of his two “Home Team Tour 23” shows at the Nashville venue. The multi-Platinum artist serenaded the sold-out crowd with a set of hits, some featured on his 20 Number Ones collection, which dropped earlier that day, as well as a few fun covers, and charmed fans with his wholesome, authentic energy.
Rising artist Nate Smith got the evening started. His name flashed in block letters above as he sang the emotion-filled track “Wreckage” before throwing a t-shirt into the audience and jumping into his smash single “Whiskey On You.” Fans belted the chorus back to Smith and bopped side-to-side as orange and white lights circled the stage. He then pumped everyone up for the next opener, country star Cole Swindell, and threw his hat in the air for a lucky concertgoer to catch.
Thomas Rhett performs during “Home Team Tour 23” show at Bridgestone Arena. Photo: Grayson Gregory
Swindell made his entrance with chart-climbing tune “Drinkaby” along with “Love You Too Late.” Hypnotic purple patterns appeared on the screens behind him and green beams brightened each seat as he moved into “Single Saturday Night.” A retro black and white design followed the beat of the chorus as Swindell walked to each side of the stage, engaging the entire arena. The spotlights brimmed with blue and lifted to land on each corner as he shifted to the title track of his 2022 album, Stereotype. Images of smoke floated above while Swindell sang “Hope You Get Lonely Tonight” and checked in with everybody before giving the stands the mic for part of the last verse. The smoke morphed into a mountain-esque landscape for “How Is She,” which the singer deemed one of his favorites from Stereotype.
The stage only changed from warm tones to cool as Swindell soulfully sang “Break Up in the End” and a starry sky peaked behind the trees projected. Once the song concluded, he gave a shoutout to its writers Chase McGill, Jessie Jo Dillon and Jon Nite.
“10 years ago, this whole ride started because of a bunch of friends at country radio, my label and my team. I’ve made some of my favorite memories on stages like this, in front of crowds like y’all,” shared Swindell.
“I got engaged in May and took home a couple of trophies a few days later. I guess what I’m saying is we get to make memories all over this country, but we’re never home. So, can we make a special one right here in Nashville tonight?” he asked the Bridgestone crowd before diving into “Middle of a Memory.”
Swindell then told us he hoped we’d make a hundred more memories tonight as Lainey Wilson appeared on both the left and right stage screens for their duet, “Never Say Never.” He threw it back to his first album next with “Let Me See Ya Girl,” and got the crowds’ hands waving, pausing for a moment to take it all in. Fans held up their phones from below the stage and Swindell never missed an opportunity to help capture the moment by taking selfies while singing.
He moved into his No. 1 hit “Chillin’ It” as the screens mirrored a Miami-like display of vibrant colors and palm trees. The colors faded to black and the lights shined blue as the tone transitioned for the heart-wrenching track, sentimental track “You Should Be Here,” which Swindell dedicated to anyone who has dealt with loss.
“That’s one I wish I never had to write, but songs like that are why I fell in love with country music in the first place, because you know [someone] out there can relate. I want y’all to know I’m just like you, I’ve been through it too.”
He then brought the vibes back up with “Ain’t Worth the Whiskey.” Before finishing the number, the artist took a moment to thank everyone for coming and recognize the troops that have served our country as well as the first responders and other brave souls who sacrifice their time and risk their lives for us. A visual of a heart beat pulsated on the screens and red lights swirled as Swindell moved into “Flatliner,” which he recorded with Dierks Bentley. The red faded to bright blue as he wrapped with the award-winning “She Had Me At Heads Carolina,” the stands singing just as loud the singer himself.
DJ Daniel Ian Jones kept the energy high in between the openers and headliner, playing a mix genres and encouraging the audience to sing along and dance.
When it came time for Rhett, the arena went black and royal blue smoke rose from the platform as lights flashed to spotlight each band member. Suddenly, a drum set emerged from underneath the stage accompanied by a figure sporting a bomber jacket and baseball cap. After playing for a few seconds, the drummer got up and turned to face Bridgestone, revealing himself as the man of hour. Microphone in hand, Rhett kicked off with “Vacation,” which only made Bridgestone go crazier after his exciting entrance.
Thomas Rhett performs during “Home Team Tour 23” show at Bridgestone Arena. Photo: Grayson Gregory
Hips kept swaying and toes kept tapping as the superstar shed his jacket and performed the track that marked his 13th No. 1, “Look What God Gave Her.” Next, Rhett had anyone with a cold drink in their hand raise it up for “Half Of Me,” which he recorded alongside Riley Green. Fiery lights covered the venue during “Crash and Burn.” Sweet videos of Rhett’s family were shared with both sides of the stage as he moved into “Life Changes,” his 11th career No. 1. Fall leaves fell into a pile on the screen above while he asked Nashville to put their hands up for “Slow Down Summer.”
Rhett then requested that we all sing “Sixteen” together as rays of pink and blue seemed to flash every time he strummed his guitar. Magenta hues coated the stage and he put his guitar away for the beautifully heart-breaking hit “Marry Me,” during which Rhett passed the pick to crowd members for the final verse.
The entertainer checked in on everybody and asked how the fans in the very top rows were doing before expressing his gratitude to the sold-out stands, and praising Smith and Swindell for their performances. He then took a picture with the whole arena and his band. Rhett announced that the next three songs were for all of the O.G fans in the house, and acoustically played a portion of “Notice” before shifting to “Get Me Some Of That” and “It Goes Like This.”
The steps on the stage glowed, and blue and purple lights shone through the masses as Rhett’s band showed off their incredible talent alongside him for “Make Me Wanna.” Rhett made his way up through the stands as he sang, taking pictures with multiple fans. After the song, he took a moment to spotlight his steel player, Whit Wright, whose wife had just given birth 12 hours prior. He stated that he begged Wright not to come tonight but Wright still showed up, and had us make some noise for the band member. Rhett then wanted to see how loud Nashville could sing he and Jon Pardi‘s “Beer Can’t Fix,” and brought Smith out for the latter half of the tune.
He asked us to keep giving it up for his band and noted that they were now going to play “one for the ladies.” Pink colors coated the room and many loved ones turned to their special girls to serenade them with “Star Of The Show” alongside Rhett. The hitmaker made sure to autograph a few mementoes for fans below and take selfies with audience members throughout his set.
Next, Rhett proceeded to time travel through “seven decades of music in seven minutes,” putting his range of vocal skills on full display.
“I just want to make everyone feel special, no matter the age group,” he said, before kicking the special segment off with Elvis Presley‘s “Hound Dog” from the ’50s.
Bridgestone couldn’t help but boogie during James Brown & The Famous Flames‘ ’60s hit “I Feel Good (I Got You).” He opted for The Rolling Stones‘ “Beast Of Burden” as the ’70s choice, due to that fact that his father, renowned songwriter Rhett Akins, is a huge fan of the band. The artist requested that we go electric for Rick Springfield‘s ’80s classic “Jessie’s Girl.” The ’90s baby then rocked out Matchbox Twenty‘s “3AM,” and entered the 2000s with Jimmy Eat World‘s “The Middle,” sharing a story about purchasing their CD at a store with his grandmother. Rhett wrapped the throwback session with the 2010s smash “Shut Up and Dance” by Walk The Moon.
He brought out his turquoise acoustic guitar for chart-topper “Die A Happy Man,” a song Rhett says “changed his life.” One of his band members gave quite a guitar solo before the audience belted the last verse. Everyone kept singing as the music of “Unforgettable” filled the space. Red tones lit the stage stairs and explosions burst on the screens as Rhett went into “Craving You,” a track he recorded with Maren Morris.
He kept the entire arena jamming up until the very end with “What’s Your Country Song” and “T-Shirt,” confetti flying as the show came to a close.
Additionally, Rhett recently earned his 21st No. 1 with Angels (Don’t Always Have Wings), and was announced as a headliner for CBS’ New Year’s Eve Live: Nashville’s Big Bash on Dec. 31.
Greyson Chance & Heather Russell Sign With Prescription Songs
/by Lorie HollabaughGreyson Chance & Heather Russell
Prescription Songs has signed publishing deals with singer-songwriter and pianist Greyson Chance and singer-songwriter and producer Heather Russell.
Pictured (L-R): Prescription Songs’ Kelly White, Prescription Songs’ Rachel Wein, Greyson Chance, Prescription Songs’ Brooke Webster, Cultiv8’s Alex Ziabko and Prescription Songs’ Katie Fagan
Chance, an Oklahoma-born artist, emerged as a viral sensation at age 12. He introduced himself with his 2011 debut album Hold On ‘til the Night, and realized the power of his voice with 2019’s Portraits, which includes the single “Shut Up” that generated over 95 million Spotify streams and counting, followed by “Yours” with 12 million Spotify streams. Chance recently released the deluxe edition Palladium.
“Working with Greyson is an A&R’s dream; he is unapologetic in his creative vision, yet open to feedback and never afraid to venture into new territory,” says Prescription Songs’ Rachel Wein and Brooke Webster. “As longtime fans, we are thrilled to welcome Greyson into the Prescription Songs family and look forward to building together.”
“I am so grateful and honored to now be alongside the many talented artists, producers and writers at Prescription,” Chance shares. “For me, it was the Prescription team themselves who made me want to pursue my first publishing deal. I feel at home and understood by each and every person in their building, and that’s a special thing to experience in the music industry.”
Pictured (L-R): Brent Burns, Heather Russell and Prescription Songs’ Chris Martignago
Originally from Toronto, 23-year-old Russell’s songs have a vintage, theatrical feel. She has been navigating the industry since signing a major record deal at the age of nine. Her music is inspired by a love of film noir and pop culture. Russell’s upcoming debut Knock, the first of a three-part album, was just released via Kick Kick Snare/42 Records.
“Heather’s voice is one of a kind and she lights up every creative room she’s in,” adds Prescription Songs’ Chris Martignago. “I’m excited to be a part of her journey and to be teaming up with Brent again in a new capacity. We’ve got work to do and I’m excited for us to be in business together to make it happen.”
“Prescription Songs immediately felt like home. My manager, Brent Burns, and Chris Martignago have known each other for over a decade. I’m so grateful to them both, and to everyone in the building for believing in me and welcoming me with open arms,” says Russell. “They are all matched in their professional capacities only by the awesomeness of their personalities! Side effects will absolutely include winning.”
Amazon Music Kicks Off Country Music Month With New Playlist & Programming
/by Liza AndersonAmazon Music kicked off Country Music Month, a celebration of music and entertainment, by introducing their new Neon Stars playlist, as well as an array of exclusive programming that features the genre’s biggest stars and rising up-and-comers.
Throughout October, fans can listen to Neon Stars, which notably highlights artists whose careers launched on social media and showcases the future voices of country music. The playlist is updated weekly and curated by expert tastemakers.
“Neon Stars brings together artists who have made impressive imprints on both social media and culture,” says Emily Cohen Belote, Principal Music Curator, Amazon Music. “The playlist is designed to go even bigger with both the country genre and a younger demographic. We’re thrilled to continue highlighting the artists that emerge from these spaces and super-serve their fans.”
Country has been a top performing genre on Amazon Music for a while now. The Country Heat playlist emerged as the genre’s flagship for Amazon Music, reaching millions of listeners around the world, and has proven to be a trendsetter for the service. Listeners can expect new Country Heat Weekly podcast episodes, co-hosted by Amber Anderson and Kelly Sutton, with wide-ranging interviews and commentary throughout the month. The podcast recently kicked off its fourth season with special guest Tim McGraw, with upcoming episodes to feature Darius Rucker (Oct. 5), Riley Green (Oct. 12), Restless Road (Oct. 19) and Ingrid Andress (Oct. 26).
Additionally, Amazon Music will present a “City Sessions” livestream with Bailey Zimmerman on Oct. 13, and Green will star in the “Breakthrough Live Takeover” livestream on Oct. 17 via the Amazon Music channel on Twitch.
Flatland Cavalry Partners With Interscope Records For New Album
/by Steven BoeroFlatland Cavalry. Photo: Fernando Garcia
Flatland Cavalry will release their next album, Wandering Star, on Oct. 27 via Interscope Records—their first release in partnership with the label.
Ahead of the album release, the new song, “Mornings With You” featuring Kaitlin Butts has been released. Written by lead singer Cleto Cordero with Ashley Monroe and Nick Walsh, the song is available now on all platforms.
“Last June, I got to write with a couple great songwriters in town, Ashley Monroe and Nick Walsh,” says Cordero. “The three of us got along effortlessly—I think our collective experiences with the strenuous journey that is dream-chasing and being highwaymen (and women) lent towards us writing a song that is the antithesis of the hustle and bustle of living the Night Life; a song about the beauty of cherishing the start of a new day, basking in the peace and stillness, with the one you love most.
“The song came to life in the studio, expanding its energy and emotion, as the band added their signature touch,” Cordero continues. “It is the great honor and privilege of my life to get to wake up next to my wife, Kaitlin Butts, so including her voice on the song added an element that makes for a truly beautiful and powerful recording. Like the rising sun bursting from the dark horizon, she and our bass player’s wife, Sydney Saenz, crafted a luminous angel choir outro that takes the song to heavenly places and makes for one of my favorites records we’ve ever made.”
Produced by Dwight A. Baker (Josh Abbott Band, Pat Green), Wandering Star is a collection of country anthems and thoughtful ballads that further elevate the band’s signature musicianship and vivid storytelling. Across these 13 tracks, including previously released songs “Last American Summer” and “Oughta See You (The Way I Do),” the band reflects on authentic day-to-day experiences, while celebrating the simple joys of life.
In celebration of the new music, Flatland Cavalry will continue to tour through this winter, including headline shows at Austin’s Moody Theater, Fort Worth’s Billy Bob’s (two nights), Tucson’s Rialto Theatre, Athens’ Georgia Theatre (two nights), Nashville’s historic Ryman Auditorium and New York’s Irving Plaza, among many others. They will also join Parker McCollum for select dates this fall.
Wandering Star Track List:
1. The Provider
2. The Best Days
3. Only Thing At All
4. Last American Summer
5. Mornings With You (feat. Kaitlin Butts)
6. Let It Roll
7. Spinnin’
8. Don’t Have To Do This Like That
9. New American Dream
10. Oughta See You (The Way I Do)
11. A Thousand Miles An Hour
12. Burned Out Flame
13. Forgotten
Heavy Metal: Cole Swindell, Nate Smith, Morgan Evans
/by Liza AndersonCole Swindell Surprised With RIAA Plaques
Pictured (L-R): KP Entertainment’s Kerri Edwards, Warner Music Nashville’s Kristen Williams, Cole Swindell and Warner Music Nashville’s Cris Lacy. Photo: Alan Poizner
Cole Swindell was surprised with RIAA plaques recognizing his Gold-certified album Stereotype and triple-Platinum hit “She Had Me At Heads Carolina” on Friday afternoon (Sept. 29) prior to his performance at Nashville’s Bridgestone Arena for the first of Thomas Rhett’s “Home Team Tour 23” shows at the venue.
This continues be a big year for the artist, as he recently received a CMA Awards nomination for Musical Event of the Year for “She Had Me At Heads Carolina” with Jo Dee Messina. In addition to taking home three ACM Awards for Single of the Year and Song of the Year as songwriter and artist in May, he released his deluxe album Stereotype Broken. Swindell also won Country Song of the Year for “She Had Me At Heads Carolina” at the iHeartRadio Music Awards and earned a pair of nominations at the 2023 CMT Music Awards
His most recent top 10 single “Drinkaby” follows three Platinum-certified, multi-week No. 1 singles from Stereotype: “Never Say Never” with Lainey Wilson, “Single Saturday Night” and “She Had Me At Heads Carolina,” which remained in the top five for 23 consecutive weeks.
Swindell just wrapped touring with Rhett, his friend and co-writer on “She Had Me At Heads Carolina,” and will launch his own headlining “Twelve Tour” on Oct. 12 in Fargo, North Dakota.
Nate Smith Strikes Gold With ‘Wreckage’ & ‘Under My Skin’
Nate Smith with Sony Music Nashville and The Core Entertainment team members. Photo: Chris Ashlee
Nate Smith recently struck RIAA Gold with his songs “Wreckage” and “Under My Skin.” Some of his Sony Music Nashville and The Core Entertainment teams surprised him with plaques to celebrate the successes backstage at Bridgestone Arena on Friday night (Sept. 29) before he opened for Thomas Rhett‘s first sold-out “Home Team Tour 23” stop in Nashville. He was also gifted a YouTube’s 100K Subscribers Award plaque.
Following his Platinum-certified, multi-week No. 1 “Whiskey On You,” Smith’s current single “World On Fire” has reached the top 25 at country radio with over 70 million global streams to date.
Last week, the singer announced that he will join Morgan Wallen next year for his “One Night At A Time 2024 Tour.” Smith will serve as support in stadiums across the country, including stops in Arlington, Charlotte, Denver, Indianapolis, Kansas City, Las Vegas, Minneapolis, Nashville, Oxford and Tampa. The singer spent the summer touring with Rhett and will join Cole Swindell on his “Twelve Tour” this fall. He will also return to Stagecoach next year after his debut appearance at the festival this year.
Morgan Evans Earns Plaque For Over A Million ARIA-Certified Single Sales
Morgan Evans receives plaque for over one million ARIA-certified single sales
While in his home country of Australia, Morgan Evans received a plaque for garnering over one million ARIA-certified single sales, which he earned with songs including his No. 1 debut “Kiss Somebody” and latest hit “Over For You,” among others.
Evans recently returned to Australia for his “Life Upside Down Tour.” He sold out dates in Melbourne, Newcastle, Brisbane, Perth, Canberra and two shows at the famous Sydney Opera House, making him the seventh country artist to play at the iconic venue. Evans will continue the “Life Upside Down Tour” in the states, starting this Thursday (Oct. 5).
ASCAP’s 45th Annual Christian Music Awards Honors Brandon Lake, Matthew West, More
/by Lorie HollabaughPictured (L-R): ASCAP Vice President of Nashville Membership Mike Sistad; ASCAP Nashville Assistant Vice President, Strategic Services Kele Currier; ASCAP Chairman of the Board and President Paul Williams; Capitol CMG VP Administration and Operations Kent Draughon; ASCAP Golden Note honoree Matthew West; writer of the ASCAP Christian Music Song of the Year, David Spencer; Capitol CMG EVP Casey McGinty; Capitol SVP A&R Karrie Dawley; Capitol CMG Director of Publishing Lindsey O’Halloran; Capitol CMG Director of Publishing Ryan Grady. Photo: Larry McCormack for ASCAP
Brandon Lake took home top honors Monday night (Oct. 2) at ASCAP’s Christian Music Awards in Nashville, which honors the songwriters and publishers of Christian music’s 25 most-performed songs of the past year.
Pictured (L-R): Actor, singer and songwriter Dennis Quaid; ASCAP Chairman of the Board and President Paul Williams; ASCAP Golden Note honoree Matthew West. Photo: Larry McCormack for ASCAP
The award marks Lake’s first Songwriter of the Year honor. He is a co-writer on five of the most-performed Christian songs of the year, including “Ain’t Nobody,” “Gratitude,” “Honey in the Rock,” “Same God” and “This Is Our God.” A Grammy Award-winning artist for his work with Maverick City Music, Lake leads the upcoming Dove Awards nominations with 11 nominations including Artist of the Year, three Song of the Year nominations and four Worship Recorded Song of the Year nominations. Gospel Music Association President and Executive Director Jackie Patillo congratulated Lake as part of a video tribute at the party.
Other big winners of the night included Matthew West, who received the ASCAP Golden Note Award. After personal remarks from film star Dennis Quaid, who recently released Fallen: A Gospel Record for Sinners, ASCAP Chairman of the Board and President Paul Williams presented West with the award, a special honor for songwriters, composers and artists who have achieved extraordinary career milestones. West has notched 30 No. 1 songs as an artist and/or songwriter and has had cuts by Rascal Flatts, Scotty McCreery, Casting Crowns, Michael W. Smith and Amy Grant, among others. Grant, Smith, Anne Wilson, Casting Crowns vocalist Mark Hall, A.J. Pruis and Tim Tebow offered recorded messages of congratulations to mark the occasion.
Pictured (L-R): ASCAP Vice President of Nashville Membership Mike Sistad; Capitol CMG VP Administration and Operations Kent Draughon; Capitol CMG EVP Casey McGinty;
Capitol CMG SVP A&R Karrie Dawley; ASCAP Nashville Assistant Vice President, Strategic Services Kele Currier. Photo: Larry McCormack for ASCAP
Christian Music Song of the Year honors went to the track “In Jesus Name (God of Possible),” from David Spencer, David Spencer Songs and Essential Music Publishing LLC. As a songwriter and producer, Spencer has amassed over a quarter billion streams and has occupied the top spots on the Billboard and iTunes charts across multiple genres. Recorded and released by Katy Nichole, “In Jesus Name (God of Possible)” was a No. 1 on Billboard’s Hot Christian Songs and Christian Airplay charts. Spencer and Jamie Rodgers, Vice President of Essential Music Publishing, accepted the award.
The ASCAP Christian Music Publisher of the Year Award was given to Capitol CMG Publishing for a remarkable 21st consecutive year, with 10 award-winning titles, including “Build a Boat” (performed by Colton Dixon), “New Creation” (Mac Powell), “Same God” (Elevation Worship feat. Jonsal Barrientes), “See Me Through It” (Brandon Heath) and “Sunday Sermons” (Anne Wilson). Capitol CMG Executive Vice President Casey McGinty, VP Administration and Operations Kent Draughon and SVP A&R Karrie Dawley accepted the award for their team.
A complete list of ASCAP Christian Music Award winners can be found at ascap.com/
Weekly Register: Zach Bryan Scores Top Country Album Debut
/by Liza AndersonPhoto: Courtesy of Bryan Family Archives
Zach Bryan‘s Boys Of Faith EP claims the top country album debut this week, securing the artist another top five slot on the country albums chart as it lands at No. 3 with 44K in total consumption (4.2K album only/50 million song streams) according to Luminate data.
Morgan Wallen‘s One Thing At A Time returns to No. 1 this week with 73K (1.8K album only/91 million song streams), and Bryan’s self-titled project falls to No. 2 with 66K (1.1K album only/83 million song streams). Wallen’s Dangerous: The Double Album shifts to No. 4 with 37K (391 album only/47 million song streams), while Bryan’s American Heartbreak remains at No. 5 with 31K (1.7K album only/38 million song streams).
On the country streaming songs chart, Bryan and Kacey Musgraves‘ “I Remember Everything” stays at No. 1 with 22 million streams, adding to 134 million ATD. Wallen’s “Last Night” rests at No. 2 with 17 million new streams, adding to 934 million ATD. Bryan and Noah Kahan‘s “Sarah’s Place” rises to No. 3 with 15 million new streams, as “Something In The Orange” sits at No. 4 with 14 million streams, adding to 974 million ATD. Luke Combs‘ cover of “Fast Car” slides to No. 5 14 million new streams, adding to 433 million ATD.
Oliver Anthony Re-Enters Top 5 On MusicRow Top Songwriter Chart
/by Caela GriffinOliver Anthony
Oliver Anthony has re-entered the top 5 on the MusicRow Top Songwriter Chart this week. Sitting at No. 5, Anthony earns his rank with his solo-penned song “Rich Men North of Richmond,” that has been a steady presence on the charts.
Zach Bryan holds the No. 1 spot for the fourth week in a row. 15 of Bryan’s songs are charting this week, and he is listed as the sole writer on most of them. Ashley Gorley is at No. 2 this week with cuts from Morgan Wallen, Dan + Shay, Parmalee and more. Luke Combs’ “Fast Car” has Tracy Chapman at No. 3 and Ryan Vojtesak is at No. 4 with three Wallen tracks.
The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.
Parmalee Notches 4th No. 1 Single With ‘Girl In Mine’
/by Caela GriffinParmalee. Photo: Alysse Gafkjen
Parmalee continues their streak of consecutive No. 1 singles with “Girl In Mine,” which topped the Country Aircheck/Mediabase radio chart this week.
“It’s a beautiful thing when fans start to really connect with a song, and you feel the energy every night when they’re singing it back to you,” says lead singer Matt Thomas. “Every No. 1 is special, but this one is for the fans.”
“Girl In Mine,” written by Matt Thomas, David Fanning, Ashley Gorley, Casey Brown and Travis Wood, follows their 2022 No. 1 record-setting, “Take My Name,” which was Billboard’s Most Played Country Song of 2022, as well as the No. 1 Platinum hit “Just The Way” with Blanco Brown. The band first topped the charts with a song inspired by their home state, “Carolina.”
Parmalee recently released their extended album For You 2, which features five new songs including “Girl In Mine.” The other new tracks on the 18-song collection include “Gonna Love You,” “Is It Just Me,” “Boyfriend” and “Wish You Never Loved Me.”
The band recently wrapped a 19-city tour with Grammy Award-winning group Train. With a full slate of shows to finish out 2023, Parmalee will soon turn their attention to 2024’s “In The Air Tour” with Kane Brown.
Colin Stough To Release Debut EP, ‘Promiseland’
/by Lorie HollabaughPhoto: Mike Rodway. Art Design: Nick Sarpa.
Colin Stough is gearing up for the release of his debut EP, Promiseland, following his run on season 21 of American Idol earlier this year. The six-song project will be released to all streaming outlets on Oct. 20.
The announcement accompanies the launch of the second single from the project, “Lonely Hour,” and an accompanying video.
“There are these moments after a breakup where everything kind of settles and the loneliness kicks in,” says Stough. “It’s those moments after the day winds down before the night sets in and you can fall asleep. The moments where you can’t stop thinking about everything and you finally start feeling all of the pain and loss that comes after a relationship has run its course. It’s the lonely hour.”
“Lonely Hour” and “Promiseland” follow the release of the new artist’s debut song “Bad Day,” a testament to the working man’s struggle to get through a particularly mundane day, as well as “I Still Talk To Jesus,” a personal depiction of Stough’s struggle to find meaning in a lifetime of disappointments and letdowns, which ended up reaching No. 5 on Billboard’s Country Digital Song Sales charts.
Thomas Rhett Brings Bridgestone Arena Together For A Fun Night Of Music
/by Liza AndersonThomas Rhett performs during “Home Team Tour 23” show at Bridgestone Arena. Photo: Grayson Gregory
Thomas Rhett took over Bridgestone Arena on Friday night (Sept. 29) for the first of his two “Home Team Tour 23” shows at the Nashville venue. The multi-Platinum artist serenaded the sold-out crowd with a set of hits, some featured on his 20 Number Ones collection, which dropped earlier that day, as well as a few fun covers, and charmed fans with his wholesome, authentic energy.
Rising artist Nate Smith got the evening started. His name flashed in block letters above as he sang the emotion-filled track “Wreckage” before throwing a t-shirt into the audience and jumping into his smash single “Whiskey On You.” Fans belted the chorus back to Smith and bopped side-to-side as orange and white lights circled the stage. He then pumped everyone up for the next opener, country star Cole Swindell, and threw his hat in the air for a lucky concertgoer to catch.
Thomas Rhett performs during “Home Team Tour 23” show at Bridgestone Arena. Photo: Grayson Gregory
Swindell made his entrance with chart-climbing tune “Drinkaby” along with “Love You Too Late.” Hypnotic purple patterns appeared on the screens behind him and green beams brightened each seat as he moved into “Single Saturday Night.” A retro black and white design followed the beat of the chorus as Swindell walked to each side of the stage, engaging the entire arena. The spotlights brimmed with blue and lifted to land on each corner as he shifted to the title track of his 2022 album, Stereotype. Images of smoke floated above while Swindell sang “Hope You Get Lonely Tonight” and checked in with everybody before giving the stands the mic for part of the last verse. The smoke morphed into a mountain-esque landscape for “How Is She,” which the singer deemed one of his favorites from Stereotype.
The stage only changed from warm tones to cool as Swindell soulfully sang “Break Up in the End” and a starry sky peaked behind the trees projected. Once the song concluded, he gave a shoutout to its writers Chase McGill, Jessie Jo Dillon and Jon Nite.
“10 years ago, this whole ride started because of a bunch of friends at country radio, my label and my team. I’ve made some of my favorite memories on stages like this, in front of crowds like y’all,” shared Swindell.
“I got engaged in May and took home a couple of trophies a few days later. I guess what I’m saying is we get to make memories all over this country, but we’re never home. So, can we make a special one right here in Nashville tonight?” he asked the Bridgestone crowd before diving into “Middle of a Memory.”
Swindell then told us he hoped we’d make a hundred more memories tonight as Lainey Wilson appeared on both the left and right stage screens for their duet, “Never Say Never.” He threw it back to his first album next with “Let Me See Ya Girl,” and got the crowds’ hands waving, pausing for a moment to take it all in. Fans held up their phones from below the stage and Swindell never missed an opportunity to help capture the moment by taking selfies while singing.
He moved into his No. 1 hit “Chillin’ It” as the screens mirrored a Miami-like display of vibrant colors and palm trees. The colors faded to black and the lights shined blue as the tone transitioned for the heart-wrenching track, sentimental track “You Should Be Here,” which Swindell dedicated to anyone who has dealt with loss.
“That’s one I wish I never had to write, but songs like that are why I fell in love with country music in the first place, because you know [someone] out there can relate. I want y’all to know I’m just like you, I’ve been through it too.”
He then brought the vibes back up with “Ain’t Worth the Whiskey.” Before finishing the number, the artist took a moment to thank everyone for coming and recognize the troops that have served our country as well as the first responders and other brave souls who sacrifice their time and risk their lives for us. A visual of a heart beat pulsated on the screens and red lights swirled as Swindell moved into “Flatliner,” which he recorded with Dierks Bentley. The red faded to bright blue as he wrapped with the award-winning “She Had Me At Heads Carolina,” the stands singing just as loud the singer himself.
DJ Daniel Ian Jones kept the energy high in between the openers and headliner, playing a mix genres and encouraging the audience to sing along and dance.
When it came time for Rhett, the arena went black and royal blue smoke rose from the platform as lights flashed to spotlight each band member. Suddenly, a drum set emerged from underneath the stage accompanied by a figure sporting a bomber jacket and baseball cap. After playing for a few seconds, the drummer got up and turned to face Bridgestone, revealing himself as the man of hour. Microphone in hand, Rhett kicked off with “Vacation,” which only made Bridgestone go crazier after his exciting entrance.
Thomas Rhett performs during “Home Team Tour 23” show at Bridgestone Arena. Photo: Grayson Gregory
Hips kept swaying and toes kept tapping as the superstar shed his jacket and performed the track that marked his 13th No. 1, “Look What God Gave Her.” Next, Rhett had anyone with a cold drink in their hand raise it up for “Half Of Me,” which he recorded alongside Riley Green. Fiery lights covered the venue during “Crash and Burn.” Sweet videos of Rhett’s family were shared with both sides of the stage as he moved into “Life Changes,” his 11th career No. 1. Fall leaves fell into a pile on the screen above while he asked Nashville to put their hands up for “Slow Down Summer.”
Rhett then requested that we all sing “Sixteen” together as rays of pink and blue seemed to flash every time he strummed his guitar. Magenta hues coated the stage and he put his guitar away for the beautifully heart-breaking hit “Marry Me,” during which Rhett passed the pick to crowd members for the final verse.
The entertainer checked in on everybody and asked how the fans in the very top rows were doing before expressing his gratitude to the sold-out stands, and praising Smith and Swindell for their performances. He then took a picture with the whole arena and his band. Rhett announced that the next three songs were for all of the O.G fans in the house, and acoustically played a portion of “Notice” before shifting to “Get Me Some Of That” and “It Goes Like This.”
The steps on the stage glowed, and blue and purple lights shone through the masses as Rhett’s band showed off their incredible talent alongside him for “Make Me Wanna.” Rhett made his way up through the stands as he sang, taking pictures with multiple fans. After the song, he took a moment to spotlight his steel player, Whit Wright, whose wife had just given birth 12 hours prior. He stated that he begged Wright not to come tonight but Wright still showed up, and had us make some noise for the band member. Rhett then wanted to see how loud Nashville could sing he and Jon Pardi‘s “Beer Can’t Fix,” and brought Smith out for the latter half of the tune.
He asked us to keep giving it up for his band and noted that they were now going to play “one for the ladies.” Pink colors coated the room and many loved ones turned to their special girls to serenade them with “Star Of The Show” alongside Rhett. The hitmaker made sure to autograph a few mementoes for fans below and take selfies with audience members throughout his set.
Next, Rhett proceeded to time travel through “seven decades of music in seven minutes,” putting his range of vocal skills on full display.
“I just want to make everyone feel special, no matter the age group,” he said, before kicking the special segment off with Elvis Presley‘s “Hound Dog” from the ’50s.
Bridgestone couldn’t help but boogie during James Brown & The Famous Flames‘ ’60s hit “I Feel Good (I Got You).” He opted for The Rolling Stones‘ “Beast Of Burden” as the ’70s choice, due to that fact that his father, renowned songwriter Rhett Akins, is a huge fan of the band. The artist requested that we go electric for Rick Springfield‘s ’80s classic “Jessie’s Girl.” The ’90s baby then rocked out Matchbox Twenty‘s “3AM,” and entered the 2000s with Jimmy Eat World‘s “The Middle,” sharing a story about purchasing their CD at a store with his grandmother. Rhett wrapped the throwback session with the 2010s smash “Shut Up and Dance” by Walk The Moon.
He brought out his turquoise acoustic guitar for chart-topper “Die A Happy Man,” a song Rhett says “changed his life.” One of his band members gave quite a guitar solo before the audience belted the last verse. Everyone kept singing as the music of “Unforgettable” filled the space. Red tones lit the stage stairs and explosions burst on the screens as Rhett went into “Craving You,” a track he recorded with Maren Morris.
He kept the entire arena jamming up until the very end with “What’s Your Country Song” and “T-Shirt,” confetti flying as the show came to a close.
Additionally, Rhett recently earned his 21st No. 1 with Angels (Don’t Always Have Wings), and was announced as a headliner for CBS’ New Year’s Eve Live: Nashville’s Big Bash on Dec. 31.