Jackson Dean at Brooklyn Bowl. Photo: Robby Stevens
If you weren’t at Nashville’s Brooklyn Bowl Wednesday night (Feb. 14), then you missed out on a sold-out, electric live show from Jackson Dean. The Maryland native proved why he has been named an artist to watch by MusicRow, Pandora, Spotify CMT, and more.
Mae Estes started off the night and quickly warmed up the crowd. Sporting a pair of red sparkly cowboy boots, she showed off her genuine country twang with tracks like “Twang,” “Getting’ Back Up To Heaven” and “Thinkin’ Bout Cheatin’.” Estes also showed off her vocals in the slow acoustic track “Your Hands,” which was perfect for the Valentine’s Day show.
Hailing from Arkansas, the singer shared that she has been in Nashville chasing the “neon dream for nine years.” She thanked Dean for having her out on the tour and shared that this is the first tour she has been a part of. Estes ended her set with honky-tonk track “What I Shoulda Done,” and was sent off by the crowd with a roaring applause.
Next up was Alabama native Dee White. From the first note, White showed off his pure-country sound. He started off the set with “Million Miles,” “Tools Over Toys” and “Quick Sand.” With the crowd in the palm of his hand, he dialed up the energy with fast-paced “Sent Me Up The Creek Again” before going into “A Little At A Time,” “Ain’t The First Snake” and “Whiskey Please.” During the set, White showed off his vocals while harmonizing with his band members, and the stage was lit up with jam sessions from himself and his band. He then took the time to dedicate the next song, “Heart Talking,” to his girlfriend before closing out his night with “One More Time,” a song he wrote with one of his band members.
It was then time for Dean to hit the stage. Even from the house warm-up music, you could tell the crowd was ready. Walking out under a yellow rustic lighting, Dean came out in his signature black homburg hat and guitar in hand. He immediately fired up the crowd with “Greenbroke,” and then started off the next track “Trailer Park,” with a thundering guitar entrance. In the middle of this performance, Dean went quiet and you could hear every single person in Brooklyn Bowl singing along.
Jackson Dean at Brooklyn Bowl. Photo: Robby Stevens
“I’m gonna tell you a few stories tonight about some of these songs,” Dean shared. He then set up the scene for “Don’t Take Much,” which was inspired by a room his dad and uncle had set up in their Maryland home. The singer continued to light up the crowd with “Heavens To Betsy,” a track he wrote right here on Music Row. His smooth harmonies with fellow band members and the bright lights shining down on the stage gave a bone-chilling moment to the crowd.
After the roaring applause from the crowd, Dean started the stomp-like production for “Wings,” and his band member showed off his skills in a guitar solo. He then took the time to explain the next song, which he came up with while traveling in his van to play a show with Hardy. The unreleased track “Big Blue Sky” was an instant crowd pleaser.
Dean asked if everyone was still feeling good and then showed off his incredible vocal runs in “Train.” It was then time for some cover songs, starting with “49 Tons” by Fred Eaglesmith. He then had the crowd warm up their vocal cords with saying “yeah yeah yeah yeah” for the next cover, “What’s Up” by 4 Non Blondes. The crowd was singing along to every word, and Dean had everyone in the palm of his hand.
“I gotta say a thank you to country radio for getting this one [up] the charts. I want to say thank you to all of you for playing this song,” Dean said before launching into his current single “Fearless.” After lighting up the crowd yet again, he played another unreleased track, “Talking In Backroads,” and then a crowd favorite “Superstitions.”
For the next section, Dean’s bandmate brought out a mandolin. They played two more unreleased tracks, “Cumberland Gap” and “Raised,” and shared that new music is coming soon, which excited the already enthused crowd.
To encapsulate his outlaw style of country, Dean proceeded to sing “1971.” After getting the crowed hyped up, he brought out singer-songwriter Luke Dick to help him with the next track. Sharing that the next song changed his life, Dean started the opening beats to his first No. 1 hit on country radio, “Don’t Come Lookin,” which Dick co-wrote and produced with Dean. It was a special moment for both singers, as they thanked the fans for making it happen.
Pictured (L-R): Luke Dick, Mae Estes, Mac McAnally, Jackson Dean and Dee White at Brooklyn Bowl. Photo: Robby Stevens
After the crowd roared for more from Dean after he exited the stage, he came back out for an encore performance. For the first song, he brought out singer/songwriter/musician Mac McAnally. With just the two of them on stage and no band tracking, they dove into a beautiful cover of “When A Man Loves A Woman” by Michael Bolton. Dean just released his own studio version of the track last Friday (Feb. 9).
Before going into the last song of the night, Dean shared that the first time he saw a performance of the next song, he was at the Grand Ole Opry in 2008. He said he remembered the feeling of how impactful it was, and how it is “one of the best songs ever written.” He then welcomed his full band on stage, and welcomed back out Estes, White, Dick and McAnally. All lined up together, the group sang “The Weight” by The Band. The inspiring performance left the crowd in awe as Dean wrapped up the night.
Country Music Hall Of Fame & Museum Promotes Five Staffers
/by Lorie HollabaughPictured (L-R): Grace Cavanaugh, Elek Horvath, Daniel Lonow, Michael McCall and Kelsey Reiner
The Country Music Hall of Fame and Museum has promoted five staff members to associate director or director roles within the museum’s events, Haley Gallery and museum services teams, including Grace Cavanaugh, Kelsey Reiner, Daniel Lonow, Elek Horvath and Michael McCall.
Cavanaugh has been promoted to Director of Event Services and Catering. She oversees the event services team, which manages more than 1,400 private and internal events annually. Cavanaugh’s responsibilities include event planning for up to 3,000 guests, menu creation, décor and design, as well as leading a team of service and catering managers. She also oversees the guest hospitality experience for the museum’s offsite fundraising events, as well as the premier events hosted by the museum. Since joining the museum in 2015, she has served many positions, most recently as associate director of event services and catering manager. With more than 15 years of experience in the event industry, Cavanaugh previously worked with Sodexo. She holds a bachelor’s degree in hospitality management from Widener University in Pennsylvania.
Reiner has been named Associate Director of Event Sales. She helps oversee the team responsible for booking more than 400 private events at the museum annually. Reiner contributes to the growth of the events and catering annual gross revenue. She also works closely with city organizations to continually promote the museum as a premier events facility in the Nashville community. Prior to joining the museum, Reiner held the position of event sales manager at the Loveless Cafe/Loveless Events for five years, where she was responsible for booking and servicing events. She holds a bachelor’s degree in sports, entertainment and event management from Johnson & Wales University.
Lonow has been promoted to Haley Gallery Director. In this role, he manages the gallery and curates a variety of exhibits in the museum’s commercial art gallery each year that feature nationally recognized visual artists. A portion of proceeds from artwork purchased in the gallery supports the nonprofit museum’s educational mission, while fostering creative growth within the local arts community and beyond. He has been with the museum for nine years. Prior to joining the museum’s Haley Gallery, Lonow worked with TAG Art Gallery and the Ruby Green Contemporary Arts Center.
Horvath has been promoted to Associate Director of Collection Access. In this role he oversees a team responsible for the administration and management of artifacts moving to and from the museum, artifact processing and data management, internal and external communications and logistics with respect to artifacts and exhibits, collection inventory and environmental monitoring and control of archive and exhibit spaces. He joined the museum in 2000 to work on the Journal of Country Music. He also co-authored the book Hatch Show Print: The History of a Great American Poster Shop, published in 2001. In 2003, he became Special Projects Production Coordinator and helped license music used in the Grammy-winning CMF Records compilation, Night Train to Nashville: Music City Rhythm & Blues. In 2004, he was appointed Collections Registrar, a position he held until 2019, when he was appointed Senior Registrar. He is curator of the museum’s recently opened exhibit “An American Masterwork: Thomas Hart Benton’s ‘Sources of Country Music at 50.'” He holds a bachelor’s degree in English from the University of Maryland. Before that, he served in the U.S. Marine Corps.
McCall has been promoted to Associate Director of Editorial. In this role he will assist in managing the development of written content for the museum’s exhibitions, books, public programs, website, social media and educational materials. A 17-year museum veteran, McCall previously served as senior museum writer-editor and has curated more than 20 museum exhibitions and hosted many programs including interviews with Kenny Chesney, Los Lobos, Blake Shelton, Country Music Hall of Fame members Brooks & Dunn, Patty Loveless, Reba McEntire and Hank Williams Jr. He has co-edited the second edition of “The Encyclopedia of Country Music,” and has written museum catalogs on Loretta Lynn, Reba McEntire and the archival collection of the museum. Prior to joining the museum, he spent four decades as a music journalist writing and editing for publications including the Associated Press, Country Music magazine, Los Angeles Times, Nashville Banner, Nashville Scene, USA Today and others. In 2007, McCall received the Charlie Lamb Award for Excellence in Country Music Journalism from Belmont University.
Industry Ink: Chris Janson, Redferrin, Kellie LaJack, Steinza
/by Madison HahnenChris Janson Receives NWTF Conservation Award
Pictured (L-R): Rob Keck (NWTF), Richard Childress (NASCAR driver), John Paul Morris (Bass Pro Shops), Johnny Morris (Bass Pro Shops), Chris Janson, Heath Davis (Chairman, NWTF)
Country music star Chris Janson was presented with The Conservation Aid Award on Wednesday night (Feb. 14) while at the Grand Ole Opry. Presented by the National Wild Turkey Federation, this award was presented to Janson for his dedication to land preservation and responsible recreational hunting. NASCAR driver Richard Childress and Bass Pro Shops Founder & CEO Johnny Morris presented the honor.
“I love America and the great outdoors! Hunting and fishing have been a big part of my life since the very beginning. Conservation, and the practices thereof, is something that I have learned and has become a very important part of my life. Being a good steward of the land and the wildlife is important, and I’m proud to play a small role. To be honored on behalf of the NWTF means the world to me. Long live the Wild Turkey!” shares Janson.
Redferrin Plays First Sold-Out Show In Nashville
Pictured (L-R): Josh Schachter (Business Manager), Will Dzombak (Manager, The William Gerard Group), Cris Lacy (Co-Chair & Co-President, WMN), Redferrin, Rohan Kohli (VP of A&R, WMN)
Rising artist Redferrin played a sold-out show at Nashville’s Exit/In last night (Feb. 15). This was the White House, Tennessee native’s first ever headline show in Music City.
Redferrin co-wrote and co-produced all seven tracks on his debut EP Old No.7, which dropped today (Feb. 16). Named as a 2024 Amazon Breakthrough Artist to Watch, he has gained over 70 million global streams,. He is currently on the road with Niko Moon and will join Billy Currington later in the year.
Kellie LaJack Joins 16Camino As Sr. Director, Promotion and Marketing
Kellie LaJack has joined Nashville-based promoter and marketer 16Camino as Sr. Director, Promotion and Marketing. LaJack joins the company after her previous role with Dreamcatcher Entertainment. 16Camino has current partnerships with ONErpm, 30a Life Records and Matt Cosgrove.
“Kellie’s diligence and passion is unmatched,” shares 16camino Partner Ryan Barnstead. “We’ve worked with her on various projects through the years, and she’s an A level asset to every effort. We’re excited to have her on the team.”
LaJack can be reached at kellie@16camino.com.
Steinza Inks Publishing Deal With BMG
Pictured (L-R): Dillon Goldberg (Fngrprnt), Steinza and Dimitri Farougias, Director of A&R (BMG)
Rising singer-songwriter Steinza has signed a global publishing deal with BMG.
The signing also comes with his first release of the year, “Visions Of You.” Steinza wrote and produced the track alone. The Virginia Beach native has toured with Matt Maeson, Joe P and Sam Nelson, and also played numerous headline dates.
“Zach is a blunt poet. He has the ability to send you up to the clouds with his melodies while sharing his raw emotions and experiences in a most honest way. He not only possesses the necessary talent and faith in his craft but he also has an impeccable work ethic which renders him unstoppable in any creative endeavor he chooses to pursue. We at BMG couldn’t be happier to be part of his journey to support him in this next chapter of his career,” shares Dimitri Farougias, Director of A&R.
The Outlaws & BlackHawk’s Seventh Annual Freeborn Jam Set For June 1
/by Lorie HollabaughRock group The Outlaws and country band BlackHawk will hold their seventh annual Freeborn Jam on June 1 at City Winery Nashville.
Henry Paul, a founding member of both The Outlaws and BlackHawk, has continued Freeborn Jam as a tradition that helps a cause near and dear to his heart. In 2001, Van Stephenson, Paul’s friend and a fellow founding member of BlackHawk, passed away from melanoma. After his passing, BlackHawk established the Van Stephenson Memorial Cancer Research Fund.
“The survival rate for people who contract melanoma, the cancer that took Van’s life, has gone from no chance of survival to an 80 percent survival rate in the last ten years,” explains Paul. “That is why we do what we can to help.”
To date, the Van Stephenson Memorial Cancer Research Fund has donated over $500,000 to Vanderbilt for cancer research and nearly $150,000 to MusiCares.
Tickets are on sale now. For more information, click here.
Jackson Dean Brings Electric ‘Head Full Of Noise Tour’ To Brooklyn Bowl
/by Madison HahnenJackson Dean at Brooklyn Bowl. Photo: Robby Stevens
If you weren’t at Nashville’s Brooklyn Bowl Wednesday night (Feb. 14), then you missed out on a sold-out, electric live show from Jackson Dean. The Maryland native proved why he has been named an artist to watch by MusicRow, Pandora, Spotify CMT, and more.
Mae Estes started off the night and quickly warmed up the crowd. Sporting a pair of red sparkly cowboy boots, she showed off her genuine country twang with tracks like “Twang,” “Getting’ Back Up To Heaven” and “Thinkin’ Bout Cheatin’.” Estes also showed off her vocals in the slow acoustic track “Your Hands,” which was perfect for the Valentine’s Day show.
Hailing from Arkansas, the singer shared that she has been in Nashville chasing the “neon dream for nine years.” She thanked Dean for having her out on the tour and shared that this is the first tour she has been a part of. Estes ended her set with honky-tonk track “What I Shoulda Done,” and was sent off by the crowd with a roaring applause.
Next up was Alabama native Dee White. From the first note, White showed off his pure-country sound. He started off the set with “Million Miles,” “Tools Over Toys” and “Quick Sand.” With the crowd in the palm of his hand, he dialed up the energy with fast-paced “Sent Me Up The Creek Again” before going into “A Little At A Time,” “Ain’t The First Snake” and “Whiskey Please.” During the set, White showed off his vocals while harmonizing with his band members, and the stage was lit up with jam sessions from himself and his band. He then took the time to dedicate the next song, “Heart Talking,” to his girlfriend before closing out his night with “One More Time,” a song he wrote with one of his band members.
It was then time for Dean to hit the stage. Even from the house warm-up music, you could tell the crowd was ready. Walking out under a yellow rustic lighting, Dean came out in his signature black homburg hat and guitar in hand. He immediately fired up the crowd with “Greenbroke,” and then started off the next track “Trailer Park,” with a thundering guitar entrance. In the middle of this performance, Dean went quiet and you could hear every single person in Brooklyn Bowl singing along.
Jackson Dean at Brooklyn Bowl. Photo: Robby Stevens
“I’m gonna tell you a few stories tonight about some of these songs,” Dean shared. He then set up the scene for “Don’t Take Much,” which was inspired by a room his dad and uncle had set up in their Maryland home. The singer continued to light up the crowd with “Heavens To Betsy,” a track he wrote right here on Music Row. His smooth harmonies with fellow band members and the bright lights shining down on the stage gave a bone-chilling moment to the crowd.
After the roaring applause from the crowd, Dean started the stomp-like production for “Wings,” and his band member showed off his skills in a guitar solo. He then took the time to explain the next song, which he came up with while traveling in his van to play a show with Hardy. The unreleased track “Big Blue Sky” was an instant crowd pleaser.
Dean asked if everyone was still feeling good and then showed off his incredible vocal runs in “Train.” It was then time for some cover songs, starting with “49 Tons” by Fred Eaglesmith. He then had the crowd warm up their vocal cords with saying “yeah yeah yeah yeah” for the next cover, “What’s Up” by 4 Non Blondes. The crowd was singing along to every word, and Dean had everyone in the palm of his hand.
“I gotta say a thank you to country radio for getting this one [up] the charts. I want to say thank you to all of you for playing this song,” Dean said before launching into his current single “Fearless.” After lighting up the crowd yet again, he played another unreleased track, “Talking In Backroads,” and then a crowd favorite “Superstitions.”
For the next section, Dean’s bandmate brought out a mandolin. They played two more unreleased tracks, “Cumberland Gap” and “Raised,” and shared that new music is coming soon, which excited the already enthused crowd.
To encapsulate his outlaw style of country, Dean proceeded to sing “1971.” After getting the crowed hyped up, he brought out singer-songwriter Luke Dick to help him with the next track. Sharing that the next song changed his life, Dean started the opening beats to his first No. 1 hit on country radio, “Don’t Come Lookin,” which Dick co-wrote and produced with Dean. It was a special moment for both singers, as they thanked the fans for making it happen.
Pictured (L-R): Luke Dick, Mae Estes, Mac McAnally, Jackson Dean and Dee White at Brooklyn Bowl. Photo: Robby Stevens
After the crowd roared for more from Dean after he exited the stage, he came back out for an encore performance. For the first song, he brought out singer/songwriter/musician Mac McAnally. With just the two of them on stage and no band tracking, they dove into a beautiful cover of “When A Man Loves A Woman” by Michael Bolton. Dean just released his own studio version of the track last Friday (Feb. 9).
Before going into the last song of the night, Dean shared that the first time he saw a performance of the next song, he was at the Grand Ole Opry in 2008. He said he remembered the feeling of how impactful it was, and how it is “one of the best songs ever written.” He then welcomed his full band on stage, and welcomed back out Estes, White, Dick and McAnally. All lined up together, the group sang “The Weight” by The Band. The inspiring performance left the crowd in awe as Dean wrapped up the night.
Ian Harrison Signs With UTA
/by Liza AndersonPictured (L-R, back row): OTR Management’s Zach Beebe, UTA’s Matthew Morgan, Nick Barnes and Brandi Brammer; (L-R, front row): UTA’s Lance Roberts, Rainier Entertainment’s Laurel Kittleson-Cobb, Ian Harrison and UTA’s Elisa Vazzana. Photo: Courtesy of UTA
Singer-songwriter Ian Harrison has signed with UTA for worldwide representation in all areas.
The Columbus, Ohio native grew up listening to country and folk music. At 18, Harrison began to develop his skills as a songwriter along with his own sound and style.
After competing on season 22 of NBC’s The Voice and working with Gwen Stefani and John Legend, Harrison released two singles, “Keep You With Me” and “Wish I Had.” He now resides in Nashville where he continues to write and make music.
Lady A Named Home For Good Project Ambassadors
/by Lorie HollabaughLady A. Photo: Alysse Gafkjen
Lady A has been named Cornerstone Building Brands’ 2024 Home For Good Project Ambassadors.
By joining forces with Lady A’s Dave Haywood, Charles Kelley and Hillary Scott, Cornerstone Building Brands hopes to bring more awareness to the
Continuing its commitment to building stronger, more sustainable communities, Cornerstone Building Brands is also renewing its eight-year partnership with Habitat for Humanity, pledging to donate half a million dollars in building products and facilitating home builds as well as volunteer efforts to help build and remodel affordable housing across North America. This year, the company is donating vinyl siding, windows, metal roofing and accessories. The Home For Good project is expected to support approximately 100 Habitat for Humanity builds in 2024.
“We’re delighted to be part of sharing the incredible work the Home For Good project does,” says Scott. “Everyone deserves a safe, warm place for their family to call home. So, this project to help more people from all walks of life achieve their dream of having a home of their own truly resonates with us. We’re so proud to be partnering with Cornerstone Building Brands this year!”
“We are thrilled to team up with Lady A and renew our partnership with Habitat for Humanity through our Home For Good project,” says Rose Lee, President & CEO, Cornerstone Building Brands. “Making homeownership more accessible for families at all income levels is central to our company’s vision and purpose of positively contributing to the communities where people live, work and play.”
Cornerstone Building Brands has donated more than $3.4 million in products and resources to help build or remodel more than 720 homes in 135 communities since the inception of the Home For Good project in 2016.
Tyler Hubbard Slates Sophomore Project ‘Strong’ For April
/by Lorie HollabaughTyler Hubbard has set a release date for his upcoming sophomore album Strong, out April 12 via EMI Nashville. “Wish You Would” from the project dropped today (Feb. 16.)
The Georgia native’s 13-track album includes songs by Jesse Frasure, Ashley Gorley, Corey Crowder, Jessie Jo Dillon and more. Songs like “Vegas” stamp the vulnerability of love at first sight, while “American Mellencamp” is heartfelt fun. “Take Me Back” and “Park” offer views of hometown reminiscence, while “‘73 Beetle” is an ode to fatherhood, family and dream-filled aspirations. The title track is an ode to long-lasting relationships that keep life moving forward.
Hubbard’s current single “Back Then Right Now” is currently top 20 and climbing at country radio, and follows the two-times Platinum chart-topper “Dancin’ In The Country” and Platinum No. 1 single “5 Foot 9”—both from his debut solo album Tyler Hubbard, which has garnered more than one billion streams since its release in 2023.
Hubbard’s announcement comes on the heels of his nomination at the iHeartRadio Music Awards for Favorite Debut Album. Fans can hear songs from Strong and more when Hubbard supports Kane Brown’s “In The Air Tour” this year, which kicks off in March.
Strong Track Listing:
1. Wish You Would (Tyler Hubbard, Corey Crowder and Chris LaCorte)
2. Park (Tyler Hubbard, Jesse Frasure, Ashley Gorley and Canaan Smith)
3. A Lot With A Little (Tyler Hubbard, Casey Brown and Parker Welling)
4. Night Like That (Tyler Hubbard, Andy Albert and Jordan Schmidt)
5. Take Me Back (Tyler Hubbard, Corey Crowder and Chris LaCorte)
6. Back Then Right Now (Tyler Hubbard, Jessie Jo Dillon, David Garcia and Geoff Warburton)
7. Vegas (Tyler Hubbard, Andy Albert and Jordan Schmidt)
8. Turn (Tyler Hubbard, Casey Brown and Josh Miller)
9. American Mellencamp (Tyler Hubbard, Jaren Johnston and Jordan Schmidt)
10. BNA (Tyler Hubbard, Chase McGill and Jordan Schmidt)
11. Summer Talkin’ (Tyler Hubbard, Jessie Jo Dillon, Jesse Frasure and Ashley Gorley)
12. ‘73 Beetle (Tyler Hubbard)
13. Strong (Tyler Hubbard, Matt Dragstrem and Josh Miller)
Lady A & Carly Pearce Among Lineup For Big Machine Label Group CRS Luncheon
/by Lorie HollabaughThe lineup has been announced for Big Machine Label Group’s Country Radio Seminar (CRS) Luncheon on March 1. The event is slated for 12 p.m. in the Omni Nashville Hotel’s Broadway Ballroom.
This year’s lineup includes Lady A, Mackenzie Carpenter, Jackson Dean, Riley Green, Greylan James, Chris Janson, Brian Kelley, Carly Pearce and surprise special guests.
“Our CRS Luncheon concert has become one of my favorite presentations of the year,” says Scott Borchetta, Chairman & CEO, Big Machine Label Group. “Our artists always shine and attendees always tell us it’s one of their can’t-miss shows of the year. This year will be no exception as everyone will be bringing their A game and we have a couple of incredible surprises on tap. Don’t miss it!”
CRS 2024 will take place Feb. 28-March 1. Online registration is now closed, and will reopen on-site at the Omni Nashville Hotel. For more information, click here.
Kane Brown Tops The MusicRow Radio Chart With ‘I Can Feel It’
/by LB CantrellKane Brown‘s “I Can Feel It” tops the MusicRow CountryBreakout Radio Chart this week, moving Luke Combs‘ “Where The Wild Things Are” to No. 2 after six weeks at the top.
“I Can Feel It” interpolates Phil Collins’ iconic drum solo and single “In the Air Tonight.” The two artists are credited as co-writers on the song alongside Gabe Foust and Jaxson Free.
Next month, Brown will kick off his “The Air Tour.” Hitting 29 cities across North America, the trek will end with five major stadium shows, including returning to Fenway Park in Boston, where he recently made history as the first Black artist to sell-out a headlining show there in the venue’s over 100 year history.
“I Can Feel It” currently sits at No. 8 on the Billboard Country Airplay chart and No. 5 on the Mediabase chart.
Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.
JC Coffey Joins Magnolia Music Group As Director Of Audience Platforms
/by Liza AndersonJC Coffey
Industry veteran JC Coffey has joined Magnolia Music Group as Director of Audience Platforms, a newly created role.
Magnolia Music Group is home to country star Randy Houser, who is coming off a big year that included a headline tour, feature film appearances in Killers of the Flower Moon and The Hill as well as the release of his song “Cancel.” Houser plans to share more new music in 2024.
“I have been passionate about Randy Houser’s music since the moment I heard his voice,” says Coffey. “I could not be happier to take on this new role and hit the ground running with this amazing team.”
“JC’s passion, work ethic and multi-dimensional thinking will help propel the continued growth of Magnolia,” says Nick Hartley, Houser’s manager.
Coffey can be reached at jc@magnoliamusicgroup.com.