Beyoncé‘s “Texas Hold ‘Em” bides at No. 2 on the country streaming songs chart this week with 14 million new streams, adding to 109 million ATD, according to Luminate data.

Zach Bryan and Kacey Musgraves‘ “I Remember Everything” resides at No. 1 with 18 million streams, adding to 580 million ATD, while Morgan Wallen‘s “Last Night” follows at No. 3 with 12.3 million new streams, adding to 1.26 billion ATD. Bryan’s “Something In The Orange” stays at No. 4 with 12 million streams, adding to 1.28 billion ATD, and Wallen’s “Thinkin’ Bout Me” secures the fifth slot again with 11 million new streams, adding to 662 million ATD.

The country albums chart also lacks movement this week.

Wallen’s One Thing At A Time remains at the top with 68K in total consumption (1.6K album only/86 million song streams). Zach Bryan follows at No. 2 with 41K (3.9K album only/48 million song streams), while Wallen’s Dangerous: The Double Album holds the third slot with 38K (367 album only/49 million song streams). Bryan’s American Heartbreak takes No. 4 again with 30K (829 album only/38 million song streams), and Luke Combs‘ Gettin’ Old grasps No. 5 with 22K (690 album only/26 million song streams).

Jeannie Seely impressed the crowd during the Grand Ole Opry’s 50th anniversary celebration over the weekend by stepping onto the stage in a midriff-baring replica of the iconic outfit (and even the hairstyle) she first donned 50 years earlier at the Opry house’s inaugural show.

The performer borrowed some of Dolly Parton‘s design team to help re-create the retro number, which Seely rocked just as she had five decades earlier on the hallowed stage.

“There’s really no way I can express my appreciation for this event!  To know the Opry finally got a home of her own, and that I have been fortunate enough to share it for 50 years, is one of the most joyful things in my life and career,” expresses Seely. “I’m also proud to tell you that, just like the family we are, my Opry sister Dolly Parton loaned me some of her finest folks to re-create my original outfit from 1974, complete with ‘secret show business’ tricks! A special thanks to Vance Nichols and Riley Reed for the magic!”

“Two thoughts,” says Opry Executive Producer Dan Rogers. “One, never dare Jeannie Seely to do anything if you have any reservations at all about her actually doing it. Two, I am absolutely certain the timeless Seely drove away from the Opry House Saturday night thinking about how she could once again steal the show when the venue turns 100 in 2074. She amazes us all.”

Designer Vance Nichols shares, “For years, I’ve cherished the friendship of Jeannie Seely. From my early days as a young adult in this town, she’s shown me kindness and offered invaluable advice. Her wisdom and generosity have shaped my path, and I owe her immeasurable gratitude. So when she proposed recreating her Opry outfit, I readily agreed—there’s nothing I wouldn’t do for Jeannie. Being her friend remains an ongoing privilege and honor.”

She performed her single, “Don’t Touch Me,” which she also sang at the opening of the Opry House in 1974, as well as crowd favorite “Who Needs You” for the special anniversary. As Seely left the stage, she was presented with an award by Opry host Mike Terry on behalf of the Opry management and staff for “The Best Dressed” of the evening, bringing the Opry crowd to its feet again.

A trailblazer throughout her career, Seely holds the distinction of having more Opry performances than any other artist, with 5,346 performances. She was only the third female in country history to receive a Grammy, fought and won the battle for women to host Opry segments and was the first female to host segments, and has been credited with changing the image of female artist wardrobes by being the first to wear a mini skirt on the Opry stage.

Country Radio Seminar (CRS) has launched a new mentorship program, Mentoring and Inspiring Women in Country Radio. The program is in collaboration with Mentoring and Inspiring Women in Radio, Inc. (MIW).

The year-long program will offer access to industry leaders, personalized advice, networking opportunities and career enhancement. Participants will also be invited to attend CRS 2025 in Nashville.

“CRS is thrilled to partner with MIW in launching the Mentoring and Inspiring Women in Country Radio program,” shares Executive Director RJ Curtis. “This collaboration reflects our commitment to fostering diversity and empowering women within the country radio industry. We are grateful for the opportunity to support this initiative and look forward to seeing the positive impact it will have.”

MIW Board President Ruth Presslaff adds, “This is a great opportunity to strengthen and support women in country radio. We couldn’t be more grateful to RJ Curtis, John Shomby, and the entire team at CRS for their enthusiastic partnership. A special note of thanks and remembrance to Bill Mayne for his early support of MIW and our initiatives.”

The mentorship will be offered to one woman currently employed full-time at a country radio station within the United States who has been in the business for at least five years. For more information and to apply, click here. Applications are open until March 22.

Billy Strings has added summer dates in July and August to his headline tour, which kicks off April 12.

The new dates include back-to-back nights at Inglewood’s Kia Forum, Bridgeport’s Hartford Healthcare Amphitheater, State College’s Bryce Jordan Center, Worcester’s DCU Center and more.

Tickets for the shows are on sale now. For more information, click here.

The summer dates are just the latest added to Strings’ extensive 2024 run, which also includes three sold-out nights at St. Augustine’s St. Augustine Amphitheatre as well as visits to Lexington’s Rupp Arena, Minneapolis’ The Armory and Rosemont’s Allstate Arena, among others.