Shortly after MusicRow Magazine was established in 1981, respected music critic, author and historian Robert K. Oermann began reviewing the newest music to come out of Nashville with his weekly DISClaimer column.
Each week, Oermann shares his thoughts on a collection of new tunes. His reviews have become an iconic part of MusicRow.
In each week’s DISClaimer column, Oermann chooses a Disc of the Day as a highlight of the pack. Below are his 2024 Disc of the Day winners.
DREW HOLCOMB & THE NEIGHBORS / “Way Back When”
Writers: Drew Holcomb/Kevin Scott Rhoads; Producer: Cason Cooley; Label: Magnolia Music
– Over the course of two decades and nine albums, these folks have been a comforting constant on the Nashville music scene. The group’s current album, Strangers No More, has taken it to previously unscaled heights at festivals, on TV, in print and on the Americana charts. Holcomb’s warm baritone carries this warm, heart-tugging ballad accompanied by soft piano and strings. It’s about parenthood and the passage of time and is deeply, deeply affecting. I remain an immense fan. Always have been.
CHRIS YOUNG / “Right Now”
Writers: Chris Young/Chris DeStefano/Josh Hoge/Paul DiGiovanni; Producers: Chris Young/Chris DeStefano; Label: Sony Music Nashville
– Magnificent. He’s carrying a torch so hot that the whole track smolders. While percussion throbs and guitars cry, one of our greatest current country singers yearns for her in a lonely well of desire. Play it again.
MEGAN MORONEY/ “No Caller ID”
Writers: Megan Moroney/Jessi Alexander/Connie Harrington/Jessie Jo Dillon; Producer: Kristen Bush; Label: Sony Music Nashville/Columbia Records
– This is so well written. She’s trying to move on, but he worms his way back in by ringing her up drunk at 3 a.m. with no caller ID. Does she pick up the phone? Unfortunately, yes. A short story in song with a creative approach that you have to admire. This lady is very special.
DALTON DOVER / “Take Me Home Country Roads”
Writers: Bill Danoff/John Denver/Taffy Nivert; Producer: Matthew McVaney; Label: Mercury
– He remains one of our finest young country voices. Think again, if you think you’ve heard this oldie often enough. Dover’s slowed-down, gentle, caressing, thoughtful reading of the lyric brings a whole new dimension to the song. This man has the goods. A loud, “Amen” from this corner.
MORGAN WALLEN / “Spin You Around”
Writers: Morgan Wallen/Paul Trust/Sergio Sanchez; Producers: Joey Moi/Morgan Wallen/Bryan Sutton/Paul Trust; Label: Big Loud
– I just love the warmth in his singing voice. While Bryan Sutton’s acoustic guitar strums beautiful filigrees, Wallen pleads for favors from the one who stole his heart away. Supremely excellent work.
DAN + SHAY/ “Bigger Houses”
Writers: Dan Smyers/Andy Albert/Jordan Minton/Jordan Reynolds; Producers: Dan Smyers/Scott Hendricks; Label: Warner Music Nashville
– The title to the duo’s new album has a classic-country sentiment: Money can’t buy happiness. The delicate, pristine production laced with acoustic guitar supports a softly sincere Shay Mooney lead vocal with a gentle Dan Smyers baritone harmony. A gorgeous little record.
ANNE WILSON/ “God And Country”
Writers: Anne Wilson/Jeff Pardo/Matthew West/Trannie Anderson; Producers: Jeff Pardo/Jonathan Smith; Label: Sparrow (SPR)
– The single might be “Rain in the Rearview,” but this advance track from the Christian-music star’s country album debut is a spectacular show-stopper. The production rocks splendidly, she sings her face off and the lyric is a beautifully written series of contrasting images. Absolutely play this. Wilson is in this year’s class of CMT’s Next Women of Country.
BEYONCÉ/ “Texas Hold ‘Em”
Writers: Beyoncé/Brian Bates/Elizabeth Lowell Boland/Megan Bülow/Nate Ferraro/Raphael Saadiq; Producers: Beyoncé/Raphael Saadiq/Nate Ferraro/Killah B/Hit-Boy/Stuart White.Mariel Gomerez; Label: Parkwood Entertainment/Columbia
– Queen Bey summons you to the country dancefloor, and you dare not refuse. The beats are irresistible, the tune is catchy and the vibe is fun, fun, fun. A much deserved smash.
ASHLEY McBRYDE / “The Devil I Know”
Writers: Ashley McBryde/Bobby Pinson/Jeremy Stover; Producer: Jay Joyce; Label: Warner Music Nashville
– I reviewed this nearly a year ago as the title tune of her album. Now it is her new single, so those words bear repeating: “Snarling electric guitar, slapped percussion, nervous acoustic strumming, chant-like support vocals and wild audio frothing make this a heart-stopping listening experience. The lyric is just as riveting—she’s a bar fly who resists changing her wayward ways. This woman rules.” I love it that she was introduced at Warner’s CRS showcase yesterday as, “The incomparable Ashley McBryde.” Amen to that.
CODY JOHNSON / “Dirt Cheap”
Writer: Josh Phillips; Producer: Trent Willmon; Label: CoJo Music/Warner Music Nashville
– A masterful country performance on every level. The tug-at-your-heartsrings lyric is powerful enough, but Johnson’s delivery kicks it into another realm. A superstar at work.
CHRIS YOUNG / “What She Sees In Me”
Writers: Chris Young/Christian Stalnecker/Josh Hoge/Kyle Fishman/Ray Fulcher; Producer: Chris Young; Label: RCA Records Nashville
– His country baritone grabs you from the first note. The ultra-romantic ballad swoons with emotion. Love this. Love him.
WILLIE NELSON / “The Border”
Writers: Allen Shamblin/Rodney Crowell; Producer: Buddy Cannon; Label: Legacy Recordings
– This vivid word portrait of a border patrol worker paints a picture encompassing the suffering of migrants, the dangers of policing, and the evil profiteering of smugglers. Nelson’s weathered tenor vocal is a marvel of shaded emotions, and the rippling guitars in Latin rhythm are an audio wonderland.
ZAC BROWN BAND / “Tie Up”
Writers: Jonathan Singleton/Ben Simonetti/Chris Gelbuda/Josh Hoge/Zac Brown; Producers: Zac Brown/Ben Simonetti; Label: Home Grown Music/Warner Music Nashville
– This loping, easy-going groove welcomes us to summer fun. Get on the water, pop a top when you dock the boat and relax in the sunshine. I can feel the warm weather already.
DALTON DOVER / “Bury Me In This Bar”
Writers: Benjy Davis/Dalton Dover/Dan Isbell/Jamie Davis; Producer: Matthew McVaney; Label: Mercury Nashville
– Dover continues his winning ways with this romping, stomping honky tonker with flourishes of steel and galloping rhythm. Thirsty for real country music? Belly up to this bar. You need the song on your playlist, now more than ever.
LILY ROSE / “True North”
Writers: David Garcia/Hillary Lindsey/Trannie Anderson/Lily Rose; Producers: Paul DiGiovanni; Label: Big Loud Records/Back Blocks Music/Mercury Records/Republic Records
– Deliciously melodic and marvelously evocative as a lyric. When she feels like she’s losing her way, “I head down South to my True North.” Authentic and honest. Sung with ringing conviction. This Georgia artist hits a bullseye every time. Lily Rose stages her Grand Ole Opry debut on Saturday night. They’re lucky to have her.
BLANCO BROWN / “Good As It Gets”
Writers: Bennie Amey III/David Fanning/Matt Thomas/Tommy Cecil; Producer: Blanco Brown; Label: Wheelhouse Records
– The charismatic “Git Up” man has returned with a new EP and this change-of-pace, deeply romantic outing. Instruments swirl around him as he soars into his upper vocal register. Sonically innovative and totally dreamy.
KAMERON MARLOWE/ “Keepin’ The Lights On”
Writers: Kameron Marlowe/Kendell Marvel/Phil O’Donnell; Producer: Dan Huff; Label: Columbia Nashville
– The title tune of Marlowe’s upcoming sophomore album is a recollection of hard times when his hard-working parents weathered spirit-crushing storms to provide for the family. The beautifully produced ballad mixes his expressive, soulful voice up front and intimately in your ear. I have been a consistent fan of this artist for four years and am more convinced than ever that he is one of our greatest living country singers.
JOHNNY CASH / “Well Alright”
Writer: Johnny Cash; Producers: Johnny Cash/John Carter Cash/David Ferguson/Josh Matas/Mike Daniel; Label: Mercury
– I’m really excited about the upcoming Cash album Songwriter (due June 28). It is comprised of 1993 song demos by the legend. He was in fine voice, and it has been surrounded by newly recorded, brilliant production by his talented son and his longtime studio confederate “Fergie” Ferguson. This advanced taste is a light-hearted ditty about finding love in a laundromat. The band, featuring Marty Stuart, kicks up some rockabilly stardust that echoes Cash’s early Sun singles. Hearty and satisfying.
TRAVIS DENNING / “Add Her To The List”
Writers: Paul DiGiovanni/Bobby Pinson/Jeremy Stover; Producers: Paul DiGiovanni/Jeremy Stover; Label: Mercury Nashville
– He has run into the ditch, hit dead ends, taken wrong turns and screwed up many, many times. Not the least of the things he wishes he could fix is the relationship. So of all the wrongs he’d make right, you can “add her to the list.” Marvelously well written and performed with verve. This deserves massive airplay.
MICKEY GUYTON / “Scary Love”
Writers: Karen Kosowski/Emma-Lee/Mickey Guyton/Victoria Banks; Producer: Karen Kosowski; Label: Capitol Records Nashville
– Guyton is such an excellent singer. And with a piece of material this strong, she can really raise the rafters. The pounding, throbbing production matches her passionate performance of this inspirational motherhood lyric. The video features beyond-adorable footage of her baby as an infant and as a toddler. Your heart will melt.
MEGAN MORONEY / “Indifferent”
Writers: Ben Williams/Mackenzie Carpenter/Megan Moroney/Micah Carpenter; Producer: Kristian Bush; Label: Columbia Nashville/Columbia Records
– The creativity and wit in this woman’s songwriting always delight me. This female-empowerment romp has oomphy stadium chords, but it’s the feisty attitude that keeps you hanging on every line. Love her. Love this.
CARLY PEARCE / “Fault Line”
Writers: Carly Pearce/Jordan Reynolds/Nicole Galyon/Shane McAnally; Producers: Shane McAnally/Josh Osborne/Carly Pearce; Label: Big Machine Records
– Hallelujah! Carly reminds us all what a really cool, traditional country song sounds like. This depiction of a crumbling marriage is packed with playful lyric details as it two-steps merrily across the country dance floor. Loved it. Loved it. Loved it.
LAINEY WILSON / “Hang Tight Honey”
Writers: Driver Williams/Jason Nix/Lainey Wilson/Paul Sikes; Producer: Jay Joyce; Label: Broken Bow Records
– Wilson premiered this new tune on The Voice. Its a snappy hillbilly rocker that comes on with whiplash energy and wildfire heat. The lady rules, and this is a summertime smash.
CARLY PEARCE / “Truck On Fire”
Writers: Carly Pearce/Justin Ebach/Charles Kelley; Producers: Shane McAnally/Josh Osborne/Carly Pearce; Label: Big Machine Records
– “Liar, liar, truck on fire,” she warbles in this deceptively bouncy ditty. She has plans to torch his ride, you see. As usual, she sings her face off. Catch Carly in a primo slot on Sunday night at the Nissan Stadium CMA Fest finale or during her afternoon appearance on the CMA Close Up stage in Music City Center.
WARREN ZEIDERS / “Relapse”
Writers: Blake Pendergrass/Justin Ebach/Warren Zeiders; Producer: Mike Elizondo; Label: Warner Records
– This one’s an infectious banger that sounds like the perfect summer country song. The tempo is ferocious; the guitars are high and bright; he’s singing his face off. What’s not to like?
LUKE COMBS / “Remember Him That Way”
Writers: Erik Dylan/Jessi Alexander/Jonathan Singleton/Luke Combs; Producers: Chip Matthews/Jonathan Singleton/Luke Combs; Label: Seven Ridges Records/Columbia Nashville
– This warm recollection of an aging dad is drawn from Luke’s excellent Fathers and Sons album. Dobro, guitar and mandolin notes ripple around his heartfelt vocal. The whole project is emotionally awesome. There is a reason why this man is a country superstar.
BROTHERS OSBORNE / “Break Mine (Live)”
Writers: John Osborne/Pete Good/Shane McAnally/TJ Osborne; Producers: none listed; Label: EMI Nashville
– This was arguably the most electrifying performance on Tuesday’s ABC TV special of the CMA Music Fest, and it is now a YouTube clip. T.J.’s commanding lead singing and John’s jaw-dropping guitar solos are both at the top of their games. This will make you proud to be a country-music fan.
MORGAN WALLEN / “Lies, Lies, Lies”
Writers: Chris Tompkins/Daniel Ross/Jessie Jo Dillon/Josh Miller; Producer: Joey Moi; Label: Big Loud Records/Mercury Records/Republic Records
– If he tells himself, or her, that he is over the heartbreak, he is lying. The lovelorn lament is beautifully produced, and Wallen’s delivery, as usual, is hillbilly perfection. Essential listening, especially the live version recorded at Abby Road studios.
SAM WILLIAMS / “Carnival Heart”
Writers: Ned Houston/PJ Harding/Sam Williams; Producers: Ben Roberts, Nathan Sexton; Label: Mercury Nashville
– This ballad is the theme song of the dazzling Cirque du Soleil Songblazers show currently ongoing at TPAC. It’s a gorgeous, stately waltz with a swirling production, an aching tenor vocal, lovely lyrics and a melody to get lost in. Williams is getting ready to release his sophomore album this fall. Can’t wait to hear it.
HARPER GRACE & KELSEY HART / “Freedom”
Writers: Kelsea Ballerini/Justin Ebach/Charles Kelley; Producers: Cameron Jaymes, Ben West; Label: Curb
– They’ve broken up, but are far from over one another. Both singers sound simply splendid on this ultra-tuneful, ultra-rhythmic, pulsating rush of sound. The luscious harmonies and soaring melody alternate with conversational bits that catch your ear. I would love to hear this in my car on the radio. A lot.
GEORGE STRAIT / “Three Drinks Behind”
Writers: Benjamin Gaither/Jeff Silvey/Kim Williams; Producers: Chuck Ainlay, George Strait, Tony Brown; Label: MCA Nashville
– I dig the chugging rhythm and mellow melody of this barroom ditty. Delivered with a smile from a Country Music Hall of Famer who can still knock it out of the park. Put this mini masterpiece on repeat pronto.
JORDAN DAVIS / “I Ain’t Sayin’”
Writers: Emily Reid/Mark Holman/Steve Moakler/Travis Wood; Producer: Paul DiGiovanni; Label: MCA Nashville
– Mr. Davis tries on a jaunty tempo tune, and it fits just right. He might not be Mr. Right, but that other guy “sure as hell ain’t.” I remain an enormous fan.
RANDALL KING / “I Could Be That Rain”
Writers: Brian Fuller/Mason Thornley; Producers: Jared Conrad, Randall King; Label: Warner Music Nashville
– It is one of the great mysteries of our time why this superb vocalist is not yet a country superstar. As always, he delivers the goods. This time, he rides atop a cool rhythm pattern and some crashing guitars as he wails to the heavens. So nice I played it twice.
KELSEA BALLERINI / “Sorry Mom”
Writers: Jessie Jo Dillon/Alysa Vanderheym/Hillary Lindsey/Karen Fairchild/Kelsea Ballerini; Producers: Kelsea Ballerini, Alysa Vanderheym; Label: Black River Entertainment/Big Machine Music
– Yeah, she’s been drinking and smoking and having sex. But beyond all the mistakes, escapades and disagreements, she’s become a woman her mother can be proud of. Beautifully done, from the exquisite production to her lilting, conversational vocal. This mid-tempo gem is drawn from her upcoming, female-centric album Patterns. I, for one, cannot wait to hear the rest of it.
JACKSON DEAN / “Heavens To Betsy”
Writers: Benjy Davis/Driver Williams/Jackson Dean; Producer: Luke Dick; Label: Big Machine Records
– This soulful guy has a new lyric video for this wonderful story song about a man who speaks to a loved one from beyond the grave. As if his terrific singing and the dynamite lyric aren’t enough, the spectacular production has froth and foam and tempo, tempo, tempo. Electrifying in every way.
NATE SMITH / “Fix What You Didn’t Break”
Writers: Ashley Gorley/Lindsay Rimes/Nate Smith/Taylor Phillips; Producer: Lindsay Rimes; Label: RCA Records Nashville
– His vocal and the track are very processed for country music, but this record is gorgeous however you label its sound. The uplifting, hopeful lyric is about the redemptive power of love, and Smith delivers it with heart.
MEGAN MORONEY / “Am I Okay?”
Writers: Jessie Jo Dillon/Luke Laird/Megan Moroney; Producer: Kristian Bush; Label: Columbia Nashville/Columbia Records
– Ridiculously charming. She’s falling head over heels for a dreamboat who treats her right. So of course she thinks she’s going nuts. A bopper with a zillion smiles.
ZAC BROWN BAND / “Two Blue Chairs And You”
Writers: Ben Simonetti/Jonathan Singleton/Rob Snyder/Zac Brown; Producers: Ben Simonetti, Zac Brown; Label: Home Grown Music/Warner Music Nashville
– This bopper will make you instantly yearn for a Caribbean vacation. Loved the wordless, harmonized, a cappella vocal interlude. An absolutely perfect single.
POST MALONE & LUKE COMBS / “Guy For That”
Writers: Austin Post/Charlie Handsome/Ernest Keith Smith/Hoskins/James McNair/Louis Bell/Luke Combs; Producers: Charlie Handsome, Hoskins, Louis Bell; Label: Mercury Records/Republic Records
– The sound of country music joy. These two romp through this country rocker like a couple of colts let loose in a pasture. Turn it up and dance along.
LUKAS NELSON feat. THE TRAVELIN’ McCOURYS & SIERRA FERRELL / “Someone Like You”
Writers: Dan Wilson/Adele Adkins; Producer: none listed; Label: LN
– Yes, it’s the 2011 Adele pop hit delivered by super country stylists Nelson and Ferrell, backed by the bluegrass picking of the McCourys. First of all, it is utterly enchanting. Second of all, I would love to hear these two singers together more often. Third of all, drop what you are doing and glue your ears to this when it drops tomorrow. A single that’s truly an event.
BRANTLEY GILBERT / “Tattoos”
Writers: Brantley Gilbert/Cole Taylor/Jake Mitchell/Randy Montana; Producers: Brantley Gilbert, Brock Berryhill, Jake Mitchell, Scott Borchetta; Label: The Valory Music Co.
– “My body is a temple, but my temple is a canvas,” He proudly displays his body art, because his tattoos tell the story of who he is. A hypnotic single of swirling atmosphere. Highly recommended. Just so you know: he drops an “F” bomb in the lyric.
ERNEST & LAINEY WILSON / “Would If I Could”
Writers: Dean Dillon/Skip Ewing; Producer: Joey Moi; Label: Big Loud
– Wow. The song is country eloquent, and their duet performance is perfection. The supremely well crafted ballad closes the book on a relationship that’s better off in the past. The exquisite vocals are beautifully shaded and evocative to convey its emotional complexity. I love this record. A solo version from Ernest impacts radio on Oct. 7.
NATE SMITH & AVRIL LAVIGNE / “Can You Die From A Broken Heart”
Writers: Kevin Fisher/Michael Matosic/Tom Walker; Producer: Lindsay Rimes; Label: RCA Nashville
– His soulful baritone groan and her aching/piercing soprano blend beautifully on this broken-hearted power ballad. Smith is on a roll, with three consecutive country chart-toppers under his belt. Lavigne is a zillion-selling pop star. The single is a sonic masterpiece. This can’t miss.
JAMEY JOHNSON / “Someday When I’m Old”
Writers: Aimee Mayo/Chris Lindsey/Troy Verges; Producer: The Kent Hardly Playboys; Label: Warner Music Nashville/Big Gassed Records
– Hallelujah! One of our greatest living country singers is back with a vengeance on this moody contemplation of mortality. It’s a brilliant song, and he totally owns it with his heartfelt performance.
MICKEY GUYTON / “House On Fire”
Writers: Jenna Andrews/Mickey Guyton/Stephen Kirk; Producers: Nolan Verner, Stephen Kirk; Label: Capitol Records Nashville
– Passionate, melodic, fierce, loving and deliciously listenable. This is the title tune of Guyton’s sophomore album, and it’s the performance of a lifetime. A career highlight that takes it up to a whole new level.
ERIC CHURCH / “Darkest Hour”
Writer: Eric Church; Producer: Jay Joyce; Label: EMI Music Nashville
– The Chief has stepped up to the plate to extend a helping hand to the devastated victims of Hurricane Helene in his home state. He is donating his songwriting royalties from this moving, spiritual, uplifting recording of falsetto blue-eyed soul to provide aid today and forever to his fellow North Carolinians. The social responsibility is as admirable as the beautiful song is. Applause, applause.
JELLY ROLL / “I Am Not Okay”
Writers: Ashley Gorley/Casey Brown/Jason Deford/Taylor Phillips; Producer: Zach Crowell; Label: BBR Music Group
– This is arguably his finest vocal performance to date, full of gripping passion and believability. For troubled souls everywhere: “When it’s all said and done/I am not okay/But it’s all gonna be alright.” This turbulent-but-uplifting track deserves to be a No. 1 record.
RINGO STARR / “Time On My Hands”
Writers: Daniel Tashian/Paul Kennerley/T Bone Burnett; Producers: Bruce Sugar, Daniel Tashian, T Bone Burnett; Label: UMG Nashville
– At 84, Ringo still sings splendidly. Sharing the spotlight on this mid tempo meditation is a brilliant, crystal-clear production featuring breathtaking steel guitar work by Paul Franklin. A simply lovely record.
BLANCO BROWN / “Back 2 Basics”
Writers: Blanco Brown, Jordan Reynolds, Andy Albert; Producer: Blanco Brown; Label: Wheelhouse
– The title tune of Brown’s new EP is a lovely track that yearns to rekindle romance with a longtime lover. The gently brushed percussion and audio watercolor tones frame an earnest, soulful vocal that exudes strength and tenderness. This guy can sing.
JELLY ROLL / “Liar”
Writers: Ashley Gorley/Ben Johnson/Jason DeFord/Taylor Phillips; Producer: Zach Crowell; Label: BBR Music Group
– This man is going from strength to strength. This pulse-quickening country-rocker is brilliantly produced with pounding rhythm, stuttering guitar and inspirational choir. But the star attraction here is a stunning vocal performance, full of fire, fury and passion. He has had six No. 1 records in succession, and I see no reason whatsoever that this shouldn’t be number seven.
LONESTAR / “Try”
Writers: Ben West/Busbee; Producer: Dean Sams; Label: Lonestar
– This is a cover of P!nk’s 2012 pop hit “Try.” First of all, I adore P!nk. Second of all, new lead vocalist Drew Womack has always affected me deeply (recall his work in Sons of the Desert). Third of all, this reinterpretation works spectacularly well. Absolutely play “Try” on repeat. The track is drawn from a forthcoming EP of Lonestar’s country versions of iconic songs by female pop artists such as Adele, Fleetwood Mac’s Christine McVie, Cyndi Lauper and Eurhythmics. Essential listening.
KACEY MUSGRAVES / “The Architect”
Writers: Josh Osborne/Kacey Musgraves/Shane McAnally; Producers: Daniel Tashian, Ian Fitchuk, Kacey Musgraves; Label: Interscope Records/MCA Nashville
– Nominated for a Grammy as Best Country Song, this was a standout on Wednesday’s CMA Awards telecast. Musgraves delivers it in a folk-angel soprano as she muses about our Higher Power. Melodic, thoughtful, lilting, deep and utterly captivating. Also: Gorgeously produced, as is her entire Deeper Well collection. She hits Bridgestone Arena on Dec. 6 & 7 with Nickel Creek and Lord Huron in support.
BLAKE SHELTON / “Texas”
Writers: Johnny Clawson/Josh Dorr/Kyle Sturrock/Lalo Guzman; Producer: Scott Hendricks; Label: Wheelhouse Records
– He’s such a superb country singer. With a song this cool, he’s unstoppable. Shelton’s debut on his new label turns some interesting rhythmic corners and sports super clever lyrics. Plus, you get a “Greek chorus” talking to him. “If she ain’t with me in Tennessee…she’s probably in Texas,” because that’s where ex’s go. This deserves to be a massive hit.
RUNAWAY JUNE / “He Ain’t My Problem”
Writers: Jennifer Wayne/Natalie Stovall/Stevie Woodward; Producer: Kristian Bush; Label: Quartz Hill Records
– Feisty and fun, fun, fun. The saucy kiss-off song is packed with clever asides, cool instrumental licks, sexy lines, punchy-uptempo rhythms and delicious three-part harmony. I love this record, and their songwriting is peerless.
DAN + SHAY / “Officially Christmas”
Writers: Dan Smyers/Dave Barnes/Jordan Reynolds/Nicolle Galyon; Producers: Dan Smyers, Scott Hendricks; Label: Warner Music Nashville
– Shay Mooney’s tenor voice was born for this season. He sounds like a warm wool sweater on a cold night. The production by Dan Smyers sparkles and dazzles with holiday cheer. This is the bopping title tune to a fabulous double album of Christmas music. As of this year, this duo owns the holiday.
RILEY GREEN / “Jesus Saves”
Writer: Riley Green; Producers: Dann Huff, Jimmy Harnen, Scott Borchetta; Label: Nashville Harbor
– Intensely moving. Green tells the tale of a homeless, jobless veteran on the street and the circumstances that brought him to a place of destitution. A simple guitar accompaniment and some soft strings frame the poetry. Brilliantly done.
MusicRow Amplifies Industry Wisdom Through Print
/by MusicRow StaffWith MusicRow’s six yearly print issues, subscribers have the opportunity to read exclusive editorial content and hear from some of the Nashville music industry’s thought-leaders.
This year’s features included interviews with Spotify’s Rachel Whitney, Storme Warren, Sacks & Co.’s Asha Goodman, Robert K. Oermann, Grand Ole Opry’s b, Downtown’s Emily Stephenson, NSAI’s Bart Herbison, Back Blocks Music’s Rakiyah Marshall and many more. Managers Daniel Miller, Charly Salvatore and Juli Griffith gathered for a round-table with MusicRow in the Artist Roster issue, as did Spencer Nohe, Roxy King, Amy Hendon Scott and Alex Heddle in the Publisher issue, and Hunter Williams, Elisa Vazzana, Adi Sharma, Beth Hamilton and Keith Levy in the Touring/Next Big Thing issue.
MusicRow also distributed five updated directories, including the InCharge executive directory, the Artist Roster company directory, the Publisher company directory and the Next Big Thing rising executives directory.
Follow along below as MusicRow revisits its print editions of 2024. All six MusicRow print issues detailed are available for purchase at MusicRow.com, and are included with MusicRow subscriptions.
Country Radio & Streaming Issue (February/March 2024)
Curb Records’ Dylan Scott graced the cover of the 2024 Country Radio & Streaming Issue. The ACM Award-nominated, multi-Platinum singer has notched four No. 1 singles at radio (“My Girl,” “Nobody,” “New Truck” and “Can’t Have Mine”), as well as top five hit, “Hooked.” Inside this issue, MusicRow spotlights the 2024 CountryBreakout Awards winners. The 2024 winners include Male Artist of the Year Morgan Wallen, Female Artist of the Year Lainey Wilson, Group/Duo of the Year Dan + Shay, Breakout Artist of the Year Megan Moroney and Independent Artist of the Year Boomtown Saints. UMG Nashville was honored with Label of the Year for the first time, while Ashley Gorley was named Songwriter of the Year for the fifth time. KRWQ’s Bryce Burtner, who reports to the weekly MusicRow CountryBreakout Radio Chart, was named Reporter of the Year.
Also in this issue, MusicRow takes a close look at Big Loud’s radio success and strategies with SVP, Promotion Stacy Blythe and then-VP, Promotion Ali Matkosky, and discusses country music’s growth with Spotify’s Head of Editorial Nashville Rachel Whitney. The CRS New Faces Class of 2024 is spotlighted along with The Big 615’s Storme Warren, who shares more about the new platform with MusicRow. The issue also features a special profile on veteran radio promoter Diane Richey, who retired after decades of success in the music business, as well as lists of past CountryBreakout Award winners and categories.
InCharge Issue (April/May 2024)
Black River’s Kelsea Ballerini covered MusicRow‘s sought-after InCharge Issue this year. Among dozens of accolades, she’s garnered four Grammy Award nominations, won two ACM Awards, Billboard Awards and CMA Awards; an iHeartRadio Music Awards honor and received multiple career nominations from the ACM, CMA, Billboard Music Awards, American Music Awards, CMT and People’s Choice Awards. Notably, she snagged her first nomination as an artist/producer for the ACM Awards’ Music Event of the Year in 2022 for “Half Of My Hometown.”
This annual guide highlights some of the most influential industry executives in the Nashville music business. This year’s edition includes 374 profiles which are accompanied by contact information, career biographies and detailed board and organizational membership affiliations. The guide also includes a record label staff index, a company appendix and a professional categories appendix, which lists executives by their areas of expertise, including label, talent agency, management, music publishing, legal, finance, performing rights organizations and more.
Artist Roster Issue (June/July 2024)
ASCAP songwriter and Big Loud Records/Songs & Daughters/Pigasus Records recording artist Hailey Whitters is featured on the cover of MusicRow’s 2024 Artist Roster Issue. “Everything She Ain’t” marked multiple firsts for the Iowa-born artist including her first-ever top 20 single at country radio, appearance on the Billboard Hot 100 and RIAA Platinum certification. This year’s Artist Roster print edition features exclusive editorials including a celebration of Curb Records’ 60th anniversary. In the six decades since its inception, the company has achieved an impressive 435 No. 1 hits, garnered over 1,500 top 10 songs and charted over 4,500 total records. Founder and Chairman Mike Curb talks to MusicRow about the label’s journey and his vision. Three of Nashville’s top managers—Daniel Miller, Charly Salvatore and Juli Griffith—come together for a roundtable discussing the opportunities and challenges they face in our rapidly-growing industry.
The Artist Roster issue also explores the impact of Beyoncé’s Cowboy Carter album on the industry and the featured artists that have been championed because of it. Elsewhere, Asha Goodman, Exec. VP of Sacks & Co. and head of its Nashville office also talks with MusicRow about elevating their expansive client list. Finally, this issue features a look inside the exciting Nashville Yards development. Pinnacle’s Head of Music, Sports and Entertainment Andy Moats; CAA Co-Head of Nashville Music Jeff Krones; Southwest Value Partners’ Managing Partner Cary Mack and AEG Presents’ Regional VP Mike DuCharme all give their expertise on the value the new neighborhood will bring to the industry. In addition to its editorial features, MusicRow’s 2024 Artist Roster contains a seven-part company directory, complete with client rosters in the categories: Label, Management, Talent Agents, Publicity, Artist Services (Banking, Business Management/Financial/Insurance, Digital Music, Legal, Marketing and Radio Promotion), Media and Organizations (Trade & Professional Development, Performing & Mechanical Rights and Unions).
MusicRow Awards Issue (August/September 2024)
Big Loud/Back Blocks/Mercury/Republic emerging star Ashley Cooke graced the cover of the 2024 MusicRow Awards print issue. Cooke’s July 2023 debut album shot in the dark unfolds as if it was ripped from pages of her personal journal. Fully capturing the essence of a daring twenty-something growing up, chasing her dreams and taking risks, Cooke infuses heartfelt lyrics, captivating melodies and raw relatability as she invites listeners to come along for the ride. The striking debut garnered Cooke praise from critics, as well as her first CMT Award for Breakthrough Female Video of the Year at the 2024 CMT Awards. The ACM New Female Artist of the Year nominee recently celebrated her first career No. 1 song at country radio with “your place.”
The issue spotlights MusicRow Awards nominees in a range of categories, including Producer of the Year, Label Group of the Year, Talent Agency of the Year, Breakthrough Songwriter of the Year, Breakthrough Artist-Writer of the Year, Male Songwriter of the Year, Female Songwriter of the Year, Song of the Year, Discovery Artist of the Year, Breakthrough Artist of the Year, Female Artist of the Year, Male Artist of the Year, Group/Duo Artist of the Year and Entertainer of the Year, as well as the Top 10 Album All-Star Musicians. The winners were announced online in a virtual event on Aug. 27.
The 2024 MusicRow Awards print issue also looks into the illustrious career of country music journalist and historian Robert K. Oermann, as well as Opry Photographer Chris Hollo. The MusicRow Awards print issue also contains an informative roundup of all the awards applicable to the Nashville music industry.
Publisher Issue (October/November 2024)
MusicRow’s 2024 Publisher Issue featured COJO Music / Warner Music Nashville artist Cody Johnson on the cover. Johnson has established a following of passionately loyal fans who regularly sell out shows across the country. The artist that media has touted “just might be the future of real country music” has skyrocketed to success with five celebrated albums, including Leather, Human: The Double Album, A Cody Johnson Christmas, Cody Johnson & The Rockin’ CJB Live and Ain’t Nothin’ To It; plus an award-winning feature-length documentary, Dear Rodeo: The Cody Johnson Story. He has amassed 7.5 billion global streams and three No. 1 singles.
The Publisher Issue includes the 2024 Publisher Directory, listing Nashville’s top publishing companies as well as organizations available for songwriters. Back again in the 2024 Publisher Issue is the State of the Union roundtable, this time featuring Warner Chappell’s Spencer Nohe, UMPG’s Roxy King, Big Machine Music’s Alex Heddle and BMG’s Amy Hendon Scott. Elsewhere, NSAI’s Bart Herbison tells MusicRow about the issues facing songwriters, and Downtown Music Publishing’s Emily Stephenson is the subject of the popular My Music Row Story column.
For the 2024 Publisher Issue, Nashville hitmakers Charlie Handsome, Ernest and Chandler Walters spoke with MusicRow about the making of Post Malone’s blockbuster F-1 Trillion album. MusicRow’s 2024 Publisher Issue also highlights the work and careers of some of Nashville’s most in-demand songwriters, including Connie Harrington, Jordan Reynolds, Tanner Adell, Pete Good, Lauren Hungate and Matthew West.
Touring & Next Big Thing Issue (December 2024/January 2025)
The last of the MusicRow print issues for the year, the Touring & Next Big Thing issue, featured The Valory Music Co.’s Thomas Rhett on the cover. Pairing his laid-back perspective with a vocal drenched in casual country soul, Rhett has spent just over 10 years gathering 22 No. 1s, 16 billion streams and armfuls of accolades—eight ACM Awards including 2020’s Entertainer of the Year, two CMA Awards, five Grammy Award nominations, plus trophies from the CMT Music Awards, Billboard Awards and iHeartRadio Awards. He has also been recognized with five CMA Triple Play Awards for penning three No. 1 songs within a 12-month period, and he’s never remained static.
Inside MusicRow‘s Touring & Next Big Thing Issue is the 11th annual Next Big Thing class of artists, consisting of Tanner Adell (Bad Cow/Love Renaissance), Gavin Adcock (Thrivin Here Records/Warner Music Nashville), Mackenzie Carpenter (Big Machine Label Group (The Valory Music Co.)), Carter Faith (UMG Nashville (Capitol Records Nashville)), Dylan Gossett (Big Loud Texas/Mercury Records), Ella Langley (Columbia Records/SAWGOD), Vincent Mason (Interscope Records/UMG Nashville/Music Soup), Dylan Marlowe (Sony Music Nashville/Play It Again Music), Drake Milligan (BBR Music Group/Stoney Creek Records), Zach Top (Leo33), Tigirlily Gold (Monument Records), The Red Clay Strays (RCA Records) and Tucker Wetmore (UMG Nashville/Back Blocks Music/Mercury Records). This issue also features the N.B.T. Industry Directory Class of 2025, which highlights rising Nashville music business professionals who are having a major impact on the industry. MusicRow’s N.B.T. Industry Directory is the first and only list of its kind. These industry members occupy important roles at their respective companies, and are on a trajectory of excellence to successfully lead the Nashville music industry into the future.
The 2025 Touring & Next Big Thing Issue features top agents CAA’s Hunter Williams, WME’s Beth Hamilton, The Neal Agency’s Adi Sharma, UTA’s Elisa Vazzana and Wasserman’s Keith Levy in a roundtable discussion about the issues and opportunities facing the live music business. Mike Harris shares some wisdom regarding his career path and professional philosophies with MusicRow, and Back Blocks Music’s Rakiyah Marshall talks about taking the “back blocks” to success. MusicRow highlights Bonnaroo’s sustainability practices in this issue, and Outback Presents’ Michael Smardak talks about their country and comedy rosters. This issue also includes a look at Nashville music venues.
Important Print Dates For 2025:
Women’s Issue (February/March 2025)
Space Deadline: 2/21
Camera Ready Art Deadline: 3/4
Street Date: 3/20
InCharge Issue (April/May 2025)
Space Deadline: 4/11
Camera Ready Art Deadline: 4/29
Street Date: 5/13
Artist Roster Issue (June/July 2025)
Space Deadline: 5/23
Camera Ready Art Deadline: 6/10
Street Date: 6/24
MusicRow Awards Issue (August/September 2025)
Space Deadline: 7/25
Camera Ready Art Deadline: 8/5
Street Date: 8/26
Publisher Issue (October/November 2025)
Space Deadline: 9/18
Camera Ready Art Deadline: 10/7
Street Date: 10/21
Touring & Next Big Thing Issue (December 2025/January 2026)
Space Deadline: 10/31
Camera Ready Art Deadline: 11/18
Street Date: 12/9
Robert K. Oermann Showcases Standout Nashville Music In DISClaimer
/by MusicRow StaffShortly after MusicRow Magazine was established in 1981, respected music critic, author and historian Robert K. Oermann began reviewing the newest music to come out of Nashville with his weekly DISClaimer column.
Each week, Oermann shares his thoughts on a collection of new tunes. His reviews have become an iconic part of MusicRow.
In each week’s DISClaimer column, Oermann chooses a Disc of the Day as a highlight of the pack. Below are his 2024 Disc of the Day winners.
DREW HOLCOMB & THE NEIGHBORS / “Way Back When”
Writers: Drew Holcomb/Kevin Scott Rhoads; Producer: Cason Cooley; Label: Magnolia Music
– Over the course of two decades and nine albums, these folks have been a comforting constant on the Nashville music scene. The group’s current album, Strangers No More, has taken it to previously unscaled heights at festivals, on TV, in print and on the Americana charts. Holcomb’s warm baritone carries this warm, heart-tugging ballad accompanied by soft piano and strings. It’s about parenthood and the passage of time and is deeply, deeply affecting. I remain an immense fan. Always have been.
CHRIS YOUNG / “Right Now”
Writers: Chris Young/Chris DeStefano/Josh Hoge/Paul DiGiovanni; Producers: Chris Young/Chris DeStefano; Label: Sony Music Nashville
– Magnificent. He’s carrying a torch so hot that the whole track smolders. While percussion throbs and guitars cry, one of our greatest current country singers yearns for her in a lonely well of desire. Play it again.
MEGAN MORONEY/ “No Caller ID”
Writers: Megan Moroney/Jessi Alexander/Connie Harrington/Jessie Jo Dillon; Producer: Kristen Bush; Label: Sony Music Nashville/Columbia Records
– This is so well written. She’s trying to move on, but he worms his way back in by ringing her up drunk at 3 a.m. with no caller ID. Does she pick up the phone? Unfortunately, yes. A short story in song with a creative approach that you have to admire. This lady is very special.
DALTON DOVER / “Take Me Home Country Roads”
Writers: Bill Danoff/John Denver/Taffy Nivert; Producer: Matthew McVaney; Label: Mercury
– He remains one of our finest young country voices. Think again, if you think you’ve heard this oldie often enough. Dover’s slowed-down, gentle, caressing, thoughtful reading of the lyric brings a whole new dimension to the song. This man has the goods. A loud, “Amen” from this corner.
MORGAN WALLEN / “Spin You Around”
Writers: Morgan Wallen/Paul Trust/Sergio Sanchez; Producers: Joey Moi/Morgan Wallen/Bryan Sutton/Paul Trust; Label: Big Loud
– I just love the warmth in his singing voice. While Bryan Sutton’s acoustic guitar strums beautiful filigrees, Wallen pleads for favors from the one who stole his heart away. Supremely excellent work.
DAN + SHAY/ “Bigger Houses”
Writers: Dan Smyers/Andy Albert/Jordan Minton/Jordan Reynolds; Producers: Dan Smyers/Scott Hendricks; Label: Warner Music Nashville
– The title to the duo’s new album has a classic-country sentiment: Money can’t buy happiness. The delicate, pristine production laced with acoustic guitar supports a softly sincere Shay Mooney lead vocal with a gentle Dan Smyers baritone harmony. A gorgeous little record.
ANNE WILSON/ “God And Country”
Writers: Anne Wilson/Jeff Pardo/Matthew West/Trannie Anderson; Producers: Jeff Pardo/Jonathan Smith; Label: Sparrow (SPR)
– The single might be “Rain in the Rearview,” but this advance track from the Christian-music star’s country album debut is a spectacular show-stopper. The production rocks splendidly, she sings her face off and the lyric is a beautifully written series of contrasting images. Absolutely play this. Wilson is in this year’s class of CMT’s Next Women of Country.
BEYONCÉ/ “Texas Hold ‘Em”
Writers: Beyoncé/Brian Bates/Elizabeth Lowell Boland/Megan Bülow/Nate Ferraro/Raphael Saadiq; Producers: Beyoncé/Raphael Saadiq/Nate Ferraro/Killah B/Hit-Boy/Stuart White.Mariel Gomerez; Label: Parkwood Entertainment/Columbia
– Queen Bey summons you to the country dancefloor, and you dare not refuse. The beats are irresistible, the tune is catchy and the vibe is fun, fun, fun. A much deserved smash.
ASHLEY McBRYDE / “The Devil I Know”
Writers: Ashley McBryde/Bobby Pinson/Jeremy Stover; Producer: Jay Joyce; Label: Warner Music Nashville
– I reviewed this nearly a year ago as the title tune of her album. Now it is her new single, so those words bear repeating: “Snarling electric guitar, slapped percussion, nervous acoustic strumming, chant-like support vocals and wild audio frothing make this a heart-stopping listening experience. The lyric is just as riveting—she’s a bar fly who resists changing her wayward ways. This woman rules.” I love it that she was introduced at Warner’s CRS showcase yesterday as, “The incomparable Ashley McBryde.” Amen to that.
CODY JOHNSON / “Dirt Cheap”
Writer: Josh Phillips; Producer: Trent Willmon; Label: CoJo Music/Warner Music Nashville
– A masterful country performance on every level. The tug-at-your-heartsrings lyric is powerful enough, but Johnson’s delivery kicks it into another realm. A superstar at work.
CHRIS YOUNG / “What She Sees In Me”
Writers: Chris Young/Christian Stalnecker/Josh Hoge/Kyle Fishman/Ray Fulcher; Producer: Chris Young; Label: RCA Records Nashville
– His country baritone grabs you from the first note. The ultra-romantic ballad swoons with emotion. Love this. Love him.
WILLIE NELSON / “The Border”
Writers: Allen Shamblin/Rodney Crowell; Producer: Buddy Cannon; Label: Legacy Recordings
– This vivid word portrait of a border patrol worker paints a picture encompassing the suffering of migrants, the dangers of policing, and the evil profiteering of smugglers. Nelson’s weathered tenor vocal is a marvel of shaded emotions, and the rippling guitars in Latin rhythm are an audio wonderland.
ZAC BROWN BAND / “Tie Up”
Writers: Jonathan Singleton/Ben Simonetti/Chris Gelbuda/Josh Hoge/Zac Brown; Producers: Zac Brown/Ben Simonetti; Label: Home Grown Music/Warner Music Nashville
– This loping, easy-going groove welcomes us to summer fun. Get on the water, pop a top when you dock the boat and relax in the sunshine. I can feel the warm weather already.
DALTON DOVER / “Bury Me In This Bar”
Writers: Benjy Davis/Dalton Dover/Dan Isbell/Jamie Davis; Producer: Matthew McVaney; Label: Mercury Nashville
– Dover continues his winning ways with this romping, stomping honky tonker with flourishes of steel and galloping rhythm. Thirsty for real country music? Belly up to this bar. You need the song on your playlist, now more than ever.
LILY ROSE / “True North”
Writers: David Garcia/Hillary Lindsey/Trannie Anderson/Lily Rose; Producers: Paul DiGiovanni; Label: Big Loud Records/Back Blocks Music/Mercury Records/Republic Records
– Deliciously melodic and marvelously evocative as a lyric. When she feels like she’s losing her way, “I head down South to my True North.” Authentic and honest. Sung with ringing conviction. This Georgia artist hits a bullseye every time. Lily Rose stages her Grand Ole Opry debut on Saturday night. They’re lucky to have her.
BLANCO BROWN / “Good As It Gets”
Writers: Bennie Amey III/David Fanning/Matt Thomas/Tommy Cecil; Producer: Blanco Brown; Label: Wheelhouse Records
– The charismatic “Git Up” man has returned with a new EP and this change-of-pace, deeply romantic outing. Instruments swirl around him as he soars into his upper vocal register. Sonically innovative and totally dreamy.
KAMERON MARLOWE/ “Keepin’ The Lights On”
Writers: Kameron Marlowe/Kendell Marvel/Phil O’Donnell; Producer: Dan Huff; Label: Columbia Nashville
– The title tune of Marlowe’s upcoming sophomore album is a recollection of hard times when his hard-working parents weathered spirit-crushing storms to provide for the family. The beautifully produced ballad mixes his expressive, soulful voice up front and intimately in your ear. I have been a consistent fan of this artist for four years and am more convinced than ever that he is one of our greatest living country singers.
JOHNNY CASH / “Well Alright”
Writer: Johnny Cash; Producers: Johnny Cash/John Carter Cash/David Ferguson/Josh Matas/Mike Daniel; Label: Mercury
– I’m really excited about the upcoming Cash album Songwriter (due June 28). It is comprised of 1993 song demos by the legend. He was in fine voice, and it has been surrounded by newly recorded, brilliant production by his talented son and his longtime studio confederate “Fergie” Ferguson. This advanced taste is a light-hearted ditty about finding love in a laundromat. The band, featuring Marty Stuart, kicks up some rockabilly stardust that echoes Cash’s early Sun singles. Hearty and satisfying.
TRAVIS DENNING / “Add Her To The List”
Writers: Paul DiGiovanni/Bobby Pinson/Jeremy Stover; Producers: Paul DiGiovanni/Jeremy Stover; Label: Mercury Nashville
– He has run into the ditch, hit dead ends, taken wrong turns and screwed up many, many times. Not the least of the things he wishes he could fix is the relationship. So of all the wrongs he’d make right, you can “add her to the list.” Marvelously well written and performed with verve. This deserves massive airplay.
MICKEY GUYTON / “Scary Love”
Writers: Karen Kosowski/Emma-Lee/Mickey Guyton/Victoria Banks; Producer: Karen Kosowski; Label: Capitol Records Nashville
– Guyton is such an excellent singer. And with a piece of material this strong, she can really raise the rafters. The pounding, throbbing production matches her passionate performance of this inspirational motherhood lyric. The video features beyond-adorable footage of her baby as an infant and as a toddler. Your heart will melt.
MEGAN MORONEY / “Indifferent”
Writers: Ben Williams/Mackenzie Carpenter/Megan Moroney/Micah Carpenter; Producer: Kristian Bush; Label: Columbia Nashville/Columbia Records
– The creativity and wit in this woman’s songwriting always delight me. This female-empowerment romp has oomphy stadium chords, but it’s the feisty attitude that keeps you hanging on every line. Love her. Love this.
CARLY PEARCE / “Fault Line”
Writers: Carly Pearce/Jordan Reynolds/Nicole Galyon/Shane McAnally; Producers: Shane McAnally/Josh Osborne/Carly Pearce; Label: Big Machine Records
– Hallelujah! Carly reminds us all what a really cool, traditional country song sounds like. This depiction of a crumbling marriage is packed with playful lyric details as it two-steps merrily across the country dance floor. Loved it. Loved it. Loved it.
LAINEY WILSON / “Hang Tight Honey”
Writers: Driver Williams/Jason Nix/Lainey Wilson/Paul Sikes; Producer: Jay Joyce; Label: Broken Bow Records
– Wilson premiered this new tune on The Voice. Its a snappy hillbilly rocker that comes on with whiplash energy and wildfire heat. The lady rules, and this is a summertime smash.
CARLY PEARCE / “Truck On Fire”
Writers: Carly Pearce/Justin Ebach/Charles Kelley; Producers: Shane McAnally/Josh Osborne/Carly Pearce; Label: Big Machine Records
– “Liar, liar, truck on fire,” she warbles in this deceptively bouncy ditty. She has plans to torch his ride, you see. As usual, she sings her face off. Catch Carly in a primo slot on Sunday night at the Nissan Stadium CMA Fest finale or during her afternoon appearance on the CMA Close Up stage in Music City Center.
WARREN ZEIDERS / “Relapse”
Writers: Blake Pendergrass/Justin Ebach/Warren Zeiders; Producer: Mike Elizondo; Label: Warner Records
– This one’s an infectious banger that sounds like the perfect summer country song. The tempo is ferocious; the guitars are high and bright; he’s singing his face off. What’s not to like?
LUKE COMBS / “Remember Him That Way”
Writers: Erik Dylan/Jessi Alexander/Jonathan Singleton/Luke Combs; Producers: Chip Matthews/Jonathan Singleton/Luke Combs; Label: Seven Ridges Records/Columbia Nashville
– This warm recollection of an aging dad is drawn from Luke’s excellent Fathers and Sons album. Dobro, guitar and mandolin notes ripple around his heartfelt vocal. The whole project is emotionally awesome. There is a reason why this man is a country superstar.
BROTHERS OSBORNE / “Break Mine (Live)”
Writers: John Osborne/Pete Good/Shane McAnally/TJ Osborne; Producers: none listed; Label: EMI Nashville
– This was arguably the most electrifying performance on Tuesday’s ABC TV special of the CMA Music Fest, and it is now a YouTube clip. T.J.’s commanding lead singing and John’s jaw-dropping guitar solos are both at the top of their games. This will make you proud to be a country-music fan.
MORGAN WALLEN / “Lies, Lies, Lies”
Writers: Chris Tompkins/Daniel Ross/Jessie Jo Dillon/Josh Miller; Producer: Joey Moi; Label: Big Loud Records/Mercury Records/Republic Records
– If he tells himself, or her, that he is over the heartbreak, he is lying. The lovelorn lament is beautifully produced, and Wallen’s delivery, as usual, is hillbilly perfection. Essential listening, especially the live version recorded at Abby Road studios.
SAM WILLIAMS / “Carnival Heart”
Writers: Ned Houston/PJ Harding/Sam Williams; Producers: Ben Roberts, Nathan Sexton; Label: Mercury Nashville
– This ballad is the theme song of the dazzling Cirque du Soleil Songblazers show currently ongoing at TPAC. It’s a gorgeous, stately waltz with a swirling production, an aching tenor vocal, lovely lyrics and a melody to get lost in. Williams is getting ready to release his sophomore album this fall. Can’t wait to hear it.
HARPER GRACE & KELSEY HART / “Freedom”
Writers: Kelsea Ballerini/Justin Ebach/Charles Kelley; Producers: Cameron Jaymes, Ben West; Label: Curb
– They’ve broken up, but are far from over one another. Both singers sound simply splendid on this ultra-tuneful, ultra-rhythmic, pulsating rush of sound. The luscious harmonies and soaring melody alternate with conversational bits that catch your ear. I would love to hear this in my car on the radio. A lot.
GEORGE STRAIT / “Three Drinks Behind”
Writers: Benjamin Gaither/Jeff Silvey/Kim Williams; Producers: Chuck Ainlay, George Strait, Tony Brown; Label: MCA Nashville
– I dig the chugging rhythm and mellow melody of this barroom ditty. Delivered with a smile from a Country Music Hall of Famer who can still knock it out of the park. Put this mini masterpiece on repeat pronto.
JORDAN DAVIS / “I Ain’t Sayin’”
Writers: Emily Reid/Mark Holman/Steve Moakler/Travis Wood; Producer: Paul DiGiovanni; Label: MCA Nashville
– Mr. Davis tries on a jaunty tempo tune, and it fits just right. He might not be Mr. Right, but that other guy “sure as hell ain’t.” I remain an enormous fan.
RANDALL KING / “I Could Be That Rain”
Writers: Brian Fuller/Mason Thornley; Producers: Jared Conrad, Randall King; Label: Warner Music Nashville
– It is one of the great mysteries of our time why this superb vocalist is not yet a country superstar. As always, he delivers the goods. This time, he rides atop a cool rhythm pattern and some crashing guitars as he wails to the heavens. So nice I played it twice.
KELSEA BALLERINI / “Sorry Mom”
Writers: Jessie Jo Dillon/Alysa Vanderheym/Hillary Lindsey/Karen Fairchild/Kelsea Ballerini; Producers: Kelsea Ballerini, Alysa Vanderheym; Label: Black River Entertainment/Big Machine Music
– Yeah, she’s been drinking and smoking and having sex. But beyond all the mistakes, escapades and disagreements, she’s become a woman her mother can be proud of. Beautifully done, from the exquisite production to her lilting, conversational vocal. This mid-tempo gem is drawn from her upcoming, female-centric album Patterns. I, for one, cannot wait to hear the rest of it.
JACKSON DEAN / “Heavens To Betsy”
Writers: Benjy Davis/Driver Williams/Jackson Dean; Producer: Luke Dick; Label: Big Machine Records
– This soulful guy has a new lyric video for this wonderful story song about a man who speaks to a loved one from beyond the grave. As if his terrific singing and the dynamite lyric aren’t enough, the spectacular production has froth and foam and tempo, tempo, tempo. Electrifying in every way.
NATE SMITH / “Fix What You Didn’t Break”
Writers: Ashley Gorley/Lindsay Rimes/Nate Smith/Taylor Phillips; Producer: Lindsay Rimes; Label: RCA Records Nashville
– His vocal and the track are very processed for country music, but this record is gorgeous however you label its sound. The uplifting, hopeful lyric is about the redemptive power of love, and Smith delivers it with heart.
MEGAN MORONEY / “Am I Okay?”
Writers: Jessie Jo Dillon/Luke Laird/Megan Moroney; Producer: Kristian Bush; Label: Columbia Nashville/Columbia Records
– Ridiculously charming. She’s falling head over heels for a dreamboat who treats her right. So of course she thinks she’s going nuts. A bopper with a zillion smiles.
ZAC BROWN BAND / “Two Blue Chairs And You”
Writers: Ben Simonetti/Jonathan Singleton/Rob Snyder/Zac Brown; Producers: Ben Simonetti, Zac Brown; Label: Home Grown Music/Warner Music Nashville
– This bopper will make you instantly yearn for a Caribbean vacation. Loved the wordless, harmonized, a cappella vocal interlude. An absolutely perfect single.
POST MALONE & LUKE COMBS / “Guy For That”
Writers: Austin Post/Charlie Handsome/Ernest Keith Smith/Hoskins/James McNair/Louis Bell/Luke Combs; Producers: Charlie Handsome, Hoskins, Louis Bell; Label: Mercury Records/Republic Records
– The sound of country music joy. These two romp through this country rocker like a couple of colts let loose in a pasture. Turn it up and dance along.
LUKAS NELSON feat. THE TRAVELIN’ McCOURYS & SIERRA FERRELL / “Someone Like You”
Writers: Dan Wilson/Adele Adkins; Producer: none listed; Label: LN
– Yes, it’s the 2011 Adele pop hit delivered by super country stylists Nelson and Ferrell, backed by the bluegrass picking of the McCourys. First of all, it is utterly enchanting. Second of all, I would love to hear these two singers together more often. Third of all, drop what you are doing and glue your ears to this when it drops tomorrow. A single that’s truly an event.
BRANTLEY GILBERT / “Tattoos”
Writers: Brantley Gilbert/Cole Taylor/Jake Mitchell/Randy Montana; Producers: Brantley Gilbert, Brock Berryhill, Jake Mitchell, Scott Borchetta; Label: The Valory Music Co.
– “My body is a temple, but my temple is a canvas,” He proudly displays his body art, because his tattoos tell the story of who he is. A hypnotic single of swirling atmosphere. Highly recommended. Just so you know: he drops an “F” bomb in the lyric.
ERNEST & LAINEY WILSON / “Would If I Could”
Writers: Dean Dillon/Skip Ewing; Producer: Joey Moi; Label: Big Loud
– Wow. The song is country eloquent, and their duet performance is perfection. The supremely well crafted ballad closes the book on a relationship that’s better off in the past. The exquisite vocals are beautifully shaded and evocative to convey its emotional complexity. I love this record. A solo version from Ernest impacts radio on Oct. 7.
NATE SMITH & AVRIL LAVIGNE / “Can You Die From A Broken Heart”
Writers: Kevin Fisher/Michael Matosic/Tom Walker; Producer: Lindsay Rimes; Label: RCA Nashville
– His soulful baritone groan and her aching/piercing soprano blend beautifully on this broken-hearted power ballad. Smith is on a roll, with three consecutive country chart-toppers under his belt. Lavigne is a zillion-selling pop star. The single is a sonic masterpiece. This can’t miss.
JAMEY JOHNSON / “Someday When I’m Old”
Writers: Aimee Mayo/Chris Lindsey/Troy Verges; Producer: The Kent Hardly Playboys; Label: Warner Music Nashville/Big Gassed Records
– Hallelujah! One of our greatest living country singers is back with a vengeance on this moody contemplation of mortality. It’s a brilliant song, and he totally owns it with his heartfelt performance.
MICKEY GUYTON / “House On Fire”
Writers: Jenna Andrews/Mickey Guyton/Stephen Kirk; Producers: Nolan Verner, Stephen Kirk; Label: Capitol Records Nashville
– Passionate, melodic, fierce, loving and deliciously listenable. This is the title tune of Guyton’s sophomore album, and it’s the performance of a lifetime. A career highlight that takes it up to a whole new level.
ERIC CHURCH / “Darkest Hour”
Writer: Eric Church; Producer: Jay Joyce; Label: EMI Music Nashville
– The Chief has stepped up to the plate to extend a helping hand to the devastated victims of Hurricane Helene in his home state. He is donating his songwriting royalties from this moving, spiritual, uplifting recording of falsetto blue-eyed soul to provide aid today and forever to his fellow North Carolinians. The social responsibility is as admirable as the beautiful song is. Applause, applause.
JELLY ROLL / “I Am Not Okay”
Writers: Ashley Gorley/Casey Brown/Jason Deford/Taylor Phillips; Producer: Zach Crowell; Label: BBR Music Group
– This is arguably his finest vocal performance to date, full of gripping passion and believability. For troubled souls everywhere: “When it’s all said and done/I am not okay/But it’s all gonna be alright.” This turbulent-but-uplifting track deserves to be a No. 1 record.
RINGO STARR / “Time On My Hands”
Writers: Daniel Tashian/Paul Kennerley/T Bone Burnett; Producers: Bruce Sugar, Daniel Tashian, T Bone Burnett; Label: UMG Nashville
– At 84, Ringo still sings splendidly. Sharing the spotlight on this mid tempo meditation is a brilliant, crystal-clear production featuring breathtaking steel guitar work by Paul Franklin. A simply lovely record.
BLANCO BROWN / “Back 2 Basics”
Writers: Blanco Brown, Jordan Reynolds, Andy Albert; Producer: Blanco Brown; Label: Wheelhouse
– The title tune of Brown’s new EP is a lovely track that yearns to rekindle romance with a longtime lover. The gently brushed percussion and audio watercolor tones frame an earnest, soulful vocal that exudes strength and tenderness. This guy can sing.
JELLY ROLL / “Liar”
Writers: Ashley Gorley/Ben Johnson/Jason DeFord/Taylor Phillips; Producer: Zach Crowell; Label: BBR Music Group
– This man is going from strength to strength. This pulse-quickening country-rocker is brilliantly produced with pounding rhythm, stuttering guitar and inspirational choir. But the star attraction here is a stunning vocal performance, full of fire, fury and passion. He has had six No. 1 records in succession, and I see no reason whatsoever that this shouldn’t be number seven.
LONESTAR / “Try”
Writers: Ben West/Busbee; Producer: Dean Sams; Label: Lonestar
– This is a cover of P!nk’s 2012 pop hit “Try.” First of all, I adore P!nk. Second of all, new lead vocalist Drew Womack has always affected me deeply (recall his work in Sons of the Desert). Third of all, this reinterpretation works spectacularly well. Absolutely play “Try” on repeat. The track is drawn from a forthcoming EP of Lonestar’s country versions of iconic songs by female pop artists such as Adele, Fleetwood Mac’s Christine McVie, Cyndi Lauper and Eurhythmics. Essential listening.
KACEY MUSGRAVES / “The Architect”
Writers: Josh Osborne/Kacey Musgraves/Shane McAnally; Producers: Daniel Tashian, Ian Fitchuk, Kacey Musgraves; Label: Interscope Records/MCA Nashville
– Nominated for a Grammy as Best Country Song, this was a standout on Wednesday’s CMA Awards telecast. Musgraves delivers it in a folk-angel soprano as she muses about our Higher Power. Melodic, thoughtful, lilting, deep and utterly captivating. Also: Gorgeously produced, as is her entire Deeper Well collection. She hits Bridgestone Arena on Dec. 6 & 7 with Nickel Creek and Lord Huron in support.
BLAKE SHELTON / “Texas”
Writers: Johnny Clawson/Josh Dorr/Kyle Sturrock/Lalo Guzman; Producer: Scott Hendricks; Label: Wheelhouse Records
– He’s such a superb country singer. With a song this cool, he’s unstoppable. Shelton’s debut on his new label turns some interesting rhythmic corners and sports super clever lyrics. Plus, you get a “Greek chorus” talking to him. “If she ain’t with me in Tennessee…she’s probably in Texas,” because that’s where ex’s go. This deserves to be a massive hit.
RUNAWAY JUNE / “He Ain’t My Problem”
Writers: Jennifer Wayne/Natalie Stovall/Stevie Woodward; Producer: Kristian Bush; Label: Quartz Hill Records
– Feisty and fun, fun, fun. The saucy kiss-off song is packed with clever asides, cool instrumental licks, sexy lines, punchy-uptempo rhythms and delicious three-part harmony. I love this record, and their songwriting is peerless.
DAN + SHAY / “Officially Christmas”
Writers: Dan Smyers/Dave Barnes/Jordan Reynolds/Nicolle Galyon; Producers: Dan Smyers, Scott Hendricks; Label: Warner Music Nashville
– Shay Mooney’s tenor voice was born for this season. He sounds like a warm wool sweater on a cold night. The production by Dan Smyers sparkles and dazzles with holiday cheer. This is the bopping title tune to a fabulous double album of Christmas music. As of this year, this duo owns the holiday.
RILEY GREEN / “Jesus Saves”
Writer: Riley Green; Producers: Dann Huff, Jimmy Harnen, Scott Borchetta; Label: Nashville Harbor
– Intensely moving. Green tells the tale of a homeless, jobless veteran on the street and the circumstances that brought him to a place of destitution. A simple guitar accompaniment and some soft strings frame the poetry. Brilliantly done.
Cody Johnson Wraps ‘The Leather Tour’ In Las Vegas
/by Lorie HollabaughCody Johnson performing at Las Vegas’ MGM Garden Arena. Photo: Jay Trevino
Cody Johnson wrapped “The Leather Tour” this past weekend with two sold-out shows in Las Vegas at the MGM Garden Arena.
Lainey Wilson made a surprise appearance during his final concert on Friday night (Dec. 13), joining him on Willie Nelson’s “Mamas Don’t Let Your Babies Grow Up To Be Cowboys.” Johnson was in Vegas earlier in the week to compete in the World Series of Team Roping during the 2024 Wrangler National Finals Rodeo at Thomas & Mack Center.
“The Leather Tour” launched last January with two sold-out shows, and went on to sell out 30 stops during its run, including Nashville’s Bridgestone Arena and his first-ever headline stadium date at Arlington’s Globe Life Field.
Johnson has celebrated another banner year in 2024 with two No. 1, award-winning singles “The Painter” and “Dirt Cheap,” adding 2.5 billion global streams this year to his now 8.5 billion career global streams total. Additionally, he plans will ring in 2025 by performing during Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest on ABC before kicking off his “Leather Deluxe Tour” on Jan. 17.
Michael Bublé & Carly Pearce Cultivate Community With Holiday Collaboration [Interview]
/by Liza AndersonMichael Bublé & Carly Pearce
Over the years, Grammy winners Michael Bublé and Carly Pearce have individually connected with crowds and comforted listeners with their work. After Pearce served as a Playoff Advisor for Bublé’s team on season 26 of NBC’s The Voice, the two joined forces to further cultivate community this holiday season with their first-ever collaboration, “Maybe This Christmas,” released via Reprise Records.
Bublé co-wrote the tune with Chase McGill, Greg Wells and Jann Arden, and knew he wanted Pearce to be a part of it.
“Very luckily and serendipitously, we have the same publicist. So when I was doing The Voice and I knew I had to have a mentor, I asked if we could get her [to come on], and she said yes, thankfully,” Bublé tells MusicRow. “I had [also] been writing this song, and I knew this was not a romantic song. It was a song about somebody questioning their faith and struggling through a really tough time of year, so I was hoping that she would play the part of that person who’s calling out to say ‘Everything’s going be okay.'”
Pearce showed immediate interest after he pitched the idea. “I committed before I had ever heard the song,” she laughs.
Carly Pearce and Michael Bublé performing at the Grand Ole Opry. Photo: Jamie Wendt
The songstress continues, “I think they wrote it so perfectly for anybody who this isn’t a joyous season for, and maybe they struggle to feel seen in their grief, their sadness or their loneliness, as way for them to truly know they are not alone. Whether it’s God or a friend or a family, somebody is right there watching out for you.”
They recently performed the duet during The Voice Finale, and shared it with the Grand Ole Opry last week as Bublé stepped into the sacred circle for the first time—a dream come true for the multi-Platinum entertainer.
“Many times when I write, I write country songs,” he notes. “‘Home’ was a country song. “Lost” was very country. I’m just inspired by the genre.”
A longtime friend of Bublé who was struggling served as the muse for “Maybe This Christmas.” When he learned his friend was living on the street, Bublé provided as many resources as possible and took him to The Kettle Society in Vancouver. That friend, who is now back with his family and doing well, reached out to Bublé after hearing the song to express his gratitude and how the lyrics have resonated with him.
“What people won’t forget, and what will live on forever, is how you made them feel. It’s a short life, and you’ve got a chance to make a difference,” states Bublé. “For us, as musicians, what a beautiful chance [this is] to spread some light and give a little hope to people. I just think it’s magical to walk into a room and come out with something that actually changes or saves lives. It’s amazing. What a gift.”
WME Promotes Sara Pincus & Lauren Cunningham
/by Madison HahnenLauren Cunningham & Sara Pincus.
WME has promoted Sara Pincus within the Brand Partnerships department and Lauren Cunningham to Agent in the country music department.
Pincus is a Los Angeles native with a background in Advertising, having studied at Syracuse University. She began her career at WME in 2018 at the Beverly Hills office, initially working in the PA department before relocating to the Nashville office in 2019, where she supported Music Agents Austin Mullins and Mark Roeder. After being let go due to the pandemic in 2020, Sara returned to WME in February of 2021, joining the Brand Partnerships department to work for both Michael Jasper and Shari Lewin all while participating in the Agent Trainee program. In early 2024, she was promoted to coordinator within the department.
Cunningham began her career with WME during her undergraduate years at Ole Miss, serving as a Coordinator for Brand Activations with the Athletic Department. Upon graduation from the University of Mississippi, Lauren started work at WME Nashville as an assistant, before leaving in 2020 to work with Rogue Management artists Ingrid Andress and Fletcher. Lauren continued her education with additional certifications in Digital Marketing Strategies from Northwestern’s Kellogg Business School. Upon her return to WME Nashville in 2021, while in the Agent Trainee Program, Lauren worked with WME Partners Henry Glascock and Abby Wells Baas.
Ryan Larkins Drops Surprise Gospel Project
/by Lorie HollabaughRyan Larkins
Red Street Records artist Ryan Larkins dropped a surprise 10-track album of classic gospel hymns, The Gospel Takes, songs he cherished as the foundations of his musical upbringing as a Tennessee native and the son of a Pentecostal preacher.
Larkins was only introduced to country music in his early twenties, and this collection of hymns including “Old Rugged Cross” and “I Have Decided To Follow Jesus” are not only special to Larkins, but are also known and beloved around the world.
“The Gospel Takes is a project that I am very passionate about,” says Larkins. “These songs have meant so much to me throughout my life. They were recorded in the most simple way, to let the words and the melodies take you back to an old oak pew in a little country church. I hope they move you as they have me!”
The album was co-produced by Larkins with Adam Engelhart, and follows a performance of his recently-released rendition of “White Christmas” on American Country Network’s holiday special, American Country Christmas.
The Gospel Takes Track List:
1. “What A Friend We Have In Jesus”
2. “Blessed Assurance”
3. “I Have Decided To Follow Jesus”
4. “Old Rugged Cross”
5. “Victory In Jesus”
6. “Great Is Thy Faithfulness / It Is Well”
7. “I’ll Fly Away”
8. “Nothing But The Blood of Jesus”
9. “Can’t Even Walk Without You Holding My Hand”
10. “Someday It’ll All Make Sense”
Flatland Cavalry Releases Extended Album
/by Madison HahnenFlatland Cavalry has released an extended version of their 10th anniversary album, titled Flatland Forever(more), via Interscope Records.
The project features all 25 tracks from Flatland Forever, alongside band commentary and new versions of select fan-favorite tracks, including “A Life Where We Work Out,” “One I Want,” “Mis Últimas Palabras” and more.
Additionally, the band will release a full-length performance video of their Ryman Auditorium headline debut from earlier this year on Dec. 23 at 8 p.m. CT via YouTube. The concert featured special guests Kaitlin Butts and Colby Acuff, and includes the group receiving their first RIAA certification for Gold-certified “A Life Where We Work Out.”
To end 2024, they will also perform their first headline arena show at Fort Worth’s Dickies Arena on Dec. 31. The band will then kick off their “Flatland Forever Tour” in February. Tour stops include Atlanta’s Coca-Cola Roxy, Birmingham’s Alabama Theatre, Omaha’s Steelhouse Omaha and more.
Flatland Forever(more) Track Listing:
1. “Intro (commentary)”
2. “No Shade of Green”
3. “Summertime Love (commentary)”
4. “Summertime Love”
5. “Missing You”
6. “Three Car Garage (commentary)”
7. “Three Car Garage”
8. “One I Want”
9. “One I Want (First Dance Cut)”
10. “A Life Where We Work Out (commentary)”
11. “A Life Where We Work Out” (feat. Kaitlin Butts)
12. “A Life Where We Work Out (First Dance Cut)”
13. “Humble Folks”
14. “Lubbock (commentary)”
15. “Lubbock”
16. “Homeland Insecurity (commentary)”
17. “Come Back Down”
18. “Pretty Women”
19. “Sleeping Alone”
20. “Years From Now (Acoustic)”
21. “War With My Mind (commentary)”
22. “War With My Mind”
23. “Some Things Never Change”
24. “Gettin’ By”
25. “Tilt Your Chair Back”
26. “Countryman (commentary)”
27. “Countryman”
28. “Mis Últimas Palabras (commentary)”
29. “Mis Últimas Palabras (Work Tape)”
30. “Mountain Song”
31. “How Long”
32. “Parallel” (feat. Ashley Monroe)
33. “If We Said Goodbye”
34. “Mornings With You (commentary)”
35. “Mornings With You (Worktape)”
36. “Mornings With You” (feat. Kaitlin Butts)
37. “Spinnin’”
38. “Don’t Have To Do This Like That”
39. “Chasing A Feeling (commentary)”
40. “Chasing A Feeling”
Bob Dylan Archive Heads to Julien’s Auctions Nashville
/by Lorie HollabaughBob Dylan. Photo: Val Wilmer
Julien’s Auctions will host “Celebrating Bob Dylan: The Aronowitz Archive, T Bone Burnett & More” auction at the Musician’s Hall of Fame & Museum in Nashville on Jan. 18.
The auction features 60 items, 50 of these from journalist Al Aronowitz‘s personal archive including two pages containing three progressive typewritten drafts of the lyrics to “Mr. Tambourine Man,” an early Dylan oil painting from 1968, a 1963 handbill from his first major headline performance at Town Hall in New York City, early vintage photos, original sketches and much more. The auction also includes a 1983 Fender Telecaster made for and owned by Dylan and signed handwritten lyrics for “Blowin’ In The Wind.”
The auction is highlighted by a one-of-one Ionic Original disc of Bob Dylan’s new studio recording of “The Times They Are A-Changin'” from a special session with producer Burnett. In honor of “Celebrating Bob Dylan,” a special exhibition showcasing highlights from the Al Aronowitz collection will run through Jan. 17 prior to the auction.
“Billie Holiday, Miles Davis, Mick Jagger, Jerry Garcia, Carole King… My Father was this incredible connector,” says Myles Aronowitz, son of Al. “He was much more than a journalist, he understood what these artists were trying to do. He didn’t just meet these cultural icons, he brought them together. He introduced Allen Ginsberg to Bob Dylan, Bob Dylan to The Beatles. My Father was the one who turned The Beatles on for the first time. He connected Jimi Hendrix with Miles Davis, Nico with Lou Reed.
“He wasn’t just a writer with a powerbase as a New York columnist; Al had this unique kind of magic. He made these introductions that went on to shape culture itself. It was more than power or influence—there was something truly magical about what he did. The collection represents my Father’s instinctive ability to identify and connect with greatness. Each item is evidence of this, and how with his magic, he literally brought you into the room!”
Details Announced For Third Annual ‘Opry Goes Dolly’
/by Liza AndersonThe third annual “Opry Goes Dolly” event celebrating Dolly Parton will take place on Jan. 18, the day before Parton’s birthday (Jan. 19).
While the country superstar will not appear in person, the celebration will honor her with tributes while serving as one of the first “Opry 100” shows. Those set to take the stage to perform their favorite Parton tunes include Bill Anderson, Rhonda Vincent, Ashley Cooke and Chapel Hart along with Shaboozey, who will make the first Opry debut of 2025 during the show.
“Opry Goes Dolly” will also feature birthday treats baked using Parton’s Duncan Hines mixes, a large birthday card for fans to sign, photo ops with a Parton impersonator on the Opry Plaza and signature drinks at all Opry House bars. Five dollars from every ticket sold for will be donated to Parton’s Imagination Library, a program that mails free, high-quality books to children from birth to age five, no matter their family’s income.
Fans attending the show can also purchase a ticket to join a “Dolly-oke” fundraiser in Studio A, headlined by Chapel Hart, following the event. All proceeds will support the Opry Trust Fund, which offers financial assistance to those in the country music industry during times of crisis or emergency.
For more information, click here.
Dr. Bobby Jones To Receive Recording Academy Lifetime Achievement Award
/by Lorie HollabaughDr. Bobby Jones speaks at the National Museum of African American Music
Dr. Bobby Jones will receive a Recording Academy Lifetime Achievement Award during The Recording Academy’s Special Merit Awards ceremony on Feb. 1 at the Wilshire Ebell Theatre during Grammy week.
This Special Merit Award is presented by vote of the Recording Academy’s National Trustees to performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording.
A Gospel vocalist, TV host and radio host, Jones launched his entertainment career in 1976 on WSM-TV with the debut of Nashville Gospel. Building on its success, he became the host and executive producer of Bobby Jones Gospel, which premiered on Black Entertainment Television in 1980 and became the longest-running original series in cable television history.
Jones received his Bachelor of Science from Tennessee State University and his Doctor of Education (EdD) degree from Vanderbilt University. He was appointed Ambassador of the Commonwealth of Dominica in 2006. As a musician, he has toured with the musical group New Life and the Nashville Super Choir, and built a discography spanning 14 releases, among other achievements. He’s received over 1,500 awards, including a Grammy for Best Soul Gospel Performance By A Duo Or Group for “I’m So Glad I’m Standing Here Today.”
Frankie Beverly, The Clash, Dr. Bobby Jones, Taj Mahal, Prince, Roxanne Shante and Frankie Valli are also Recording Academy Lifetime Achievement Award honorees; Erroll Garner, Glyn Johns and Tania León are the Trustees Award recipients; and Dr. Leo Beranek is the Technical Grammy Award honoree.
“It’s an amazing privilege to honor this eclectic group of music icons during the year’s biggest week in music,” says Harvey Mason jr., CEO of the Recording Academy. “Each of this year’s Special Merit Award recipients has left an indelible mark on music, from paving the way for others to innovation that forever has changed the trajectory of the musical landscape. We can’t wait to celebrate this group and their achievements in February.”