
Results from the 5th annual Value, Engagement and Trust in the Era of Social Entertainment Survey.
Public Relations firm
Edelman, with offices in 53 cities and over 3,700 employees worldwide, has released findings from its fifth annual
Value, Engagement and Trust in the Era of Social Entertainment survey. Results from the 2011 study show that compared with 2010, consumers believe they are getting 68% less value from entertainment sources in all areas and that only 17% feel that entertainment sources provide “very good” or “excellent” value. Interestingly, consumers rank social networking sites as a form of entertainment and its value has remained largely constant with 31% in the U.K. and 37% in the U.S. giving them “very good” or “excellent” value. Trust in the entertainment industry has fallen by 9% in the U.K .and 11% in the U.S.
“A lower perception of value in the entertainment industry represents the commoditized nature of today’s entertainment,” said
Gail Becker, president of Edelman’s Western U.S. Region. “With so many forms of entertainment, consumers are spreading their attention across multiple platforms—leading to a decline in perceived value in any one format. Given the ongoing debate about revenue models and what we see from this year’s study findings, entertainment companies have a real opportunity to regain trust by articulating a stronger value proposition to their consumers and by offering the opportunity to engage with them through multiple platforms.”
The study also shows that consumers are spending more time with digital devices. Fifty-nine percent of people in the U.K. and 53% in the U.S. spent more time on their laptops in the last year, and 49% of people in the U.K. and 52% in the U.S. spent more time on their mobile phones. More than half of all respondents would like to use a computer to access entertainment content, and 30% lead by the youth market, would like to be able to access that content on their mobile phones.
Overwhelmingly, consumers (84% in the U.K. and 88% in the U.S.) feel negatively about the move from free to paid entertainment services. Pay walls created by entertainment sources for previously free services are being met with feelings of frustration and distrust by users. Some cite the lack of improvement in quality of service, while others state they would suspect a profit motive driven by greed. According to the study content providers can try to overcome feelings of pay wall distrust by delivering value in other ways. Respondents consider visual and sound quality important (87% in the U.K. and 85% in the U.S.) in making their entertainment purchasing decisions, and nearly half (47% in the U.K., 48% in the U.S.) consider the number of devices with which they can access the entertainment.
The Value, Engagement and Trust in the Era of Social Entertainment Survey is an annual online survey among 18- to 54-year-old consumers in the U.K. and U.S. and was conducted between February 22 and February 28, 2011. The sample comprised 1,017 respondents, 500 from the U.K. and 517 from the U.S. For the fifth year running, the Value, Engagement and Trust in the Era of Social Entertainment Survey explores consumer attitudes toward the entertainment industry in the U.K. and U.S. It examines consumer perceptions and behaviors as they relate to consumption habits, purchase recommendations, file downloading and sharing.
Bug Acquires Sugar Hill Publishing Rights
/by adminThe rosters at Sugar Hill Records’ two publishing companies, Southern Melody Publishing Co. and Queen’s Counsel Music, include Nickel Creek members Chris Thile, Sarah and Sean Watkins, Robin and Linda Williams, Ralph Stanley, Etta Baker, Claude Hensley, Ruth Franks, Doc Watson, Tommy Thompson of Red Clay Ramblers, and members of Donna the Buffalo, Austin Lounge Lizards and Seldom Scene.
“Sugar Hill’s Southern Melody Publishing Co. and Queen’s Counsel Music developed a rich catalog of American roots music,” Bug Music Senior VP Garry Velletri said. “Sugar Hill has done an amazing job in working with their writers, and we’re proud to represent and find new opportunities across multiple platforms for their music.”
Bug Music claims to be the largest U.S. independent contemporary publisher, spread across eight offices in the U.S. and Europe. Sugar Hill Records, co-founded in Durham, North Carolina in 1978, has grown to become one of the country’s premier country, bluegrass and Americana record labels.
Whiskey Myers Meets Industry And Media
/by admin(L-R) Cody Tate, Gary Brown, Cody Cannon, John Jeffers and Jeff Hogg. Photo: Izzynashville.com
(Nashville, TN) Texas-based Southern Country rockers Whiskey Myers debuted material from their recently released Firewater album last night for an industry crowd at downtown Nashville venue The Rutledge. Firewater, released April 26, earned a No. 3 debut on the iTunes Country Albums chart and a No. 26 debut on Billboard’s Country Albums chart.
The five-piece Tyler, Texas, outfit offered a 35-minute set which included their current Top 15 Texas chart single, “Bar, Guitar and a Honky Tonk Crowd.”
In the past year the band has opened for artists including Blake Shelton, Miranda Lambert, Luke Bryan and Randy Houser. In the coming months they have dates scheduled with Dwight Yoakam and .38 Special, among others.
Willie Nillie Photos
/by Sarah SkatesKick-Off Party for Willie Nelson’s Country Throwdown Tour
BMI hosted the kick-off party for the second annual Willie Nelson’s Country Throwdown Tour at its Nashville offices on Monday (5/23). Featuring a blazing performance by Lukas Nelson and Promise of the Real, the party was a rollicking start to the tour, which runs from May 27 to July 4, with a June 3 stop in Nashville at The Woods at Fontanel. BMI will also proudly sponsor the tour’s Bluebird Café Stage, which will host in-the-round acoustic sets from singer/songwriters including Adam Hood, Caitlyn Smith, Austin Lucas, Brent Cobb, Dani Flowers and Erin Enderlin.
Pictured (L-R): BMI’s Jody Williams, Brent Cobb, Lukas Nelson, Dani Flowers, Erin Enderlin, Willie Nelson’s Country Throwdown Tour’s Sarah Baer, Craig Campbell, Drake White, and BMI’s Beth Laird. Photo: Eric England
Hollywood/Nashville Mingle At Anastasia Brown’s Reception
Anastasia Brown and Format Entertainment hosted a reception at Ms. Brown’s home prior to the Nashville Screenwriters Conference. Format recently expanded its Nashville music supervision division and established a Format Music Publishing office, headed by Brown. Among those in attendance at the event were music execs and artists including Rod Essig, Trey Turner, JoDee Messina, Randy Scuggs, Chuck Prophet, Jonathan Cain, Damien Horne, producer Angelo Petragila, music supervisor Julia Michels, and screenwriters John Lee Hancock, Les Bohem, Derek Hass and Michael Brandt.
(L-R): Jeff Xander, Anastasia Brown, Angelo Petragila, Chuck Prophet and Renee White. Photo: Team Strategies
Miss Willie Brown Visits CMA
A&M/Octone Records Miss Willie Brown visited the CMA offices recently. The duo will perform on The Lay’s Stage at Bridgestone Arena Plaza on Friday, June 10 during the 2011 CMA Music Festival, which runs Thursday through Sunday, June 9-12, in downtown Nashville.
(L-R): CMA Senior Manager of Membership & Balloting Brandi Simms, Miss Willie Brown's Kasey Buckley and Amanda Watkins, and CMA Senior Coordinator of Member & Industry Relations Betsy Walker. Photo: Amanda Eckard / CMA
Luke Bryan Debuts Video, Sets "CMT Crossroads" Date
/by Sarah SkatesLuke Bryan on the set of his new video for "Country Girl (Shake It For Me)."
Luke Bryan is gearing up for the Aug. 9 street date of his third studio set with this week’s release of the video for lead single “Country Girl (Shake It For Me).” Directed by award-winner Shaun Silva, the video was filmed last month in Los Angeles at Siren Studios.
Single stats are boding well for the success of Tailgates and Tanlines, coming via Capitol Records Nashville. The song debuted at No. 1 in U.S. digital singles sales with 105,498 downloads and is the fastest moving single of his career.
It’s the follow-up to Bryan’s three consecutive No. 1 hits “Do I,” “Rain Is A Good Thing” and “Someone Else Calling You Baby.”
Bryan is teaming with The Doobie Brothers for the next installment of CMT Crossroads, premiering Friday, June 24. He is also nominated for two 2011 CMT Music Awards: Best Web Video of the Year for “It’s A Shore Thing,” and Best New Live Act—the Nationwide Insurance Award.
Fans can catch him this summer on Tim McGraw’s Emotional Traffic tour.
Eye On Idol (5/25/11)
/by FreemanScotty was first to sing with a tune called “I Love You This Big,” which was written by rapper/producer Lil Ronnie (Ronnie Jackson) with Brett James and songwriter/producer Ester Dean.
The live performance was not one of Scotty’s best, but thematically and stylistically it’s a good song choice. The lyrics are fitting for a young man with big dreams and a big heart. The chorus goes: “I love you this big/Eyes have never seen this big/No one’s ever dreamed this big/And I’ll spend the rest of my life/Explaining what words cannot describe but I’ll try/I love you this big.” The studio recording has an easy, worn-in George Strait feel to it, which allows Scotty to prove to the naysayers he has plenty vocal range.
Lauren closed out the show with “Like My Mother Does,” which was co-written by Nathan Chapman, Liz Rose, and Nicole Williams.
If Scotty’s was a good song choice, Lauren’s was doggone near perfect. Avid Idol watchers know that Lauren’s mother has been there every step of the way this season, all the way back to the audition round. Nearly every episode of the Final 13, Idol producers have cut to a shot of Mom in the audience tearfully cheering Lauren on to victory. The lyrics credit Mom for her strength: “She’s a rock, she is grace/She’s an angel, she’s my heart and soul/She does it all.”
Adding to the high drama, Lauren was dealing with some serious vocal cord strain before the show even started. But she toughed it out for a winning performance, making sure to hug her mother mid-song and melting my icy heart in the process. Curiously, this same song was previously released as a single by Atlantic artist Jesse Lee in 2010 but never dented the charts. Former Idol finalist Kristy Lee Cook also recorded the song for her 2008 album Why Wait.
Both songs are already available for purchase on iTunes, and Play MPE has serviced them both to radio. America crowns its newest Idol tonight (5/25) at 7 pm CT on Fox. Whatever the outcome, it looks like good news for Nashville.
Tim McGraw Countersues Curb Records
/by Sarah SkatesAccording to the newspaper, McGraw is seeking punitive damages, an advance payment for his latest recordings, and a legal ruling that he has fulfilled his contract with the label, which would allow him to enter other recording agreements.
McGraw is represented by attorney Rusty Jones of the Nashville firm Harris, Martin & Jones. The attorney for Curb Records is Jay S. Bowen of Bowen & Unger.
Warner Releasing Music From Three Rising Acts
/by Sarah SkatesFrankie Ballard’s full-length debut album hit shelves this week and he is celebrating with a string of performances in his home state Michigan. Ballard opened for Rock ‘n’ Roll Hall of Famer Bob Seger in Detroit, performed a free show for fans, held an in-store signing at an area Walmart, and played a CD release party in Grand Rapids. Produced by Michael Knox, the self-titled album includes Ballard’s singles, “A Buncha Girls” and “Tell Me You Get Lonely.”
Barnett will launch Warner’s Pickin’ On The Patio parties tomorrow night (5/26) at 5:30 p.m. at the label’s offices. The series will be held the fourth Thursday of every month, from May to September. Guests must be 21 & up with ID.
Entertainment Audience Fragmentation Spurs Decline In Perceived Value
/by adminResults from the 5th annual Value, Engagement and Trust in the Era of Social Entertainment Survey.
Public Relations firm Edelman, with offices in 53 cities and over 3,700 employees worldwide, has released findings from its fifth annual Value, Engagement and Trust in the Era of Social Entertainment survey. Results from the 2011 study show that compared with 2010, consumers believe they are getting 68% less value from entertainment sources in all areas and that only 17% feel that entertainment sources provide “very good” or “excellent” value. Interestingly, consumers rank social networking sites as a form of entertainment and its value has remained largely constant with 31% in the U.K. and 37% in the U.S. giving them “very good” or “excellent” value. Trust in the entertainment industry has fallen by 9% in the U.K .and 11% in the U.S.
“A lower perception of value in the entertainment industry represents the commoditized nature of today’s entertainment,” said Gail Becker, president of Edelman’s Western U.S. Region. “With so many forms of entertainment, consumers are spreading their attention across multiple platforms—leading to a decline in perceived value in any one format. Given the ongoing debate about revenue models and what we see from this year’s study findings, entertainment companies have a real opportunity to regain trust by articulating a stronger value proposition to their consumers and by offering the opportunity to engage with them through multiple platforms.”
The study also shows that consumers are spending more time with digital devices. Fifty-nine percent of people in the U.K. and 53% in the U.S. spent more time on their laptops in the last year, and 49% of people in the U.K. and 52% in the U.S. spent more time on their mobile phones. More than half of all respondents would like to use a computer to access entertainment content, and 30% lead by the youth market, would like to be able to access that content on their mobile phones.
Overwhelmingly, consumers (84% in the U.K. and 88% in the U.S.) feel negatively about the move from free to paid entertainment services. Pay walls created by entertainment sources for previously free services are being met with feelings of frustration and distrust by users. Some cite the lack of improvement in quality of service, while others state they would suspect a profit motive driven by greed. According to the study content providers can try to overcome feelings of pay wall distrust by delivering value in other ways. Respondents consider visual and sound quality important (87% in the U.K. and 85% in the U.S.) in making their entertainment purchasing decisions, and nearly half (47% in the U.K., 48% in the U.S.) consider the number of devices with which they can access the entertainment.
The Value, Engagement and Trust in the Era of Social Entertainment Survey is an annual online survey among 18- to 54-year-old consumers in the U.K. and U.S. and was conducted between February 22 and February 28, 2011. The sample comprised 1,017 respondents, 500 from the U.K. and 517 from the U.S. For the fifth year running, the Value, Engagement and Trust in the Era of Social Entertainment Survey explores consumer attitudes toward the entertainment industry in the U.K. and U.S. It examines consumer perceptions and behaviors as they relate to consumption habits, purchase recommendations, file downloading and sharing.
Signing Pics: Dean Alexander, Ahmande Grimes
/by Sarah SkatesDean Alexander Builds Team
Elektra recording artist Dean Alexander has signed with J.P. Williams and C.T. Wyatt of Parallel Entertainment for management representation. He has inked with Paradigm Nashville for booking.
Alexander joined Warner Music Nashville in early 2010 and is currently in the studio working on his debut album.
Parallel Entertainment is known for its work on the Blue Collar Comedy projects.
Pictured celebrating at a recent Predators hockey game. (L-R): Paradigm's Keith Shackleford and Mike Snider, Charlie Daniels, Dean Alexander, Parallel Entertainment's C.T. Wyatt, and Dean Alexander's producer Justin Weaver
Ahmande Grimes Signs With Bug Music Nashville
SESAC songwriter/producer Ahmande Grimes has signed with Bug Music Nashville for representation. Grimes recently stopped by SESAC’s Nashville headquarters to share the good news.
Pictured (L-R): SESAC’s Tim Fink, Salina Grimes, Ahmande Grimes, Bug Music Nashville’s Kim Hylick, SESAC’s John Mullins, and Bug Music Nashville’s Roger Murrah. Photo: Ed Rode
Bigride Records Launches With Marlee Scott
/by Sarah SkatesMarlee Scott is the label’s flagship artist and her debut U.S. single, “Beautiful Maybe,” goes for adds June 27. She is currently on a radio tour in support of the song co-written by Marcus Hummon, Tia Sillers and Tania Hancheroff, and produced by David Kalmusky.
CO5 Nashville and Marco Promotions are working the single at radio, with Teboo Consulting’s Teddi Bonadies overseeing all radio operations. Entertainment PR and marketing firm Aristo P.R. is handling publicity for Scott, while management, social media, and creative services are being handled in-house. RED/MRI is responsible for national sales and distribution. Chant Image and Music City Networks are providing additional social media and web services, and brand development company Art of the Game has been hired to explore sponsorship and corporate event opportunities.
The Canadian-born singer-songwriter has lived in Nashville since 2007, and has scored hits and award nominations around the world. She was nominated last year for the Rising Star award at the Canadian Country Music Awards (CCMAs). Her most recent single, “Here to Heaven,” was a Top 20 success in Canada and Australia and a No. 1 hit in England, Germany and Holland.
Bigride Records President Kim Leiske says Scott’s U.S. debut album is due out in late 2011 or early 2012.
Contact Bigride Records at (615) 889-4451 or visit them online at www.bigride.us and www.marleescott.com.
The Marlee Scott Team (L-R): Dewayne Brown (Distribution, RED), Chris Kary (Distribution, RED), Gerry Leiske (Management, Bigride Entertainment), Marlee Scott, Kim Leiske (Label Services, Bigride Entertainment), Jeff Walker (PR, AristoMedia), David Newmark (Radio, CO5) and Teddi Bonadies (Radio, Teboo Consulting).