Ty Myers. Photo: Emily Vinson
What do Stevie Ray Vaughan, Bill Withers, Chris Stapleton, John Mayer and Ernest Hemingway all have in common? They’ve all left a mark on Ty Myers, a 17-year-old country breakout artist releasing his much-anticipated debut album, The Select, tomorrow (Jan. 24) via RECORDS Nashville/Columbia Records.
Myers made waves in 2023 with his debut single, “Tie That Binds,” followed by the breakout success of “Drinkin’ Alone,” which racked up over 64 million streams. His momentum continued with “Ends of the Earth,” earning him a debut on the Billboard Hot 100. With a staggering 230+ million total global streams to date, it’s clear the appetite for Myers’ sound is undeniable.
The music that flows from Myers feels effortless and deeply rooted in authenticity. Raised on his family’s cattle ranch in Austin, Texas, Myers grew up surrounded by it thanks to his singer-songwriter father, Michael. The ranch, dance halls and stacks of records were his playground, sparking a lifelong passion.
One conversation with him and you will see that, though he hasn’t even reached legal adulthood, he’s an old soul.
“I get that a lot,” Myers says of the comment. “I grew up around music. My dad was a musician, and I’d follow him to places I probably shouldn’t have been at that age—dance halls and bar rooms. I was always locked in on the music. That spark started early and never left.”
Myers started writing The Select years ago, before he knew he was working on his debut album. Of the 16 tracks included on the LP, Myers wrote 12 of them alone.
“Thought It Was Love,” one of the album’s earliest tracks, showcases Myers’ lyrical depth, capturing the darkness of love lost with the finesse of a seasoned songwriter. The track was written on a $100 Squier Stratocaster Myers bought from a storage unit sale.
Another lyrical triumph is his solo-write “Worry Is A Sickness,” which, in contrast to the years-old “Thought It Was Love,” Myers wrote the day before going into the studio.
“I love that one,” he says. “I wrote it the day before recording. I wasn’t feeling confident about another song and decided to write something new. It came together quickly, and I knew it was special.”
Signed to UMPG Nashville, Myers isn’t afraid of a co-write. Included on the track list are songwriters Jessi Alexander, Rhett Akins, Anderson East, Trent Dabbs and others.
“Co-writing is fun and teaches you a lot. You become a better songwriter with every session. It’s different from solo writing because solo songs feel entirely yours, straight from the heart to the fans. Co-writing brings in new perspectives and methods, which is helpful, especially when I’m in a slump.”
Vocally, Myers shines on tracks like the euphoric waltz “Ends of the Earth,” the flirty and upbeat “Can’t Hold Me Down” and the languid, soulful “Let ‘Em Talk.” His expressive voice finds new dimensions under the guidance of producer/songwriter Brandon Hood. Recorded at Starstruck Studios in Nashville, the project allowed Myers to tap into the “presence of legends” in the iconic space.
Myers and Hood’s collaboration is perhaps best captured on “Somewhere Over You,” a reimagining of an Allen Shamblin and Mike Reid song that his dad recorded. Myers adds a bold horn section reminiscent of a Withers classic.
“When I told my dad I want to cut ‘Somewhere Over You,’ he didn’t think it was right [for the album]. His version was gospel-sounding, but I was hearing horns and soul thing. I said, ‘Well, I’m doing it, so you can tell me how you feel about it after.’ I recorded it, and now it’s one of his favorite songs on there.”
Another homage to his influences comes in the form of John Mayer’s “Man on the Side.” Myers says, “I’m a huge John Mayer fan—probably his biggest fan. I wanted to nod to the people who influenced me, and Mayer was my number one influence for this album.
“When I started getting into him, I watched his live album Any Given Thursday. The first song that stood out was ‘Man on the Side.’ He played Stevie Ray Vaughan’s ‘Lenny’ before transitioning into it, and it blew me away. It’s so well-written and the only time he’s recorded it, so many people don’t even know it exists. It felt like the right choice to include.”
When looking through the track list, you won’t find a tune called “The Select.” That’s because the album cover is derived from the pages of an Ernest Hemingway novel.
“Hemingway has been a big influence since I was little. My uncle, who’s passed now, loved Hemingway and introduced me to his work. My mom also loved him, so his books were always around. The more I learned about him, the more I felt a connection.
“The album title, The Select, comes from Hemingway’s first novel, The Sun Also Rises. In it, the characters hang out at a bar called Le Select to escape their worries. That’s what I want people to do when they listen to my album.”
Lainey Wilson Secures Third Straight Week Atop MusicRow Radio Chart
/by John Nix ArledgeLainey Wilson stays atop the MusicRow CountryBreakout Radio Chart this week with her track “4x4xU,” marking her third consecutive week at No. 1.
The song is part of her fifth studio album Whirlwind and was written by Wilson, Jon Decious and Aaron Raitiere.
Wilson and Jelly Roll are set to headline the 2025 Railbird Music Festival, taking place May 31 and June 1 at The Infield at Red Mile in Lexington. The two-day festival will feature over 30 artists including Riley Green, Bailey Zimmerman, The Red Clay Strays, Shaboozey, Cody Jinks and more.
“4x4xU” currently sits at No. 10 on the Billboard Country Airplay chart and No. 6 on the Mediabase chart.
Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.
Braedon Barnhill Signs With The Valory Music Co.
/by Madison HahnenPictured (L-R, back row): Big Machine Label Group’s Julian Raymond and The Valory Music Co.’s Chris Palmer. (L-R, front row): Big Machine Label Group’s Scott Borchetta, Braedon Barnhill and The Valory Music Co.’s George Briner. Photo: Nick Rau
Country singer-songwriter Braedon Barnhill has signed a record deal with The Valory Music Co.
Growing up in a musical household as the son of touring musician Stacy Barnhill, the 23 year old started writing songs alongside his father at a young age, quickly realizing that music was his true passion. As he toured across his home state, he built a dedicated fanbase and has had the opportunity to share the stage with Josh Abbott Band, Gary Allan, Randy Rogers Band and others. Now based in his hometown of Austin, Barnhill has a residency at the renowned Saxon Pub, one of the city’s top listening rooms.
“Braedon’s brand of country music is Texas born and bred,” says BMLG’s Chairman and CEO Scott Borchetta. “He’s in the right place at the right time, building his career in the great clubs around Austin and surrounding areas, and his circle is only going to get bigger and bigger.”
“I’m beyond honored to have this once-in-a-lifetime opportunity to sign with The Valory Music Co.,” shares Barnhill. “Being part of a team that believes in you and shares the same vision for your career is a truly rare and incredible thing. I’m excited to see where this journey will take me!”
Barnhill has released two new tracks today (Jan. 24) to celebrate his label debut, “Dashboard Dreaming” and “Dancing By Myself.” Both tracks were co-penned with his father.
“I wrote ‘Dashboard Dreaming’ when I got broken up with for the first time in my life,” recalls Barnhill. “At the time, I was living in San Marcos, Texas, and for the first few nights, I’d drive around listening to sad songs and trying to summon the courage to knock on her door and ask for another chance.”
“‘Dancing By Myself’ is about when I moved out of my parents’ house for the first time,” he adds. “It was a major moment of growth, and I felt like I was learning so much. This song is about learning how to navigate adulthood, especially when it comes to relationships. I’m so excited for people to hear these songs, and I hope they really resonate with those who have gone through similar situations.”
JUST IN: Morgan Wallen Announces New Album & Tour
/by LB CantrellMorgan Wallen. Photo: Matt Paskert
Country megastar Morgan Wallen has announced details about his highly-anticipated fourth studio album and revealed a 10-city, 19-date stadium tour.
The album, titled I’m The Problem, features the previously-released “Smile,” which reached No. 4 on Billboard’s Hot 100 chart; “Lies Lies Lies,” Wallen’s 16th No. 1 at country radio and “Love Somebody,” Wallen’s first solo song to debut at No. 1 on the Billboard Hot 100 chart.
The title track is available Friday, Jan. 31 on all streaming platforms, and was written by Wallen, Ernest Keith Smith, Ryan Vojtesak, Grady Block and Jamie McLaughlin, and produced by Joey Moi and Charlie Handsome.
The “I’m The Problem Tour” kicks off June 20 at NRG Stadium in Houston, Texas, and will include stops in Seattle, Washington; Foxborough, Massachusetts; Toronto, Ontario and more. The tour will feature a rotating lineup of guests including Brooks & Dunn, Miranda Lambert, Thomas Rhett and Koe Wetzel join in direct support with Gavin Adcock, Corey Kent, Ella Langley and Anne Wilson as first-of-three across select dates.
“We made so many lifelong memories on the ‘One Night at A Time World Tour,’ and I cannot begin to express how grateful I am for my fans and the way they showed up each night,” reflects Wallen. “As I’ve been working on new music, it has inspired me to get back on the road and share these new songs with each of you on the I’m The Problem Tour. See y’all there.”
Fans can sign up for the Artist Presale now until Tuesday (Jan. 28) at 10 p.m. PST. The Artist Presale will begin Thursday (Jan. 30). Presale start times vary by market. The general on-sale will begin Friday, Jan. 31 at 10 a.m. local time at MorganWallen.com.
A portion of every ticket sold benefits the Morgan Wallen Foundation (MWF) which supports programs for youth with a focus on sports and music.
In addition to headlining I’m The Problem in 2025, Wallen will also host his inaugural Sand In My Boots Festival on the beaches of Gulf Shores, Alabama in May. The festival, which sold out in less than two hours of on-sale, will feature headlining sets by Wallen, Post Malone, Brooks & Dunn and Hardy across three days and three nights, with additional guests including Riley Green, Bailey Zimmerman, T-Pain, Diplo, Wiz Khalifa, The War on Drugs, 2 Chainz, Chase Rice, Three 6 Mafia, 3 Doors Down, Ella Langley, Ernest, Morgan Wade, Moneybagg Yo and more
The new album comes as Wallen’s preceding projects, Dangerous: The Double Album and One Thing At A Time, landed No. 1 and No. 6 on Billboard’s Top 200 Albums of the 21st Century, respectively, following their blockbuster success. His third studio album, One Thing At A Time, sat atop the Billboard 200 Albums chart for 19 non-consecutive weeks – the most at No. 1 by a country album – and yielded seven No. 1 singles at country radio.
Morgan Wallen 2025 “I’m The Problem Tour” Dates:
June 20 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 21 // NRG Stadium // Houston, TX w/ Corey Kent and Koe Wetzel
June 28 // Camp Randall Stadium // Madison, WI w/ Ella Langley and Miranda Lambert
July 11 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Miranda Lambert
July 12 // Hard Rock Stadium // Miami Gardens, FL w/ Gavin Adcock and Brooks & Dunn
July 18 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Miranda Lambert
July 19 // State Farm Stadium // Glendale, AZ w/ Ella Langley and Brooks & Dunn
July 25 // Lumen Field // Seattle, WA w/ Anne Wilson and Miranda Lambert
July 26 // Lumen Field // Seattle, WA w/ Anne Wilson and Brooks & Dunn
Aug 1 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Miranda Lambert
Aug 2 // Levi’s Stadium // Santa Clara, CA w/ Anne Wilson and Brooks & Dunn
Aug 15 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Miranda Lambert
Aug 16 // Huntington Bank Field // Cleveland, OH w/ Ella Langley and Thomas Rhett
Aug 22 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Aug 23 // Gillette Stadium // Foxborough, MA w/ Corey Kent and Miranda Lambert
Sep 4 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Miranda Lambert
Sep 5 // Rogers Centre // Toronto, ON w/ Gavin Adcock and Brooks & Dunn
Sep 12 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Miranda Lambert
Sep 13 // Commonwealth Stadium // Edmonton, AB w/ Ella Langley and Brooks & Dunn
DISClaimer Single Reviews: Maggie Rose & Vince Gill Collaborate On ‘Aching Ballad’
/by Robert K OermannMaggie Rose & Vince Gill
There’s a pot pourri of styles on hand in today’s DISClaimer roundup of current country tunes.
Dance along with The Kentucky Gentlemen. Go on a haunting, Appalachian journey with Mindy Smith. Rock out to Tyler Braden. Get gritty and experimental with Gavin Adcock. Let Kane Brown mellow your love thoughts. Get your funny bone tickled by The Doohickeys. Take a country-rock ride with Braedon Barnhill.
At the end of the day, indulge in something timeless and classic. That would be “I Can’t Make You Love Me” performed by Maggie Rose & Vince Gill as our Disc of the Day.
The DISCovery Award goes to Dee White, who is making his debut in the column with his second album. I can’t remember the last time I encountered an artist who was so awesome as both a singer and writer. Adding to the recipe is the fact that White is now produced by the legendary Tony Brown.
TYLER BRADEN / “Me Or The Dawn”
Writers: Autumn Buysse/Jake Rose/Tyler Braden; Producer: Sam Martinez; Label: Warner Music Nashville
– It’s a fiery country rocker with screaming guitars and a vocal that nearly shrieks as the song hits it apex. Stand back: This one has blast-furnace heat.
LAUREN ALAINA / “Those Kind Of Women”
Writers: Derek George/Lainey Wilson/Lynn Hutton/Monty Criswell; Producer: Joey Moi; Label: Big Loud Records
– Alaina delivers a touching ode to her mother and celebrates her own impending motherhood with this lilting performance. Sweetly sentimental.
DEE WHITE / “Heart Talkin’”
Writers: Dee Aubrey White/Sergio Gabriel Sanchez; Producer: Tony Brown; Label: DW
– In a word, dynamite. This Alabama youngster sings with hair-raising intensity while surrounded by super sympathetic steel-and-guitars support. The song is a hooky power ballad with the vocalist citing the parts of his body that need to work together to ensure that he doesn’t lose his lover. Country-music perfection. White did a mini showcase at Sound Stage Studio this week that made believers out of everyone present.
THE KENTUCKY GENTLEMEN / “Country Hymn”
Writers: Brandon Campbell/David Mescon/Derek Campbell; Producer: David Mescon; Label: River House Artists
– Twins Derek and Brandon stage their debut on River House with this rousing stomper that invites us all to attend country-music “church.” These guys always know how to bring the party.
KANE BROWN / “Gorgeous”
Writers: Blake Anthony Carter/Gabe Foust/Gregory Aldae Hein/Jaxson Free; Producer: Dann Huff; Label: RCA Records Nashville
– An easy-going groove sets the mood for this mellow ode to the one he loves. It’s not her looks that make her beautiful to him. It’s her heart and mind. Amen to that. Brown’s new 18-track album The High Road contains this little jewel, as well as collaborations with Jelly Roll, Brad Paisley, Khalid, Marshmello and wife Katelyn Brown. It drops tomorrow.
MAGGIE ROSE & VINCE GILL / “I Can’t Make You Love Me”
Writers: Allen Shamblin/Mike Reid; Producer: Davis Naish; Label: One Riot Records
– Maggie Rose is one of the finest singers in a city full of great vocalists. She isn’t a country artist, but collaborating with Country Hall of Famer Vince Gill gives her definite country-soul cred. Especially because it’s on this aching ballad of unrequited love originally immortalized by Bonnie Raitt in 1991. Melody. Emotion. Technique. Flawless artistry.
THE DOOHICKEYS / “Rein it in Cowboy”
Writers: Haley Elizabeth Brown/John Hackett; Producer: Eric Corne; Label: Forty Below Records
– This gets the Video of the Day award. An army of zombie barflies accosts a protesting cowgirl in a honky-tonk. The guys are fabulously clueless, wearing their various pick-up lines on their white t-shirts. A hilarious country rocker.
JON PARDI / “Honkytonk Hollywood”
Writers: Bart Butler/Benjy Davis/Jacob Rice; Producer: Jay Joyce; Label: Capitol Records Nashville
– “She’s West Coast, down-home pretty.” “Kinda country, kinda city.” She’s wine, he’s whiskey. She’s glamor, he’s grits. You get the idea. This is the title tune of his forthcoming album. Pardi and new producer Jay Joyce recorded it with the star’s touring band.
BRAEDON BARNHILL / “Dashboard Dreaming”
Writers: Braedon Barnhill/Stacy Barnhill; Producers: Julian Raymond, Scott Borchetta; Label: The Valory Music Co.
– Love his throaty tenor as he rides effortlessly atop this splendidly produced, irresistible country rocker. The open road has never sounded more inviting. Who is this kid?
GAVIN ADCOCK / “Loose Strings”
Writers: Brent Cobb/Erik Dylan/Phillip White; Producers: Brent Cobb, Jay Rodgers, Oran Thornton; Label: Thrivin’ Here Records/Warner Music Nashville
– Oddly ear catching. There’s no real melody. It is very word-y. His delivery is somewhat monotonic. Yet there’s cool stuff going on with the stark, guitar-and-bass production and the grit in his voice.
PARMALEE / “Cowgirl”
Writers: David Fanning/James Daniel Lewis/Parmalee/Peter Daniel Newman/Robbie Jay/Thomas Frank Ridley Horsley; Producers: David Fanning, James Daniel Lewis; Label: Stoney Creek Records
– He’s falling in love and the track bops along joyously. The lyric isn’t much. This one’s all about the groove.
MINDY SMITH / “Quiet Town”
Writer: Mindy Smith; Producer: Neilson Hubbard; Label: Compass Records
– This is the title tune of Smith’s first album in over a decade. It’s a gently sung soprano ballad that reflects on the past with wistful nostalgia. She remains a distinctly lovely Appalachian vocal stylist. For a truly enriching audio experience, also listen to the moody “Jericho” and/or the sentiments of “Something to Write in Stone.” This is an album worth buying.
Aaron Lewis Launches ‘American As It Gets Tour’
/by Lorie HollabaughAaron Lewis. Photo: Jim Wright
Aaron Lewis has kicked off his 2025 “American As It Gets Tour” last Thursday (Jan. 16(, and for the first time in several years, is bringing back his full band, The Stateliners, for the tour.
The tour will include nearly 50 stops including shows in Las Vegas, Fort Worth, Tampa, Atlanta, Birmingham, Atlantic City and more, with a Nashville Ryman Auditorium date scheduled for March 22. The title of the tour is a nod to a song on Lewis’ latest album The Hill, which topped several charts upon its release last spring.
“This week we launch the ‘American As It Gets Tour’ with my band, The Stateliners,” says Lewis. “It’s been five years since we’ve been out together and we look forward to performing these shows.”
Additional dates will be announced in the coming months, and Lewis also continues to perform regularly with Staind as the band’s longtime lead singer.
“American As It Gets Tour” Dates:
Jan. 24 – Lincoln, CA – The Venue at Thunder Valley
Jan. 25 – Reno, NV – Downtown Reno Ballroom
Jan. 26 – Las Vegas, NV – Pearl Concert Theater at Palms Casino Resort
Jan. 29 – Monterey, CA – Golden State Theatre
Jan. 31 – Scottsdale, AZ – Talking Stick Resort
Feb. 1 – Coachella, CA – Spotlight 29 Casino
Feb. 2 – Valley Center, CA – The Events Center at Harrah’s Resort SoCal
Feb. 5 – Fort Worth, TX – Fort Worth Stock & Show Rodeo Auditorium
Feb. 6 – San Antonio, TX – Majestic Theatre
Feb. 7 – Durant, OK – Choctaw Grand Theater
Feb. 8 – Lake Charles, LA – Grand Event Center
Feb. 11 – Tampa, FL – Seminole Hard Rock Hotel & Casino
Feb. 12 – Tampa, FL – Seminole Hard Rock Hotel & Casino
Feb. 13 – Coconut Creek, FL – The Stage at Coco
Feb. 15 – Immokalee, FL – Seminole Casino Hotel
Feb. 20 – Tulsa, OK – Margaritaville River Spirit Casino
Feb. 21 – Norman, OK – Showplace Theatre
Feb. 22 – El Dorado, AR – First Financial Music Hall
March 6 – Nashville, IN – Brown County Music Center
March 7 – Fort Wayne, IN – Embassy Theatre
March 8 – Wheeling, WV – Capitol Theatre
March 13 – Daytona Beach, FL – Peabody Auditorium
March 14 – North Myrtle Beach, SC – House of Blues
March 15 – Greensboro, NC – Piedmont Hall
March 20 – Albany, GA – Albany Civic Center
March 21 – Atlanta, GA – Coca-Cola Roxy
March 22 – Nashville, TN – Ryman Auditorium
March 27 – Augusta, GA – The Bell Auditorium
March 28 – Savannah, GA – Savannah Civic Center
March 29 – Birmingham, AL – Avondale Brewing Company
April 3 – Lowell, MA – Lowell Memorial Auditorium
April 4 – Rochester, NY – Kodak Center
April 5 – Ledyard, CT – Foxwoods Resort Casino
April 10 – Bethlehem, PA – Wind Creek Event Casino
April 11 – Bethlehem, PA – Wind Creek Event Casino
April 12 – Atlantic City, NJ – Hard Rock Live at Etess Arena
April 25 – Greenback, TN – Rock The Country Knoxville
May 2 – Poplar Bluff, MO – Rock The Country Poplar
July 18 – Sioux Falls, SD – Rock The Country Sioux
July 25 – Anderson Village, SC – Rock The Country Anderson
Aug. 2 – Riverside, IA – Riverside Casino
Dustin Lynch Has Some ‘Naughty-Cal’ Fun At 10th Annual Crash My Playa Pool Party
/by Lorie HollabaughDustin Lynch
Dustin Lynch hosted a rowdy, nautical-themed 10th Anniversary CMP Pool Party at Luke Bryan’s Crash My Playa 2025 in Riviera Cancún, Mexico last Friday (Jan. 17).
The party had a “Let’s Get Naughty-Cal” theme that included nautical vibes, plenty of Yacht Rock and college party chaos. Making his grand entrance on jet skis with his band, Lynch rode to the beach in style with a parrot on his shoulder. Firing up a full-blown parade once he hit the sand, Lynch was joined by a mariachi band, samba dancers and fire-blowers on the way to the stage to officially kick off the festivities.
Performing two live sets featuring Yacht Rock covers like “September,” “Rich Girl,” and “Africa,” and his own hits including “Stars Like Confetti,” “Thinking ‘Bout You (feat. MacKenzie Porter),” and latest chart-topper “Chevrolet (feat. Jelly Roll),” Lynch also stunned the packed pool with a surprise guest appearance by fellow BBR Music Group/BMG Nashville label mate Jason Aldean for a tequila shot toast.
Dressed as the “captain” of the bash, Lynch brought his famed spinning wheel featuring activities like “Get George Michael’ed” and “Mullet from DL,” alongside awarding prizes for the best-dressed fans in a Naughty-Cal Costume Contest. Offering back-to-back days of unpredictable music and mayhem, Lynch started the party early this year by hosting an Oversized Beer Pong Tournament for the first time the day prior (Jan. 16). CMT host Cody Alan joined Lynch for the first round, and the party will air on CMT Hot 20 Countdown with on-site footage February 1-2 at 8 a.m. CT on CMT.
New ‘Yellowstone’ Podcast Debuts Today
/by Lorie HollabaughThe Yellowstone Official Podcast, an eight-episode companion to the hit series hosted by on-air personality Bobby Bones, launches today (Jan. 23).
The weekly podcast will feature Bones diving into all things from the the smash hit show, from in-depth episode recaps to exclusive behind-the-scenes insights. Bones will bring audiences closer to the Dutton family drama, the show’s iconic landscapes and the talented cast and crew who make it all come to life.
Actress Wendy Moniz, who portrays Senator Lynelle Perry on the hit series, is the first guest on the new podcast, which will be available on the iHeartRadio app as well as all major platforms and is produced by MTV Entertainment Studios, iHeartPodcasts and 101 Studios.
“I’ve been such a fan of Yellowstone from the start. I’m excited to jump in and work with them at a deeper level to give insight for other fans of the show. Although, while I probably won’t wear a cowboy hat while on the podcast, it will be entertaining,” says Bones.
Grammy Nominee Party Aids L.A. Wildfires Victims
/by Robert K OermannPictured (L-R): Recording Academy Nashville Chapter President Armand Hutton, nominee Jessie Jo Dillon, Recording Academy Nashville Chapter Executive Director Alicia Warwick and Big Machine Music President Mike Molinar. Photo: Ed Rode for Getty Images
The Nashville chapter of the Recording Academy pledged its support for the L.A. wildfire victims while celebrating its Grammy nominees on Tuesday evening (Jan. 21).
“Music gives us hope,” said Alicia Warwick, the organization’s senior executive director in Nashville. “Please turn your attention to the cards on your tables. You can contribute to the relief.” Each cocktail table contained a mounted card describing the $1 million contribution by the Academy’s MusiCares Fire Relief and urged donations. This is a charity for members of the music community who were affected. “Let us use the power of music to uplift and to support their needs.”
Nominees Nathan Dantzler, Julian Bunetta and Ian Fitchuk. Photo: Ed Rode for Getty Images
The occasion was the Recording Academy’s annual party to honor the chapter’s Grammy nominees. Staged at the Loews Vanderbilt Plaza, the event is always a recognition of Nashville’s diversity.
Chapter board president Armand Hutton is a previous Grammy nominee as an arranger. “The Nashville chapter has over 110 nominees and 171 nominations in 47 different categories,” he told the crowd. “Our music community is a library of genres. We’re inspired to recognize these talented nominees in this room.”
Four-time jazz nominee Bela Fleck, the bluegrass band Sister Sadie, debut bluegrass artist Bronwyn Keith Hynes, gospel nominees Authentic Unlimited, country’s Dan Smyers and blues nominees Jon Tiven, Joe Bonamassa and Eddie Gore worked the red carpet. Jessie Jo Dillon and Jessi Alexander made history as two Nashville women nominated as Grammy Songwriters of the Year.
Alice Randall’s songs were the basis for the album My Black Country. Rhiannon Giddens is nominated in the American Roots category for her performance of “The Ballad of Sally Anne” on it. Randall will be Giddens’ “date” to the Feb. 2 Grammy Awards in Los Angeles.
Attendee Cam (Cameron Ochs) is nominated for her work on the Beyonce album Cowboy Carter. Daniel Tashian and Ian Fitchuk earned nominations for their work with Kacey Musgraves on Deeper Well. Nominee Christopher Rowe aided Taylor Swift’s The Tortured Poets Department, while Julian Bunetta was recognized due to his work with Sabrina Carpenter.
Others nominees who RSVP’d for the party included Rob Ickes, Dane Allen, Nathan Dantzler, Cody Fry, Trey Hensley, Nioshi Jackson, Will Kimbrough, Rob McCoury, Autumn Nelon Streetman, Melodie Walker, Kelvin Wooten, Kevin Young, Andrew Stanton, Pascal LeBoeuf, Lloyd Nix, Jess Russ, Sajan Nauriyal, Josiah Prince and Dan Tyminski.
This will be the 67th annual Grammy Awards presentations.
Recording Academy Nashville Chapter President Armand Hutton, nominee Jessi Alexander and Recording Academy Nashville Chapter Senior Executive Director Alicia Warwick. Photo: Ed Rode for Getty Images
Recording Academy Nashville Chapter President Armand Hutton, nominee Daniel Tashian, Recording Academy Nashville Chapter Senior Executive Director Alicia Warwick. Photo: Ed Rode for Getty Images
Nominees Cody Fry, Cam and Dan Tyminski. Photo: Ed Rode for Getty Images
Recording Academy Nashville Chapter Senior Executive Director Alicia Warwick, Nashville Mayor Freddie O’Connell, Recording Academy Nashville Chapter President Armand Hutton. Photo: Ed Rode for Getty Images
Luke Bryan Celebrates Epic 10th Year Of Crash My Playa
/by Lorie HollabaughLuke Bryan’s Crash My Playa 2025 Music Festival. Photo: Alive Coverage for Playa Luna Presents
Luke Bryan celebrated his 10th annual Crash My Playa event at the Moon Palace Cancún on Jan. 15-18 with a host of fellow superstars and four days packed with pool parties, nightly concerts and plenty of tropical fun.
This year included two nights of headlining performances by Bryan, including a special finale night 10th anniversary “Luke Bryan & Friends” show featuring Bryan performing with Jason Aldean, Lainey Wilson, Dustin Lynch, Dylan Scott, Bailey Zimmerman, Tucker Wetmore, Travis Denning and The Castellows’ Lilly Balkcom.
Additional highlights of the weekend included Dustin Lynch’s Pool Party, a set by Kane Brown and performances from Dasha, Jackson Dean, Elle King, Ella Langley, Kendell Marvell, Dylan Scott, Nate Smith and DJ Rock.
“The 10th Anniversary of Crash My Playa was a blast,” says Bryan. “The fans keep showing up year after year and I can’t thank them enough for the support. We could not have made 10 years of Playa possible without them. I want to say a huge thank you to all of my artist friends who come and perform each year—they are what makes this event so fun and special for these fans. We might even just have more fun than the fans doing this. What a way to kick off 2025!”
Old Soul Ty Myers Shows Off Musical Depth On ‘The Select’ [Interview]
/by LB CantrellTy Myers. Photo: Emily Vinson
What do Stevie Ray Vaughan, Bill Withers, Chris Stapleton, John Mayer and Ernest Hemingway all have in common? They’ve all left a mark on Ty Myers, a 17-year-old country breakout artist releasing his much-anticipated debut album, The Select, tomorrow (Jan. 24) via RECORDS Nashville/Columbia Records.
Myers made waves in 2023 with his debut single, “Tie That Binds,” followed by the breakout success of “Drinkin’ Alone,” which racked up over 64 million streams. His momentum continued with “Ends of the Earth,” earning him a debut on the Billboard Hot 100. With a staggering 230+ million total global streams to date, it’s clear the appetite for Myers’ sound is undeniable.
The music that flows from Myers feels effortless and deeply rooted in authenticity. Raised on his family’s cattle ranch in Austin, Texas, Myers grew up surrounded by it thanks to his singer-songwriter father, Michael. The ranch, dance halls and stacks of records were his playground, sparking a lifelong passion.
One conversation with him and you will see that, though he hasn’t even reached legal adulthood, he’s an old soul.
“I get that a lot,” Myers says of the comment. “I grew up around music. My dad was a musician, and I’d follow him to places I probably shouldn’t have been at that age—dance halls and bar rooms. I was always locked in on the music. That spark started early and never left.”
Myers started writing The Select years ago, before he knew he was working on his debut album. Of the 16 tracks included on the LP, Myers wrote 12 of them alone.
“Thought It Was Love,” one of the album’s earliest tracks, showcases Myers’ lyrical depth, capturing the darkness of love lost with the finesse of a seasoned songwriter. The track was written on a $100 Squier Stratocaster Myers bought from a storage unit sale.
Another lyrical triumph is his solo-write “Worry Is A Sickness,” which, in contrast to the years-old “Thought It Was Love,” Myers wrote the day before going into the studio.
“I love that one,” he says. “I wrote it the day before recording. I wasn’t feeling confident about another song and decided to write something new. It came together quickly, and I knew it was special.”
Signed to UMPG Nashville, Myers isn’t afraid of a co-write. Included on the track list are songwriters Jessi Alexander, Rhett Akins, Anderson East, Trent Dabbs and others.
“Co-writing is fun and teaches you a lot. You become a better songwriter with every session. It’s different from solo writing because solo songs feel entirely yours, straight from the heart to the fans. Co-writing brings in new perspectives and methods, which is helpful, especially when I’m in a slump.”
Vocally, Myers shines on tracks like the euphoric waltz “Ends of the Earth,” the flirty and upbeat “Can’t Hold Me Down” and the languid, soulful “Let ‘Em Talk.” His expressive voice finds new dimensions under the guidance of producer/songwriter Brandon Hood. Recorded at Starstruck Studios in Nashville, the project allowed Myers to tap into the “presence of legends” in the iconic space.
Myers and Hood’s collaboration is perhaps best captured on “Somewhere Over You,” a reimagining of an Allen Shamblin and Mike Reid song that his dad recorded. Myers adds a bold horn section reminiscent of a Withers classic.
“When I told my dad I want to cut ‘Somewhere Over You,’ he didn’t think it was right [for the album]. His version was gospel-sounding, but I was hearing horns and soul thing. I said, ‘Well, I’m doing it, so you can tell me how you feel about it after.’ I recorded it, and now it’s one of his favorite songs on there.”
Another homage to his influences comes in the form of John Mayer’s “Man on the Side.” Myers says, “I’m a huge John Mayer fan—probably his biggest fan. I wanted to nod to the people who influenced me, and Mayer was my number one influence for this album.
“When I started getting into him, I watched his live album Any Given Thursday. The first song that stood out was ‘Man on the Side.’ He played Stevie Ray Vaughan’s ‘Lenny’ before transitioning into it, and it blew me away. It’s so well-written and the only time he’s recorded it, so many people don’t even know it exists. It felt like the right choice to include.”
When looking through the track list, you won’t find a tune called “The Select.” That’s because the album cover is derived from the pages of an Ernest Hemingway novel.
“Hemingway has been a big influence since I was little. My uncle, who’s passed now, loved Hemingway and introduced me to his work. My mom also loved him, so his books were always around. The more I learned about him, the more I felt a connection.
“The album title, The Select, comes from Hemingway’s first novel, The Sun Also Rises. In it, the characters hang out at a bar called Le Select to escape their worries. That’s what I want people to do when they listen to my album.”