Sugar Hill Records Teams With RPM Entertainment

RPM / Sugar Hill
Sugar Hill Records and RPM Entertainment announced a strategic alliance on Wednesday (June 19). The companies will begin their alliance by working on projects pertaining to singer Uncle Kracker.
“We are thrilled to strike this deal with RPM,” says Cliff O’Sullivan, General Manager/SVP of Sugar Hill. “In Scott Siman, April Rider-Helm and the whole RPM team, they have one of the best and most experienced country music executive and promotion staffs in town and are a great fit for us with our recent addition of promotion veteran David Newmark to Sugar Hill’s marketing team.”
“Likewise, we are excited to be working with Sugar Hill and their team,” says SimanPresident of RPM Entertainment. “They have a storied history and an amazing artist in Uncle Kracker, and we look forward to a long successful partnership.”

ACM Promotes Fasheh to Vice President, Director of Finance

acmThe Academy of Country Music has announced a round of promotions and hirings. Alexa Fasheh has been promoted to Vice President, Director of Finance. Kate Kramer has been promoted to Manager, Operations & Events, while Tommy Moore has been promoted to Manager, Administration & Operations. Addie Saloman has advanced to Manager, Membership & Industry Relations. Kenzie Todd has been hired as Assistant, Administration & Operations.
“We’re excited to acknowledge the great work and contributions of our ACM staff members, and to add an asset to our growing team,” said Tiffany Moon, Executive Vice President and Managing Director of the Academy of Country Music.
Fasheh joined the Academy staff as Director of Finance, after completing a seven-year run as Senior Accountant at The Haber Corporation, where she managed much of the Academy of Country Music account. A Los Angeles native, Fasheh graduated from Loyola Marymount University in 2000 with a Bachelor of Science in accounting, and over the past 11 years, she has worked as an accountant for a variety of CPA firms. She has been promoted to Vice President, Director of Finance and manages the Academy’s books and benefits packages.
Kramer was hired full time after interning in the Operations & Events department in spring of 2011. With her recent promotion to Manager, Operations & Events, she will manage the operations for the Academy of Country Music Awards, the Academy’s office in Encino and several other key events during the year. She reports to Erick Long, Sr. Vice President of Operations & Events.
Moore joined the Academy in December 2011 and in his new role as Manager, Administration & Operations, will handle overall administration of the ACM office with a focus on ticketing, operations, finance, and Board of Directors communication. He reports to Moon, Executive Vice President and Managing Director.
Saloman joined the Academy in November 2011 as the assistant in the Membership & Industry Relations department. With her recent promotion to Manager, Membership & Industry Relations, Saloman will maintain the Academy’s awards voting research, liaise with the Academy’s voting partner and various committees, and manage the Academy’s membership initiatives and key industry events. She reports to Michelle Goble, Sr. Vice President, Membership & Industry Relations.
Todd joined the Academy after graduating from Pepperdine University with a degree in Integrated Marketing Communications in May 2013. She reports to Moon, Executive Vice President and Managing Director.
All positions are based out the Academy’s headquarters in Encino, Calif.

Country Legend Slim Whitman Passes

slim whitman11

Slim Whitman


Slim Whitman, noted for his high, ethereal yodeling style as well as for an innovative, successful TV music marketing campaign, has died in his home state of Florida.
Family members confirmed to CNN that Whitman passed away as a result of heart failure on Wednesday (June 19). He was 90 years old.
Whitman’s top-10 country hits included “Love Song of the Waterfall” (1952), “Indian Love Call” (1952), “Secret Love” (1954), “Rose Marie” (1954), “Singing Hills” (1954), “More Than Yesterday” (1965), “Guess Who” (1971) and “Something Beautiful” (1971). Between 1952 and 1982, he placed 37 titles on the country charts.
Born Otis Dewey Whitman on Jan. 20, 1923, the singer originally rose to fame as a radio entertainer in his hometown of Tampa, Fla. Manager Col. Tom Parker discovered him there in 1948. Whitman became a member of The Louisiana Hayride cast in Shreveport, La. in 1950 and signed a recording contract with Imperial Records shortly afterward.
During the era of honky-tonk music in the early 1950s, Whitman was unusual for drawing two of his biggest hits – “Indian Love Call” and “Rose Marie” – from the world of operetta.
He was also distinctive in that he was one of the few country stars who became an even bigger success overseas than he was in the U.S. “Rose Marie,” for instance, remained at No. 1 on the British pop hit parade for 11 straight weeks. It also became Australia’s best-selling record of that era. In 1957, “I’ll Take You Home Again, Kathleen” became another top-10 U.K. success. In the 1970s in Great Britain, he was named the No. 1 international star four times.
Slim Whitman appeared in the 1957 feature film Jamboree and was a frequent television guest star throughout the 1960s. In the 1970s, he went on to make television history.
In 1979, Whitman produced a TV commercial for Suffolk Marketing. It advertised a compilation of his songs titled All My Best. As a result, the album became a Platinum disc and the best-selling TV record in history. He also successfully marketed the TV packages Just for You (1980), The Best (1982), Best Loved Favorites (1989) and 20 Precious Memories (1991).
These accomplishments revived his career on the TV talk-show circuit and led to new international concert tours. He received a star on the Hollywood Walk of Fame.
The 1996 comedic film Mars Attacks! memorably used his recording of “Indian Love Call” to vanquish the invading Martians by causing their heads to explode. Close Encounters of the Third Kind (1977) used Whitman’s “Love Song of the Waterfall” in its soundtrack.
Slim Whitman died at Orange Park Medical Center in Orange Park, Fla. He is survived by daughter Sharon and son Byron Whitman, who is also a country singer.

[Updated] Respected Journalist Chet Flippo Passes

Chet Flippo
With additional reporting by Sarah Skates
Revered music journalist Chet Flippo passed away early Wednesday morning (June 19) following a remarkable career that shined a national spotlight on country music like never before. Flippo died at St. Thomas Hospital in Nashville after complications from a brief illness. He was 69. He had spent the last 12 years at CMT and CMT.com where he served as Editorial Director.
Flippo’s wife Martha Hume, also a noted music journalist and author, died on December 17, 2012. Loved ones believe he never recovered from her passing. “The two of them were really one,” sums longtime friend Liz Thiels.
“To anyone who cares about writing about popular music, he’s a huge figure and it’s a great loss,” says historian and friend Robert K. Oermann. “He wrote about music not just from a fan’s perspective, and not just from an industry perspective, but from an artistic perspective. Those people who can step outside and take a clear-eyed view are very rare and Chet had that ability until the end. With a very clear head and clear mind, he analyzed what was happening musically and culturally with this city and its most famous export.”
Flippo was born in Fort Worth, Texas, in 1943 and served in the U.S. Navy during the Vietnam War. His bachelor’s and master’s degrees in journalism led to a job as Contributing Editor for Rolling Stone while in graduate school at the University of Texas in Austin. During his tenure at the venerable magazine, his work boosted country music’s profile. “He was the one who brought country music culture into the pages of rock publications by profiling Waylon, Willie, Tanya and Dolly,” continues Oermann. “He was a real ground-breaker in so many ways, and all this while he was based in New York in the midst of a culture that had nothing to do with country music. But his Texas heritage served him well.”
Flippo was promoted to Rolling Stone New York Bureau Chief in 1974. After the publication moved its offices from San Francisco to New York in 1977, he became Rolling Stone Senior Editor. He covered a wide range of artists and subjects including the Rolling Stones, Bob Dylan, John Lennon, Joseph Heller, Tom Wolfe, and the Who. “Chet Flippo is the man who took country music out of the country and sent it around the world through Rolling Stone magazine,” explains journalist and friend Hazel Smith. “He knew that country music was as good as any other kind of music and he represented it 100 percent.”
Flippo and Hume settled in Music City in 1995, when he began a five-year run as Billboard’s Nashville Bureau Chief. They established plenty of relationships, but Flippo didn’t open up to those around him. “He had the manner of what he was: a preacher’s kid,” explains Oermann. “He had a reserved quality about him, but was not without humor. He was good company when you got him going.” Flippo was also interested in photography, and was an avid animal lover who enjoyed the company of his dog, Trixie.
“This is a stunning loss to all of us,” adds CMT President Brian Philips. “Chet was a stoic Texan, fiercely loyal and intensely private. He was honest to the core and widely regarded as a bit enigmatic, even among his closest colleagues. For all, it was a terrific privilege to work with Chet Flippo. If you knew Chet and you knew how much he loved Martha, it does not seem quite so surprising that he has gone to join her so soon. We will love and respect Chet forever.”
Flippo left Rolling Stone in 1980 to write the definitive book Your Cheatin’ Heart: A Biography of Hank Williams. His seven titles also include books about Paul McCartney, Graceland and David Bowie, as well as On the Road with the Rolling Stones. Of the latter, Philips recalls, “Long ago, I read and re-read my frayed paperback copy of this book, living vicariously through Chet’s exotic pirate stories. Chet’s 1978 Rolling Stone magazine cover story ‘Shattered’ (featuring his nose-to-nose confrontation with an angry Mick Jagger) is the kind of no-holds-barred music journalism that doesn’t exist anymore, anywhere. Chet was a fierce advocate for country music long before country was cool. Chet articulated the virtues and joys of country music with a passion and intelligence that helped make the genre respectable even among snobs and city slickers.”
“He was a true intellectual,” agrees Thiels, “one of the smartest, brightest minds I ever ran across. What he did for country music and Nashville was an enormously important contribution. Because he was from Texas he understood the importance of country music. And he caused others to understand why it was an important artform—a voice of the people. He had great respect for this music, and the people who made it, and the people it was about.”
Flippo and Hume paved the way for writers that followed. “Years ago, there were so few of us that were seriously interested in country music,” remembers Oermann. “It was looked down upon by everyone, but we were passionate about it, so we bonded with each other. Chet and Martha are the reason I have written books, they introduced me to my agent, they helped others. He led the way for all of the critics that followed, myself included. The rest of us wouldn’t be here without him.” Later, Oermann and Flippo worked together as historical consultants on TNN’s acclaimed Century of Country docu-series. Flippo also penned TV scripts for VH1, CBS and CMT. He also contributed liner notes to Wanted! The Outlaws, the 1976 album that brought the Outlaw movement to national attention. Flippo and wife Martha also sang background vocals on the Nitty Gritty Dirt Band’s 1972 album Will the Circle Be Unbroken, which brought together the Nitty Gritty Dirt Band with Roy Acuff, Maybelle Carter, Earl Scruggs and Merle Travis.
His career included lecturing at the University of Tennessee, publishing an anthology of articles titled “Everybody Was Kung-Fu Dancing,” and contributing to the New York Times, TV Guide, Texas Monthly, and Q Magazine of London. In 2000, he was hired by Sonicnet, where he worked until moving to CMT. His contributions were honored with the Country Music Association Media Achievement Award (1998), and The International Country Music Conference’s Charlie Lamb Award for Excellence in Country Music Journalism (2006).
Survivors include sister Shirley Smith of Brandon, Fla., and brothers Bill Flippo of Saginaw, Texas and Ernest Flippo of Abbington, Mass.
Arrangements have not been finalized. The family asks that memorial contributions be made to the Country Music Hall of Fame and Museum.
This story will continue to be updated as it develops. MusicRow offers sincere condolences to Flippo’s loved ones. 

No. 1 Party: Thompson Square's 'If I Didn't Have You'

Pictured (front row, L-R): Thompson Square and co-writers Jason Sellers and Paul Jenkins; (back row, L-R): Broken Bow Records’ Jon Loba, BMI’s Penny Everhard, ASCAP’s Ryan Beuschel, SESAC’s Shannan Hatch, Magic Mustang Music’s Juli Newton-Griffith, and Sony ATV Music Publishing’s Terry Wakefield. Photo by Rick Diamond

Pictured (front row, L-R): Thompson Square and co-writers Jason Sellers and Paul Jenkins; (back row, L-R): Broken Bow Records’ Jon Loba, BMI’s Penny Everhard, ASCAP’s Ryan Beuschel, SESAC’s Shannan Hatch, Magic Mustang Music’s Juli Newton-Griffith, and Sony/ATV Music Publishing’s Terry Wakefield. Photo by Rick Diamond.


It was an emotional celebration Tuesday (June 18) for Keifer and Shawna Thompson of Thompson Square during an event for their chart-topping single “If I Didn’t Have You.” It marked the first No. 1 for the duo as co-writers (their previous No. 1, “Are You Gonna Kiss Me or Not,” was penned by Jim Collins and David Lee Murphy).
In a rare occurrence, the song’s writers were represented by all three performing rights organizations–ASCAP, BMI and SESAC. “If I Didn’t Have You” was co-written by Shawna Thompson, Keifer Thompson, Jason Sellers and Paul Jenkins.
The celebration took place at Nashville restaurant The Row Kitchen & Pub. ASCAP’s Ryan Beuschel introduced Terry Wakefield of Sony/ATV Music Publishing, who spoke of Sony/ATV writer Sellers. The Texas-raised songwriter began his career at age 18 performing with Vince Gill. He has been an ASCAP songwriter for 17 years.
BMI’s Penny Everhard saluted Shawna for her first chart-topper as a songwriter, giving her a customary BMI guitar. BMI also honored songwriter Jenkins.
Avenue Bank offered a donation to Child Fund International, an organization that Shawna and Keifer have close ties to. Avenue Bank’s Ron Cox was on hand to announce the donation.
SESAC’s Shannan Hatch awarded plaques to SESAC songwriter Keifer Thompson, as well as to the production team New Voice Entertainment and to Juli Newton-Griffith of Magic Mustang Music.
The Academy of Country Music’s Butch Waugh also made an appearance to congratulate Shawna and Keifer (two-time ACM Top Vocal Duo winners). “They epitomize what the ACM is about–helping new artists break through,” said Waugh. Brandi Simms of the CMA and Michelle Kammerer from the Country Radio Broadcasters also presented awards. Broken Bow Records owner Benny Brown and wife Caroline were in attendance.
“It takes an army,” said Keifer Thompson, and judging by the number of people who crowded into the restaurant and lobby to attend the celebration, he was right. “We are proud to call Jason and Paul our friends. Benny and Caroline, you have changed our lives forever. This label is a special situation and it doesn’t feel like a label, it feels like a family.” Thompson also thanked the duo’s manager Shawn Pennington.
Keifer and Shawna had their own tokens of appreciation to give out, inviting their band members onstage and then giving necklaces to the Broken Bow promotions staff, including Shelley Hargis, Heather Propper, Abi Durham, Samantha Borenstein, Jen Joe and Chelsey Flick.
“You guys are like my kids,” Broken Bow owner Brown said to Keifer and Shawna. “You make me proud. As a label owner, you get enjoyment from seeing good things happen to special people.”

Performers Added To Toby Keith's Oklahoma Twister Relief Concert

Toby Keith performs during the NMPA's annual meeting

Toby Keith


Toby Keith‘s Oklahoma Twister Relief Concert has added performances by Sammy Hagar, Mel Tillis and John Anderson. They will join the previously announced lineup of Keith, Garth Brooks, Willie Nelson, Trisha Yearwood and Ronnie Dunn.
Additionally, Ford Trucks, Verizon, Wal-Mart, and Academy of Country Music Lifting Lives have all signed on as sponsors. Sponsorship donations and underwriting of the concert allows 100 percent of ticket proceeds to benefit the United Way of Central Oklahoma May Tornadoes Relief Fund, to aid recovery efforts for the tornadoes that recently devastated the town of Moore, Okla.
The concert will take place Saturday, July 6 at University of Oklahoma’s Gaylord Family-Oklahoma Memorial Stadium in Norman, Okla., beginning at 3 p.m. Tickets go on sale Friday (June 21) at 10 a.m. Tickets are available by visiting ticketmaster.com, by calling 800-745-3000 or by visiting Homeland store locations. All seats are $25.
“When Toby asked me to come on board, I immediately said ‘Yes!'” said Hagar. “He’s put together a hell of a concert lineup to help raise funds for the brave and resilient people of Oklahoma. My job is going to be to help them take their minds off their problems and have some much needed, good old-fashioned fun.”

NASH-FM's 'America's Morning Show' To Launch June 20

nashfmlogo11Cumulus‘ “America’s Morning Show” on New York City’s NASH FM 94.7 will debut this Thursday (June 20). The show will air live from 6 a.m. to 10 a.m. ET weekdays.
“America’s Morning Show” will feature a mix of Country hits, in-studio artist interviews, news about the Country lifestyle – with New York City area traffic, weather and information updated throughout the show. The program will originate live from Nashville in front of a studio audience, with frequent broadcasts from NASH FM 94.7 studios in New York City.
Host Blair Garner will be joined by co-hosts Terri Clark, Sunny Sweeney, Chuck Wicks and Lee Ann Womack with HLN anchor Robin Meade offering news updates. The all-star cast from “America’s Morning Show” joins existing on-air personalities Kelly Ford and Jesse Addy on NASH FM 94.7.
“The team has been working around the clock to get ‘America’s Morning Show’ ready for the Big Apple and starting this week New Yorkers will experience the nation’s most unique and authentic Country radio show,” said John Dickey, Executive Vice President and co-COO of Cumulus.
NASH FM 94.7 is the flagship radio station for the national NASH entertainment brand based on the Country music lifestyle. NASH will be a multi-platform brand serving the large and growing interest in Country through radio, video, on-line, magazines, events and merchandise.

AEG, MGM Building 20,000-Seat Las Vegas Arena

_0722_aeg_logo-1AEG and MGM Resorts International have formalized details in a joint venture to build a 20,000-seat indoor arena in Las Vegas. The arena will be part of a revitalization of the area between New York-New York and Monte Carlo Resorts, extending from Las Vegas Blvd to Frank Sinatra Drive.
The arena is expected to break ground in summer 2014, with a grand opening expected in spring 2016. The project is expected to cost approximately $350 million.
Dan Beckerman, President & Chief Executive Officer, AEG, said, “After spending many years exploring a variety of arena opportunities in Las Vegas, we are excited to have consummated a partnership with MGM Resorts International, the leading gaming and hospitality company, to begin designing and building a state-of-the-art arena on such an ideally located site. Bringing together the knowledge, experience and assets of our respective organizations, we will create an arena that offers fans the best live entertainment experience.”

Weekly Register: An Unstoppable Freight Train

voicefinalist

The Voice finalists—Swon Brothers, Danielle Bradbery and Michelle Chamuel.


In a world of confusion and distrust, where events challenge beliefs daily and trust in institutions is often trampled by truth, it’s nice to be able to hear someone say the simple phrase, “Yeah, I told you so!”
So consider it said Weekly Register readers, because as predicted in this column and duly noted as early as May 8, Danielle Bradbery has won The Voice TV competition.
Here’s how www.zap2it.com’s Billy Nilles put it, “She was the unstoppable freight train of pluck and talent, wowing the coaches and fans from Day 1—and on June 18, 16-year-old Danielle Bradbery was named, at long last, the winner of Season 4 of The Voice, besting fellow finalists Michelle Chamuel and The Swon Brothers.”
Coach Blake Shelton’s star also continues to rise, in no small measure due to his weekly in-your-living-room-Voice exposure. MTV News asked him about all the country music on the show this year and he replied, “It’s been a perfect storm this year, a great country season.”
weeklygrid6-16-13Unlike most new label signees that arrive full of promise, but lite on tangible goods, Ms. Bradbery enters with a signing dowery that includes over 60k downloads of her performance “Who I Am” this week and a RTD total of weekly tracks that could easily top 500k. She is the latest artist to ink with the Big Machine.
OK, ‘nough said. Not that she needs any advice, but mine would be, “get a damn single out right away and figure out the rest of the plan later.”
And now on to the sales results…
Comparing The Grids
A quick look at the two grid charts tells you most everything you need to know. Country is doing better than the overall industry, but its Y/Y increase is shrinking— from 2.6% ahead last week to only 2% ahead this week. Digital albums are way ahead of last year, but that metric shows the album format split between digital and physical. The first number (2%) is total country album sales Y/Y. Tracks, however, seem to be a ray of sunshine for country fans who have taken a liking to the download derby, finally. All genre tracks are off Y/Y -2.6% compared with country that has surged ahead almost 10%. (Note the increase W/W of almost 4 million country tracks sold.)
weeklygrid6-9-13Albums
This week’s biggest country debut album news is the Now Country 6 compilation which grabbed No. 4 with over 23k units. Completing the Top 5 album list this week is: FGL (No. 1; 33k), Darius Rucker (No. 2; 33k), Blake Shelton (No. 3; 31k) and George Strait (No. 5; 19k).
Tracks
TV power is our theme today and it is reflected nicely on the Digital Genre Country tracks list. Voicers The Swon Brothers have three tracks on the list including a No. 4 (“Danny’s Song”; 73k) and No. 10 (“Turn The Page”; 47k). The aforementioned Ms. Bradbery has five songs on the list including No. 8 (“Who I Am”; 60k) and No. 11 (“Please Remember Me”; 47k). Filling out the Top 10 are: FGL/”Cruise” (No. 1; 205k); Blake Shelton “Boys Round Here” (No. 2; 136k); Darius Rucker “Wagon Wheel” (No. 3; 97k) and Tim McGraw/Taylor Swift “Highway Don’t Care” (No. 5; 66k). Luke Bryan “Crash My Party” (No. 6; 66k), Hayes Hunter “I Want Crazy” (No.7; 61k) and Randy Houser “Runnin’ Outta Moonlight” (No.9; 52k) finish the Top 10.
One More Thought
Country music is having an incredible year across all kinds of mainstream media and yet this week’s Current Country 75 shifted only a disappointing 386k units total, up less than 20k from the previous week.
Clearly album sales are not effectively monetizing country’s surge in popularity. Tracks are a good business for a handful with enormous success, but all genre tracks have reached maturity which means country will soon follow.
If the bloom is off album and track sales that leaves streaming. Shouldn’t we pay more attention to this emerging business model and new ways to  structure its revenue streams?
Tune in next week….

DisClaimer: Newcomers, Come on down!

DisCovery Winner Rob Baird

DisCovery Winner Rob Baird


This week, it’s newcomers, “Come on down!”
Making their debuts in the column are Stephanie Quayle, Sturgill Simpson, Rob Baird, Rian Greene and Madison McKenzie. Obviously, one of them is walking off with a DisCovery Award. But which one will it be?
It will be Rob Baird of Austin, Texas. He sings with dusty authenticity and has co-written an escapist road song that puts pedal to the metal.
The Disc of the Day award goes to Robin Meade & Blue Sky Riders. TV news anchor Meade has proved in the past that she has what it takes as a country singer. Her “Here For You” collaboration with the trio of Gary Burr, Kenny Loggins & Georgia Middleman is a match made in heaven.
CNN ON AIR TALENT

Disc of the Day goes to Robin Meade and Blue Sky Riders.


ROBIN MEADE & BLUE SKY RIDERS/Here for You
Writer: Erik Dylan/Robin Meade/Victoria Shaw; Producer: Victoria Shaw; Publisher: Warner-Tamerlane/Songs of the Corn/Meade in America/Victoria Shaw/Do Write, BMI/ASCAP/SESAC; Meade in America (track) 
Count on Me is the second country CD by popular HLN Morning Express TV host Meade. The collection leads off with this stirring, passionate ode to fidelity and emotional support. Meade’s sturdy alto delivery trembles with emotion and the interwoven vocal harmonies of the Blue Sky Riders send the track into the stratosphere. The collection includes seven songs co-written by the singer, as well as covers of Tom Petty’s “I Won’t Back Down,” The Pretenders’ “I’ll Stand By You” and Garth Brooks’ “The Dance.”
Blue Sky Riders

Blue Sky Riders


ROB BAIRD/Dreams and Gasoline
Writer: Rob Baird/Rick Brantley; Producer: Scott Davis & Kevin Szymanski; Publisher: Tiltawhirl/Carnival/Scrambler, BMI/ASCAP; Carnival (CDX)  
—I like the urgency and passion in his voice. The country-rock track rumbles along splendidly. His composition has the irresistible forward momentum and sky-high optimism of all great road songs. A thrilling performance.
RACHELE LYNAE/Fishin’ for Something
Writer: Rachele Lynae/Hannah Bethel; Producer: Jamie O’Neal; Publisher: Rachele Lynae/Hamywyn, ASCAP/BMI; Momentum 
—Very cleverly written, featuring plenty of water, bait, fish and angling metaphors. The track rocks nicely with a punchy backbeat and cool banjo and dobro licks. The vocal performance has all the moxie you could ask for.
LIVEWIRE/Whiskey Sunday
Writer: Joe Romano/Jason Vanover; Producer: Justin Woods; Publisher: Carolina Basketball/Draw Four, ASCAP/BMI; Way Out West
—Heartache, performed with a lively tempo, vocal harmonies and a catchy tune. Highly listenable.
CLAYTON GARDNER/Something About You
Writer: Clayton Gardner/Mack Damon; Producer: none listed; Publisher: none listed
—He has a burnished baritone voice with a “lived in” quality that is quite attractive. The song is a romantic country-rocker that invites you dance and sing along. Well done.
STEPHANIE QUAYLE/Stand Back
Writer: Stephanie Quayle/Mindy Ellis Campbell/Mark Carson; Producer: Dale Libby; Publisher: none listed; Rebel Engine (track)
—She sings well. Not that the song is a vocal showcase of any kind. It barely has a melody. Rock energy is no substitute for craftsmanship.
STURGILL SIMPSON/Life Ain’t Fair and the World Is Mean
Writer: Sturgill Simpson; Producer: Dave Cobb; Publisher: Pan Bowl. ASCAP; High Top Mountain (track)
—This singer-songwriter has a cool, retro style that is country, country, country. This opening track of his just-released CD borrows its rolling atmosphere from the outlaw sound of Waylon Jennings. Which is a good thing, indeed. Simpson has been opening shows for Dwight Yoakam and Junior Brown, and I’ll bet he’s darn good at it.
PHILLIP THOMAS/Summer Fun
Writer: none listed; Producer: Phillip Thomas & A.J. Vallejo; Publisher: none listed; Phillip Thomas  
—He certainly no powerhouse as a vocalist on this record. But his delivery of the lightweight, harmless ditty about being a teen at a beach party goes down easily.
RIAN GREENE/The Best I’ve Ever Had
Writer: Rian Greene; Producer: none listed; Publisher: Mountainwood, BMI; Post Oak (track) 
—This Nashville singer-songwriter has a hushed, intimate vocal style. The backing is spare, featuring jingle-jangle guitar and organ notes in a bopping, bubbling, mid-tempo arrangement.
MADISON McKENZIE/This Is My Life
Writer: Madison McKenzie; Producer: Bob Bullock; Publisher: Madi M, ASCAP; Madi M (track) 
—She has a youthful, confessional songwriting style that packs vivid details into every line. Vocally, she leans toward the breathy, pop end of the spectrum. Sonically, the ditty is airy and fluffy. Kid country.