
Pictured (L to R): John Esposito (President & CEO, WMN), Dan Huff, Hunter Hayes, Scott Hendricks (SVP A&R, WMN), Peter Strickland (EVP & General Manager, WMN).
Hunter Hayes gave the industry a glimpse at the results of a dream nearly 18 years in the making when he offered a preview of his headlining show for the
CMT On Tour: Hunter Hayes’ Let’s Be Crazy Tour on Monday (Oct. 7). The tour begins with a show in Knoxville, Tenn. on Oct. 10 with
Ashley Monroe.
At 22, this multi-talented singer, songwriter, producer and musician (Hayes played every instrument on his self-titled debut Atlantic Records album) has earned three No. 1 Country singles and the title of CMA New Artist of the Year and a Teen Choice Award for Male Country artist. The afternoon kicked off with Hayes adding another honor to his list; a platinum-selling album for his self-titled deluxe edition release,
Encore. Members of Warner Music Nashville staff and various industry members gathered at the James K. Polk Theater to celebrate. Warner Music Nashville President and CEO
John Esposito commented, “Hunter is one of only four Country artists in the past five years to have a platinum-selling debut album.”
Prominent reasons that he has caught the ears of fans young and old is his obvious passion—some might say obsession—with music, his musical prowess, and his seemingly limitless energy. Both were equally on display as he took industry members through a 90-minute set.
“For The Love of Music,” scrawled in chalk writing, rolled across a video screen above the stage as Hayes kicked off his set with two lively love songs, “A Thing About You” and “Can’t Say Love.” The background glowed with a background reminiscent of a Pac-Man arcade game, accented with spotlights that highlighted members of his backing band. The chalk writing continued throughout the stage dressing, from the stage ramps to the drum kit to Hayes’ piano, all covered with lyrics written in chalk.
“I’m actually a shy person,” Hayes told the audience. “Onstage is where I’m most comfortable.” The latter was clear, given his energetic, confident performance.
The lighting throughout the concert is thoughtful; red lights blaze for his debut single “Storm Warning,” then turn somber shades of purple and blue (accompanied by bubbles rather than rain) for Hayes’ bluesy guitar-driven take on “Rainy Season.” The soulful ballad allowed Hayes’ R&B-influenced vocals to command the audience’s attention, drawing loud applause.

Hunter Hayes
“We’ve been working on the show for quite some time and it’s nice to play it for somebody. This is our way of saying thanks, by playing music and making noise,” said Hayes. He stayed center stage for “Somebody’s Heartbreak,” crunching out guitar riffs while stage lights were lit in an array of colors.
His musicianship got a special spotlight when he took to a side stage for an acoustic take on “Only If You Told Me To.” Using a loop and his guitar as a percussion instrument, Hayes built the song layer upon layer, even adding “background vocals” by singing into the sound hole on his trusty axe.
Calling it “the most vulnerable song I’ve ever done,” and “my awkward singles anthem,” Hayes brought the full band back for “Everybody’s Got Somebody But Me,” which features
Jason Mraz. Though singer-songwriter Mraz wasn’t present, his voice was featured in the song. As Hayes performed, Mraz’s image was featured via video, as live footage of Hayes performing was layered on top of Mraz’s video performance, to interesting effect.
Hayes perhaps saved the best for last, as he launched into “Loved You More Than I Should,” an angst-filled Country-rock number. Backed by appropriate red and black hues and artsy video imagery, Hayes ripped through a series of rock guitar progressions. “That’s for all the angry people,” Hayes quipped.
He brought a quieter energy to the elegant rendition of “Where We Left Off,” the track Hayes contributed to the movie
Act of Valor. With Hayes commanding the piano, spotlights onstage glowed red and blue, while lasers beamed white lights to the right and left, accentuating a video image of an American flag.
He followed the sentimental, patriotic theme with his hit ballad, “Wanted.” Giving a nod to his career thus far, “Better Than This” was his musical thank you to fans and the industry. Vintage footage of Hayes reminded listeners that though Hayes is barely in his 20s, he’s been performing live and dreaming of this career for most of his life. His easygoing confidence in a live setting is hard-earned, having performed with
Hank Williams, Jr. and on national television by age 5.
“Let’s keep making noise and getting crazier and crazier,” said Hayes before concluding with his signature hit “I Want Crazy.” Judging from his substantial success thus far, it seems his career only set to get crazier.
DISClaimer: Day of Duets
/by Robert K OermannAll of these folks have platters that deserve your attention. The best of them belongs to the hottest of them. Keith Urban & Miranda Lambert’s “We Were Us” is undeniable as the Disc of the Day. Three of the four newcomers in today’s listening session were women. And one of them, the excellently named Breelan Angel, is our DisCovery Award winner.
TIM ASH/Broke
Writers: none listed; Producer: Tim Ash; Publisher: none listed; SMG (track)
-It’s that typical “modern country” sound, a rock track with a banjo on it. He sort of half-sings on the verses, but it’s not exactly hick-hop. He does open up with a convincing tenor vocal on the broken-hearted choruses. Another plus is the fact that the track is imaginatively produced.
SHERYL CROW/Callin’ Me When I’m Lonely
Writers: Rodney Clawson/Brent Anderson; Producers: Sheryl Crow and Justin Niebank; Publishers: Big Red Toe; Big Loud Bucks; Amarillo Sky; House of Sea Gayle; BMI/ASCAP; Warner Bros.
-Crow’s second country single is just about as lilting and catchy as her debut was. It is also further proof that she is as good as any established country artist, and maybe better. I think the thing I like best about this track (and indeed her whole album) is the fact that you can hear what a superb singer she is, now that she’s not buried in pop/rock volume.
KENDALL BEARD/Drinkin’
Writers: Kendall Beard/A.J. Vallejo/Alex Vallejo; Producer: A.J. Vallejo; Publisher: none listed; VMG (track)
-The production lacks polish, and her vocal is recorded too dry. The wordy song takes forever to get to the hook.
JUSTIN MOORE/Lettin’ The Night Roll
Writers: Justin Moore/Jeremy Stover/Rodney Clawson; Producer: Jeremy Stover; Publisher: none listed; Valory (track)
-Another solid, straight-ahead county performance by this dependable fellow. He’s driving his gal around aimlessly, waiting to see what romantic adventures await.
Breelan Angel
BREELAN ANGEL/Halfway To Wasted
Writers: Breelan Angel/Clay Mills; Producer: none listed; Publishers: Breelan Angel/Hit Me Again, BMI/ASCAP; MisBHavin’
-She has an instantly gripping, penetrating, slightly sharp delivery that perks up your ears. The lyric is about drinking away a heartache while listening to honky-tonk tunes, and who can’t relate to that? Well written, well produced and well sung.
KEITH URBAN & MIRANDA LAMBERT/We Were Us
Writers: Jimmy Robbins/Nicole Galyon/Jon Nite; Producers: Nathan Chapman and Keith Urban; Publishers: Universal/Extraordinary Alien/Warner-Tamerlane/EMI April/Jon Mark Nite, ASCAP/BMI; Capitol
-This exciting, crunchy country rocker gives both performers plenty of space to strut their stuff vocally. They both phrase brilliantly, and the stunning production cooks with gas.
KENNY ROGERS & DOLLY PARTON/You Can’t Make Old Friends
Writers: Ryan Hanna King/Caitlyn Smith/Don Schlitz; Producer: Dann Huff; Publishers: Hanna/Music of Stage Three/Songs of Cornman/House of Sea Gayle/Yorick, ASCAP; Warner Bros.
-Immensely tender and heart tugging. The ballad ponders the irreplaceable loss of someone close, and both of these master storytellers draw out every ache. Beautifully done.
OLD CROW MEDICINE SHOW/Dixieland Delight
Writers: R. Rogers; Producer: Ted Hutt; Publishers: Keats and Shelly/Sony-ATV Tree; BMI; ATO (CDX)
-The Grand Ole Opry’s newest members are in the cast of High Cotton, one of two current CDs saluting Alabama. The string band’s take on Alabama’s 1983 smash is jaunty, acoustic and stripped down. Things really take off when OCMS rips into the fiddle hoedown finale, complete with whoops of joy.
LITTLE RIVER BAND/You Dream, I’ll Drive
Writers: Jack Williams, Thomas Conners, Troy Johnson; Producers: Rich Herring & Wayne Nelson; Publishers: Hopportunity/Bluebonnet Tattoo/Yacht Haven, ASCAP/BMI/SESAC; Frontier (CDX)
-This Aussie group scored lots of big pop hits in the ‘70s and ‘80s with “Lonesome Loser,” “Cool Change,” “Man on Your Mind” and the like. Its catchy, ultra-melodic, harmony-laced sound hasn’t changed all that much, they’re just pitching it to a different audience. Highly listenable.
KASEY LANSDALE/Sorry Ain’t Enough
Writers: Kasey Lansdale/Derek George/Tim Owens; Producer: Kasey Lansdale; Publishers: Big Spaces/Panda Red/Pedal Down/Lux Et Veritas/Trejuilla/Amplified Administration, BMI/ASCAP; Blue Siren
-It’s a cool, bluesy, female “attitude” number. He’s begging to come back, but she’s not buying what he’s selling. Very promising.
Keith Urban Joins Grammy Nominations Special
/by Lorie HollabaughThe program will include performances by past Grammy winners or nominees, and several nominations will be revealed live during the duration of the show as well. This concert marks the sixth time nominations for the annual Grammys will be announced live on primetime television. Tickets for the special go on sale to the general public on Thursday, Oct. 17, and will be available online at axs.com or by phone at 888-929-7849.
The 56th Annual Grammy Awards will be held live from the STAPLES Center in Los Angeles on Sunday, Jan. 26, 2014, and broadcast on CBS at 8 p.m. ET.
Musicians On Call Anniversary Event To Feature Clarkson
/by Jessica NicholsonKelly Clarkson. Photo: Jill Greenberg
Musicians On Call (MOC) Nashville is celebrating six years in Music City with an anniversary benefit concert featuring GRAMMY Award-winning superstar Kelly Clarkson. The Nov. 14 event presented by Citi Private Pass will feature Clarkson at Nashville’s Hard Rock Cafe, located at 100 Broadway. Tickets will be available for purchase exclusively by Citi Private Pass members for a limited time beginning at 10 a.m. CT Wednesday, Oct. 9 with general on sale opening at noon Friday, Oct. 11. Tickets start at $160 and include a VIP Cocktail Reception provided by Hard Rock Cafe and valet parking provided by Eagle Parking.
The evening will also feature a silent auction; all proceeds go to MOC Nashville. Since MOC’s expansion into Nashville in April 2007, more than 70,000 patients, families and staff in the Middle Tennessee area have benefited from 12 weekly programs in seven area healthcare facilities.
Last year, Clarkson surprised patients at Monroe Carell Jr. Children’s Hospital at Vanderbilt with an impromptu holiday performance. The singer will release her first Christmas project, Wrapped in Red, on Oct. 29.
For more information on the MOC Nashville Sixth Anniversary Concert, visit musiciansoncall.org/kellyclarkson.
Paisley, McBride and Others Added To Jones Nashville Tribute
/by Jessica Nicholson“The evening of George Jones songs is going to be the best musical tribute Nashville has ever seen,” says Nancy Jones. “We have many surprises planned, and I just wish George could be here to see what we are doing for him.”
Previously announced performers include Kid Rock, George Strait, Blake Shelton, Miranda Lambert, Eric Church, Alan Jackson, Dierks Bentley, Reba McEntire, Alabama, Travis Tritt, Tanya Tucker, Josh Turner, The Oak Ridge Boys, Charlie Daniels, Jamey Johnson, Montgomery Gentry, Sam Moore, and others.
Jones was on his farewell tour titled The Grand Tour, when he passed away on April 26. The icon’s hits include “I Don’t Need Your Rockin’ Chair,” “Who’s Gonna Fill Their Shoes,” “White Lightning” and “He Stopped Loving Her Today.”
Hunter Hayes Previews Headlining Tour
/by Jessica NicholsonPictured (L to R): John Esposito (President & CEO, WMN), Dan Huff, Hunter Hayes, Scott Hendricks (SVP A&R, WMN), Peter Strickland (EVP & General Manager, WMN).
Hunter Hayes gave the industry a glimpse at the results of a dream nearly 18 years in the making when he offered a preview of his headlining show for the CMT On Tour: Hunter Hayes’ Let’s Be Crazy Tour on Monday (Oct. 7). The tour begins with a show in Knoxville, Tenn. on Oct. 10 with Ashley Monroe.
At 22, this multi-talented singer, songwriter, producer and musician (Hayes played every instrument on his self-titled debut Atlantic Records album) has earned three No. 1 Country singles and the title of CMA New Artist of the Year and a Teen Choice Award for Male Country artist. The afternoon kicked off with Hayes adding another honor to his list; a platinum-selling album for his self-titled deluxe edition release, Encore. Members of Warner Music Nashville staff and various industry members gathered at the James K. Polk Theater to celebrate. Warner Music Nashville President and CEO John Esposito commented, “Hunter is one of only four Country artists in the past five years to have a platinum-selling debut album.”
Prominent reasons that he has caught the ears of fans young and old is his obvious passion—some might say obsession—with music, his musical prowess, and his seemingly limitless energy. Both were equally on display as he took industry members through a 90-minute set.
“For The Love of Music,” scrawled in chalk writing, rolled across a video screen above the stage as Hayes kicked off his set with two lively love songs, “A Thing About You” and “Can’t Say Love.” The background glowed with a background reminiscent of a Pac-Man arcade game, accented with spotlights that highlighted members of his backing band. The chalk writing continued throughout the stage dressing, from the stage ramps to the drum kit to Hayes’ piano, all covered with lyrics written in chalk.
“I’m actually a shy person,” Hayes told the audience. “Onstage is where I’m most comfortable.” The latter was clear, given his energetic, confident performance.
The lighting throughout the concert is thoughtful; red lights blaze for his debut single “Storm Warning,” then turn somber shades of purple and blue (accompanied by bubbles rather than rain) for Hayes’ bluesy guitar-driven take on “Rainy Season.” The soulful ballad allowed Hayes’ R&B-influenced vocals to command the audience’s attention, drawing loud applause.
Hunter Hayes
“We’ve been working on the show for quite some time and it’s nice to play it for somebody. This is our way of saying thanks, by playing music and making noise,” said Hayes. He stayed center stage for “Somebody’s Heartbreak,” crunching out guitar riffs while stage lights were lit in an array of colors.
His musicianship got a special spotlight when he took to a side stage for an acoustic take on “Only If You Told Me To.” Using a loop and his guitar as a percussion instrument, Hayes built the song layer upon layer, even adding “background vocals” by singing into the sound hole on his trusty axe.
Calling it “the most vulnerable song I’ve ever done,” and “my awkward singles anthem,” Hayes brought the full band back for “Everybody’s Got Somebody But Me,” which features Jason Mraz. Though singer-songwriter Mraz wasn’t present, his voice was featured in the song. As Hayes performed, Mraz’s image was featured via video, as live footage of Hayes performing was layered on top of Mraz’s video performance, to interesting effect.
Hayes perhaps saved the best for last, as he launched into “Loved You More Than I Should,” an angst-filled Country-rock number. Backed by appropriate red and black hues and artsy video imagery, Hayes ripped through a series of rock guitar progressions. “That’s for all the angry people,” Hayes quipped.
He brought a quieter energy to the elegant rendition of “Where We Left Off,” the track Hayes contributed to the movie Act of Valor. With Hayes commanding the piano, spotlights onstage glowed red and blue, while lasers beamed white lights to the right and left, accentuating a video image of an American flag.
He followed the sentimental, patriotic theme with his hit ballad, “Wanted.” Giving a nod to his career thus far, “Better Than This” was his musical thank you to fans and the industry. Vintage footage of Hayes reminded listeners that though Hayes is barely in his 20s, he’s been performing live and dreaming of this career for most of his life. His easygoing confidence in a live setting is hard-earned, having performed with Hank Williams, Jr. and on national television by age 5.
“Let’s keep making noise and getting crazier and crazier,” said Hayes before concluding with his signature hit “I Want Crazy.” Judging from his substantial success thus far, it seems his career only set to get crazier.
SESAC Signs Alderman
/by Jessica NicholsonBack row (L-R): SESAC’s Shannan Hatch, Curb Music Publishing’s Colt Cameron and Tiffany Goss & SESAC’s Tim Fink. Front row (L-R): Matt Alderman and Curb Music Publishing’s Drew Alexander. Photo: Peyton Hoge
SESAC has announced the signing of songwriter Matt Alderman for representation. Alderman, who also signed with Curb Music Publishing for exclusive representation, stopped by the PRO Nashville headquarters to commemorate the new partnerships.
UMPG To Host Songwriter's Night
/by Jessica NicholsonSongwriters featured during the evening will include Shane McAnally (“Somewhere With You” and “Come Over,” Kenny Chesney; “Mama’s Broken Heart,” Miranda Lambert; “Downtown,” Lady Antebellum), Greg Bates (“Did It For The Girl,” Brothers”), Mark Nesler (“Just To See You Smile,” Tim McGraw; “You Look Good In My Shirt,” Keith Urban) and Nathan Chapman (“Walk Away” Martina McBride; “Sunrise,” Rascal Flatts).
Tickets are $15 in advance and $20 at the door; for more information, visit 3rdanddlindsley.com.
Scotty McCreery Counts Down From The Mound
/by Lorie HollabaughPictured (L-R): Scotty McCreery, Nan Kelley, Mitch Williams.
Scotty McCreery got to combine two of his favorite pastimes, baseball and music, recently, when he taped an upcoming special episode of GAC’s Top 20 Countdown at the Major League Baseball Network’s Studio 42 in Secaucus, N.J. McCreery got to share the hosting seat with MLB analysts and former major leaguers Mitch “Wild Thing” Williams and Kevin Millar for the special show, which features a segment with McCreery pitching with Williams and an in-studio game with all four personalities.
Named for Hall of Famer Jackie Robinson, Studio 42 is an actual replica baseball field featuring a one-third scale turf infield and a pitcher’s mound. Adding to the authenticity are stadium lights, dugouts, and an outfield wall complete with padding, brick designs and an out-of-town scoreboard updated in real time.
“Co-hosting Top 20 Countdown is always fun,” said McCreery. “But getting to do it from Studio 42 was incredible. If you’re a fan of baseball like I am, it’s a really cool place to hang out. I watch both the MLB Network and Great American Country all the time, so working with both teams on this episode was a blast.”
The special episode where America’s favorite pastime meets America’s music will air this Fri. Oct. 11 at 7 p.m. CT.
No. 1 Celebration: Keith Urban’s “Little Bit of Everything”
/by Michael_Smith(Back Row, L-R:) Sony ATV Music Publishing’s Tom Luteran, Capitol Nashville’s Royce Risser, BMI’s Clay Bradley, ASCAP’s LeAnn Phelan, ASCAP’s Kele Currier (Front Row, L-R): Co-writers Brett Warren, Brad Warren, Keith Urban, co-writer Kevin Rudolf, and producer Nathan Chapman. Photo: Rick Diamond
Monday afternoon (Oct. 7), BMI and ASCAP celebrated Keith Urban’s single “Little Bit of Everything” at Nashville’s exclusive venue Aerial. Written by Kevin Rudolf and brothers Brad and Brett Warren, the song is published by EMI Blackwood Music Inc., Lion Aire Publishing, Fam Love Music, Sagequinnjude Music, EMI April Music and Kevin Rudolf Publishing.
Partygoers wandered on Aerial’s rooftop deck, socializing with one another and feasting on treats from local vendors, including juice Nashville, Sunflower Café and Las Paletas. Urban’s songs played on speakers throughout the venue, while the rumbling sounds of downtown Nashville wafted up from below.
BMI’s Clay Bradley welcomed the standing crowd, saying, “We’re here to celebrate Keith Urban’s 15th No. 1 single ‘Little Bit of Everything’.” Bradley spoke highly of Urban, calling him a “genuinely nice person with a generous heart,” and the Warren brothers, saying, “their approach to the creative process is fresh and never boring.”
ASCAP’s LeAnn Phelan came onstage to honor co-writer Rudolf, who has written and produced for artists ranging from Lil Wayne to Selena Gomez. Phelan commended Rudolf on his first Country No. 1, saying, “Kevin, congratulations and welcome to the diversity of the Nashville songwriting community.”
Sony/ATV’s Tom Luteran joined the stage to praise the Warren brothers and listed their previous successes, which include cuts by Chris Cage, Nickleback and Hinder. “These guys, they’ve got a whole lot of stories to tell,” said Luteran, before adding, “at the core of their existence is family.”
UMG Nashville’s Royce Risser added further congratulations to Urban and the writers, noting how appropriate it was for the singer’s 15th No. 1 to top the charts in 15 weeks. Risser distributed “Impaler Awards” to the No. 1 recipients, adding to the several awards they had received earlier.
Presentations followed by Country Radio Broadcaster’s Bill Mayne and CMA’s Brandi Simms. Avenue Bank’s Ron Cox was also present to announce that a donation had been made in the writers’ names to Men of Valor, which helps the incarcerated community reintegrate into society.
Finally, Urban captivated the crowd with his Australian-Southern accent, thanking everyone involved with the song, his family and the crowd. “Thanks everybody for coming out for this, I really, really appreciate it.” The party ended on a high note as Urban, the three writers and producer Nathan Chapman performed “Little Bit of Everything” to the joy of the crowd. After the performance, people continued to mingle against the backdrop of the Nashville skyline on a warm fall day.
Branch & Dean – "Greenlight"
/by Kelsey_GradyBranch’s distinctive vocals anchor the duo’s breakthrough hit “The Dash,” a tribute to his 23-year-old son Theron who died after years battling Cystic Fibrosis. “The Dash” challenges listeners to make the most of every moment between the birth and death dates that will someday be listed on their headstones. “Life goes by so fast and our story’s defined by how we spend that dash,” Branch sings in the hauntingly beautiful ballad.
“We want to put out music that has meaning and this song has touched so many lives,” says Branch. “We’ve gotten so many letters. We got one just today from a 19-year-old Georgia girl named Allie who is living with Cystic Fibrosis. She said, ‘Your song truly spoke to me and made me think. It made me want to do more for myself in terms of treatment and trying to keep myself healthy. I’ll be seeing you guys at your next performance.’ When you get stuff like that it goes beyond music. It just means so much more because it lets me know that we’re doing the right thing.”
“We know how blessed we are to have a song that is such a gift,” Dean adds. “Music is intended to change lives. That’s what we set out to do and that’s what ‘The Dash’ is all about.”
Though the duo’s self-titled debut album definitely has songs of substance, Branch & Dean aren’t above throwing in some tunes specifically designed for some good old fashioned fun. Produced by Dean, Michael Huffman and Jeff Silvey, Branch & Dean’s debut album is an eclectic mix of rowdy up tempos and heartfelt ballads. “What I Do Best’ is a tender love song while “Buckle Bumpin” is a celebration of honky tonk fun. “Your Ol’ Lady’s Gone” is a particular fan favorite. “It’s a fun song because it’s got yodeling, a little hip hop and a little rock in it,” says Dean. “The song is about how there’s a place for hip hop. It’s fun. There’s a place for rock. It’s fun and we love it all, but also don’t forget about country because there is still a place for real country music.”
“The Forgetter” is a rowdy tune that finds a heartbroken country boy looking for a powerful drink to drown his sorrows. “Ink” paints a portrait of a defiant country girl sporting some interesting tattoos, including an ex-boyfriend’s name that her new man isn’t so happy about seeing every day. The duo close the album with “The Jesus in You,” a modern gospel classic penned by Huffman and Dean that speaks of forgiveness and love.
Though they can skillfully deliver any style, Branch and Dean are most at home making country music. It’s a common denominator from the early days in their hometown Macclenny, Florida. Dean’s mother heard Branch sing “Rose Colored Glasses” at a local talent contest and became a huge supporter, encouraging the young artist to pursue a career and helping him get started by booking him at local venues. “I knew very early that I wanted to do music and I always felt like there was a purpose for it,” says Branch. “As you get older, your eyes open and you see a little bit clearer. It’s all a part of the plan. It’s helping a lot of people and that’s what music is all about.”
Like Branch, Dean had been interested in pursuing a music career since childhood and when he made the move to Nashville, he initially focused on songwriting. His talent earned him the respect of some of Music Row’s top professionals and he began collaborating with some of country’s most acclaimed writers. One day when Dean was playing demos for producer Michael Huffman (who Branch and Dean affectionately call Huff Daddy), his interest was piqued when he heard Branch’s voice. “He said, ‘Who is that singing?’ and I said, ‘That’s Branch, we grew up singing together,’” Dean says. “I told him we’d been friends forever.”
Huffman was excited about the blend of their voices and encouraged the long time friends to record together. “It just happened,” says Dean. “We’ve always been a duo. We were Branch and Dean way before we were Branch & Dean, but Steve went and got his experience his way. I got mine my way and now we both have a lot to offer. It was meant to be. We compliment each other.”
Managed by industry veteran Erv Woolsey, (George Strait’s longtime manager), Branch & Dean have quickly earned the respect of both peers and fans, not only for their distinctive vocal blend and songwriting prowess, but especially for their high-energy live show. “There ain’t no telling what you’ll see in a live show,” Branch says with a big smile. “We have fun on stage and we try to make sure everybody out there is having fun. If it looks like somebody isn’t having fun, I might just come out there and sit by them.”
After years of music and friendship, Branch & Dean’s time has arrived and they are thankful for the opportunity to reach more people with their unique brand of high-octane country. “You never know how big the wave is going to be or how long it’s going to go, but right now we’re having a blast,” says Dean.
They are also using their platform to help make a difference. They have become spokesmen for the Cystic Fibrosis Foundation and are working to make a difference in the lives of brave people like Theron who battle the deadly disease. “We’ve been wanting to do the music thing forever, but when my son passed and this came about, it changed,” says Branch. “It’s not about being famous or being a big country music star. We don’t care about that. We’re doing what we love to do and when ‘The Dash’ came about, it all changed for us. It’s music with a purpose and there’s a difference.”