Sony/ATV Music Publishing’s Bandier Appoints Krim to Co-President Role

Rick Krim

Rick Krim

Sony/ATV Music Publishing’s Chairman and CEO Martin Bandier has appointed Rick Krim as Co-President, U.S., a role in which he will lead the company’s A&R operations in Los Angeles.

Krim will oversee Sony/ATV’s U.S. A&R activities alongside Co-President, U.S. Danny Strick, who is based in the company’s New York office. Both report directly to Bandier.

Bandier says, “Rick is a true music industry professional with deep relationships with the best artists, talent managers and industry executives. He truly knows songwriters and will be a great asset to an already strong team. Given his time at MTV and VH1, he will also bring to us a number of additional skills to complement his immense A&R capabilities.”

Krim says, “I cannot wait to get started in this role as I am not only returning to music publishing, but will be reunited with Marty Bandier who I learned so much from during my time at EMI. It is so exciting and such an honor after all these years to get a chance to work with him again, especially at a company as dynamic as Sony/ATV that is blessed with so many great songwriters and artists. I am also looking forward to working with Danny and the rest of the Sony/ATV team.”

Krim most recently worked at Republic Records as Executive VP, Artist Development. His career has included roles as Executive VP of Talent and Music Programming for VH1, six years as Sr. VP of Talent Acquisition and Marketing at EMI Publishing, and VP of Talent and Artist Relations at MTV Networks, where he began his career in 1982.

A graduate of Bucknell University, he was named in 2003 by the T.J. Martell Foundation, a non-profit organization funding innovative research for leukemia, cancer and AIDS, as the honoree for its 4th Annual Family Day. In 2012 he received the UJA music Visionary of the Year Award for demonstrating leadership and philanthropy at work and in the community.

CRS Continues Six-Year Growth Streak

Opening day of CRS 2015. Pictured from left to right are: Lady Antebellum(Dave Haywood, Charles Kelley and Hillary Scott), Trisha Yearwood, Garth Brooks, Todd Wagner and Bill Mayne (CRS Executive Director). Photo: Sara Kauss

Opening day of CRS 2015. Pictured (L-R): Lady Antebellum (Dave Haywood, Charles Kelley and Hillary Scott), Trisha Yearwood, Garth Brooks, Todd Wagner and Bill Mayne (CRS Executive Director). Photo: Sara Kauss

Country Radio Seminar 2015 came to an end on Friday, Feb. 27 with a four percent increase in attendance, compared to CRS 2014.

This is the sixth consecutive year the event has experienced a growth in attendee numbers. A total of 2,424 full registrants (attendees, exhibitors, panelists and sponsors) attended this year’s event, which was held Feb. 25–27 at the Nashville Convention Center. In 2014, the total number of full registrants was 2,335.

The three-day event kicked off with an announcement-filled opening ceremony, including the news that CRS 2016 will relocate to Nashville’s Omni Hotel. In addition, Garth Brooks and Trisha Yearwood made a surprise appearance and announced this year’s Country Radio Hall of Fame inductees in both the Radio and On-Air categories. As previously announced, the inductees are Joel Raab, Sammy George and Mike Kennedy. The inductees in the On-Air category are Randy Carroll (KAJA/San Antonio, TX) and Karen Dalessandro (WMIL/Milwaukee, Wis.).

The seminar continued with thought-provoking panels, valuable networking opportunities, prominent speakers, research presentations and intimate performances from some of today’s biggest stars and emerging artists.

With a combined number of 27 panels, sessions and educational presentations, the agenda was packed full of items that focused on many different areas of the country radio industry. Notable panels included, “The Power of the Connected Car,” “Direct From The Consumer Electronics Show: Coolest Gadgets & Gizmos for 2015,” “Social Media Bootcamp, Track 1: How To Speak In Your Brand’s Voice and Get Content Shared” and “Social Media Bootcamp, Track 2: Finding & Engaging Your Consumers In Real-Time.” This year’s CRS also included an appearance from featured speaker Keith Urban at the event, “Being Present,” and Lady Antebellum was featured panelists on “How 3 Become 1: Lady Antebellum.”

Florida Georgia Line Sells Out Madison Square Garden

Florida Georgia Line's Tyler Hubbard (L) and Brian Kelley (R). Photo: Jim Wright

Florida Georgia Line’s Tyler Hubbard (L) and Brian Kelley (R). Photo: Jim Wright

Republic Nashville’s Florida Georgia Line took their Anything Goes Tour stop to Madison Square Garden on Wednesday (Feb. 25). The sold out show of 13,000 plus people was the duo’s first visit to the venue. The event included opening acts Thomas Rhett and Frankie Ballard.

The show included hits from their two-time platinum debut album Here’s To The Good Times, cuts from their gold, chart-topping sophomore album Anything Goes and closed out the night with an explosive performance of their eight-time platinum song “Cruise.”

FGL is in Europe for the first time with four upcoming shows on the C2C Country to Country festival tour and will continue the Anything Goes Tour 2015 on March 21 in Orange Beach, Ala.

 

Exclusive: Keeping Pace with Allison Jones, SVP A&R at BMLG

AllisonJones-WebGraphicSenior Vice President of A&R for Big Machine Label Group Allison Jones opened up to MusicRow in the recent CountryBreakout Awards print issue (February/March) revealing what drives her continued success. Here is an excerpt from the article.

“I’m super competitive,” said Jones. “I’m terrified someone else might hear a song I want, or someone might see the next The Band Perry before I do…There’s a reason I have two computers in my office, because I don’t want to get rid of any music. Reba has called asking for a song from 5 years ago. I have it! The IT department hates me. I have 10,000 songs in my iTunes, all categorized in playlists. For security I’m trying to do it all on DropBox now. I hide unreleased songs using different names so nobody can see those.”

Remaining in-the-know about the freshest talent has paid off for Jones but requires a staff of four constantly keeping their ears to the ground. “I don’t know if we ever have time to feel prepared for what’s next. It goes back to A&R being subjective, you can’t quantify if something is good or bad—you have to trust your gut. Usually when things are dropped on our plate, we have to run at 1,000 mph to get it done. That way we’re not second-guessing our decisions.”

A yearly release schedule ebbs and flows for Jones, who finds time to invest in every project delivered to market. “Every project is very collaborative and respective,” she continued. “Some projects don’t need me as much as others. But of course I’m always listening to songs for everybody.”

Select projects Jones recalls come from an expanding roster of artists, some include:

Taylor Swift: Taylor is a force and I just love being a cheerleader. Her ability to translate an intensely personal feeling in a way everyone relates to is brilliant and keeps getting better. Very few artists throughout time have done that. She will go down as a female Billy Joel or Paul McCartney. This new record may be pop but I think it translates where she is in her career. Her fans have celebrated that evolution–young girls, soccer moms, men and women. She’s in rare air.

Florida Georgia Line: I’ve known FGL since the very beginning. They listen to outside songs, write their own and draw from their own camp [Big Loud]. The relationship we have with their team is seamless, and a joy to be a part of. They really rely on and trust Craig Wiseman, Rodney Clawson, Chris Tompkins and Seth England.

Tim McGrawBryon Gallimore and his wife Missi have always played a strong part in A&R, so of course I am involved with Tim, but he relies heavily on them. He loves the process. He’s clearly TIM MCGRAW the superstar but he’s also the best A&R person. He loves to listen to songs and record music. For someone who has recorded as long as he has, I don’t know if there’s anyone who loves it more.

Reba: Reba relies heavily on me. Reba will sit over at Starstruck and invite pluggers to play her songs. She loves the personal exchange. She knows exactly what she wants. She’s gracious when she passes and she’s very honest. There’s no better day for an A&R person than to spend with a superstar listening to songs.

RaeLynn: RaeLynn was on The Voice before Danielle [Bradbery] and Cassadee [Pope]. She has been so patient and worked so hard. The fact that she writes for us, too, is invaluable. She did it on her own and we helped navigate. We inspired her to try this, or do that, on days where she needed a pick-me-up. And there were lots of days we needed a pick-me-up and she comes in like a tornado and makes us all laugh. She was so young at first. She hadn’t toured. She was 15. She certainly had the stamina, work ethic and star power but she’s improved vocally and had the confidence to start touring. Miranda [Lambert] took her on the road and with every performance she got better and better. It’s not that she wasn’t ready, we all knew with more experience she would be an even bigger superstar. We recorded “Boyfriend” right after The Voice, but RaeLynn was patient and she worked her rear off with a smile. It took a lot of maturity and patience and it’s paid off. The music she’s making right now is insanely great.

Maddie & Tae: Mike Molinar (Big Machine Music) signed them to publishing just two years ago, when they were 17. Their parents let them move here and I feel like we raised them. It’s remarkable they were mature enough to finish high school early. They came to our offices before us and had ideas to write. When I see the girls out now they say they feel like everyone in our offices are their second moms/dads/big brothers and sisters.

Motley Crue: I’m grateful to work at a label where we love music, and we don’t have to define music or put it in a box. The great thing about Scott [Borchetta] is he loves music. The Motley Crue record was because that was his favorite band when he was growing up in Los Angeles.

The Cadillac Three: We have a partnership with the Nashville TV show. With Cadillac Three, I told Callie Khouri, “These guys are so amazing you have to hear them.” And they’ve been on the show twice now. I’m so proud of them!

 

Tim McGraw Signs New Publicity Deal

Tim McGraw

Tim McGraw

Tim McGraw has signed with PMK*BNC for publicity. The singer and actor will be repped by Executive VP Kristen Foster.

McGraw was previously repped by Nashville-based The GreenRoom PR.

McGraw recently performed Glen Campbell’s Academy Award-nominated tune “I’m Not Gonna Miss You” at the Oscars. The song was nominated in the category of Best Original Song.

The entertainer’s Shotgun Rider Tour ’15 will launch in June, with opening acts Billy Currington and Chase Bryant. He recently released the single “Diamond Rings and Old Barstools” to radio.

Industry Ink: CMHoF’s Clary Exits, Creative Nation Adds Office Manager, NATAS Scholarship

Clary Exits CMHoF Post

Kay Clary

Kay Clary

The Country Music Hall of Fame’s Kay Clary has exited her post as Interim Director of Communications, and will be taking a year off for travel.

Clary previously spent seven years working at BMI. Clary can be reached at kay.clary@gmail.com.
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Creative Nation Adds New Staff Member Christina Wighton

christina wighton

Christina Wighton

Creative Nation has hired Christina Wighton as office manager to their team in Nashville. She will manage day-to-day office responsibilities and assist the Creative Nation staff.

Most recently, Wighton worked at Kobalt Music’s New York City as the receptionist, handling administrative work for the Business Affairs, HR and Sync departments. She relocated to Nashville in February.

NATAS Establishes Scholarship In Honor of Jackie Pillers

Jackie Pillers

Jackie Pillers

The Nashville/Mid-South Chapter of the National Academy of Television Arts and Sciences has established the Jackie Pillers Memorial Scholarship in honor of the late television news producer. The scholarship will be given annually to one or more high school students interested in pursuing a career in media.

Contributions can be made to the scholarship by completing the following form and sending it to emmynash@aol.com.

Save The Date: Charity Golf Tournaments

Save The Date for the Miller Harris Memorial Golf Tournament. It will be held Sept. 14, 2015 at the Temple Hills Golf Club, located at 6375 Temple Road in Franklin, Tenn. For more information, visit millerharrisfoundation.org.

Also, The HoriPro Honors Golf Tournament will be held May 14, 2015 at Henry Horton Golf Course, located at 4358 Nashville Hwy. in Chapel Hill, Tenn. The tournament’s roots reach back 32 years. The event, which launched in 1967 as The Four Star Tournament, has been sponsored by Four Star Music, Combine, Acuff-Rose, Larry Butler Music, and Don Gant Music, before HoriPro took over as the event’s sponsor.

How Will Radio Survive The Connected Cars Of The Future?

(L-R): Moderator Chris Barker (Partner, C3),  Derek Kuhn (QNX/Blackberry), Joel Hoffman (Chief Automotive Strategist/Intel), noted John Ellis (Ellis & Assoc., former Sr. Technologist/Ford), and  Paul Brenner (Emmis/NextRadio).

(L-R): Moderator Chris Barker (Partner, C3), Derek Kuhn (QNX/Blackberry), Joel Hoffman (Chief Automotive Strategist/Intel), John Ellis (Ellis & Assoc., former Sr. Technologist/Ford), and Paul Brenner (Emmis/NextRadio).

Imagine a car that drives itself, that knows your schedule and drives you to your appointments. It knows the quickest route and can reroute based on accidents or heavy traffic. If you are running late, it can notify your appointment. The video below shows all this and more, and was viewed by attendees at the CRS panel “The Power of the Connected Car” on Thurs., Feb. 26.

Panelists discussed the capabilities of the cars of the future, including autonomous drive, cars that can communicate with each other and share information, and how users can make purchases through the car’s ecosystem.

Panelist Paul Brenner of Emmis/NextRadio said, “I applaud you for attending, you’re hearing from three guys that will decide your future,” referring to his fellow panelists. Brenner is working to help traditional radio evolve to compete with the growing popularity of streaming and on-demand music. The NextRadio app plays over-the-air FM broadcasts on smartphones.

Panelists noted that following the debut of streaming music, there was a few years before the technology made its way to automobiles, which helped the terrestrial radio industry maintain a foothold with the public, particularly in cars. Today, technology allows more music listening options in vehicles, and listeners could choose to get music from other outlets, instead of over-the-air radio. Terrestrial radio’s foothold is eroding.

One downside of terrestrial radio, is that users don’t get to select the music. “You listen to what other people tell you to,” noted John Ellis (Ellis & Assoc., former Sr. Technologist, Ford).

Panelists including Brenner, Ellis, Joel Hoffman (Chief Automotive Strategist, Intel), and Derek Kuhn (QNX/Blackberry) agreed that going forward, the car’s ecosystem (think of it like an operating system) will play a bigger role when consumers purchase a new vehicle. It will be similar to cell phone purchases today, which are based heavily on the operating system (Android vs. Apple) instead of the hardware, or phone itself.

Today, terrestrial radio doesn’t have a prominent place in these automotive ecosystems.

In order to survive, radio companies need a strategy said panelists. They will need to enhance user experience and engagement. Brenner said, “[Radio] will have to innovate and establish an advantage they can’t take away from you.”

Safety is a major concern that goes along with having automobiles with lots of features. Security of the information being exchanged is also a top priority.

When asked how long it will be before the cars of the future are on streets, the panelists explained that currently the auto industry can’t meet the expectations of the next generation of drivers (today’s children) while balancing the safety issues of distracted driving.

YouTube video
This video is from 2012, which reiterates the fact that automotive technology is in the works for years before it debuts. Panelists said technology is secretly being developed right now.

Mark Your Calendar – March 2015

Ashley-Monroe-On-To-Something-GoodSingle Add Dates

March 2
Gary Allan/Hangover Tonight/MCA
John King/On Your Lips/Black River
Kayla Calabrese/Whisper/SMG
LiveWire/Quit You/Way Out West Records
Alan Turner/Bull Riding Babe/HMG Nashville
Jake Gill/Say It Goodbye/HMG Nashville

March 9
Eric Church/Like A Wrecking Ball/EMI Nashville
Trisha Yearwood/I Remember You/Gwendolyn-RCA Nashville
Brothers Osborne/Stay A Little Longer/EMI Nashville
Eli Young Band/Turn It On/Republic Nashville
Montgomery Gentry/Folks Like Us/Blaster Records
Logan Mize/Can’t Get Away From A Good Time/Arista Nashville
Ashley Monroe/On To Something Good/Warner Bros.
Ruthie Collins/Ramblin’ Man/Sidewalk Records
Dexter Roberts/Dream About Me/First Launch Records
David Shelby/Oh Yeah/Star Farm

March 16
Drake White/It Feels Good/Dot Records
Striking Matches/Hanging On A Lie/I.R.S. Nashville
Wade Bowen/When I Woke Up Today/AMP
Sammy Hakim/Empty Bottle/EXT Records

March 23
RaeLynn/For A Boy/Valory Music Co.
Sarah Dunn Band/Bye Bye/Audacity Records
Claire Petrie/C’est La Vie, You Never Can Tell/Playback Records

March 30
Casey James/Fall Apart/Columbia Nashville
Cash Creek/Even Angels Have Bad Days/Heartland Records

Shania-Still-The-One-Live-From-VegasAlbum Release Dates

March 2
Aaron Tippin/Aaron Tippin 25/Nippit Records
Casting Crowns/Glorious Day: Hymns of Faith/Cracker Barrel

March 3
Shania Twain/SHANIA: Still The One Live from Vegas [CD/DVD]/Mercury Nashville
Asleep At The Wheel/Still The King: Celebrating the Music of Bob Wills and His Texas Playboys/Bismeaux

March 9
Jordyn Stoddard/Southern Tide/ J Stodd

March 10
Luke Bryan/Spring Break…Checkin’ Out/Capitol Nashville
Eli Young Band/Turn It On [EP]/Republic Nashville

March 17
Allison Moorer/Down To Believing/eOne Nashville

March 24
Striking Matches/Nothing But The Silence/I.R.S.
Canaan Smith/Canaan Smith [EP]/Mercury Records Nashville

March 31
Darius Rucker/Southern Style/Capitol
Josh Turner/TBA/MCA Nashville
Various/NOW That’s What I Call The ACM Awards 50 Years/UMG-Sony Music Entertainment-ACM
Jon Wolfe/Natural Man/Tone Tree Music

RWOTR 2015 390x260Industry Events

March 23
ASCAP Christian Music Awards

March 24
Fourth Annual Rising Women on the Row at Nashville’s Omni Hotel

March 24-28
Tin Pan South 2015

March 27
Dylan, Cash, and the Nashville Cats: A New Music City opens at the CMHoF

March 29
The second annual iHeartRadio Music Awards on NBC

March 30

  • 7th annual T.J. Martell Foundation Honors Gala at the Omni in Nashville at 5:30 p.m.
  • ACM Final Round Ballot Closes

Photo Roundup: Country Radio Seminar

Artists, radio executives, and label executives were shining brightly last week during Nashville’s annual Country Radio Seminar.

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Lady Antebellum during their “How 3 Become 1” panel during CRS. Photo: Sara Kauss/AristoPR

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CRS Panel. Photo: AristoPR

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Keith Urban during his panel titled “Being Present.” Photo: Sara Kauss/AristoPR

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Pictured (L-R): BMLG’s Allison Jones, Laurel Kittleson, Erin Burr, and Katie Rose.

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Garth Brooks and Trisha Yearwood visit CRS. Photo: AristoPR

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The Swon Brothers with Jana Kramer. Photo: Sara Kauss/AristoPR

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Pictured (L-R): Grand Ole Opry’s Pete Fisher, BMLG’s Scott Borchetta, RaeLynn, BMLG’s George Briner, and Jimmy Harnen. Photo: AristoPR

Leadership Music Accepting Applications For Class of 2016

LeadershipMusicLogoLeadership Music will soon begin selecting its Class of 2016. The organization, founded in 1989, begins accepting applications from entertainment industry leaders for its Class of 2016 today, and will be accepting applications throughout the month of March. The eight-month program, based in Nashville, begins in October 2015.

The organization’s aim is to expose participants to each segment of the music industry, and to discuss issues affecting all facets of the industry. Once selected, attendees will attend a four-hour orientation and welcome reception in September, as well as six all-day sessions once a month (on Fridays), and two-day opening and closing retreats during the program. A one-time tuition fee for the program is $1,000.

Leadership Music has more than 1,000 alums.

“When we enter into the selection process, our uppermost goal is to select a passionate, balanced and diversified class of professionals, who are, individually and collectively, the best and brightest leaders in their field and represent all segments of the music industry,” executive director Debbie Schwartz Linn says. “Each year, the selection committee has the difficult task of determining the class slate from far more qualified applicants than we have slots. We are seeing a record level of interest in Leadership Music, which means there are more qualified candidates from which to choose. That’s a good problem to have, but it is often frustrating for those who have applied multiple times. Each year varies depending on how many applicants apply from each category. We strongly encourage applicants to keep applying if not selected. It’s truly a once-in-a-lifetime experience and well worth the effort.”

Applications must be submitted online no later than March 31, 2015. Application forms, program dates, and more can be found at leadershipmusic.org/apply.