
Pictured (L-R): Vector Management’s Ken Levitan, Trisha Yearwood, and Carolyn Tate, Senior Vice President of Museum Services at the Country Music Hall of Fame and Museum. Photo: Rick Diamond/Getty Images for the Country Music Hall of Fame and Museum.
Chapter 499
You might have met her when she was a Belmont student.
Or you might have met her when she was a tour guide at the Country Music Hall of Fame.
You might have met her when she was the receptionist at MTM Records. Or you might have met her when she was singing demos for the songwriters and publishers on Music Row.
You might have met her when she was singing with Pat Alger & The Algerians at Douglas Corner Café. Or you might have met her when she was a hopeful newcomer at MCA Records.
She tells me that I met her on at least three of those occasions. I don’t remember. “Was I nice?” I asked. “Oh, yes, always,” she assures me. Thank goodness for that.
What I do remember is that the first time I heard her on MCA, I called her “Goddess.” To her face. And that is what I have called her ever since.
And Goddess she was, at the opening of her new exhibit at the Country Music Hall of Fame & Museum.

Trisha Yearwood during media interviews for her Country Music Hall of Fame and Museum preview. Photo: Momentsbymoser
“You were invited because you are my friends and my family,” Trisha Yearwood told the attendees at the opening party on Tuesday evening (6/30). “You supported me from the beginning.
“Those of you who’ve known me for a long time know that I am not a cryer. But I am so emotional, so bear with me. I am so honored. From having been a tour guide here, I have such respect for the people who work here.
“I’m kind of in a daze….The power of music is why we’re here,” she added, referring to the exhibit’s title, The Song Remembers When. She thanked that song’s composer, Hugh Prestwood. Also thanked was Jon Ims, who wrote her breakthrough hit, “She’s In Love With the Boy.”
She singled out “the first Garth,” producer Garth Fundis, as well as “the second Garth,” husband Garth Brooks, with whom she is now on a record-shattering national concert tour. Both were in the party crowd.
“Our Queen for a Day is Miss Trisha Yearwood,” said museum vice president Carolyn Tate. “She owns one of music’s most expressive and powerful voices.”

Trisha Yearwood Matel Barbie.
Tate added that Yearwood is now a multi-media phenom with her own cookbooks, TV cooking show, kitchenware line, acting credits and, now, her own namesake “Shero” Barbie Doll. OMG: I must have one.
“Enjoy the exhibit,” said Goddess.
We did. It includes mementos from her “Georgia Peach” childhood, including tragic early promo photos and a 45 r.p.m. record funded by her dad. She collected Elvis records as a kid and got an autograph, both of which are illustrated.
She came to Nashville in 1995 to attend Belmont. This is documented, as well. Awards, sheet music and costumes are displayed, including outfits from her roles on JAG and Dr. Quinn Medicine Woman. Gorgeous gowns, including her fabulous wedding dress, are on display.
The exhibit concludes with stuff relating to her new status as a Southern-cuisine diva. Her Emmy-winning cooking TV show is a spin off from her displayed cookbooks and has spawned the also displayed kitchenware, cookware and the like.
Jen Falco, Eric Parker, Allie Brooks and members of Yearwood’s inner circle comprised the younger element of the attending multitude. Regular column fabulons working the room included Chuck Dauphin, Charlie Monk, Chris Horsnell, Bruce Hinton, Scott Borchetta, Bob Paxman, Maurice Miner, Mark Miller, Dave Pomeroy, Donna Hughes and Deborah Evans-Price.
Grammy-wining graphics queen Virginia Team hasn’t been seen at a Music Row party in ages. “I had to come,” she explained. “She is one of the greatest singers, ever.” Or as I put it, “Goddess.”
Yearwood’s own Grammys were admired by Steve Buchanan, Earle Simmons, Jeff Walker, Jane Braddock, Ken Levitan, the Frist Foundation’s Peter Bird, Harold Bradley, Tom Roland, real-estate maven Phil Ryan, Lisa Harless, Rusty Jones, Peter Cooper and Dave Pomeroy, among a throng of others.
All hail the Goddess.

Yearwood’s wedding dress she wore when marrying Garth Brooks, designed by Sandi Spika. Photo: Moments by Moser
Hank Williams Biopic Gets Black Friday Release Date
/by Eric T. ParkerTom Hiddleston (L) will star as Hank Williams.
Sony Classics—the worldwide distributor of I Saw The Light, the Hank Williams biopic starring English actor Tom Hiddleston—has set Black Friday (Nov. 27, 2015) as a release date for the big-screen retelling.
Written and directed by Marc Abraham, I Saw The Light is based on Colin Escott’s award-winning biography and additionally stars Elizabeth Olsen, Bradley Whitford, David Krumholtz and Cherry Jones. RatPac Entertainment’s Brett Ratner and Bron Studios’ Aaron L. Gilbert produced the film, with G. Marq Roswell and Abraham. James Packer of RatPac Entertainment and Jason Cloth of Creative Wealth Media Finance executive produced. Dante Spinotti was the cinematographer for the film.
The Thor actor will be imitating a southern drawl while singing “Your Cheatin’ Heart,” “I”m So Lonesome I Could Cry” and “Hey Good Lookin’,” titles obtained from licensing agreements with Sony/ATV by film producers. Rodney Crowell produced the music for the film.
The Hank Williams estate is controlled by Hank Jr. and Jett Williams.
DisClaimer: Innovative Sounds From Keith Urban, 2 Steps Back
/by Robert K OermannThe stars are out this Independence Day weekend, with new discs from Billy Currington, Buddy Jewell, Jake Owen, Sawyer Brown, Keith Urban and Kelsea Ballerini. Most of them are quite good, too.
Our two award winners today have one thing in common. Both of them are innovative sounding. Keith Urban wins a Disc of the Day prize for releasing a delightfully different song.
The DisCovery Award goes to 2 Steps Back, a male foursome with a refreshing song as well as an ear-opening production.
Have a great holiday, everyone.
SAWYER BROWN/We Got the Night
Writer: Bill Shore/David Wills/Alicia King; Producer: Mark A. Miller; Publisher: Plumas/Cherry Heart, BMI; Beach Street (CDX) (www.sawyerbrown.com)
—Anthemic, with a darkly romantic vibe. The minor key lends it extra sensuality.
KEITH URBAN/John Cougar, John Deere, John 3:16
Writer: Shane McAnally/Ross Copperman/Josh Osborne; Producer: Dann Huff & Keith Urban; Publisher: Smack Hits/SMACK Songs/Kobalt/EMI Blackwood/Songs By Red Room/Songs of Black River/One Little Indian Creek, GMR/BMI/ASCAP; Capitol/Hit Red (CDX)
—Quite cleverly written, with loads of pop-culture references and copious name dropping. Bonus points for sounding completely different and distinct from his many prior singles. This deserves to be a major, major smash.
CLAIRE PETRIE/Somewhere Off the Map
Writer: Callander/Montana; Producer: Jack Gale; Publisher: Universal/Mike Curb/Dandon Ranch, BMI; Playback (track)
—This sturdy country rocker romps with a steady rhythm. Petrie’s throaty vocal rides the toe-tapping track like a pro.
JAKE OWEN/Real Life
Writer: Ross Copperman/Ashley Gorley/Shane McAnally/Josh Osborne; Producer: Shane McAnally & Ross Copperman; Publisher: none listed; RCA (CDX)
—The good-time song is fairly simple, and its barely-there melody is even more so. The track is needlessly busy.
KELSEA BALLERINI/Dibs
Writer: Kelsea Ballerini/Josh Kerr/Ryan Griffin/Jason Duke; Producer: Forest Glen Whitehead & Jason Massey; Publisher: Songs of Black River/KNB/DSM Administration/Nyssa/Jason Duke, ASCAP; Black River (track)
—Ballerini follows her first trip to the top of the charts (“Love Me Like You Mean It”) with a trippy, hip hoppy, patter-happy ditty with rapid-fire lyrics and a bop that doesn’t stop. Endearingly youthful.
DANIEL ROMANO/The One That Got Away
Writer: Daniel Romano; Producer: Daniel Romano; Publisher: Daniel Romano/New West Independent/BMG Rights Management, SOCAN; New West (track) (www.danielromanomusic.com)
—This is kinda retro sounding, with its echo-chamber vocal, old-school songwriting and Nashville Sound production values. It’s not for everyone, but I found it oddly compelling. Definitely different, yet fascinating listening.
BILLY CURRINGTON/Drinkin’ Town with a Football Problem
Writer: Aarpm Henningsen/Brian Henningsen/Clara Henningsen/Elizabeth McDavid Elkins/Vanessa Ann Olivarez; Producer: Dann Huff; Publisher: none listed; Mercury (track)
—Romping and rousing, as you might expect from the title. Made for Friday-night mayhem.
DENNY HERRIN/Becky’s Bible

Writer: Chris Knight; Producer: Chris Beall; Publisher: none listed; DH (www.dennyherrin.com)
—This fellow is an up-and-comer on the Texas red dirt country scene. He grabs a-hold of this gripping Chris Knight song and doesn’t let go. The spare, punchy, country-rock track gives him just the right amount of space to deliver the lyric’s outlaw urgency. Highly recommended.
2 STEPS BACK/Boombox
Writer: none listed; Producer: Fred Mollin; Publisher: none listed; 2SB (track) (2sbmusic.com)
—Youthful, poppy, charming, catchy, tuneful, summery. Stunning production flourishes and a simply brilliant job of mixing.
BUDDY JEWELL/In the Misty Moonlight
Writer: Cindy Walker; Producer: Dave Moody; Publisher: none listed; Lamon (track) (www.lamonrecords.com)
—Jewell’s new CD is titled My Father’s Country, a collection of revived oldies that his late dad loved: “Singing the Blues,” “Behind Closed Doors,” “Galveston” and the like. His superbly resonant, effortlessly expressive voice polishes these gems with new luster. This ultra-melodic 1964 classic is especially appropriate since he used to sing songwriter Cindy Walker’s demos. But whichever track you choose, you will be in the presence of a world-class singer, guaranteed. Sing on, brother.
Song Great Red Lane Passes
/by Robert K OermannRed Lane
Nashville Songwriters Hall of Fame member Red Lane has passed away at age 76.
Lane died Wednesday night, July 1, following a long battle with cancer. He is noted as the creator of such big hits as “Til’ I Get It Right” (Tammy Wynette, 1973), “Darling You Know I Wouldn’t Lie” (Conway Twitty, 1969) and “New Looks From an Old Lover” (B.J. Thomas, 1981).
Born Hollis DeLaughter on Feb. 9, 1939, he was a native of Bogalusa, Louisiana. His sharecropper father taught him to play guitar. The family moved around a lot, following farming seasons. Lane graduated high school in Indiana and joined the Air Force.
Trained as an airplane mechanic, he also performed music throughout his enlistment. While stationed in Hawaii, he performed on the Waikiki radio show Hawaii Calls. While stationed in Omaha, Nebraska in 1958, he began performing in area nightclubs six nights a week.
Following his discharge, Red Lane performed in Indiana, California, Arizona and Texas. Inspired by Willie Nelson, he began writing songs at this time. Singer-songwriter Justin Tubb urged Lane to send his songs to Tree Publishing in Nashville.
Tree’s Buddy Killen signed him as a staff songwriter in 1963 and helped Lane to move to Music City. Tubb hired him as a guitarist in his band. Red Lane scored his first songwriting hit when Faron Young took his “My Friend On the Right” up the charts in 1964.
Nelson recorded Lane’s “Blackjack County Chain” in 1967. Dottie West had a hit with their co-written “Country Girl” in 1968. The song inspired a series of popular Coca-Cola ad jingles for West. Red Lane became her bandleader, and the two collaborated on dozens of other songs.
Lane’s first top-10 success came when Waylon Jennings recorded “Walk On Out of My Mind” in 1968. He repeated the feat with Eddy Arnold’s recording of “They Don’t Make Love Like They Used To” in 1969. Twitty’s 1969 recording of “Darling You Know I Wouldn’t Lie” inspired Elvis Costello to re-record the song in 1994.
Bobby Bare, Roger Miller, Jack Palance, Wanda Jackson, Lee Hazelwood & Ann-Margret, Jimmy Dickens, Tommy Cash, Jack Greene & Jeannie Seely, Johnny Paycheck, George Jones, Clarence “Gatemouth” Brown, T.G. Sheppard and Connie Smith were among the many who recorded Red Lane songs in the 1960s and 1970s.
The songwriter also became a Nashville session guitarist. Chet Atkins signed him as a recording artist to RCA, and Lane scored a moderate-sized hit with “The World Needs a Melody” in 1971. The song was subsequently a single for Johnny Cash and was also recorded by The Kingston Trio, Bill Anderson, Mother Maybelle Carter, The Chuck Wagon Gang and others.
Lane’s other charted singles as an artist were “Set the World On Fire (With Love)” (1971), “It Was Love While It Lasted” (1972) and “Throw a Rope Around the Wind” (1972). The last named was on the soundtrack of the Robert Mitchum movie Going Home.
Red Lane and Merle Travis co-wrote the “Ride This Train” segments on The Johnny Cash Show on ABC-TV in 1969-71.
After Wynette hit the top of the charts with “Til I Get It Right” in 1973, the song was recorded by dozens of others, including Kenny Rogers, Englebert Humperdinck, Trisha Yearwood, Wynonna Judd, Millie Jackson, Solomon Burke, Bob Dylan and Highway 101.
Later in the decade, Lane forged a musical partnership with Merle Haggard, who recorded nearly 30 Red Lane songs. These included 1977’s “Ain’t Your Memory Got No Pride at All” and the 1979 hit “My Own Kind of Hat” (revived by Alan Jackson in 1999). Lane also played guitar on Haggard recording sessions and sometimes toured in the superstar’s band.
In 1981, B.J. Thomas hit No. 1 with Lane’s “New Looks From an Old Love” and John Conlee scored with “Miss Emily’s Picture.” Keith Whitley released Lane’s “Would These Arms Be in Your Way” in 1987, and the song was then recorded by Vern Gosdin, Mark Chesnutt, Daryle Singletary and more.
Others who recorded his songs in the 1980s and 1990s included Loretta Lynn, The Oak Ridge Boys, Ricky Van Shelton, Ray Charles, Doug Stone, Jack Greene, Joe Diffie, Skip Ewing, Waylon Jennings and Suzy Bogguss. Red Lane was inducted into the Nashville Songwriters Hall of Fame in 1993.
Lane’s success continued into the new millennium. George Strait had a hit with his “Tell Me Something Bad About Tulsa” in 2003. His songs appeared on albums by Lee Ann Womack, Reba McEntire, Joan Osborne, The Del McCoury Band and more. In 2010, he was honored at the Country Music Hall of Fame’s “Poets & Prophets” songwriter series.
The tunesmith led a colorful, unconventional lifestyle. He lived in an airplane fuselage grounded near Ashland City, TN and was an avid skydiver.
Show Dog Nashville Taps Chris Waters
/by Sarah SkatesChris Waters
Show Dog Nashville has appointed Chris Waters as Director of Southeast Regional Promotion. Waters brings extensive country music industry experience to the position including his most recent stint as Southeast Regional Manager at Warner Music Group. He previously held radio promotion roles at Sony Music Entertainment and Cumulus Media.
“Chris is an innovative promoter and I am excited to have him join the team,” said Rick Moxley, Show Dog Nashville’s VP Promotion. “His attitude, drive, experience and relationships will greatly benefit our team.”
“Having been a huge Toby fan for years, I am excited and honored to join my friends here at Show Dog Nashville,” adds Waters. “I cannot wait to get out and visit some ‘35 mph Towns’ across the southeast for some ‘Good Times & Pick Up Lines.’”
A native of Washington, North Carolina, Waters graduated from North Carolina Central University and moved to Nashville in 2003 to start a career in the music business.
He can be reached at chris.waters@showdogmail.com.
Garth Brooks Leads Country Stars On ‘Forbes’ List of Top Paid Celebrities
/by Troy_StephensonGarth Brooks
Forbes has released a new list of The World’s Highest-Paid celebrities, with several country artists included in the rankings.
The Top 5
No. 1 Floyd Mayweather $300 million
No. 2 Manny Pacquiao $160 million
No. 3 Katy Perry $135 million
No. 4 One Direction $130 million
No. 5 Howard Stern $95 million
Country Stars
No. 6 Garth Brooks $90 million
No. 8 Taylor Swift $80 million
No. 32 Toby Keith $53 million
No. 47 Jason Aldean $43.5 million
No. 48 Luke Bryan $42.5 million
No. 49 Kenny Chesney $42 million
No. 58 Tim McGraw $38 million
No. 61 Florida Georgia Line $36.5 million
No. 78 Zac Brown Band $32 million
No. 95 (tie) Miranda Lambert $28.5 million
No. 95 (tie) Blake Shelton $28.5 million
To see the entire list, click here.
According to Forbes, “Our list measures money earned from June 1, 2014 to June 1, 2015 before subtracting management fees and taxes; figures are based on data from Nielsen, Pollstar, Box Office Mojo and IMDB, as well as interviews with agents, managers, lawyers—and many of the stars themselves.”
WeddingNotes: Alison Toczylowski and Andrew Webber; Stephanie Quayle and David Couch
/by Kelsey_GradyWeekly Register: Kacey Musgraves Crowned With No. 1 Debut
/by Sarah SkatesThe critically acclaimed sophomore album is the follow-up to her Grammy winning debut album Same Trailer Different Park which also entered at No. 1 on the Billboard country albums chart. Musgraves co-wrote all of the tracks on Pageant Material as well as co-produced with Shane McAnally and Luke Laird. She celebrated the release last month in Nashville with a party at Play, complete with performances by drag queens.
Musgraves’ Mercury Nashville labelmate Canaan Smith also scored a top 5 debut, coming in at No. 4 country with 16,000 (12,000 album only). His debut album Bronco features hit single “Love You Like That” which has been certified Gold by the RIAA for digital sales in excess of 500,000. It garnered almost 33 million combined streams (total streaming partners). He worked with producers Brett Beavers, Jimmy Robbins, Ryan Tyndell and Luke Wooten on the project.
Elsewhere, Corey Smith’s Sugar Hill release entered the country chart with 3,100. He just wrapped a week of special events in Nashville surrounding the release, including concerts at Bluebird Café and Grand Ole Opry.
It’s worth noting that this is the mid-year point for 2015. As regular Weekly Register readers know, sales continue to slump:
YTD Albums
Overall -4 percent
Overall digital -.1 percent
Country -9.1 percent
Country digital -1.8 percent
YTD Tracks
Overall -10.4 percent
Country -15.8 percent
Starting July 10, the official worldwide release day for music will move to Fridays. Accordingly, the Nielsen SoundScan week will run Friday through Thursday.
*sales according to Soundscan
Bucky Covington is a ‘Happy Man’ With Release of New EP
/by Lorie HollabaughThe indie EP marks the first new music from Covington in three years, and was co-produced by Covington and Dale Oliver. Fans can pre-order the six-song collection and download the new single immediately.
“This project means a lot to me as an independent artist,” Bucky says. “The good part is that there’s no one telling me what songs to pick, and the bad part is no one is there to tell me what songs to pick or paying for making the music, so all the risk is on me. That said, I hope everyone loves it as much as I do!”
Happy Man EP track listing:
1. “I Feel Ya” (Eric Mallon, Ruben Estevez, Jason Afable)
2. “Girl You Get To Me” (Dale Oliver, Serg Salinas, Michael Harter)
3. “I’m Saying Something” (Matt Warren)
4. “Somewhere Looking Beautiful” (Bucky Covington, Dale Oliver, Dan Couch)
5. “Buzzin” (Brad Hull)
6. “Happy Man” (Shannon Lawson)
New Virgin Hotel to Break Ground by Fall
/by Lorie HollabaughVirgin Hotel
Image courtesy of BLUR Workshop
Work on a new Virgin Hotel located by 17th and Division near the Music Row Roundabout will begin by October, according to a story in Nashvillepost.com.
The hotel will include 240 rooms and suites as well as 15 residential penthouses.
D.F. Chase will be the general contractor for the project and the team will use Atlanta-based architecture firm BLUR Workshop for the design. Early renderings show two different buildings, with the tallest of the two rising 13 stories and about 160 feet. The hotel will reportedly feature a centerpiece bar, a live entertainment venue, an outside veranda with views of the city skyline, a rooftop pool, a gym, a wellness center, and 14,000-square-feet of meeting space.
“With Virgin Hotels Chicago now open and bustling, we’re thrilled to reveal our plans for our next property, Virgin Hotels Nashville,” Raul Leal, CEO of Virgin Hotels, said in a press release. “Partnering with BLUR Workshop and interior design firm MarkZeff has enabled us to incorporate our musical heritage and playful tone of voice into this new building, bringing something entirely different to the Nashville hotel scene.”
The hotel is slated to open in fall 2016.
Bobby Karl Works Trisha Yearwood’s Hall of Fame Exhibit Preview
/by Bobby KarlPictured (L-R): Vector Management’s Ken Levitan, Trisha Yearwood, and Carolyn Tate, Senior Vice President of Museum Services at the Country Music Hall of Fame and Museum. Photo: Rick Diamond/Getty Images for the Country Music Hall of Fame and Museum.
Chapter 499
You might have met her when she was a Belmont student.
Or you might have met her when she was a tour guide at the Country Music Hall of Fame.
You might have met her when she was the receptionist at MTM Records. Or you might have met her when she was singing demos for the songwriters and publishers on Music Row.
You might have met her when she was singing with Pat Alger & The Algerians at Douglas Corner Café. Or you might have met her when she was a hopeful newcomer at MCA Records.
She tells me that I met her on at least three of those occasions. I don’t remember. “Was I nice?” I asked. “Oh, yes, always,” she assures me. Thank goodness for that.
What I do remember is that the first time I heard her on MCA, I called her “Goddess.” To her face. And that is what I have called her ever since.
And Goddess she was, at the opening of her new exhibit at the Country Music Hall of Fame & Museum.
Trisha Yearwood during media interviews for her Country Music Hall of Fame and Museum preview. Photo: Momentsbymoser
“You were invited because you are my friends and my family,” Trisha Yearwood told the attendees at the opening party on Tuesday evening (6/30). “You supported me from the beginning.
“Those of you who’ve known me for a long time know that I am not a cryer. But I am so emotional, so bear with me. I am so honored. From having been a tour guide here, I have such respect for the people who work here.
“I’m kind of in a daze….The power of music is why we’re here,” she added, referring to the exhibit’s title, The Song Remembers When. She thanked that song’s composer, Hugh Prestwood. Also thanked was Jon Ims, who wrote her breakthrough hit, “She’s In Love With the Boy.”
She singled out “the first Garth,” producer Garth Fundis, as well as “the second Garth,” husband Garth Brooks, with whom she is now on a record-shattering national concert tour. Both were in the party crowd.
“Our Queen for a Day is Miss Trisha Yearwood,” said museum vice president Carolyn Tate. “She owns one of music’s most expressive and powerful voices.”
Trisha Yearwood Matel Barbie.
Tate added that Yearwood is now a multi-media phenom with her own cookbooks, TV cooking show, kitchenware line, acting credits and, now, her own namesake “Shero” Barbie Doll. OMG: I must have one.
“Enjoy the exhibit,” said Goddess.
We did. It includes mementos from her “Georgia Peach” childhood, including tragic early promo photos and a 45 r.p.m. record funded by her dad. She collected Elvis records as a kid and got an autograph, both of which are illustrated.
She came to Nashville in 1995 to attend Belmont. This is documented, as well. Awards, sheet music and costumes are displayed, including outfits from her roles on JAG and Dr. Quinn Medicine Woman. Gorgeous gowns, including her fabulous wedding dress, are on display.
The exhibit concludes with stuff relating to her new status as a Southern-cuisine diva. Her Emmy-winning cooking TV show is a spin off from her displayed cookbooks and has spawned the also displayed kitchenware, cookware and the like.
Jen Falco, Eric Parker, Allie Brooks and members of Yearwood’s inner circle comprised the younger element of the attending multitude. Regular column fabulons working the room included Chuck Dauphin, Charlie Monk, Chris Horsnell, Bruce Hinton, Scott Borchetta, Bob Paxman, Maurice Miner, Mark Miller, Dave Pomeroy, Donna Hughes and Deborah Evans-Price.
Grammy-wining graphics queen Virginia Team hasn’t been seen at a Music Row party in ages. “I had to come,” she explained. “She is one of the greatest singers, ever.” Or as I put it, “Goddess.”
Yearwood’s own Grammys were admired by Steve Buchanan, Earle Simmons, Jeff Walker, Jane Braddock, Ken Levitan, the Frist Foundation’s Peter Bird, Harold Bradley, Tom Roland, real-estate maven Phil Ryan, Lisa Harless, Rusty Jones, Peter Cooper and Dave Pomeroy, among a throng of others.
All hail the Goddess.
Yearwood’s wedding dress she wore when marrying Garth Brooks, designed by Sandi Spika. Photo: Moments by Moser