
Josh Thompson moved to Nashville in 2005 with dreams of becoming a chart-topping recording artist. With the singer-songwriter’s recent celebration at the top of the country charts as a songwriter on Jason Aldean’s 19th career No. 1 “Any Ol’ Barstool,” Thompson is celebrating the long-awaited release of his latest album, Change: The Lost Record, on April 21.
Thompson, who released his major label debut Way Out Here in 2010 on Columbia Nashville, says “Any Ol’ Barstool” was among a list of potential song titles that the Big Machine Music writer had stored away for a while, before he stepped into THiS Music’s Nashville’s writing room with the company’s writer Deric Ruttan.
The track details the small, telltale signs of someone in denial over the lasting effects of a bad breakup.
“Country music has always been about small towns, where everybody talks and there are a lot of rumors,” Thompson says. “It’s kind of a tough song, in a ‘What he says isn’t really what he means’ sort of way.”
After the writing session, the song’s road to radio had only begun. “I just forgot about it for a while after we wrote it,” recalls Thompson. “We didn’t even demo it for a couple of months, at least.”
Thompson played “Any Ol’ Barstool” for Aldean’s producer Michael Knox, who also produced Thompson’s Way Out Here. Aldean recorded “Any Ol’ Barstool” six months after Thompson played the track for Knox.
“Even then, you’re not real sure it’s on the album until it’s in Walmart,” Thompson said. “We really hadn’t heard that it would be a single at all, until it was.”
Thompson’s fondness for intriguing song titles helped land his work as the title track for both Tim McGraw’s Damn Country Music album and Rascal Flatts’ Back To Us album.
“I do much better when I have either a concept or a title that is not your run of the mill title,” Thompson says, “but something that jumps off the page.”
Change: The Lost Record is a fitting album title for Thompson’s latest project, given that the tracks were originally recorded as the follow-up album to Way Out Here. However, following a series of label shifts, the project was never released. Thompson was intentional about keeping the album as it was originally recorded, and not adding new material to the already completed project.
“If I added anything new, it wouldn’t fit,” he says. “It bridges a gap and I didn’t want to change that aspect of it. The record I would cut today is completely different than a record I would have cut in 2011, so I just wanted that to remain how it was.”
Thompson, the son of a Wisconsin concrete worker, pays homage to his father in “Daddy Had A Beer,” a track from the new album.
But the song isn’t your typical tale of a family torn apart by an alcoholic father, as evidenced by the lyrics: He liked to sip ‘em slow, make ‘em last/One too many was one he never had.
“The idea was based on a picture my mom had, of me and my mom, dad, and my sister,” Thompson says of “Daddy Had A Beer.” “I was a baby, and my sister had a Raggedy Ann doll, and my dad had a Miller High Life. Most of the storyline is about somebody that has a beer in their hand all the time, but we were able to turn it around in the chorus. It surprised me that we were able to work that kink out, because I wanted to make sure nobody was led on by that.”
Elsewhere on the album, Thompson’s keen observations shine on tracks like “Change,” “Something’s Gonna Get Us All,” and “Over Me.”
“I’m very relieved to have it out,” Thompson says. “I’ve wanted to just release it so I can concentrate to making some new music. It’s kind of been a whirlwind of ‘Now it’s coming out, and then it’s not.’ It’ll be great to have some more music in the show,” says Thompson, who has already incorporated some new material into his set list.
With Change finally out, Thompson already has his sights set on his next release. “I’ve been writing a lot and mentally putting a record together. I love the process and giving fans something new.”
Meghan Trainor To Receive ASCAP’s Vanguard Honor
/by Lorie HollabaughMeghan Trainor. Photo: Epic Records
Meghan Trainor will receive ASCAP’s Vanguard Award at the 34th annual ASCAP Pop Music Awards May 18. The invitation-only gala, which celebrates the songwriters and publishers of ASCAP’s most-performed pop songs of 2016, takes place at The Wiltern in Los Angeles. The Vanguard Award recognizes the impact of musical genres that help shape the future of American music. Previous ASCAP Vanguard Award recipients include Arcade Fire, Band of Horses, Beastie Boys, Beck, Björk, Sara Bareilles, Diplo, fun., Jack Johnson, The Killers, Modest Mouse, The Strokes, St. Vincent and Walk the Moon.
“Meghan has made incomparable strides in her career in the time that I’ve known her, but it has always been clear that her talent would take her above and beyond the pop charts,” said ASCAP EVP of Membership John Titta. “Whether she’s writing chart-topping songs for herself or someone else, we can’t wait to hear what Meghan does next.”
Trainor’s single “NO,” from her second album, Thank You, received a RIAA Gold certification for sales exceeding 500,000 in less than a month, and is now double platinum. The second single from Thank You, “Me Too” is also double platinum and the album is gold. Trainor’s co-write “Road Less Traveled” with Lauren Alaina recently topped Billboard‘s Country Airplay chart, and she also penned the Number One Rascal Flatts hit, “I Like the Sound of That,” along with songs for Jennifer Lopez, Fifth Harmony, Sabrina Carpenter and more.
Corey Kent White Joins Warner/Chappell Roster
/by Lorie HollabaughPictured (Front row, L-R): Alicia Pruitt (WC), Corey Kent White, Ben Vaughn (WC). Pictured (Back row, L-R): Will Overton (WC), Alison Junker (WC), Matt Michiels (WC), Jessi Vaughn (WC)
Corey Kent White has signed a publishing agreement with Warner/Chappell. The Oklahoma singer/songwriter has opened for Willie Nelson, Lee Brice, Toby Keith, and Chris Janson, and was a top 8 finalist on NBC’s The Voice. In 2016 he released his EP Long Way.
Exclusive: Josh Thompson Follows “Any Ol’ Barstool” Success With ‘Change: The Lost Record’
/by Jessica NicholsonJosh Thompson moved to Nashville in 2005 with dreams of becoming a chart-topping recording artist. With the singer-songwriter’s recent celebration at the top of the country charts as a songwriter on Jason Aldean’s 19th career No. 1 “Any Ol’ Barstool,” Thompson is celebrating the long-awaited release of his latest album, Change: The Lost Record, on April 21.
Thompson, who released his major label debut Way Out Here in 2010 on Columbia Nashville, says “Any Ol’ Barstool” was among a list of potential song titles that the Big Machine Music writer had stored away for a while, before he stepped into THiS Music’s Nashville’s writing room with the company’s writer Deric Ruttan.
The track details the small, telltale signs of someone in denial over the lasting effects of a bad breakup.
“Country music has always been about small towns, where everybody talks and there are a lot of rumors,” Thompson says. “It’s kind of a tough song, in a ‘What he says isn’t really what he means’ sort of way.”
After the writing session, the song’s road to radio had only begun. “I just forgot about it for a while after we wrote it,” recalls Thompson. “We didn’t even demo it for a couple of months, at least.”
Thompson played “Any Ol’ Barstool” for Aldean’s producer Michael Knox, who also produced Thompson’s Way Out Here. Aldean recorded “Any Ol’ Barstool” six months after Thompson played the track for Knox.
“Even then, you’re not real sure it’s on the album until it’s in Walmart,” Thompson said. “We really hadn’t heard that it would be a single at all, until it was.”
Thompson’s fondness for intriguing song titles helped land his work as the title track for both Tim McGraw’s Damn Country Music album and Rascal Flatts’ Back To Us album.
“I do much better when I have either a concept or a title that is not your run of the mill title,” Thompson says, “but something that jumps off the page.”
Change: The Lost Record is a fitting album title for Thompson’s latest project, given that the tracks were originally recorded as the follow-up album to Way Out Here. However, following a series of label shifts, the project was never released. Thompson was intentional about keeping the album as it was originally recorded, and not adding new material to the already completed project.
“If I added anything new, it wouldn’t fit,” he says. “It bridges a gap and I didn’t want to change that aspect of it. The record I would cut today is completely different than a record I would have cut in 2011, so I just wanted that to remain how it was.”
Thompson, the son of a Wisconsin concrete worker, pays homage to his father in “Daddy Had A Beer,” a track from the new album.
But the song isn’t your typical tale of a family torn apart by an alcoholic father, as evidenced by the lyrics: He liked to sip ‘em slow, make ‘em last/One too many was one he never had.
“The idea was based on a picture my mom had, of me and my mom, dad, and my sister,” Thompson says of “Daddy Had A Beer.” “I was a baby, and my sister had a Raggedy Ann doll, and my dad had a Miller High Life. Most of the storyline is about somebody that has a beer in their hand all the time, but we were able to turn it around in the chorus. It surprised me that we were able to work that kink out, because I wanted to make sure nobody was led on by that.”
Elsewhere on the album, Thompson’s keen observations shine on tracks like “Change,” “Something’s Gonna Get Us All,” and “Over Me.”
“I’m very relieved to have it out,” Thompson says. “I’ve wanted to just release it so I can concentrate to making some new music. It’s kind of been a whirlwind of ‘Now it’s coming out, and then it’s not.’ It’ll be great to have some more music in the show,” says Thompson, who has already incorporated some new material into his set list.
With Change finally out, Thompson already has his sights set on his next release. “I’ve been writing a lot and mentally putting a record together. I love the process and giving fans something new.”
Mark Your Calendar — May 2017
/by Eric T. ParkerSingle Add Dates
Devin Dawson/All On Me/Warner Bros
Jon Pardi/Heartache On The Dance Floor/Capitol Nashville
Shotgun Wedding/South of Somewhere/SWAG Records
Parmalee/Sunday Morning/Stoney Creek Records
May 8
Jason Aldean/They Don’t Know/Broken Bow
Jeremy Michael/Talk/Song Bus Records
May 15
Tyler Farr/I Should Go To Church Sometime/Columbia Nashville
Josh Turner/All About You/MCA Nashville
Beth Beighey/Just Another Heartache
May 22
Mallory Johnson/Good Mistake To Make/Big Hit Records
Shari Rowe/Southern Spells
May 29
Lindsay Ell/Waiting On You/Stoney Creek Records
Industry Events
The iHeartCountry Festival at the Frank Erwin Center in Austin, Texas
May 8
2nd Annual AIMP Awards at the Ryman Auditorium (invitation-only)
May 10-14
Key West Songwriters Fest
May 15-18
Music Biz 2017 at the Renaissance Nashville Hotel
May 21
2017 Billboard Music Awards on ABC at 8 p.m. ET
Album Release Dates
Chris Stapleton/From A Room: Volume 1/Mercury Nashville
Angel Snow/Magnetic/Nettwerk
May 12
Zac Brown Band/Welcome Home/Southern Ground/Elektra
Josh Turner/Deep South (vinyl)/MCA Nashville
Rick Monroe/Gypsy Soul [EP]/MRG Recordings
Crystal Yates/Silverado Signature Songwriter Series Vol. 2 [Digital]/Silverado Records
May 19
Rascal Flatts/Back To Us/Big Machine Records
Mandisa/Out Of The Dark/Capitol CMG
Various/Country Faith America/Curb Records
James Robert Webb/Honky Tonk Revival/Bison Creek Records
May 26
Various/Gentle Giants: The Songs of Don Williams/Slate Creek Records
Industry Ink: Hatch Show Print, Academy Of Country Music, Hear Us! A Concert Of Voices
/by Lorie HollabaughCMHoF To Host Premiere Of Letterpress Documentary
Jackie Lee Visits ACM
Pictured (L-R): Jackie Lee with ACM Sr. VP, Operations & Events Erick Long. Photo: Michel Bourquard/Courtesy of the Academy of Country Music
Jackie Lee stopped by the Academy of Country Music offices while in Los Angeles last week to visit with staffers. While at the ACM, Lee performed his current single, “Getting Over You,” and previewed songs from his upcoming EP.
HearUs! A Concert Of Voices Set For May 8
Daniel Lee Promoted To VP, Creative At BMG Nashville
/by Jessica NicholsonDaniel Lee
BMG has elevated Daniel Lee to VP Creative, BMG Nashville. Overseeing a roster of domestic and international hit songwriters, Lee will continue to report to Kos Weaver, EVP BMG Nashville.
Involved in music publishing since relocating to Nashville in 2005, Lee joined BMG in early 2012. His focus will continue to be on acquiring and developing talent, along with creating opportunities in the marketplace for BMG songwriters including Hillary Lindsey, busbee, Brett Beavers, Jim McCormick, Dave Barnes, and Jonny Price, as well as signed artists Clare Dunn and Carly Pearce.
During his tenure at BMG, Lee’s roster of writers and producers have been nominated for five Grammy Awards, 10 ACM Awards, and 10 CMA Awards. In addition, his BMG songwriters have accumulated over a dozen No. 1 singles, securing a number of high profile song placements and singles with artists ranging from Lady Gaga, P!nk, and Hailee Steinfeld to Keith Urban, Maren Morris, Carrie Underwood, and Thomas Rhett.
Weaver commented, “Daniel is one of the most effective music executives I have ever had the pleasure to work with. His gift of nurturing the talent of songwriters and songwriter artists has yielded an impressive string of successes that have meant a great deal to our overall accomplishments. This promotion is well-deserved.”
Bobby Karl Works The 19th Annual Grammy Block Party
/by Bobby KarlChapter 560
It was perfection.
It is also official: Tuesday’s Grammy Block Party was the music biz’s social event of the year to date.
Staged at the mini amphitheater in Cumberland Park (May 2) on the East Nashville riverbank, this annual Recording Academy fiesta is now in its 19th year. On every level, it achieved nirvana.
“Who did you have to pay off to have perfect weather the second year in a row?” asked Julian King, one of the many Grammy winners in attendance. “This park is the perfect setting,” commented Martha Moore. “I think this is the kind of thing they had in mind when they built it,” added MusicRow owner/publisher Sherod Robertson.
As always, the event showcased a thorough diversity of genres that blossom in Music City. From the Americana talent pool came singer-songwriter Anderson East. Soul rockers Muddy Magnolias blasted girl power.
I am a huge fan of Moon Taxi, and the homegrown Nashville band did not disappoint. Their bright, jangling, pop-rock set was absolutely addictive.
CeCe Winans is the best-selling female gospel star alive. She took no prisoners as she commanded the stage with horns, backup soul sisters and a blazing band. The event booked the superstar trio Lady Antebellum to represent Nashville’s country world.
The 70-degree weather was super balmy, with a lovely breeze blowing off the water and puffy clouds drifting overhead. Some folks brought blankets on which to lounge on the lawn. Others had portable folding seats. Those on the upper rim of the amphitheater enjoyed café tables and chairs.
But most of us mingled on foot. And there was plenty of mingling to do, since the Recording Academy represents the crème de la crème of the city’s music professionals.
Brett James, Trent Summar, Gary Burr & Georgia Middleman, Kevin Griffin of Better Than Ezra, Mark Bright, George Flanigan and event host Shannon Sanders were among the creative types assembled in the crowd.
From Atlanta came soundtrack composer Brandon Bush. From L.A. came Grammy organizer Nick Di Fruscia. That’s how cool our little Nashville event is considered.
Such industry greats as Rod Essig, Steve Lassiter, Becky Harris, Doug Howard, Fletcher Foster, Debbie Linn, Pat McMakin and Daniel Hill mingled. So did media mavens Hunter Kelly, Ed Morris, Beverly Keel, Jon Freeman, Lisa Konicki, Dan Daley, Eric T. Parker, Haley Crow and Suzanne Alexander.
It was wall-to-wall fabulons, folks – Julie Boos, Diane Pearson, Jeff Balding, Neal Spielberg, David Macias, Christy Walker-Watkins, Chris Keaton, Ben Fowler, Shannon Hatch, Karen Clark, Shanna Strassberg, Hank Adam Locklin, Ellen Truly, Dolly Chandler, Edie Emery, Tracy Gershon, Michael McAnally Baum, yaddada, yaddada, yaddada. If you weren’t there, you should have been.
The Grammy Block Party celebrated Cinco De Mayo a few days early with catering by Moe’s Southwestern Grill. The build-your-own soft taco stations were heaped with spiced ground beef and/or chicken, plus all the black beans, brown rice, lettuce, sour cream, peppers, onions, shredded cheeses, salsa tomatoes, queso sauce and jalapena you could want.
The bars rocked, too.
In Pictures: BMI, YEP, Brett Kissel, Shane Owens, Southern Halo, Kalie Shorr, Savvy And Mandy
/by Haley CrowBMI, YEP’s 8 Off 8th
Pictured (L-R): Alex Williams; Amelia Varni, Executive Director, YEP; Jason Nix; MaryAnn Keen, Associate Director, BMI; and Ben Danaher.
BMI and YEP presented its weekly showcase “8 off 8th” Monday night (May 1) at Nashville music venue Mercy Lounge. Eight up-and-coming artists gathered to play for a three-hour country night takeover.
Monday’s lineup included Alex Williams, Ben Danaher, Dave Pahanish, Elizabeth Mossell, Faren Rachels, George Shingleton, Jason Nix and Ross Cooper.
Crowd Joins Brett Kissel in National Anthem Sing-A-Long
Canadian country artist Brett Kissel was set to perform”The Star Spangled Banner” before Game 3 of the Western Conference Second Round during the 2017 NHL Stanley Cup Playoffs between the Anaheim Ducks and the Edmonton Oilers in Edmonton, Alberta, Canada Sunday night (April 30).
Before Kissel started singing, he realized his microphone had stopped working. Not letting that stop him, Kissel encouraged the crowd to join him, resulting in a full stadium of fans, both American and Canadian, singing the anthem together. You can watch the moment here.
Shane Owens’ Opry Debut
Pictured (L-R): Dan Rogers, Director of Marketing and Communication, Grand Ole Opry; Randy Travis; Shane Owens; Steve Popovich Jr.; Grand Ole Opry announcer Mike Terry.
Traditional country singer Shane Owens made his Grand Ole Opry debut Saturday (April 29). Special guest Randy Travis was in attendance making the night even more memorable for Owens. Travis is the executive producer for Owens’ current album, Where I’m Comin’ From.
Country Popsters Take Over Radio Disney Music Awards
Pictured (L-R): Southern Halo’s Natalia and Christina Morris, Kalie Shorr, Southern Halo’s Hannah Morris, Savvy Shay Burhoe and Mandy Quinn Burhoe.
Sister trio Southern Halo (“Living Like That”) ran into artist Kalie Shorr (“Fight Like A Girl”) and country duo Savvy and Mandy (“Coming Back As A Cowboy”) at the Radio Disney Music Awards in Los Angeles this past weekend.
Pandora Sounds Like Country Concert Set For June 6 Nashville
/by Dan_StrassbergOn June 6, Pandora will kick off one of the biggest weeks in country music with Sounds Like Country, a live celebration in the heart of Nashville leading up to CMA Music Festival and the CMT Music Awards. The third annual concert, to be held at Nashville’s Marathon Music Works, will feature Jake Owen, Old Dominion, and RaeLynn.
On May 31, check out Pandora’s artist-curated Pandora Sounds Like Country mixtape. The station will refresh on June 14 to include live recorded tracks from the show.
“Pandora’s partnership with the country music community keeps getting better,” said Lars Murray, SVP Music Makers Group, Pandora. “Today’s country is the second-most played station on Pandora. We’re happy to bring Pandora Sounds Like Country back to Nashville for a third year. Jake Owen is in the 99th percentile of all artists in Pandora station adds and has more than 1.7 billion total spins on Pandora. It’s a treat to be working with RaeLynn for a second time, and to reunite Jake with his former tour mates – and fellow ACM winners – Old Dominion for Pandora listeners.”
Owen said, “I’m pumped to perform at the Pandora Sounds Like Country event in Nashville. CMA Fest is such a great week not only for country fans, but for us as entertainers. I love getting to know my fans and I know they listen to music on Pandora. It’s going to be an awesome night, and it will be good to see Old Dominion and RaeLynn– her song ‘Love Triangle’ absolutely floors me.”
Live Nation Offering $20 Concert Tickets As Part Of Summer Promotion
/by Jessica NicholsonAmong the concerts included in the promotion are Florida Georgia Line (with Nelly and Chris Lane), Brad Paisley (with Dustin Lynch, Chase Bryant and Lindsay Ell), Brantley Gilbert (with Tyler Farr and Luke Combs), Dierks Bentley (with Cole Swindell and Jon Pardi), Hank Williams Jr. with Lynyrd Skynyrd, Jason Aldean (with Chris Young and Kane Brown), John Mayer, Lady Antebellum (with Kelsea Ballerini and Brett Young), Lifehouse and Switchfoot, Luke Bryan (with Brett Eldredge), Sam Hunt (with Maren Morris and Chris Janson), and Zac Brown Band, among others.
The promotion launched with a concert at New York City’s Irving Plaza on May 1, which included performances from Aldean, Roots, Nelly, Daughtry and more.
For a full list of artists, please visit livenation.com/20ticket.