Grammy winner Rodney Crowell was in the middle of a music video shoot during a busy Friday evening on Nashville’s lower Broadway, when he was struck by the sheer number of fellow musicians he saw performing at the street’s numerous clubs and bars.
“I took a guess that there must be 150 musicians working on Broadway that night,” Crowell told MusicRow.
At last estimate, some 56,000 Nashvillians work in the city’s music industry, as producers, songwriters, recording artists, musicians, publishers, and more.
Seventy five percent, or approximately 42,500 of those people, are self-employed or part of a small business, without access to group medical health benefits. Many of the self-employed and small business owners struggle to provide health care insurance for their employees.
After that shoot, Crowell, a board member and advocate for nonprofit organization Music Health Alliance, teamed with MHA to hatch a plan to help his fellow musicians.
“I thought these are the musicians that might go to Music Health Alliance for the help they need with health insurance,” Crowell says. “I was also aware that a lot of people don’t know what MHA is and what it does. So I thought two things—we could raise awareness and we could also raise funding.”
Rather than go the usual route of a benefit concert, they have announced Heal The Music Day on Oct. 20. Proclaimed by Nashville mayor Megan Barry as such, Heal The Music Day will offer Nashville’s musicians and music companies the chance to support their own.
Musicians can donate five percent of that day’s show earnings to nonprofit organization Music Health Alliance, to help support the nonprofit organization. Crowell says he has been working with other music companies on creating alternative structures that allow them to participate in that day’s giving.
Crowell’s first call was to Keith Urban, who immediately agreed. From there, the list has only grown, with supporters including Chris and Morgane Stapleton, Dierks Bentley, Earls of Leicester, Emmylou Harris, Gary Allan, Gene Watson, Glen Templeton, Jerry Douglas, John Prine, Lee Brice, Marty Stuart, Mary Gauthier, Miranda Lambert, Peter Frampton, Rachael Hester, Rodney Crowell, Ronnie Dunn, Rosanne Cash, Sam Bush, Shawn Camp, T Bone Burnett, Vince Gill, Dualtone Records, Nashville Musicians Union, Nashville Songwriters Association International (NSAI), New Frontier Touring, Warner Chappell Music and Wiatr & Associates.

Rodney Crowell. Credit: Gregg Roth
“Usually with the overhead costs of putting on a concert, you are lucky if you are making 17 percent,” Crowell says. “With this, they don’t have to do anything that they aren’t already doing. We are working on some other formulas for publishers and others to contribute. But it was easy for me to sell to touring artists.”
Since its founding four years ago, Music Health Alliance has helped more than 5,600 music industry professionals solve medical coverage needs, and saved $16.5 million in healthcare resources. MHA has also become the clearinghouse for “all things medical” for MusiCares, the Gospel Music Trust Fund, ACM Lifting Lives and the Opry Trust Fund.
The organization’s services are free and available to anyone who has worked in the music industry for two or more years, or who has credited contributions to four commercially-released recordings or videos. Spouses, partners, and children of qualifying individuals may also receive access to MHA services.
Those services include assistance for those with healthcare difficulties including having no health insurance (individual or group coverage), newly diagnosed illnesses, those who cannot afford medication or have high medical bills, need help understanding health insurance policies, senior health concerns, Medicare preparation, those with a special needs family member and more.

Tatum Allsep. Credit: Ashley Hylbert
“I wish there wasn’t a need for such advocacy in our industry, because we believe healthcare is a human right, not just a privilege,” Music Health Alliance founder and Executive Director Tatum Allsep tells MusicRow. “Unfortunately, that’s not the way our system is structured,” says Allsep.
The need is only getting bigger.
According to the New York Times, the congressional budget office declared that the bill to dismantle the Affordable Care Act would leave 14 million more people uninsured next year than under the ACA, and 23 million more by 2026.
Allsep hopes instead to see changes made to the ACA to fix the portions causing hardship for many Americans, including those in the music industry.
“Music Health Alliance stays very apolitical,” Allsep stresses. “The Affordable Care Act is an immense blessing for so many people in the music industry so to completely repeal it would really hurt our industry. What we are really hoping is that they will reform the pieces that are not working, like high premiums for those that make 400 percent above the federal poverty level. For a family of four, that’s about $93,000. Paying $2,800 a month for insurance, that’s not affordable for anybody.”
Crowell knows well the struggle for small business owners who cannot provide health insurance to their employees. Crowell is one of them.
“I’m a touring artist, but I can’t afford to provide health insurance for the people who travel with me,” he says. “They go to Music Health Alliance. I would say three out of four touring artists couldn’t afford to provide healthcare for their employees.
“It’s a large workforce that needs help, and anyone that has been working in the industry for two years can walk through Music Health Alliance’s doors and they will help them find the insurance they need. They are constantly researching and they know where the government and state funding and medical funding is to help people take on enormous medical-related debt.”
Crowell first became acquainted with the work of Music Health Alliance while involved with a charity fundraiser with Vince Gill. When he learned of the work Music Health Alliance was doing for the music industry, he called Allsep directly.
“I said, ‘We are going to send over a check,’ and she was so appreciative. She said, ‘That’s going to cover our expenses for next month.’ I thought, ‘Wow, it is running really close to the edge, getting this off the ground.’ That’s why I wanted to do more for them.”
Nashville mayor Megan Barry who proclaimed the concert day as Heal The Music Day has joined the effort.
“It is my great pleasure to proclaim October 20th as Heal The Music Day in recognition of Music Health Alliance’s work to connect some of the 56,000 Nashvillians in the music industry with doctors, medicine, health insurance and financial assistance during times of illness,” said Nashville Mayor Megan Barry. “So many of our artists, entertainers, songwriters, musicians, and crew are self-employed and go without access to high-quality health insurance. Heal The Music Day is about giving back and showing we care about those who put the music in Music City.”
“Fame doesn’t equal fortune in our city at all,” Allsep sums. “It’s only a small percent of people that reach that level and most of the time, it’s not lasting. This work can help build an endowment that ensures that we are always able to provide to those in this industry that are in need.”
David Renzer Elevated To CEO At Spirit Music Group
/by Lorie HollabaughPhoto credit: Peter Bohler
David Renzer has been promoted to Chairman/CEO of Spirit Music Group. Renzer was previously Chairman of the company, which is currently enjoying the global success of the No. 1 Ed Sheeran album, with eight songs co-written by Spirit- B Unique/Polar writer Johnny McDaid. Other recent successes include cuts on albums by Rag N Bone Man, Chris Stapleton, and various No. 1 country singles, among many others.
As Chairman of Spirit, Renzer has spearheaded the expansion of the company’s global activities through a variety of acquisitions, including the establishment of its successful Spirit Music Nashville office, the establishment of UK company Spirit/B-Unique Music, as well as new divisions including Spirit Music Latino and Spirit Production Music/Spirit Music Collective.
In his position, Renzer will continue to oversee the independent publisher’s global activities, expansion plans, and its 75,000 song catalog spanning seven decades across every musical genre. Renzer will work closely with the company’s financial partners, strengthen the company’s global platform, grow the catalog, expand A&R outreach, and along with his team at Spirit develop and implement the company’s strategic objectives.
“Spirit has been one of the fastest-growing independent music publishing companies and I’m thrilled with the progress that we have made and am proud of the team that we have built. We are also excited about the future of our company as we continue our ambitious growth. Spirit is truly a great home for songwriters, composers, and artists and an innovative home equipped to manage all music rights. A special thank you to our Board and financial partners for believing in our vision,” said Renzer.
Prior to joining Spirit, Renzer was Chairman/CEO of Universal Music Publishing Group, where he was responsible for overseeing the activities of the company’s 57 offices in 47 countries. Under his leadership, Universal Music Publishing Group grew through signings and catalogue acquisitions, including the BMG Music Publishing, Zomba, Polygram, and Rondor catalogues. UMPG also became the global leader in the areas of Production Music, Christian, and Classical Music.
Renzer was recently re-elected to serve on the board of the National Music Publishers Association, and also serves on board of the Foundation for Ethnic Understanding, and co-founded the Creative Community for Peace. He has also served as the Chairman of the Music and Entertainment Division of the City of Hope, and founded Songs of Hope, raising over $3 million for the City of Hope. He is based out of both Spirit’s New York and Los Angeles offices.
Scott Stachelski Promoted At Sony Music Nashville
/by Jessica NicholsonScott Stachelski
Scott Stachelski has been promoted to VP, Finance at Sony Music Nashville.
Sony Music Nashville COO Ken Robold says, “Scott’s 21 years of experience in the record business combined with his in-depth knowledge of label finance and dedication to his career makes him an obvious choice for advancement. I’m proud to promote Scott to Vice President of Finance for Sony Music Nashville.”
“I would like to thank Ken Robold for his confidence in me and I look forward to his continued guidance,” responds Scott Stachelski. “I am eager to continue taking on the challenges of our evolving industry, and, as a member of the Sony Music Nashville team under the leadership of Randy Goodman, striving to achieve even greater success for our artists and label group.”
Stachelski, joined the label group in 2006 as Director of Finance, will continue to oversee the finance department and Sony Music Nashville’s day to day financial operations, including internal and external reporting, deal analysis, forecasting, budgeting and analysis.
A Clark, New Jersey native, Stachelski is a graduate of Pace University – Lubin School of Business with a BBA in Public Accounting and a CPA. Prior to moving to Nashville and joining the Sony Music Nashville team, he was Director of Financial Reporting for Sony BMG Entertainment, Senior Internal Auditor for BMG Entertainment and began his career in Public Accounting.
Bobby Karl Works The Room: Shania Twain’s ‘Rock This Country’ Exhibit Opens
/by Bobby KarlSinger-songwriter Shania Twain speaks onstage for her exhibit opening at Country Music Hall of Fame and Museum on June 27, 2017 in Nashville, Tennessee. Photo: Rick Diamond/Getty Images for Country Music Hall of Fame and Museum
Chapter 569
What are the odds?
That seemed to be the theme at the grand opening of the exhibit “Shania Twain: Rock This Country” at the Country Music Hall of Fame on Tuesday evening (June 27). Both museum chief Kyle Young and Shania Twain, herself, were at a loss to explain how a poor, orphaned girl from a remote mining village in Canada became the largest-selling female artist in country music history and one of the 10 best-selling recording artists of all time.
“However in the hell I got here, thank you,” said Shania. “All we can do is marvel,” said Kyle. “Shania’s story is now part of the country music story.”
Both were speaking at a lovely, celebratory cocktail supper staged in the museum’s Rotunda. Kyle reminded the crowd of Shania’s lowly roots and that she now has two of the 10 best-selling albums in the history of country music. She is also the first artist in history with three consecutive RIAA Diamond albums, as the exhibit reminds us.
“I want to begin by thanking Kyle Young — that introduction was very moving and touching,” said Shania. “I’m a little overwhelmed, but very moved. The exhibit walked me through not just my career, but my life. Thank you for representing me so beautifully.
“My beginnings were very difficult. But they prepared me to stand on my own. I had no one to fall back on. All I had was the future.
NASHVILLE, TN – JUNE 27: Shania Twain (L) and CEO of Country Music Hall of Fame and Museum Kyle Young (R) view Shania Twain’s exhibit opening at Country Music Hall of Fame and Museum on June 27, 2017 in Nashville, Tennessee. (Photo by Rick Diamond/Getty Images for Country Music Hall of Fame and Museum)
“I’m so broken hearted to have lost Norro Wilson. He stepped in, much like a parent, when I first came to Nashville and looked out for me and really cared.
“When I first moved to Nashville, I was a little different. I swore a lot — ‘f’ this and ‘f’ that. I spoke like a lumberjack. I had to curb that. I had to prepare myself for what was to come.”
She stressed that her strength and independence allowed her to prosper. With producer and ex-husband Mutt Lange by her side, she became an international superstar. When he left, she was alone again.
“Then I had to reacquaint myself with independence again,” she recalled, “making my own way in life. I also reacquainted myself with my largest group of supporters, the fans. Now I see them as a lifeline and as people I understand.”
She spoke of her upcoming comeback album, saying that it makes no apologies and that it deals with her present as well as with her past, good or bad.
“I’m who I am,” said Shania. “I’m standing here, and I’m grateful. For now, I choose to live in the moment.”
NASHVILLE, TN – JUNE 27: Kelsea Ballerini (L) and Shania Twain (R) view her exhibit opening at Country Music Hall of Fame and Museum on June 27, 2017 in Nashville, Tennessee. (Photo by Rick Diamond/Getty Images for Country Music Hall of Fame and Museum)
Leading the enthusiastic applause for the Queen of Country Pop was Kelsea Ballerini, attending as a major Shania fan. So were David Briggs, John Briggs, Jimmy Carter, Tim Wipperman, Tom Roland, Bob Doerschuk, Rob Simbeck, Seab Tuck, Sarah Trahern, Phil Ponder, Jensen Sussman, Leslie Fram, Earle Simmons, Stacy Schlitz, Royce Risser, Fletcher Foster and Charlie Chase.
Charlie Monk was making one of his first public forays in the wake of quintuple heart bypass surgery two months ago. “Is there anything here a sick man can eat?” he asked. “Are you sick?” I replied. “You look fine to me.” And he did.
In fact, the food was fabulous. There for your cocktail-dining pleasure were Siracha deviled eggs, mini pressed Cuban sandwiches, summer-sausage cubes, steamed kale and veggie Oriental dumplings, white-bean salad, Bloody-Mary shrimp, spinach and artichoke stuffed braised mushroom caps, cheeses, cured meats, blackberries, pickled veggies and crackers with pimento cheese and/or hummus spreads.
The buffet line stayed busy.
After snacking and yakking, we headed up to the exhibit on the third floor. It is a dazzling display of photos, costumes, artifacts and awards.
“How on earth? What are the odds?” marveled Kyle Young. “The odds are one in 7.5 billion. I think that’s how many people there are on earth today. Only one of them has become Shania Twain.”
Grammy Awards Returning To Los Angeles In 2019
/by Jessica NicholsonThe Recording Academy has inked a four-year agreement with AEG for Los Angeles’ Staples Center to host the Grammy telecast when the show returns to Los Angeles in 2019 following its 60th anniversary celebration in New York this coming January.
“We very much consider Staples Center our home and are grateful for the successful relationship we’ve cultivated throughout the years with AEG and the entire Staples Center team,” said Recording Academy President/CEO Neil Portnow. “We look forward to continuing this relationship and bringing the Grammys back to the Entertainment Capital of the World.”
The Grammy Awards have been held at the Los Angeles Staples Center for 17 out of the last 18 years. Additionally, AEG has been home to the Grammy Museum at L.A. Live since 2008.
“We are thrilled that Staples Center will continue to be home to the Grammy Awards,” said AEG President & CEO Dan Beckerman. “We have always enjoyed a strong relationship with the Recording Academy and have a tremendous amount of respect for Neil Portnow, who has always been a collaborative partner to AEG. We look forward to welcoming back the Grammys when they return to Los Angeles in 2019.”
“Staples Center has been the home of not only Music’s Biggest Night, but the most important nights in music since we first opened,” said Lee Zeidman, President of Staples Center and L.A. LIVE. “We designed many aspects of Staples Center in partnership with the Recording Academy and look forward to extending this important relationship for years to come.”
CBS will continue to broadcast the show live on both coasts and the 2019 show will mark the 47th consecutive year the network has broadcast the Grammy Awards. CBS has a commitment to broadcast the show through 2026.
Three Hounds Music Opens Nashville Office
/by Jessica NicholsonHouston-based entrepreneur, musician and music publisher Tom Harrison joined forces with Tyler Bell, an artist/writer manager, publisher and audio engineer, and Bobby Terry, a studio and live musician, songwriter and producer, to form Three Hounds Music.
The Three Hounds family includes songwriters David Tolliver (Tim McGraw, Jerrod Neiman, Brantley Gilbert) of duo Halfway To Hazard, Sarah Beth Terry, Chris Cavanaugh (Kip Moore, Lonestar, Steve Holy) and Kevin Brandt (Montgomery Gentry, Travis Tritt, Randy Travis) in addition to Bobby Terry (Faith Hill, Trace Adkins, Gretchen Wilson) and new Americana duo Fleener.
8th Annual ACM Lifting Lives Music Camp Welcomes Dierks Bentley, Bobby Bones, Jerrod Niemann And More
/by Jessica NicholsonPhoto #1 L-R: Stuart Dill, Vanderbilt University Medical Center Entertainment Liaison; Lorie Lytle, ACM Lifting Lives Music Camp founder; Dierks Bentley; Tiffany Moon, EVP/Managing Director, Academy of Country Music; Ross Copperman, ACM Award winning songwriter/producer and ACM Lifting Lives Board Member; Elizabeth Roof, Vanderbilt Kennedy Center, Senior Research Specialist. Photo #2 L-R: Beth Moore, ACM Lifting Lives Board Member and Director of Community Development, VUMC; Tiffany Moon, EVP/Managing Director, Academy of Country Music; Bobby Bones, Nationally Syndicated On-Air Personality and ACM Board Member; Mamie Shepherd, Manager of Seacrest Studios at Monroe Carell Jr. Children’s Hospital at Vanderbilt; Melita Rippy, Entertainment Industry Relations, VUMC
The 8th Annual ACM Lifting Lives® Music Camp took place in Nashville last week, with campers from around the country participating in a week of activities and excursions around Music City. The residential camp has the dual purpose of studying Williams syndrome while providing music enrichment through performance and education.
Two-time ACM Awards co-host Dierks Bentley and renowned songwriter/producer Ross Copperman lead campers in a songwriting session, creating “I Love Big,” an original song based on campers’ personal experiences and inspirations.
On Friday, Nationally Syndicated On-Air Personality Bobby Bones dropped by the Seacrest Studios to spend time with the campers and participated in a Q&A on-air for the Monroe Carell Jr. Children’s Hospital at Vanderbilt.
On Sunday, platinum selling recording artist Jerrod Niemann dropped by and participated in a karaoke event at Winner’s Bar & Grill with the campers and performed some of his hits.
Moved by a sweet dedication of Niemann’s smash hit “What Do You Want,” he shocked a camper by joining in on an ovation-worthy duet.
The camp is a partnership between ACM Lifting Lives and Vanderbilt Kennedy Center for Excellence in Developmental Disabilities.
Photo #3 L-R: Jerrod Niemann with ACM Lifting Lives Music Campers
South African Rockers Seether Sign With UTA
/by Lorie HollabaughPhoto credit: Marina Chavez
South African rock band Seether has signed with United Talent Agency for worldwide representation. Seether has released seven studio albums since moving to the U.S. in 2002. Poison the Parish, the group’s newest release, was released on May 12 on Canine Riot Records (via Concord Music Group).
The band now resides in the U.S., with Seether singer/songwriter and guitarist Shaun Morgan residing in Nashville.
Morgan produced the album (the first he’s produced in its entirety), alongside engineer and mixer Matt Hyde at Nashville’s Blackbird Studio. Poison the Parish’s single, “Let You Down,” topped the Mediabase active rock airplay chart for three weeks at No. 1.
Seether is managed by Danny Nozell, Steve Ross, and Kyle McClain at CTK Management.
Nashville’s Ryman Auditorium And Bridgestone Arena Among ACM Industry Award Winners
/by Lorie HollabaughINDUSTRY AWARD WINNERS:
Industry Ink: Sam Hunt, T.J. Martell, Love This Town II Benefit, Still Working Music, BMI
/by Lorie HollabaughSam Hunt’s ‘Back Road’ Paved With Platinum
Photo Credit: CMA / John Russell
Sam Hunt’s “Body Like A Back Road” has been certified double platinum by the RIAA. The smash raced to the top of the charts in just 12 weeks, and is currently climbing pop radio’s Top 15. “Body Like A Back Road” is also on a 20-week streak at No. 1 on the Billboard Hot Country Songs chart, the longest command for a song by a solo male ever on the nearly 59-year-old chart. The song is the No. 1 most-downloaded country song of 2017 so far, the No. 3 most-downloaded song across all genres year-to-date, the fastest country song in history to reach 100M total streams (10 weeks) and with over 212M total streams is the Top Streaming Country Song of 2017. Hunt’s monumental 2014 debut album, Montevallo, is now also RIAA–certified Triple Platinum.
T.J. Martell And Chic Awearness Raise Funds For Cancer Research
Pictured (L-R): Laura Heatherly (TJM), Dennis Clark (Elan Salon), Marci Houff (Chic Awearness), Dr. Ronald Alvarez (VICC), and Dr. Kevin Osteen (VICC). Photo Credit: Callie Edwards
The T.J. Martell Foundation and Chic Awearness raised $96,000 for Vanderbilt-Ingram Cancer Center to benefit ovarian cancer research. The Chic Awearness event was created to improve survival from ovarian cancer through awareness, education and research. Founded by ovarian cancer survivor Marci Houff, Chic Awearness features fine food, signature cocktails and a fashion show. The 5th Annual Chic Awearness event will take place on Sept. 25, 2017 at Prima. Tickets are available online at chicawearness.org and at the door, depending on availability.
Lionel Cartwright’s Love This Town II Benefit Set For Sunday
Alana Springsteen Aligns With BMI
Pictured: (Top Row): Jason Fridenstine (FBMM), Leslie Roberts (BMI), Jody
Williams (BMI), Alex Orbison (Still Working Music); (Seated) Chelsea Kent (Still
Working Music), Alana Springsteen, Tiffany Dunn (Loeb & Loeb)
Newly-signed BMI songwriter Alana Springsteen stopped by the company’s Nashville office to celebrate June 12. Springsteen is signed to Still Working Music for publishing, and recently played on the Radio Disney Country stage at CMA Fest.
Nashville’s Music Community To Align For ‘Heal The Music Day’ Oct. 20
/by Jessica Nicholson“I took a guess that there must be 150 musicians working on Broadway that night,” Crowell told MusicRow.
At last estimate, some 56,000 Nashvillians work in the city’s music industry, as producers, songwriters, recording artists, musicians, publishers, and more.
Seventy five percent, or approximately 42,500 of those people, are self-employed or part of a small business, without access to group medical health benefits. Many of the self-employed and small business owners struggle to provide health care insurance for their employees.
After that shoot, Crowell, a board member and advocate for nonprofit organization Music Health Alliance, teamed with MHA to hatch a plan to help his fellow musicians.
“I thought these are the musicians that might go to Music Health Alliance for the help they need with health insurance,” Crowell says. “I was also aware that a lot of people don’t know what MHA is and what it does. So I thought two things—we could raise awareness and we could also raise funding.”
Rather than go the usual route of a benefit concert, they have announced Heal The Music Day on Oct. 20. Proclaimed by Nashville mayor Megan Barry as such, Heal The Music Day will offer Nashville’s musicians and music companies the chance to support their own.
Musicians can donate five percent of that day’s show earnings to nonprofit organization Music Health Alliance, to help support the nonprofit organization. Crowell says he has been working with other music companies on creating alternative structures that allow them to participate in that day’s giving.
Crowell’s first call was to Keith Urban, who immediately agreed. From there, the list has only grown, with supporters including Chris and Morgane Stapleton, Dierks Bentley, Earls of Leicester, Emmylou Harris, Gary Allan, Gene Watson, Glen Templeton, Jerry Douglas, John Prine, Lee Brice, Marty Stuart, Mary Gauthier, Miranda Lambert, Peter Frampton, Rachael Hester, Rodney Crowell, Ronnie Dunn, Rosanne Cash, Sam Bush, Shawn Camp, T Bone Burnett, Vince Gill, Dualtone Records, Nashville Musicians Union, Nashville Songwriters Association International (NSAI), New Frontier Touring, Warner Chappell Music and Wiatr & Associates.
Rodney Crowell. Credit: Gregg Roth
“Usually with the overhead costs of putting on a concert, you are lucky if you are making 17 percent,” Crowell says. “With this, they don’t have to do anything that they aren’t already doing. We are working on some other formulas for publishers and others to contribute. But it was easy for me to sell to touring artists.”
Since its founding four years ago, Music Health Alliance has helped more than 5,600 music industry professionals solve medical coverage needs, and saved $16.5 million in healthcare resources. MHA has also become the clearinghouse for “all things medical” for MusiCares, the Gospel Music Trust Fund, ACM Lifting Lives and the Opry Trust Fund.
The organization’s services are free and available to anyone who has worked in the music industry for two or more years, or who has credited contributions to four commercially-released recordings or videos. Spouses, partners, and children of qualifying individuals may also receive access to MHA services.
Those services include assistance for those with healthcare difficulties including having no health insurance (individual or group coverage), newly diagnosed illnesses, those who cannot afford medication or have high medical bills, need help understanding health insurance policies, senior health concerns, Medicare preparation, those with a special needs family member and more.
Tatum Allsep. Credit: Ashley Hylbert
“I wish there wasn’t a need for such advocacy in our industry, because we believe healthcare is a human right, not just a privilege,” Music Health Alliance founder and Executive Director Tatum Allsep tells MusicRow. “Unfortunately, that’s not the way our system is structured,” says Allsep.
The need is only getting bigger.
According to the New York Times, the congressional budget office declared that the bill to dismantle the Affordable Care Act would leave 14 million more people uninsured next year than under the ACA, and 23 million more by 2026.
Allsep hopes instead to see changes made to the ACA to fix the portions causing hardship for many Americans, including those in the music industry.
“Music Health Alliance stays very apolitical,” Allsep stresses. “The Affordable Care Act is an immense blessing for so many people in the music industry so to completely repeal it would really hurt our industry. What we are really hoping is that they will reform the pieces that are not working, like high premiums for those that make 400 percent above the federal poverty level. For a family of four, that’s about $93,000. Paying $2,800 a month for insurance, that’s not affordable for anybody.”
Crowell knows well the struggle for small business owners who cannot provide health insurance to their employees. Crowell is one of them.
“I’m a touring artist, but I can’t afford to provide health insurance for the people who travel with me,” he says. “They go to Music Health Alliance. I would say three out of four touring artists couldn’t afford to provide healthcare for their employees.
“It’s a large workforce that needs help, and anyone that has been working in the industry for two years can walk through Music Health Alliance’s doors and they will help them find the insurance they need. They are constantly researching and they know where the government and state funding and medical funding is to help people take on enormous medical-related debt.”
Crowell first became acquainted with the work of Music Health Alliance while involved with a charity fundraiser with Vince Gill. When he learned of the work Music Health Alliance was doing for the music industry, he called Allsep directly.
“I said, ‘We are going to send over a check,’ and she was so appreciative. She said, ‘That’s going to cover our expenses for next month.’ I thought, ‘Wow, it is running really close to the edge, getting this off the ground.’ That’s why I wanted to do more for them.”
Nashville mayor Megan Barry who proclaimed the concert day as Heal The Music Day has joined the effort.
“It is my great pleasure to proclaim October 20th as Heal The Music Day in recognition of Music Health Alliance’s work to connect some of the 56,000 Nashvillians in the music industry with doctors, medicine, health insurance and financial assistance during times of illness,” said Nashville Mayor Megan Barry. “So many of our artists, entertainers, songwriters, musicians, and crew are self-employed and go without access to high-quality health insurance. Heal The Music Day is about giving back and showing we care about those who put the music in Music City.”
“Fame doesn’t equal fortune in our city at all,” Allsep sums. “It’s only a small percent of people that reach that level and most of the time, it’s not lasting. This work can help build an endowment that ensures that we are always able to provide to those in this industry that are in need.”