MusicRow held it’s 29th annual MusicRow Awards on Wednesday (June 28). The event was hosted for the first time by SESAC and held in the CMA event space. Anderson Benson partnered with MusicRow again this year to sponsor the event.

The awards honored eleven All-Star Musicians who played on the most Billboard Top 10 album credits over the past 12 months in addition to the reader-voted Breakthrough Artist, Artist-Writer and Songwriter, and Producer and Song of the Year.

For a full overview of the event, read Bobby Karl’s recap here.

Kathy Anderson‘s Anderson Design Group has influenced Nashville music industry interiors for 30 years. MusicRow profiled Anderson in the 2017 MusicRow Awards print issue.

In this bonus web piece, MusicRow highlights some of her work, spread from Carrie Underwood (The HQ management offices and nursery), Kix Brooks (Cumulus office, Arrington Vineyards), Pam Tillis, Josh Turner, Steve Wariner, Reba, Vince Gill, Dierks Bentley and Deana Carter, The Green Hills YMCA, Arrington Vineyards, Eastland Café, Famous Saloon, Sinema restaurant and a handful of Opryland suites, the Grand Ole Opry’s 2010 restoration of the backstage and dressing rooms.

In addition her work extended to several homes, record companies and publishing companies for Tony Brown and many label headquarters from the 1990s, including MCA Records, Arista Records, Polydor Records.

Her most current work includes Alan Jackson’s AJ’s Good Time Bar, Blake Shelton’s Ole Red bar, Gavin DeGraw and his brother Joey’s Nashville Underground, a new restaurant in Printers Alley called Black Rabbit, offices for ole publishing, and remodeling Starstruck Entertainment and the RCA Studio A complex.

Pick up a copy of the MusicRow Awards print issue to read the full feature and how the DCR helps entertainment companies monetize their archived media. Or subscribe to MusicRow to receive your complementary issue.

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Opry Backstage and Dressing Rooms

Porter/Dolly Opryland Suite

Sinema Nashville

Arrington Vineyards

AJ’s Good Time Bar

Inside a gorgeous new building on Music Row, SESAC continues to champion its songwriters by sharing professional experience, words of encouragement, and an enthusiastic attitude to its incredible roster of talent. Some of the newest signings to SESAC are award-winning songwriters Lee Brice, Rosanne Cash and Jamey Johnson.

As two of the most visible members of the Nashville music industry, Kelli Turner, who has led some of the company’s most important licensing negotiations, and Dennis Lord, who is a fierce advocate for the rights of songwriters and intellectual property, provide leadership within the organization and throughout the community.

Turner heads up the Nashville office, overseeing a staff of 105 in a strikingly modern, nearly 39,000-square-foot space. In her role as Executive Vice President, Operations, Corporate Development and Chief Financial Officer, Turner monitors a multitude of departments with an indispensable eye for detail. She has been recognized as one of the leading women in the industry by Billboard and T.J. Martell Foundation. Turner joined SESAC in 2014.

Lord is SESAC’s Executive Vice President of Creative & Business Affairs. He leads the Creative Services team, which is responsible for the recruitment and signing of songwriters. This year marks his 20th anniversary with the company. With his guidance, SESAC has significantly expanded its representation of successful songwriters and composers. His signings include Zac Brown, the Kurt Cobain estate, Randy Newman, R.E.M., Adele and many others.

Lord has been a fixture in the Nashville music industry since the 1980s, when he wrote Travis Tritt’s breakout hit, “Country Club.” For two decades, he has set the tone for SESAC’s outstanding relationship with songwriters, and remains highly regarded within the community.

Sam Kling—SESAC’s Senior Vice President, Creative Operations—is responsible for helping create and execute growth strategies for SESAC’s creative departments. He also manages the creative operations’ day-to-day objectives. Kling is based in SESAC’s Los Angeles office, yet travels to Nashville frequently to immerse himself in the city’s unique musical culture.

Also on the creative team is Shannan Hatch, Vice President, Creative Services. Always striving to help songwriters reach the next level, she manages the Nashville-based Creative Services team. Her strong relationship with the Nashville songwriting and publishing community has resulted in significant and strategic growth for the SESAC roster. In 2014, she received the elite recognition as one of MusicRow’s Rising Women on the Row. Following a career in publicity, Hatch joined SESAC in 2002.

ET Brown, Lydia Schultz, and Cristina Wheeler – who each hold the title of Manager – are vital members of SESAC’s Creative Services team by being knowledgeable in all areas of the songwriting field, from royalty statements to new legislation affecting songwriters’ rights. Because they interact with songwriters every day, their optimism and integrity are essential to the team’s overall success.

SESAC Nashville representatives stay actively involved in the careers of their songwriters, whether they’re keeping tabs on a newcomer, introducing new revenue streams, or presenting trophies for writing the year’s biggest hits. In fact, the SESAC Nashville Awards traditionally kick off the industry’s award season each fall, honoring the year’s most prominent country and Americana titles.

In Nashville and beyond, SESAC is a cornerstone of the music industry. On behalf of the most progressive performing rights organization in the U.S., Dennis Lord and the Creative Services team regularly seek out the top industry gatherings in Nashville to ensure that SESAC remains at the forefront of the community. At every level, from the writing room to the arena stage, their dedication to songwriters is undeniable.

The MusicRow awards issue also features the winners of MusicRow‘s 29th annual MusicRow Awards, which was held Wednesday, June 29 at SESAC and sponsored by Anderson Benson insurance in the CMA event space.

Inside the print issue are exclusive articles with producer busbee and his work with Lady Antebellum’s latest Capitol Nashville project, Heart Break. The Entertainment Services Division of storage facility Iron Mountain is examined in a spread with the billion dollar company’s Sr. Vice President Jeff Anthony and Nashville-based project manager Barry Cardinael. Additional edit includes G Major Management’s Virginia Davis and the work she has done with Big Machine Label Group’s Danielle Bradbery and headliner Thomas Rhett. Kathy Anderson of Nashville’s Anderson Design Studio additionally talks interior design for projects including RCA Studio A, Grand Ole Opry, Blake Shelton’s Ole Red bar, Alan Jackson’s AJ’s Good Time Bar, Gavin and Joey DeGraw’s Nashville Underground, among other projects for Carrie Underwood, Dierks Bentley, Reba and Vince Gill. Law firm Milom Horsnell Crow Rose Kelley detail the legal hangups with copyright infringement actions in the magazine’s concluding piece.

Single copies of the MusicRow Awards issue are available for purchase at musicrow.com and included with yearly subscriptions at no additional cost.

Photo: Gomez Photography

Following the news that CMT’s Brian Philips will be stepping down, CMT has named Frank Tanki as General Manager of the brand, expanding his current role as General Manager of TV Land to include oversight of both iconic brands. He will work from both New York and Nashville offices.

A 12-year veteran of Viacom, most recently as the EVP of marketing and creative for Spike TV, Tanki will be responsible for the day-to-day operations at CMT, including Programming, Marketing & Creative and Communications, and will work closely with CMT’s development team to set the overall strategy for the brand. He will continue to report directly to Kevin Kay, President of Spike (soon to be Paramount Network), TV Land and CMT.

In his new role, Tanki will be supported by CMT’s executive team, including Suzanne Norman (SVP of Programming & Operations), Anthony Barton (SVP of Consumer Marketing and Creative), Kurt Patat (SVP of Corporate Communications) and Margaret Comeaux (VP of Production – Music & Events).

Leslie Fram (SVP Music Strategy & Talent) will report to Tanki and Bruce Gillmer, the Head of Music and Music Talent for the Global Entertainment Group.

To centralize development, Jayson Dinsmore (EVP of Development & Production) will now report to Keith Cox, President of Production & Development for the Paramount Network and TV Land.

“I am honored and thrilled to be joining the CMT family,” Tanki said in an internal memo obtained by MusicRow. “I’m a longtime fan of the channel and thoroughly impressed by all the incredible work you’ve done, especially in the last year…Our goal will be to continue CMT’s upward trajectory to further extend the power of our palpable voice. Working together, we’ll develop new opportunities that tap the combined reach of both CMT and TV Land like never before. The opportunities are endless and each of you will play a critical role in our success.”

In the memo, Tanki also thanked Philips for his accomplishments and leadership at CMT.

“Brian has led the brand to an ambitious resurgence; setting a high-bar excellence that I will strive to hit. He has kindly agreed to join me and the senior team as we begin the transition process.  And I want to thank him for that commitment.”

“CMT is one of the most distinct brands in all of media and Frank is the perfect leader to guide the team to new summits of success,” said Kevin Kay, President of Spike, TV Land and CMT. “I am confident that Frank will apply the same ingenuity that has been the hallmark of his career at Viacom to ensure that CMT continues to thrive, while keeping the network true to its brand.”