Music Health Alliance Upcoming Events
Music Health Alliance has announced two events for October, including Breast Fest 2017 on Oct. 24 and the What The Health Workshop on Oct. 26. All Music Health Alliance services and advocacy, including these two events, are completely free to members of the music community. Additional information is below and links to both events can be found here.
Event: Breast Fest 2017
Date: Tuesday, October 24
Time: 10 a.m. – 3 p.m.
Location: Music Health Alliance, 2021 Richard Jones Rd, Suite 160, Nashville, TN 37215
Description: Music Health Alliance and Saint Thomas Health’s Mobile Mammogram Unit will offer free mammograms to any female in the music industry with or without insurance. Over age 40 and at least one year since last mammogram. 36-40 if you have a family history of mother or sister with breast cancer in their 30s. Call (615) 200-6861 to schedule your appointment now.
Event: “What The Health” Workshop
Date: Thursday, October 26
Time: 1-3 p.m.
Location: MusiCares, 1904 Wedgewood Ave., Nashville, Tennessee 37212
Description: Worried about your insurance options for 2018? Well, “What The Health?” Join the Music Health Alliance staff as they explain your health insurance options for next year. Open Enrollment is only 45 DAYS this year (November 1-December 15). This will be your one chance to ask questions, get the steps to enroll yourself, or schedule an appointment with an MHA Advocate to walk you through the process. RSVP to Music Health Alliance at (615) 200-6896.
For those who cannot attend, the session will be live streamed at Music Health Alliance’s Facebook page.
Sandra Lynn Signs with The Kinkead Entertainment Agency

Pictured (L-R): Greg Scott (Kinkead Entertainment Agency), Julie Devereux (Kinkead Entertainment Agency), Christy Walker-Watkins (AristoMedia), Matt Watkins (AristoMedia), Heather Campbell (Vaden Group), Cheri Cranford (AristoMedia), Sandra Lynn, Cole Johnstone (Manager/Johnstone Entertainment), and Bob Kinkead (Kinkead Entertainment Agency). Photo: Chuck Arlund
Country recording artist Sandra Lynn has signed with The Kinkead Entertainment Agency for booking representation. Lynn has also enlisted Johnstone Entertainment for artist management, AristoPR/AristoMedia for public relations and video promotion and Vaden Group for business management.
Lynn said, “I’m so thrilled to be working with such an amazing team, and can’t wait for all that lies ahead with this new music.”
Drew Blakeley Announced as VP of 117 Management

Drew Blakeley
Following the recent announcement of 117 Management, President & CEO Zach Farnum is proud to announce that leading the management division will be artist manager Drew Blakeley.
Blakeley began his career in the country music industry nearly 10 years ago and comes to 117 after a departure from Conway Entertainment Group, where he spent the last three years on management teams for Lorrie Morgan, LOCASH, Randy Travis, Alabama and more.
117 Publicity, headed by VP Bev Moser, represents a wide array of artists including Chuck Negron, Jerry Lee Lewis, Lewis Brice, Logan Mize, Paul Bogart, Max T. Barnes, Scooter Brown Band, Darren Bessette Band, Nashville Association of Talent Directors as well as Bobby Bare.
Blakeley can be reached at drew@117group.com and 615-997-0100 x703.
2017 Production Music Conference Concludes with Record Attendance

Pictured (L-R): PMA Executive Director Morgan McKnight, journalist Jon Burlingame, film composer Mychael Danna, and Konsonant Music composer Andrew Gross.
The Production Music Association (PMA), the leading advocate and voice of the global production music community, recently concluded its 2017 Production Music Conference which drew over 600 attendees from all areas of the music industry. The event was held Oct. 4-6 at the Hollywood Loews Hotel.
Conference attendees enjoyed the third annual Mark Awards event on Oct. 4, as well as keynote speeches from David Israelite, president and CEO of NMPA, and film composer Mychael Danna. A total of sixteen unique industry panels were presented during the three-day conference, including “Production Music is the Record Industry,” “How Big Data Can Double Your Income,” “Writing a Production Music Hit,” and “Trailerizing Your Music.”
Three renowned music industry executives were honored at this year’s Mark Awards: Romano Di Bari of Italy’s Flipper Music received the “Hall of Fame Award,” Alison Smith of BMI received the “Ambassador Award,” and Dr. Lynne Lummel, formerly with ASCAP, received the “Visionary Award.”
Adam Taylor, chairman of the PMA and president of APM Music said, “We were delighted with the turnout for this year’s conference. Our panelists and guest speakers were top notch and presented not only compelling and intriguing topics, but also offered practical advice to our members as to where the future of our production music industry is heading, and the hurdles we all must face together as we move further into the digital age.”
Garth Brooks, Co-Writers Swap Stories Behind The Songs In Secret Bluebird Show
/by Jessica NicholsonPhoto: Ben Krebs
Kent Blazy called Nashville’s The Bluebird Café “a place of magic and miracles” as he joined superstar Garth Brooks, Victoria Shaw, Pat Alger and Tony Arata Tuesday night for an exclusive, secret writers’ round at the tiny, 90-seat music club where Brooks was discovered nearly 30 years ago.
The writers’ round celebrated the Nov. 14 release of the first volume in Brooks’ upcoming five-part, multi-media anthology. Part I: The First Five Years chronicles Brooks’ ascent to stardom, as he released his first five albums for Capitol Nashville from 1989-1993.
For approximately and hour-and-a-half at The Bluebird, Brooks and his fellow songwriters swapped stories behind several of Brooks’ songs, both hits and album tracks, along with acoustic renditions.
Blazy recalled first meeting Brooks for a co-write at the request of Bob Doyle. The resulting song, titled “If Tomorrow Never Comes,” would appear on Brooks’ debut 1989 album, making it Blazy’s first cut after moving to Nashville—as well as the first No. 1 hit for both Blazy and Brooks.
Arata had a similar tale with another hit from the same album, “The Dance,” which would become his first cut and first No. 1 song. Later in the set, Arata recalled being bullied as a young boy, and how a song he wrote about the experience, “Face to Face,” wound up on Brooks’ The Chase album.
“There’s many forms of revenge,” Arata quipped.
Shaw performed “She’s Every Woman,” and recalled co-writing “The River” with Brooks in a house in East Nashville. Shaw took the lead during a performance of “The River,” with Brooks chiming in on the bridge.
“I tried to talk him out of using the word ‘vessel,’” said Shaw.
“But try singing it with the word ‘boat,’” Brooks shot back.
Alger reminisced about penning the then-controversial Brooks classic, “The Thunder Rolls.”
“I had an office in the basement, no windows, kind of like a dungeon,” Alger said. “But when I wrote with Garth, Allen Reynolds would let us write upstairs.”
Alger, who in addition to co-writing, also played guitar on the track, noted that Brooks had listened to Kathy Mattea’s “Like A Hurricane,” and found inspiration for a cheating tune from the line But in my heart there’s a thunder rolling/storm of love that was untrue.
Alger and Brooks recalled that the song’s famous “third verse” was crafted after taking advice from Jerry Crutchfield. “He said, ‘Get back on that song. Somebody needs to die,’” recalls Brooks. “And we wrote the third verse. Now everybody asks for the third verse.”
Alger took the lead on “The Thunder Rolls” during the writers’ round, offering both vocals and elegant guitar work. He also contributed “What She’s Doing Now.”
Multiple times throught the evening, all the writers paid tribute to their late co-writer, Kim Williams.
“There will always be an empty seat here for Kim Williams,” Brooks said. Blazy and Brooks performed songs co-written with Williams, including “What Never Happened (Is What I’ll Never Forget),” “Cold Shoulder,” from Brooks’ Ropin’ The Wind album, and invited the crowd to sing along with the Brooks classic “Ain’t Goin’ Down (Til The Sun Comes Up),” all done acoustically.
“That might be the slowest you’ve done that one,” Blazy said.
Brooks concluded the writers’ round with “The Dance.”
“Looking back, I just felt blessed to play here and play songs with my friends, “Arata said. “I still feel blessed to sit with friends in the Bluebird and play songs.”
To commemorate the 35th anniversary of the Bluebird, Brooks announced a documentary about The Bluebird Café is currently in the works. Then Brooks, now a seven-time Diamond-certified artist who is the reigning CMA Entertainer of the Year, 10 years following his previous CMA Entertainer win, stayed after the show to sign autographs and take photos with a small group of lucky radio listeners outside the Bluebird Cafe.
BMI Trademarks ‘Speed Dating For Songwriters’
/by Jessica NicholsonEstablished in 2013, BMI’s Speed Dating for Songwriters™ initially began as a way to introduce and foster creativity among some of BMI’s most promising NYC-based songwriters, producers and artists whose paths may not have otherwise crossed. Since then, the program has expanded to Los Angeles and Nashville and spawned several success stories. After making a connection during a Speed Dating session, songwriter Mike Campbell went on to co-write Daya’s Billboard chart-topping single, “Sit Still, Look Pretty” and Andrew Seltzer co-penned Maggie Rogers’ latest single “Split Stones,” which is currently featured in an ad campaign for The North Face.
“I am extremely proud of what Speed Dating for Songwriters™ has done for our affiliates,” said Samantha Cox, Assistant VP, Creative (NYC). “With this initiative, we have established a strong sense of community among our writers, fostering a thriving and supportive network of creatives. BMI is cultivating the next great generation of music creators and by providing our writers with this unique resource, Speed Dating is a testament to that commitment.”
During BMI’s Speed Dating for Songwriter initiative, 12-15 participants get acquainted, listen to each other’s music, and form collaborations as well as receive feedback. After the event, the writers are split into groups of three or four to pen a song, which they then perform six to eight weeks later in front of their peers and BMI’s Creative team.
Jenny Tolman Signs With SESAC
/by Lorie Hollabaugh(L-R:) SESAC’s Lydia Schultz, Jenny Tolman, and SESAC VP of Creative Services Shannan Hatch
Jenny Tolman has joined SESAC as a new affiliate.
Tolman just surpassed 100,000 streams on Spotify with her recently-launched song “Stripper For A Week.” The Nashville native has opened for acts like Alabama, Love and Theft, Brandy Clark, and Cole Swindell, and is set to release her forthcoming debut album Jennyville.
Weekly Register: Kane Brown Tops Country Albums, Digital Sales Charts
/by Jessica NicholsonThomas Rhett‘s Life Changes takes the No. 2 spot with 17K, followed by last week’s No. 1, Shania Twain‘s NOW, with 15K.
Luke Combs‘ This One’s For You is at No. 4, with 12K, followed by Chris Stapleton‘s Traveller with 11K.
Following Brown’s No. 1 song on the country digital songs rankings is Maren Morris‘ “Dear Hate” at No. 2 with 27K, and another Kane Brown hit, “What Ifs,” (ft. Lauren Alaina) at No. 3 with 22K.
Tim McGraw and Faith Hill‘s “Rest of Your Life” is at No. 4 with 18K, followed by LANCO‘s “Greatest Love Story” with 17K at No. 5.
Information provided by Nielsen Soundscan.
Townsquare Media Shuffles Executive Team
/by Jessica Nicholson“Appointing two of our long-time senior executives as Co-Chief Executive Officers will allow Townsquare to strengthen and solidify its management team while preserving continuity and stability,” said David Quick, a Townsquare Board Member since inception and Managing Director at Oaktree Capital Management, L.P. Townsquare’s principal shareholder. “Our Board is pleased that Steven will continue to focus on the Company’s overall strategic direction and we are appreciative that Townsquare will continue to benefit from Steven’s counsel through his continued leadership of the Board.”
Mr. Price founded Townsquare in May 2010 and previously served as Chairman and Chief Executive Officer of the Company. Prior to founding Townsquare in 2010, Mr. Price was Senior Managing Director at Centerbridge Partners, a private equity firm, where he led the firm’s investment efforts in telecom, technology and media. Before that, he held a similar position at Spectrum Equity Investors. From 2001-2004, Mr. Price served as Deputy Assistant Secretary of Defense (Spectrum, Space and Communications), for which he was awarded the Secretary of Defense Medal for Outstanding Public Service. Mr. Price was formerly the President and Chief Executive Officer of LiveWire Ventures, a software and services company he founded in 1998, and the President and Chief Executive Officer of PriCellular Corporation, a publicly traded cellular telephone operator. Earlier in his career, Mr. Price worked as an attorney at Davis, Polk & Wardwell and as an investment banker at Goldman Sachs. Mr. Price graduated magna cum laude from Brown University, where he was elected to Phi Beta Kappa, and earned a J.D. from Columbia University School of Law. He is co-owner and Alternative Governor of the Atlanta Hawks and serves as an Adjunct Professor of Marketing at Columbia Business School.
Mr. Wilson joined Townsquare in September 2010 and most recently served as Executive Vice President and Chief Content & Digital Officer of the Company. Previously, Mr. Wilson was President of AOL Media from 2006 to May 2010 where he had overall responsibility for the Company’s global content strategy. In his nine years at AOL, he also served in a number of roles including President, AOL Programming & Studios and Executive Vice President, AOL Programming. Under his leadership, AOL’s content sites grew to reach more than 75 million monthly unique visitors domestically and over 150 million worldwide. Prior to joining AOL in 2001, Mr. Wilson served as Senior Vice President for Worldwide Marketing at Bertelsmann Music Group (BMG), which he joined in 1992, and was responsible for worldwide marketing including artist, digital and non-traditional marketing across more than 50 countries for the world’s biggest artists including Dave Matthews Band, Outkast, Whitney Houston and Santana. Mr. Wilson graduated summa cum laude from the State University of New York at Stony Brook with a B.A. in economics and a B.S. in business management and earned a M.B.A. with honors in finance and marketing from Rutgers University’s Graduate School of Management.
Mr. Prasad co-founded Townsquare in 2010 and most recently served as Executive Vice President, Live Events of the Company, where he led all aspects of the Company’s Live Events division. Prior to co-founding Townsquare, Mr. Prasad spent nearly a decade in private equity investing and corporate finance, completing transactions in media, communications, financial services, real estate, and technology. He previously worked at Thomas H. Lee Partners and Spectrum Equity Investors, and began his career in the Investment Banking Division of Salomon Smith Barney, where he worked in New Yorkand Hong Kong. He received an A.B. cum laude from Dartmouth College and a M.B.A. from the Wharton School at the University of Pennsylvania. He is a graduate of Leadership Music in Nashville, TN.
Mr. Hellum joined Townsquare in August 2010 following the acquisition of GAP Radio Broadcasting, where he served as President of GAP West from May 2008 to August 2010. Prior to joining GAP West, Mr. Hellum worked at Bonneville International Communications, where he was Vice President/ Market Manager of WIL/WRTH in St. Louis, MO from October 2002 to November 2004 and spent 4 years as Vice President/Market Manager of KTAR AM/FM and KPKX in Phoenix, AZ from November 2004 to April 2008. Previously, Mr. Hellum was Vice President—Sales for AM/FM and oversaw Clear Channel’s early cross-platform sales efforts. He began his career at Katz Radio, where he held positions of increasing responsibility in Boston, Philadelphia, Chicago, Los Angeles, and New York. Mr. Hellum received a B.A. from the University of Wisconsin.
Nashville Songwriters Hall Of Fame To Add Inductee For 2017
/by Jessica NicholsonDewayne Blackwell
The Nashville Songwriters Hall of Fame Class of 2017, which was announced in August, will have an additional inductee alongside Vern Gosdin, Jim McBride, Walt Aldridge and Tim Nichols.
“Friends In Low Places” songwriter Dewayne Blackwell will join the Nashville Songwriters Hall of Fame next week, according to Hall of Fame member Pat Alger, chair of the organization’s board of directors.
The five new inductees will join the 203 existing members of the elite organization when they are officially inducted during the 47th Anniversary Nashville Songwriters Hall of Fame Gala on Monday, October 23, at the Music City Center.
“There was a tie this year in our veteran category and our board unanimously agreed that both writers should be inducted,” Alger said. “Dewayne is presently living outside the country and consequently it took us a while to locate him and give him the good news. He is a master songwriter with a long career of influential hits beginning at the birth of rock and roll with ‘Mr. Blue’ and including one of the most played songs of modern times – ‘Friends In Low Places.’ He is a most welcome addition to our Hall of Fame.”
Blackwell’s parents were Dust Bowl “Okies” who migrated to California from Texas when he was a boy. One of eight children, he grew up as an itinerant crop picker. In his early years as a songwriter, Blackwell’s first success was The Fleetwoods’ No. 1 Pop hit with “Mr. Blue” in 1959. Throughout the 1960s and ’70s, his works were recorded mainly by Pop acts such as Bobby Vee, Roy Orbison, Bobby Vinton, The Four Preps and The Everly Brothers. Then in the 1980s, he began his “second” songwriting career after moving to Nashville with hits such as “Honkytonk Man” by Marty Robbins, “I’m Gonna Hire A Wino To Decorate Our Home” by David Frizzell, “Make My Day” by T.G. Sheppard & Clint Eastwood and “Saturday Night Special” by Conway Twitty. In 1991 Blackwell’s co-written “Friends In Low Places” by Garth Brooks was named ASCAP Country Song of the Year, as well as the Single of the Year by both the CMA and the ACM.
Tickets for the Hall of Fame Gala are $250 each and benefit the nonprofit Nashville Songwriters Foundation. Select seating is available to the public and may be purchased as available by contacting Executive Director Mark Ford at hoftix@nashvillesongwritersfoundation.com or 615-460-6556.
Chris Young Brings Kane Brown, LANCO For 2018 Tour
/by Jessica Nicholson“I’m excited about getting out on the road in the new year with Kane and the guys from LANCO,” says Young. “It’s been really cool to write, record and tour with Kane over the last year. And then to have LANCO bring their unique energy out on the road too – I can guarantee it’s going to be a great time.”
Tickets and VIP packages for the Chris Young Losing Sleep 2018 World Tour, promoted by AEG Presents and Concerts West, go on sale beginning Friday, October 20 at 10am (local time). American Express Card Members can purchase tickets before the general public beginning Wednesday, October 18 at 10 a.m. (local time) through Thursday, October 19 at 10 p.m. (local time).
A limited number of exclusive VIP Packages will also be available for sale starting October 17. These exclusive offers can include premium tickets, access to a pre-show VIP Hang (includes an exclusive performance and special Q&A session), limited-edition lithographs, autographed memorabilia and much more. Tickets and VIP packages can be purchased at ChrisYoungCountry.com.
Chris Young Losing Sleep 2018 World Tour (initial 2018 winter run)
January 11, Indianapolis, IN, Bankers Life Fieldhouse
January 12, Independence, MO, Silverstein Eye Centers Arena
January 13, St. Louis, MO, Chaifetz Arena
January 18, Highland Heights, KY, BB&T Arena
January 19, Grand Rapids, MI, Van Andel Arena
January 20, Hoffman Estates, IL, Sears Centre Arena,
February 1, Lowell, MA, Tsongas Center at UMass Lowell
February 2, Bangor, ME, Cross Insurance Center
February 3, Mashantucket, CT, Foxwoods Resort Casino
February 8, Pittsburgh, PA, Petersen Events Center
February 9, Fairfax, VA, EagleBank Arena
February 10, Huntington, WV, Big Sandy Superstore Arena
February 15, Duluth, GA, Infinite Energy Arena
February 16, St. Augustine, FL, St. Augustine Amphitheatre
February 17, Estero, FL, Germain Arena
February 22, Green Bay, WI, Resch Center
February 23, Minneapolis, MN, Target Center
February 24, Cedar Rapids, IA, US Cellular Center
Dierks Bentley Brings ‘Only The Brave’ Screening To Nashville
/by Eric T. ParkerAttendees were welcomed by a panel of actors and producers including James Dale, Dierks Bentley, Josh Brolan and Brendan McDonough. Photo: CMT/Instagram
Nashville first responders, actors and music industry were among the invited guests to the advance screening of Only The Brave, a film based on the true story of the Granite Mountain Hotshot firefighting operation.
Arizona native Dierks Bentley penned and performed an oroginal song, “Hold The Light,” for the project.
“My involvement with this story began back when this tragic fire happened,” said Bentley. “We heard about it and I worked with my manager, Mary Hilliard, and we decided to play some music in Prescott, [Arizona] about three weeks after this fire in hopes of raising money and spirits—just doing what we do as musicians. It had a profound impact on me and where I first met [original Hotshot] Brendan McDonough and some other folks in the community.
“I was so lucky a few years later to sit in a movie next to director Joe Kosinski and I think it was Mike Mitchell and they offered me the opportunity to be part of writing a song.”
Bentley finished “Hold The Light” with Jon Randall after being started from the pens of Sean [S.] Carey and Joe Trapanese. Bentley recorded the song in the studio in Nashville with many of his bandmates and producer and songwriter Ross Copperman.
“The movie and song is not only about honoring these 19 guys and their families, but goes beyond that—certainly in the country music community with Las Vegas,” concluded Bentley. “It is a timely movie about first responders, who are brave enough to head towards danger when the rest of us are trying to head away.”
Only the Brave will hit theaters Oct. 20.
Chris Tomlin Kicks Off Good Good Father Tour, Releases Special Edition Album
/by Lorie HollabaughHitting 18 cities across America, “The Good Good Father Tour” will also feature special guest Matt Maher along with Pastor Darren Whitehead, who will be sharing from HOLY ROAR 7 Words That Will Change the Way You Worship, a book collaboration from Tomlin and Whitehead.
Industry Ink: Music Health Alliance, The Kinkead Agency, 117 Management, Production Music Association
/by Haley CrowMusic Health Alliance Upcoming Events
For those who cannot attend, the session will be live streamed at Music Health Alliance’s Facebook page.
Sandra Lynn Signs with The Kinkead Entertainment Agency
Pictured (L-R): Greg Scott (Kinkead Entertainment Agency), Julie Devereux (Kinkead Entertainment Agency), Christy Walker-Watkins (AristoMedia), Matt Watkins (AristoMedia), Heather Campbell (Vaden Group), Cheri Cranford (AristoMedia), Sandra Lynn, Cole Johnstone (Manager/Johnstone Entertainment), and Bob Kinkead (Kinkead Entertainment Agency). Photo: Chuck Arlund
Country recording artist Sandra Lynn has signed with The Kinkead Entertainment Agency for booking representation. Lynn has also enlisted Johnstone Entertainment for artist management, AristoPR/AristoMedia for public relations and video promotion and Vaden Group for business management.
Lynn said, “I’m so thrilled to be working with such an amazing team, and can’t wait for all that lies ahead with this new music.”
Drew Blakeley Announced as VP of 117 Management
Drew Blakeley
Following the recent announcement of 117 Management, President & CEO Zach Farnum is proud to announce that leading the management division will be artist manager Drew Blakeley.
Blakeley began his career in the country music industry nearly 10 years ago and comes to 117 after a departure from Conway Entertainment Group, where he spent the last three years on management teams for Lorrie Morgan, LOCASH, Randy Travis, Alabama and more.
117 Publicity, headed by VP Bev Moser, represents a wide array of artists including Chuck Negron, Jerry Lee Lewis, Lewis Brice, Logan Mize, Paul Bogart, Max T. Barnes, Scooter Brown Band, Darren Bessette Band, Nashville Association of Talent Directors as well as Bobby Bare.
Blakeley can be reached at drew@117group.com and 615-997-0100 x703.
2017 Production Music Conference Concludes with Record Attendance
Pictured (L-R): PMA Executive Director Morgan McKnight, journalist Jon Burlingame, film composer Mychael Danna, and Konsonant Music composer Andrew Gross.
The Production Music Association (PMA), the leading advocate and voice of the global production music community, recently concluded its 2017 Production Music Conference which drew over 600 attendees from all areas of the music industry. The event was held Oct. 4-6 at the Hollywood Loews Hotel.
Conference attendees enjoyed the third annual Mark Awards event on Oct. 4, as well as keynote speeches from David Israelite, president and CEO of NMPA, and film composer Mychael Danna. A total of sixteen unique industry panels were presented during the three-day conference, including “Production Music is the Record Industry,” “How Big Data Can Double Your Income,” “Writing a Production Music Hit,” and “Trailerizing Your Music.”
Three renowned music industry executives were honored at this year’s Mark Awards: Romano Di Bari of Italy’s Flipper Music received the “Hall of Fame Award,” Alison Smith of BMI received the “Ambassador Award,” and Dr. Lynne Lummel, formerly with ASCAP, received the “Visionary Award.”
Adam Taylor, chairman of the PMA and president of APM Music said, “We were delighted with the turnout for this year’s conference. Our panelists and guest speakers were top notch and presented not only compelling and intriguing topics, but also offered practical advice to our members as to where the future of our production music industry is heading, and the hurdles we all must face together as we move further into the digital age.”