
Pictured (L-R): Buddy Cannon representing NaSHOF inductee Vern Gosdin; NaSHOF inductees Tim Nichols, Walt Aldridge and Jim McBride; Gentry Blackwell representing his father NaSHOF inductee Dewayne Blackwell and NaSHOF executive director Mark Ford.
This year’s Nashville Songwriters Hall of Fame induction ceremony was jumbo in every way.
A sold-out crowd of more than 1,000 filled the ballroom in the Music City Center on Monday evening (Oct. 23). Giant stars like Luke Bryan, Lee Ann Womack, Earl Thomas Conley and Alan Jackson were featured. The evening saluted a whopping five inductees – Jim McBride, Dewayne Blackwell, Walt Aldridge, Tim Nichols and the late Vern Gosdin. More than 25 current Hall of Fame members attended, adding to the evening’s luster.
These included (alphabetically) Tony Arata, Aaron Barker, Gary Burr, Beth Nielsen Chapman, Jerry Chesnut, Sonny Curtis, Mac Davis, Bob DiPiero, Tom Douglas, Jerry Foster, Wayland Holyfield, Mark James, Dickey Lee, Layng Martine Jr., Mac McAnally, Dennis Morgan, Bob Morrison, Roger Murrah, Paul Overstreet, Gretchen Peters, Mark D. Sanders, Thom Schuyler, Jeffrey Steele, Even Stevens, Ray Stevens and Craig Wiseman.
The crowd was so large, I only saw 18 of them. Event organizers assured us that the rest were on hand, plus such Hall of Fame relatives as Rita Allison, Sherry Bond, Melanie Howard, Lisa Sutton (check out her late mom Lynn Anderson’s new Country Music Hall of Fame display), Holly Williams, Erin Everly, Hilary Williams and Patti Everly.
“Welcome to Nashville songwriting’s biggest night,” said the Hall of Fame’s executive director Mark Ford. He noted the deaths of the Hall’s Norro Wilson and Curly Putman during the past year and proudly pointed out that all three of Sunday’s Country Music Hall of Fame inductees were already members of the Nashville Songwriters Hall of Fame – Jerry Reed, Don Schlitz and Alan Jackson.
Mac McAnally inducted Walt Aldridge, saying, “He can do everything there is to do in our business,” including producing, publishing, singing, arranging and teaching in addition to songwriting. “He’s a role model,” added Mac. “I’m grateful to know him.”

Pictured (L-R): Tim Wipperman CEO and Founding Partner, Rezonant Music; Hillary Lindsey; Kos Weaver, BMG EVP/Nashville. Photo: Bev Moser
Walt was saluted in song by James LeBlanc doing Walt’s 2002 Travis Tritt hit “Modern Day Bonnie and Clyde.” Earl Thomas Conley sang Walt’s “Holding Her and Loving You,” which in 1983 became Earl’s biggest hit.
“About six years ago, I decided to move back to Muscle Shoals [abruptly ending his Nashville songwriting],” said Walt in accepting. “I walked away in mid-sentence, without a punctuation mark. Tonight, you not only gave me a ‘period,’ you gave me an ‘exclamation point.’”
Buddy Cannon inducted his friend, neighbor and songwriting collaborator, the late Vern Gosdin (1934-2009). “It was really exciting hearing that voice singing songs that we had created in my living room,” recalled Buddy. “Vern was a great, unique songwriter.”
A video was screened of Vern Gosdin singing 1988’s “Chiseled in Stone” on the Opry stage. It stunned the crowd and stilled the very breathing in the room.
Luke Bryan had to follow that. He gamely ran through 1988’s toe-tapping honky tonker “Set ‘Em Up Joe.”
“That brought back a lot of memories,” said Buddy. “I’d like to accept this on Vern’s behalf.”

Pictured (L-R): NSAI Songwriter-Artist of the Year Luke Bryan receiving his award from NSAI Executive Director Bart Herbison, NSAI Director of Operations Jennifer Turnbow and NSAI President Lee Thomas Miller. Photo: Bev Moser
Jerry Salley inducted Jim McBride. Which is fitting, since they are both among the nicest and most generous-hearted people on the planet. “He has traveled down a road that was always leading him here tonight,” said Jerry of his friend Jim. “His songs have appeared on more than 70 million records.”
Jim McBride’s songs have been recorded by Conway Twitty, Johnny Cash, Alabama, Patty Loveless, Lorrie Morgan, Randy Travis, Charley Pride, Toby Keith, Diamond Rio, Reba McEntire, Lonestar, John Anderson, Aaron Tippin, Mark Chesnutt, Johnny Paycheck, Trace Adkins and Keith Whitley, among many others.
The Lonesome River Band turned in a superb bluegrass arrangement of Jim’s 1987 Waylon Jennings hit “Rose in Paradise.” Alan Jackson recalled that he was a complete unknown and Jim was an established writer when Jim kindly agreed to collaborate with him.
“The songs that Jim and I wrote helped me get down the road to last night [his Country Music Hall of Fame induction],” said the superstar. He and some of his Strayhorns band members then sang a medley of “Chasin’ That Neon Rainbow,” “Someday,” “Chattahoochie” and the 1994 stone-country ballad “Hole in the Wall.”
Addressing the many Nashville Songwriters Hall of Fame honorees, living and dead, Jim said, “Thank you for keeping this roller coaster rollin’ so that I might take a ride. Thank God for blessing me far beyond anything I ever deserved. I’ve never been more honored or proud to be a songwriter than on the greatest night of my career.”
Rusty Gaston inducted Tim Nichols, saying, “Tim’s best songs sound like they’ve always been around.” Lee Ann Womack serenaded the honoree with “I’m Over You,” which was originally popularized by Keith Whitley in 1990. Dustin Lynch did a mash-up of his 2012 hit “Cowboys and Angels” with 2004’s Tim McGraw smash “Live Like You Were Dying.”
“Wow…I’m just trying to hold it together up here,” said Tim. “This evening, I have been abundantly blessed. I’ve never been happier in my whole life. Thank you so much!”

Ashley Gorley. Photo: Bev Moser/Moments By Moser
Ken Paulson inducted Dewayne Blackwell, noting that the veteran tunesmith’s pop writing career included the standard “Mr. Blue,” originated by The Fleetwoods in 1959 and that it was Dewayne’s first recorded tune. Roy Orbison, Bobby Vee, The Ventures, The Everly Brothers, Pat Boone, Bobby Vinton, Sam the Sham & The Pharoahs and Gary Lewis & The Playboys all recorded his early songs.
Dewayne’s second songwriting career was in country music and included such hits as David Frizzell’s “I’m Gonna Hire a Wino” (1982), Sammy Kershaw’s “Yard Sale” (1992), Conway Twitty’s “Saturday Night Special” (1988), Frizzell’s “A Million Light Beers Ago” (1983) and Marty Robbins’s “Honkytonk Man” (1982).
The harmonizing trio The Bundys performed a beautifully arranged version of “Mr. Blue.” Then Craig Campbell led the audience in a sing-along of Dewayne’s giant 1990 Garth Brooks hit “Friends in Low Places.”
Dewayne Blackwell is 81 and was not well enough to travel to Nashville for the ceremony from his home in Mexico. Son Gentry Blackwell accepted on his behalf.
“I know a lot of you were looking forward to seeing him,” said Gentry. “A lot of you know him. He’s very honored. I want to thank you for my father for the honor and the privilege of being in the Nashville Songwriters Hall of Fame.”
The evening began with The Nashville Songwriters Association International (NSAI) awards. Bart Herbison, Lee Thomas Miller and Jennifer Turnbow presided.

Pictured (L-R): Clint Lagerberg, Hillary Lindsey and Steven Lee Olsen, writers of NSAI Song of the Year “Blue Ain’t Your Color.” Photo: Bev Moser/Moments By Moser
This year’s “10 songs I wish I’d written,” as voted on by the membership, were 1. “Better Man” by non-attending Taylor Swift; 2.“Body Like a Back Road” by Josh Osborne, Shane McAnally, Zach Crowell and an absent Sam Hunt; 3. “Different for Girls” by Shane with J.T. Harding; 4. “Dirt on My Boots” by Ashley Gorley, Jesse Frasure and an absent Rhett Akins and 5. “Drinkin’ Problem” by Shane and Josh with the non-attending members of Midland. Also 6. “H.O.L.Y.” by busbee, Nate Cyphert and William Larsen; 7. “Kill a Word” by Jeff Hyde, Luke Dick and non-attending Eric Church; 8. “Peter Pan” by Kelsea Ballerini, Jesse Lee and an absent Forest Glen Whitehead; 9. “Vice” by Josh, Shane and non-attendee Miranda Lambert and 10. “80s Mercedes” by busbee and Maren Morris.
Luke Bryan was named the NSAI’s Artist-Songwriter of the Year. “What an unbelievable room to be in,” he said. “It’s inspiring. For all you young writers out there, take this night as fuel. What an honor.”
Ashley Gorley picked up his third NSAI Songwriter of the Year prize. He said, “I want to thank NSAI for all that they do. I want to thank you guys for being the ‘first stop’ in town for aspiring songwriters.”
“Blue Ain’t Your Color” became yet another organization’s Song of the Year for cowriters Steven Lee Olsen, Clint Lagerberg and Hillary Lindsey. Hillary has now tied Kris Kristofferson as the writer with the most NSAI Song of the Year prizes.
“This award is so extremely special because it’s voted on by your peers,” she said. “It’s The One award. Your friendship means so much to me. This is a community that doesn’t exist anyplace but here.” The three writers sang “Blue Ain’t Your Color,” harmonizing beautifully.
The 1,000+ attendees included such creative folks as Marcus Hummon, Levi Hummon, Tim DuBois, Chris DuBois, Steve Bogard, Steve O’Brien, Bob Regan, Bobby Tomberlin, David Malloy, Dave Pomeroy, Bernie Nelson, Liz Hengber, Rory Feek, Jan Howard, Brandon Rickman, Buddy Kalb, Doug Johnson, Barry Walsh, Webb Wilder, Bill Lloyd, Frank Liddell, Justin Duke, Georgia Middleman, Scott Hendricks and Mark Alan Springer.
We dined on salads, beef medallions, cheesy potatoes, prawns, squash and chocolate desserts. The wine flowed freely.
Making merry were Pat Collins, Pat Higdon, Patrick Clifford, Mike Hollandsworth, Mike Dungan, Mike Vaden, Becky Harris, Judy Harris, Preshias Harris, John Esposito, John Stein, Bob Doyle, Bobby Brantley, Dale Bobo, Jason Morris & Jewel Coburn, Terry Wakefield, Allison Jones, Martha Moore, Walter Campbell, Linda Edell Howard, Stacy Widelitz, Carla Wallace, Sherrill Blackmon, Lisa Harless, Tim Wipperman, Dennis Banka, Bill Cody, Ben Vaughn, B.J. Hill and Amy Kurland.
Let’s do it again next year.
Opry Goes Pink For Ninth Year To Aid Fight Against Breast Cancer
/by Lorie HollabaughKelsea Ballerini with 10-year-old Chrissy. Photo: Chris Hollo/Grand Ole Opry
The Grand Ole Opry barn turned pink to help in the fight against breast cancer for the ninth year last night (Oct. 24), as the Opry partnered with Women Rock For The Cure for its special annual “Opry Goes Pink” show.
Kelsea Ballerini and ten-year-old cancer survivor Chrissy flipped the switch making the Opry’s signature barn Pink, and Opry member Trisha Yearwood performed and introduced Chrissy as this year’s Women Rock for the Cure “Opry Goes Pink” honorary survivor, symbolizing individual battles being won against the disease. Chrissy, who at age eight was the youngest person ever to be diagnosed with breast cancer, is now cancer-free. She was joined on stage by her older sister as well as her parents, both of whom are also cancer survivors.
Additional performances during the special evening included LANCO, who made their Opry debut, Easton Corbin, Charles Esten, Runaway June, and Connie Smith. CMT’s Cody Alan made his debut as an Opry guest announcer during the show as well.
The Opry is donating $5 from each ticket sold to Women Rock For The Cure.
Cody Alan and Sally Williams, General Manager, Grand Ole Opry/Sr. Vice President, Programming & Artist Relations, Opry Entertainment
BBR Music Group Switches Distribution To ADA
/by Jessica NicholsonADA, which launched in 1993 to focus on the independent music industry, will dedicate distribution, marketing and label service resources in Nashville and globally to promote BBR Music Group artists.
BBR Music Group includes labels Broken Bow Records, Stoney Creek Records, and Wheelhouse Records labels.
ADA’s first release with BBR Music Group is Current Mood, the third studio album by Dustin Lynch. Upcoming BBR Music Group releases include Granger Smith’s When The Good Guys Win and Chase Rice’s Lambs & Lions.
Eliah Seton, President of ADA Worldwide, commented: “Broken Bow is a powerhouse, and we are looking forward to working closely with Jon Loba and the whole BBR Music Group team to make sure country music fans have access to their special brand of music not just locally, but nationally and internationally as well. We are doubling down on ADA’s efforts in Nashville, with new staff and resources, and look forward to contributing to the rapid growth in the city.”
Jon Loba, EVP of BBR Music Group, said, “Becoming part of BMG has allowed us to scale up our ambition both in the US and internationally. We are excited to now be able to enjoy the benefits of BMG’s partnership with ADA.”
BMG EVP Rights Administration Ben Katovsky, who is responsible for the company’s supply chain worldwide, said, “Bringing BBR Music Group on board is the logical next step in the consolidation of BMG’s distribution at ADA. We look forward to ADA helping us take BBR Music Group’s extraordinary roster to the next level.”
FBMM Adds Two To Team
/by Jessica NicholsonFlood, Bumstead, McCready & McCarthy, Inc. has welcomed two new additions to its team. Millie Fisher has joined as a tax preparer and Roxanne Estacio has been hired as an account assistant.
“We are thrilled to have Millie and Roxanne join our team of dedicated professionals,” said Julie Boos, senior vice president of FBMM. “I know their experience and energy will shine as they strive to provide superior service to our clients.”
Prior to joining FBMM, Fisher worked as an assurance and tax staff member at Rödl Langford de Kock LLP, where she reviewed audit work, trained staff and performed international tax research. Fisher is a graduate of the University of Alabama, where she earned a Master of Accountancy degree and a Bachelor of Science degree in accountancy and finance.
Estacio brings over eight years of financial and HR experience to FBMM. She worked as an international benefits team leader for Schlumberger, the world’s leading oilfield services company, and as a payroll specialist for ITT Corporation. In her past positions, she conducted hiring interviews, led a team of benefit administrators and performed payroll analyses. She has a Bachelor of Science degree in management accounting from the University of St. La Salle.
[WATCH]: The Bluebird Cafe Launches Crowdfunding Campaign For Feature Film
/by Eric T. ParkerBluebird: The Movie, the official feature film documenting the 35-year history of Nashville’s iconic Bluebird Cafe, has a crowdfunding campaign to help “finish the story.”
This feature film will cover the 35-year history, unearthing never-before-told stories from those that have worked, played, been discovered and helped preserve this unassuming strip-mall haunt that is the bedrock of American songwriting.
To help fund the production for the film, tiers of financial incentives are offered, including a $20,000 level for executive producer credit, a personalized chair in the Bluebird Cafe and a private Bluebird Cafe show in Nashville, among other perks.
Nashville-based production company, Riverside Entertainment—led by partners Brian Loschiavo, Jeff Molyneaux and Pastor Alvarado—has partnered for the film and recently delivered a crowdfunding trailer, which features Garth Brooks, Kelsea Ballerini, Brothers Osborne, Shane McAnally, Victoria Shaw, Hunter Hayes, Kathy Mattea, Pam Tillis, Charlie Worsham, Josh Osborne, Matt Jenkins, Gary Burr, Georgia Middleman, Kent Blazy, Tony Arata, Fred Knobloch, and actors from the TV series Nashville.
For the film, President and GM of the Bluebird Cafe, Erica Wollam Nichols, will serve as Executive Producer. Loschiavo will serve as Producer/Director, while Molyneaux will be Director of Photography. Kathryn Schwarz, Shanna Strassberg, Retta Hatfield will fill additional production roles.
“If walls could talk, The Bluebird’s walls would be a story you’d want to hear,” says Hayes.
“Pitch in,” encourages Shaw, “‘Cuz I want to see it too!”
The film will need $150,000 to get started, and organizers are working on grants and other events to help with funding.
Visit BluebirdTheMovie.com to support.
Kid Rock Announces November Album Release, Tour Set For 2018
/by Haley CrowKid Rock will release his debut album for BBR Music Group, titled Sweet Southern Sugar, on Nov. 3. The eclectic album marks the first Kid Rock has recorded in Nashville, and includes his recent single “Tennessee Mountain Top.”
In 2018, he will hit the road with his Greatest Show On Earth Tour, produced by Live Nation. The tour kicks off on Jan. 19 at Bridgestone Arena in Nashville, Tennessee and will continue with 21 shows from coast to coast.
Tickets and VIP packages for the tour will go on sale to the public the same day the album is released (Nov. 3) at LiveNation.com.
Greatest Show On Earth Tour:
Jan. 19 Nashville, TN – Bridgestone Arena
Jan. 20 Louisville, KY – KFC Yum! Center
Jan. 25 Durant, OK – Choctaw Grand Theatre
Jan. 26 Durant, OK – Choctaw Grand Theatre
Jan. 27 Durant, OK – Choctaw Grand Theatre
Feb. 2 Tulsa, OK – BOK Center
Feb. 3 Houston, TX – Toyota Center
Feb. 9 Atlanta, GA – Infinite Energy Arena
Feb. 10 Charlotte, NC – Spectrum Center
Feb. 16 Toronto, ON – Air Canada Centre
Feb. 17 Columbus, OH – Nationwide Arena
Feb. 23 Philadelphia, PA – Wells Fargo Center
Feb. 24 Cleveland, OH – Quicken Loans Arena
Mar. 2 Uncasville, CT – Mohegan Sun Arena
Mar. 3 Baltimore, MD – Royal Farms Arena
Mar. 9 Newark, NJ – Prudential Center
Mar. 10 Nassau, NY – NYCB Live
Mar. 16 Chicago, IL – United Center
Mar. 17 Omaha, NE – CenturyLink Center
Mar. 20 Denver, CO – Pepsi Center
Mar. 23 Phoenix, AZ – Talking Stick Resort Arena
Mar. 24 Las Vegas, NV – Mandalay Bay Events Center
Sweet Southern Sugar Track Listing:
1. Greatest Show On Earth
2. Po-Dunk
3. Tennessee Mountain Top
4. I Wonder
5. American Rock N’ Roll
6. Back To The Otherside
7. Raining Whiskey
8. Stand The Pain
9. Sugar Pie Honey Bunch
10. Grandpa’s Jam
Bobby Karl Works The Nashville Songwriters Hall Of Fame Induction Ceremony
/by Bobby KarlPictured (L-R): Buddy Cannon representing NaSHOF inductee Vern Gosdin; NaSHOF inductees Tim Nichols, Walt Aldridge and Jim McBride; Gentry Blackwell representing his father NaSHOF inductee Dewayne Blackwell and NaSHOF executive director Mark Ford.
This year’s Nashville Songwriters Hall of Fame induction ceremony was jumbo in every way.
A sold-out crowd of more than 1,000 filled the ballroom in the Music City Center on Monday evening (Oct. 23). Giant stars like Luke Bryan, Lee Ann Womack, Earl Thomas Conley and Alan Jackson were featured. The evening saluted a whopping five inductees – Jim McBride, Dewayne Blackwell, Walt Aldridge, Tim Nichols and the late Vern Gosdin. More than 25 current Hall of Fame members attended, adding to the evening’s luster.
These included (alphabetically) Tony Arata, Aaron Barker, Gary Burr, Beth Nielsen Chapman, Jerry Chesnut, Sonny Curtis, Mac Davis, Bob DiPiero, Tom Douglas, Jerry Foster, Wayland Holyfield, Mark James, Dickey Lee, Layng Martine Jr., Mac McAnally, Dennis Morgan, Bob Morrison, Roger Murrah, Paul Overstreet, Gretchen Peters, Mark D. Sanders, Thom Schuyler, Jeffrey Steele, Even Stevens, Ray Stevens and Craig Wiseman.
The crowd was so large, I only saw 18 of them. Event organizers assured us that the rest were on hand, plus such Hall of Fame relatives as Rita Allison, Sherry Bond, Melanie Howard, Lisa Sutton (check out her late mom Lynn Anderson’s new Country Music Hall of Fame display), Holly Williams, Erin Everly, Hilary Williams and Patti Everly.
“Welcome to Nashville songwriting’s biggest night,” said the Hall of Fame’s executive director Mark Ford. He noted the deaths of the Hall’s Norro Wilson and Curly Putman during the past year and proudly pointed out that all three of Sunday’s Country Music Hall of Fame inductees were already members of the Nashville Songwriters Hall of Fame – Jerry Reed, Don Schlitz and Alan Jackson.
Mac McAnally inducted Walt Aldridge, saying, “He can do everything there is to do in our business,” including producing, publishing, singing, arranging and teaching in addition to songwriting. “He’s a role model,” added Mac. “I’m grateful to know him.”
Pictured (L-R): Tim Wipperman CEO and Founding Partner, Rezonant Music; Hillary Lindsey; Kos Weaver, BMG EVP/Nashville. Photo: Bev Moser
Walt was saluted in song by James LeBlanc doing Walt’s 2002 Travis Tritt hit “Modern Day Bonnie and Clyde.” Earl Thomas Conley sang Walt’s “Holding Her and Loving You,” which in 1983 became Earl’s biggest hit.
“About six years ago, I decided to move back to Muscle Shoals [abruptly ending his Nashville songwriting],” said Walt in accepting. “I walked away in mid-sentence, without a punctuation mark. Tonight, you not only gave me a ‘period,’ you gave me an ‘exclamation point.’”
Buddy Cannon inducted his friend, neighbor and songwriting collaborator, the late Vern Gosdin (1934-2009). “It was really exciting hearing that voice singing songs that we had created in my living room,” recalled Buddy. “Vern was a great, unique songwriter.”
A video was screened of Vern Gosdin singing 1988’s “Chiseled in Stone” on the Opry stage. It stunned the crowd and stilled the very breathing in the room.
Luke Bryan had to follow that. He gamely ran through 1988’s toe-tapping honky tonker “Set ‘Em Up Joe.”
“That brought back a lot of memories,” said Buddy. “I’d like to accept this on Vern’s behalf.”
Pictured (L-R): NSAI Songwriter-Artist of the Year Luke Bryan receiving his award from NSAI Executive Director Bart Herbison, NSAI Director of Operations Jennifer Turnbow and NSAI President Lee Thomas Miller. Photo: Bev Moser
Jerry Salley inducted Jim McBride. Which is fitting, since they are both among the nicest and most generous-hearted people on the planet. “He has traveled down a road that was always leading him here tonight,” said Jerry of his friend Jim. “His songs have appeared on more than 70 million records.”
Jim McBride’s songs have been recorded by Conway Twitty, Johnny Cash, Alabama, Patty Loveless, Lorrie Morgan, Randy Travis, Charley Pride, Toby Keith, Diamond Rio, Reba McEntire, Lonestar, John Anderson, Aaron Tippin, Mark Chesnutt, Johnny Paycheck, Trace Adkins and Keith Whitley, among many others.
The Lonesome River Band turned in a superb bluegrass arrangement of Jim’s 1987 Waylon Jennings hit “Rose in Paradise.” Alan Jackson recalled that he was a complete unknown and Jim was an established writer when Jim kindly agreed to collaborate with him.
“The songs that Jim and I wrote helped me get down the road to last night [his Country Music Hall of Fame induction],” said the superstar. He and some of his Strayhorns band members then sang a medley of “Chasin’ That Neon Rainbow,” “Someday,” “Chattahoochie” and the 1994 stone-country ballad “Hole in the Wall.”
Addressing the many Nashville Songwriters Hall of Fame honorees, living and dead, Jim said, “Thank you for keeping this roller coaster rollin’ so that I might take a ride. Thank God for blessing me far beyond anything I ever deserved. I’ve never been more honored or proud to be a songwriter than on the greatest night of my career.”
Rusty Gaston inducted Tim Nichols, saying, “Tim’s best songs sound like they’ve always been around.” Lee Ann Womack serenaded the honoree with “I’m Over You,” which was originally popularized by Keith Whitley in 1990. Dustin Lynch did a mash-up of his 2012 hit “Cowboys and Angels” with 2004’s Tim McGraw smash “Live Like You Were Dying.”
“Wow…I’m just trying to hold it together up here,” said Tim. “This evening, I have been abundantly blessed. I’ve never been happier in my whole life. Thank you so much!”
Ashley Gorley. Photo: Bev Moser/Moments By Moser
Ken Paulson inducted Dewayne Blackwell, noting that the veteran tunesmith’s pop writing career included the standard “Mr. Blue,” originated by The Fleetwoods in 1959 and that it was Dewayne’s first recorded tune. Roy Orbison, Bobby Vee, The Ventures, The Everly Brothers, Pat Boone, Bobby Vinton, Sam the Sham & The Pharoahs and Gary Lewis & The Playboys all recorded his early songs.
Dewayne’s second songwriting career was in country music and included such hits as David Frizzell’s “I’m Gonna Hire a Wino” (1982), Sammy Kershaw’s “Yard Sale” (1992), Conway Twitty’s “Saturday Night Special” (1988), Frizzell’s “A Million Light Beers Ago” (1983) and Marty Robbins’s “Honkytonk Man” (1982).
The harmonizing trio The Bundys performed a beautifully arranged version of “Mr. Blue.” Then Craig Campbell led the audience in a sing-along of Dewayne’s giant 1990 Garth Brooks hit “Friends in Low Places.”
Dewayne Blackwell is 81 and was not well enough to travel to Nashville for the ceremony from his home in Mexico. Son Gentry Blackwell accepted on his behalf.
“I know a lot of you were looking forward to seeing him,” said Gentry. “A lot of you know him. He’s very honored. I want to thank you for my father for the honor and the privilege of being in the Nashville Songwriters Hall of Fame.”
The evening began with The Nashville Songwriters Association International (NSAI) awards. Bart Herbison, Lee Thomas Miller and Jennifer Turnbow presided.
Pictured (L-R): Clint Lagerberg, Hillary Lindsey and Steven Lee Olsen, writers of NSAI Song of the Year “Blue Ain’t Your Color.” Photo: Bev Moser/Moments By Moser
This year’s “10 songs I wish I’d written,” as voted on by the membership, were 1. “Better Man” by non-attending Taylor Swift; 2.“Body Like a Back Road” by Josh Osborne, Shane McAnally, Zach Crowell and an absent Sam Hunt; 3. “Different for Girls” by Shane with J.T. Harding; 4. “Dirt on My Boots” by Ashley Gorley, Jesse Frasure and an absent Rhett Akins and 5. “Drinkin’ Problem” by Shane and Josh with the non-attending members of Midland. Also 6. “H.O.L.Y.” by busbee, Nate Cyphert and William Larsen; 7. “Kill a Word” by Jeff Hyde, Luke Dick and non-attending Eric Church; 8. “Peter Pan” by Kelsea Ballerini, Jesse Lee and an absent Forest Glen Whitehead; 9. “Vice” by Josh, Shane and non-attendee Miranda Lambert and 10. “80s Mercedes” by busbee and Maren Morris.
Luke Bryan was named the NSAI’s Artist-Songwriter of the Year. “What an unbelievable room to be in,” he said. “It’s inspiring. For all you young writers out there, take this night as fuel. What an honor.”
Ashley Gorley picked up his third NSAI Songwriter of the Year prize. He said, “I want to thank NSAI for all that they do. I want to thank you guys for being the ‘first stop’ in town for aspiring songwriters.”
“Blue Ain’t Your Color” became yet another organization’s Song of the Year for cowriters Steven Lee Olsen, Clint Lagerberg and Hillary Lindsey. Hillary has now tied Kris Kristofferson as the writer with the most NSAI Song of the Year prizes.
“This award is so extremely special because it’s voted on by your peers,” she said. “It’s The One award. Your friendship means so much to me. This is a community that doesn’t exist anyplace but here.” The three writers sang “Blue Ain’t Your Color,” harmonizing beautifully.
The 1,000+ attendees included such creative folks as Marcus Hummon, Levi Hummon, Tim DuBois, Chris DuBois, Steve Bogard, Steve O’Brien, Bob Regan, Bobby Tomberlin, David Malloy, Dave Pomeroy, Bernie Nelson, Liz Hengber, Rory Feek, Jan Howard, Brandon Rickman, Buddy Kalb, Doug Johnson, Barry Walsh, Webb Wilder, Bill Lloyd, Frank Liddell, Justin Duke, Georgia Middleman, Scott Hendricks and Mark Alan Springer.
We dined on salads, beef medallions, cheesy potatoes, prawns, squash and chocolate desserts. The wine flowed freely.
Making merry were Pat Collins, Pat Higdon, Patrick Clifford, Mike Hollandsworth, Mike Dungan, Mike Vaden, Becky Harris, Judy Harris, Preshias Harris, John Esposito, John Stein, Bob Doyle, Bobby Brantley, Dale Bobo, Jason Morris & Jewel Coburn, Terry Wakefield, Allison Jones, Martha Moore, Walter Campbell, Linda Edell Howard, Stacy Widelitz, Carla Wallace, Sherrill Blackmon, Lisa Harless, Tim Wipperman, Dennis Banka, Bill Cody, Ben Vaughn, B.J. Hill and Amy Kurland.
Let’s do it again next year.
Meghan Linsey Signs With Agency33, Announces New Album
/by Alex ParryAgency33 Public Relations has added singer-songwriter Meghan Linsey to its roster. A finalist on The Voice, and former member of duo Steel Magnolia, Linsey will release her latest album, Bold Like A Lion, on Nov. 3. The album, produced by Tyler Cain, features collaborations with Fred Schneider of The B-52’s as well as Aloe Blacc.
“I am so honored to welcome Meghan to the agency,” states Joey Amato, owner of Agency33. “She and I connect not only musically but on many social issues as well. It’s so great to work with an artist who fights for what she believes in and speaks out for those who may not have the ability to do so.”
“I am so excited to work with Joey and Agency33,” states Linsey. “I have watched Joey work his way up in the industry and have always been impressed with his amazing work ethic. I feel like we are a perfect match in so many ways!”
Bold Like A Lion Track Listing:
Bold Like A Lion (Meghan Linsey, Tyler Cain Julie Moriva)
Ride Or Die (Linsey, Cain, Stephen Barker Liles, Nolan Neal and Tristan Jackson)
Freak 4 The Beat feat. Fred Schneider of the B-52’s (Linsey, Cain, Moriva, Fred Schneider)
Permanent Marker (Linsey, Cain)
Mr. Homewrecker (Linsey, Cain, Phillip LaRue)
Say It To My Face feat. Aloe Blacc (Linsey, Cain, Aloe Blacc)
Exes and Friends (Linsey, Cain, Moriva)
Lover (Linsey, Cain, Brad Stella)
Let It Go (Linsey, Cain, Moriva)
Neon Sky (Linsey, Cain, Dave Kuncio)
Made Me This Way (Linsey, Cain)
Hearts Against The Wall (Linsey, Cain, J.T. Hodges)
Save Me From Myself (Linsey, Cain, Aloe Blacc)
Kip Moore, Randy Rogers, Wade Bowen Set To Share Tall Tales On New Mini-Tour
/by Lorie HollabaughThe limited-run, special solo acoustic tour will feature all three writers taking the stage together each night and performing and sharing the intimate stories behind their songs. Along with Denver, the tour will hit Lincoln, Nebraska (Dec. 8), Washington D.C. (Dec. 13) and wrap in New York City on Dec. 14.
“This is something Randy and I have been cooking up for a while,” says Moore. “We’ve always had a great camaraderie, and a similar mantra, and so we thought it might be a cool way to share our stories in a more intimate setting with our fans. We did a show with Wade and mentioned the idea and then it all fell into place.”
“This tour with Kip is long overdue,” says Rogers. “We were label mates for years and have been talking about doing a tour together for a while. Adding lil’ buddy Wade Bowen to the mix just seemed like a natural fit. Guaranteed good times — both on stage and off.”
Tickets will go on sale this Friday, Oct. 27.
Skillet To Headline Winter Jam 2018
/by Lorie HollabaughIn addition, the Pre-Jam Party will feature Dan Bremnes and singer/songwriter Mallary Hope, along with new Baby Syndrome Records artist Westover.
“We are so excited to be back on Winter Jam in 2018,” said Skillet’s John Cooper. “I’m looking forward to playing with great artists, talking about faith with great friends, and playing for the legendary crowds that attend Winter Jam!”
Kicking-off Jan. 5 at the Charleston Civic Center in Charleston, West Virginia, the tour will visit numerous venues across the country, including Chicago’s Allstate Arena, Lakefront Arena in New Orleans, Bridgestone Arena in Nashville, the PPG Paints Arena in Pittsburgh, and Charlotte, North Carolina’s Spectrum Center, among others, before concluding March 31 at Lexington, Kentucky’s Rupp Arena.
“I can’t wait to see what God is going to do on Winter Jam 2018,” said tour creator/NewSong co-founder, Eddie Carswell. “Every year He amazes us with His presence and the people He draws to each venue to hear the Gospel. We hope everyone can make it out this year. It’s going to be a show to remember.”
Music Biz Conference To Continue In Nashville Through 2020
/by Jessica NicholsonThe Music Business Association (Music Biz) Conference will remain in Nashville through 2020.
“The Music Biz conference has grown steadily over the three years we have hosted it in Nashville, topping 2,000 attendees last year for the first time since 2001,” said James Donio, President of Music Biz. “The music business sensibility of Nashville and its Music City Music Council aligns so well with our efforts on behalf of music services, stores, labels, artists, songwriters, managers, publishers, entrepreneurs, startups, educators, students, and everyone else in or looking to break into the industry. We’re thrilled to make it our flagship conference’s home base for at least another three years, and look forward to exposing more music companies to Nashville and the many opportunities it provides.”
The previously announced dates for Music Biz 2018 will be May 14-17, 2018 at Omni Hotel Nashville. Future dates include:
May 5-8, 2019 at JW Marriott Nashville (slated to open in July 2018)
May 11-14, 2020 at JW Marriott Nashville
Music Biz was first held in Nashville in 2015 and has grown in attendance since then.
“When people think of music, they think of Nashville, which means there’s no better place for the Music Biz conference than right here in Music City,” said Nashville Mayor Megan Barry. “We are committed to supporting the thriving music industry in Nashville while nurturing its growth by attracting top talent to our city. The Music Biz conference has proven its ability to bring in major executives, not only from the U.S. but also from around the world, to see what we offer and establish or expand their presence here. We could not be more pleased to hear that Music Biz has booked an extended stay.”
“The Music Biz conference has been a benefit for our city, and we’re excited to have them back for the next three years,” said Music City Music Council co-chair Joe Galante. “Music is a global industry, but there’s no city in the world quite like Nashville with its mix of high-level creative and business talent. Having Music Biz here helps us spread that message by bringing in elite new visitors to experience it first-hand. We can’t wait to continue to show Music Biz’s attendees what Music City is all about.”
Registration for Music Biz 2018 is open now at musicbiz2018.eventbrite.com, with special early bird rates available through March 2, 2018.