Warehouse West Entertainment Signs Publishing, Development Deals With Jordan Brooker

Jordan Brooker

Singer-songwriter Jordan Brooker has signed a publishing and artist development deal with recently launched Warehouse West Entertainment in Nashville.

Brooker, a native of Spencerville, Indiana, has been focused on his songwriting and working in the studio with Warehouse West’s Luke Wooten for his first project, which is scheduled for release later this Fall. Brooker is releasing his debut song “You Are” off of his first project on Sept. 21.

He was recently named one of AIMP’s Songwriter Class of 2018 and will be performing his final show in a series of club dates at Whiskey Row in Nashville on Sept. 20.

“I couldn’t be prouder of an artist’s music and vision than that of Jordan’s,” Wooten says. “His signing being our first as a company is a dream come true. I can’t wait to share his music and for all that will follow.”

“I could not be more ecstatic about working with Warehouse West,” Brooker adds. “Working with people and for people that you love is a blessing and I definitely have that here. I am looking forward to what the future has in store for this company and its writers/artists.”

Dustin Lynch Becomes Grand Ole Opry Member

Photos courtesy Grand Ole Opry LLC by Chris Hollo

The Grand Ole Opry officially welcomed Dustin Lynch as a member last night (Sept. 18) with the help of one of his mentors, Opry member Reba McEntire. Following his performance, McEntire surprised Lynch onstage with the welcome, saying “We’re paving the way like Minnie, Roy, Porter, and all the greats before us paved the way for us. Congratulations and welcome to one of the best families in the world.”

“I told everybody before I came out here I’m a crybaby, and I get it from my dad,” said a visibly moved Lynch, who thanked his friends, family, bandmates, and others who play a part in helping make his dreams come true.“This is one of those dreams right now. … Thank you for allowing us to live the dream.”

Backstage, Executive Vice President, BBR Music Group Jon Loba surprised Lynch with the recognition of another career milestone, presenting him with a plaque certifying streams in excess of one billion.

“We are truly delighted to officially welcome Dustin into the Opry family,” said Opry General Manager Sally Williams. “Since making his Opry debut, Dustin has forged a genuine, lasting relationship with the Opry’s members, staff, and audiences. He’s debuted would-be hits on our stage, while backstage he’s gotten to know some of his music heroes and helped welcome newcomers into the country music fold. As Dustin becomes our newest member tonight, we look forward to that relationship growing even stronger, and—as Trace Adkins noted when inviting Dustin to join the family last month—to Dustin carrying on the Opry’s proud tradition for decades to come.”

Lynch made his Opry debut in 2012.

Jon Loba and Dustin Lynch

Pictured (L-R): Jay Jones (VP of Publicity), Chris Loss (VP of Digital Strategy & Analytics), Scotty O’Brien (Southeast Regional), Jon Loba (EVP), JoJamie Hahr (VP of Marketing), Lee Adams (VP of Promotion, BBR), Dustin Lynch, Shelley Hargis (VP of Promotion, BBR), Andrea Knipp (Promotion Coordinator), Rick Shedd (General Manager), Addie Saloman (Director of Digital Marketing), Chelsey Block (Director of Marketing)

Carrie Underwood Announced As Performer On 2018 American Music Awards

Carrie Underwood, Imagine Dragons, Post Malone and Ty Dolla $ign have been announced in the first round of performers for the 2018 American Music Awards. Hosted by Tracee Ellis Ross, the show will broadcast live from the Microsoft Theater in Los Angeles on Tuesday, Oct. 9, 2018 at 8 p.m. ET on ABC.

Underwood is a twelve-time American Music Award-winning artist and a 2018 nominee in the Favorite Female Artist – Country category, and returns to the AMAs stage for the first time since 2015 to perform a song from her recently released sixth studio album, Cry Pretty.

Nominations for the “2018 American Music Awards” were announced live by Kane Brown, Ella Mai, Normani and Bebe Rexha on Sept. 12 from YouTube Space LA. Cardi B and Drake lead this year’s nominees, with eight possible wins for each, while Ed Sheeran and Post Malone each racked up six nominations and Camila Cabello earned five nominations this year.

The American Music Awards winners are voted entirely by fans, and voting is now open in all categories except New Artist of the Year presented by Capital One Savor Card, Favorite Social Artist and Collaboration of the Year, which will all open on Monday, Sept. 24. American Music Awards nominees are based on key fan interactions as reflected on Billboard.com, including streaming, album and digital song sales, radio airplay, social activity and touring. These measurements are tracked by Billboard and its data partners, including Nielsen Music and Next Big Sound, and reflect the time period of Sept. 15, 2017 through Aug. 9, 2018.

Breaking: Music Modernization Act Passes United States Senate

The Orrin G. Hatch Music Modernization Act (MMA), legislation designed to improve streaming royalty rates for American songwriters, cleared one of the final hurdles today with adoption by the United States Senate.

Tennessee Senator Lamar Alexander called for a suspension of Senate rules today resulting in an immediate vote on the legislation he called the “most important piece of legislation in a generation to ensure American songwriters are paid for their work.”

It now awaits only a final vote by the U.S. House of Representatives within the next few days where it is expected to pass and be sent to President Donald Trump for his signature. The new Music Licensing Collective would begin operation on January 1, 2021 if the bills becomes law this year.

The bill:
• Changes the standard by which songwriter streaming rates are established replacing an outdated 1909 law that governs songwriter mechanical or sales royalties, changes consent decree regulations from 1941 that govern songwriter performance royalties.
• Creates a new Music Licensing Collective governed by songwriters and music publishers to oversee and administer digital mechanical licensing and payments, resolve disputes and administer unclaimed royalties.
• Eliminates the disastrous Notice of Intent (NOI) program administered by the U.S. Copyright Office that allows digital streaming companies to put the licensing burden back on songwriters.
• Guarantees streaming royalty payments to artists whose recordings were done before 1972 who now are not required to be paid due to a loophole in the Copyright Act.
• Pays streaming royalties directly to musicians and background singers who perform on recordings instead of going through other parties first.
• Requires the random selection of judges when performing rights societies ASCAP or BMI go to a rate court proceeding. Presently those judges are appointed for life.

 

“Hallelujah! The MMA gives us tools to achieve higher streaming royalty rates and important control over the payment of those royalties. Myself and NSAI have worked for nearly fifteen years on elements of this legislation. Passage of the MMA offers hope to the next generation of songwriters, especially those who are not performing artists, that writing songs will be a viable career choice.” – Steve Bogard, NSAI President and songwriter

“This was the last major obstacle. Because of their rules, the U.S. Senate is where many bills stall or die. Thanks to the leadership of Senators Orrin Hatch (UT), Lamar Alexander (TN), Sheldon Whitehouse (RI) and Christopher Coons (DE) the Senate approved the legislation today by unanimous consent. It is not too bold to say this is the most important songwriter legislation ever adopted by Congress. When we negotiate our digital rates or go to trial-type proceedings, we expect rates that are much fairer based on what the market should pay.” Bart Herbison, NSAI Executive Director

“As legendary band the Grateful Dead once said in an iconic pre-1972 song, ‘what a long strange trip it’s been.’ It’s been an epic odyssey, and we’re thrilled to almost be at our destination. For the modern U.S. Senate to unanimously pass a 185-page bill is a herculean feat, only achievable because of the grit, determination and mobilization of thousands of music creators across the nation. The result is a bill that moves us toward a modern music licensing landscape better founded on fair market rates and fair pay for all. At long last, a brighter tomorrow for both past and future generations of music creators is nearly upon us. We are indebted to the leadership of Senators Hatch, Grassley, Feinstein, Alexander, Coons, Kennedy and Whitehouse for helping get us there.” -Mitch Glazier, President, Recording Industry Association of America (RIAA)

“Today is a momentous day for songwriters, artists, composers, producers, engineers and the entire industry that revolves around them. The Senate vote marks a true step forward towards fairness for the people at the heart of music who have long been undervalued due to outdated laws. This was a long and complex process but ultimately the music industry has come out stronger and more united than ever. We commend Senators Orrin Hatch, Lamar Alexander, Chuck Grassley and Senate Leadership for swiftly moving this bill to the floor. Now we anxiously await the House’s final approval of the MMA and seeing it signed into law.” -David Israelite, NMPA President and CEO

“The Senate’s passage of the Music Modernization Act is the most exciting development I’ve seen in my career. Songwriters have suffered long enough and this bill will allow them to be paid fairly by the streaming companies that rely on their work. We got to this point because of the advocacy of hundreds of music creators who rallied behind the MMA and who will drive the future of the music industry. I look forward to seeing the MMA become law and watching the songwriters, composers, artists and producers who will greatly benefit.” -Irwin Robinson NMPA Board Chairman

“The future of the music industry got brighter today. Creators of music moved one step closer to getting paid more fairly. And industry forces that fought to maintain an unfair and harmful status quo were rebuffed. Now, SoundExchange’s 170,000-member community has just one word for the House of Representatives: Encore. The Music Modernization Act proves what can happen when constructive industry leaders work together towards a greater good. The SoundExchange community joined a historic coalition of artists, labels, songwriters, music publishers, streaming services, performance rights organizations, producers, engineers and unions. The outcome of this collaboration is a law that sets a new framework to guide the future of the music industry. There are still issues regarding creator fairness that we need to address, but today we celebrate a new era of cooperation and progress across the industry.” -Michael Huppe, SoundExchange President and CEO

“Today’s unanimous passage of the Music Modernization Act in the Senate represents a Herculean industry-wide effort to promote and celebrate songwriters and ensure their right to a sustainable livelihood. We applaud Senators Hatch, Alexander, Grassley, Feinstein, Whitehouse, Coons and the entire Senate for recognizing the value music has in both society and our hearts.” – Elizabeth Matthews, ASCAP Chief Executive Officer

“American songwriters work tirelessly behind the scenes to create the music that fans all over the world enjoy. Today, we made history by joining together and working for Senate passage of the Music Modernization Act, bringing us one step closer to a music licensing framework that reflects how people listen to music today. We urge the House of Representatives to swiftly pass the Senate bill, so the President can sign it into law and music creators can begin to see the benefits of this critical reform.” – Paul Williams, songwriter, ASCAP Chairman of the Board and President

“It’s truly a significant day, and speaking on behalf of all SESAC affiliates, we’re thrilled the Music Modernization Act has passed the Senate unanimously. We applaud everyone’s hard work and especially the Senators who have worked so diligently to get the bill passed. We urge the House to adopt the Senate bill for the President to sign, so the MMA becomes reality. We’re excited about the future of the music industry and modernization that allows all music creators to finally be paid more fairly for their hard work and dedication.” – John Josephson, Chairman/CEO, SESAC

“The AIMP applauds today’s unanimous passage of the appropriately named Orrin G. Hatch Music Modernization Act (MMA) in the U.S. Senate, clearing the path for its much-needed reforms to become law once ratified in the House and signed by the President. With support from both sides of the political aisle, along with unprecedented cooperation between the music and technology industry, the MMA will be a massive step forward for the independent publishing community and the music industry in general, which has been hamstrung by antiquated copyright laws for far too long. Now, independent publishers and songwriters will enjoy a more modern and realistic rate standard, a central public database to ease royalty payments from digital services, the end of evidence limitations placed on rights-holders arguing for more accurate royalty rates, the ability for PROs to be heard by more than just the same two judges, and a clear and final determination that digital services must pay for the use of pre-1972 recordings. None of this would be possible without NMPA President & CEO David Israelite and his staff, who have been instrumental in crafting and passing the MMA, and the AIMP thanks them along with Sen. Lamar Alexander for his articulate explanation of why this legislation is so important, and every U.S. Senator who has recognized the rights of independent publishers and songwriters by passing this legislation.” – Joint statement from Michael Eames, President of the Association of Independent Music Publishers (AIMP); Alisa Coleman, AIMP New York Executive Director; and John Ozier, AIMP Nashville Executive Director

“The passage of the Music Modernization Act by the Senate is a historic moment for the tens of thousands of music creators across the nation. Since first proposing the music industry unite around a common bill in 2014, our members have lobbied in Washington and all 50 states to achieve this vision. When creators raise their voices for fairness, they make great progress.” – Neil Portnow, President/CEO of the Recording Academy

“With this bill, we are one step closer to historic reform for our badly outdated music laws. The Music Modernization Act provides a solution, and it does so in a way that brings together competing sides of the music industry and both sides of the political spectrum. As a songwriter myself, I know firsthand how inefficient the current music marketplace is. The MMA will benefit all artists who make music such a rich, vibrant, and meaningful part of American life.” – Senator Orrin Hatch

“Not only have laws governing songwriter royalties not kept up with the arrival of the internet, they have not been modernized since the days of the player piano a century ago. As a result, it has become impossible for most songwriters to make a decent living. Our legislation will help make sure songwriters are paid when their songs are played, and that they are paid a fair market value for their work. Our success in Congress is the result of most parts of the music industry—songwriters, publishers, digital music companies and broadcasters—working together on what they agree on instead of fighting over what they disagree about. It is taken several years to do this but I believe the results will be well worth the effort.”   – Senator Lamar Alexander

Industry Ink: ASCAP, Sound Emporium, Big Yellow Dog Music, Spotify Canada

Songwriter-Artist Robert Lee Castleman Joins ASCAP

Pictured (L-R): ASCAP’s Robert Filhart, RL Castleman, and ASCAP’s Beth Brinker and Mike Sistad

Singer-songwriter Robert Lee Castleman recently joined ASCAP. As a songwriter, Castleman won a Grammy Award for Best Country Song for writing “The Lucky One,” performed by Alison Krauss & Union Station. He was nominated again in 2007 for writing Alan Jackson’s “Like Red on a Rose.” Other notable cuts include “The Firefly’s Song,” “Maybe I Should Stay Here,” “Nobody Said That It Would Be Easy” and “Where Do I Go From Here (A Trucker’s Song),” all recorded by Alan Jackson, as well as Alison Krauss & Union Station’s “Doesn’t Have to Be This Way,” “Forget About It,” “Gravity,” “Let Me Touch You for Awhile,” “Paper Airplane” and “Restless.”

ASCAP Creative Director Robert Filhart remarked, “No one writes a song like RL Castleman! I was fortunate enough to have Alison Krauss introduce us a while back and we became immediate friends. We are so excited that he has chosen to join ASCAP and we’re looking forward to hearing more amazing music from him.”

Sound Emporium’s Juanita Copeland Named Industry Expert For TV Show

Juanita Copeland, President/COO/General Manager of the Iconic Sound Emporium Recording studio, has worn many hats in her career, but now she can add “industry expert” to the list. In Spring of 2018, Copeland was approached by the producers of the TV show The Small Business Revolution – Main Street to be their industry expert for a recording studio makeover they were doing for Lighthouse Sounds in Alton, Illinois.

The transformation will be showcased in an eight-part original online series, featuring Deluxe’s Amanda Brinkman, TV personality, Ty Pennington and a group of business experts including Copeland & Chief Engineer, Mike Stankiewicz from Sound Emporium Studios.

Viewers can tune in Oct. 4 on Hulu, YouTube or smallbusinessrevolution.com.

 

Big Yellow Dog Music Celebrates 20th Anniversary With Dog Adoption Drive

Big Yellow Dog Music celebrates its 20th anniversary with “20 Dogs for 20 Years,” a dog adoption drive. Founders Kerry O’Neil and Carla Wallace have set a goal of finding new forever homes for 20 dogs (one for each year the company has been in business) at the drive, held in partnership with the Nashville Humane Association.

“20 Dogs for 20 Years” is open to the public and takes place Saturday, Sept. 29, from 10 a.m. – 2 p.m. in the parking lot behind the Big Yellow Dog Music offices at 1313 16th Ave. S. Nearly all the dogs will be on site for the event. Big Yellow Dog Music will cover all adoption fees, and attendees will be able to take many of the dogs home with them on a first-come, first-served basis. The adoption drive will include live music by Big Yellow Dog Music artist-writers, and a bonus of free hot dogs.

“In 20 years, we have placed some hits, and we’re excited to see if we can now place some dogs!” says Wallace.

The 20th year has been fruitful for Big Yellow Dog Music, which has had three No. 1’s so far this year and recently signed an exclusive label partnership deal with Atlantic Records for its fast rising artist/writer Brynn Elliott.

 

Spotify Celebrates “Retailer Of The Year” Honor

Pictured (L-R): Laura Ohls, Nathan Wiszniak, Brittany Schaffer, Rosa Asciolla, Anne Stirk, Mary Catherine Kinney

Spotify Canada was named “Retailer of the Year” at the Canadian Country Music Awards recently. Members of Spotify’s staff were on hand to celebrate the honor.

Faith Hill To Give Keynote Speech At Governor’s Conference On Economic And Community Development

Faith Hill has been announced as the opening night keynote speaker at the 2018 Governor’s Conference on Economic and Community Development, to be held Thursday, Nov. 1.

Tennessee Department of Economic and Community Development Commissioner Bob Rolfe will moderate a discussion with Hill about her career, ongoing business ventures and economic development initiatives in Nashville.

“Faith is one of the faces of Tennessee’s storied music legacy and we are honored to have her join us for this year’s Governor’s Conference,” Rolfe said. “I look forward to hearing Faith discuss her music career, her work with Pickler & Ben and future plans for the show here in Nashville.”

The Governor’s Conference will be held at the Gaylord Opryland Resort and Convention Center in Nashville Nov. 1- 2. The conference will bring together hundreds of state and local officials, business leaders and economic development professionals.

Brett James, Tom Douglas, Billy Montana To Headline Music City Hit-Makers In October

Tom Douglas, Brett James, Billy Montana

On the heels of the successful fourth annual Songwriters Under The Stars, the critically-acclaimed symphony show Music City Hit-Makers returns to Cheekwood’s Swan lawn for two special fall dates on Oct. 12 and 13. The October concerts will feature songwriters Brett James, Tom Douglas and Billy Montana, accompanied by the Music City Symphony.

“This event is so special because it brings harmony to Nashville’s greatest assets; the songwriters, the greatest symphony and studio musicians in the world and pastoral Cheekwood Botanical Gardens,” says Charles Dixon, event creator and producer. “We are thrilled to have so many amazing songwriters joining us for our biggest year yet.”

Dubbed “the most famous people you’ve never heard of,” the Music City Hit-Makers set will feature the writers’ renditions of No. 1 hits including “Jesus Take The Wheel” (recorded by Carrie Underwood), “I Hold On” (Dierks Bentley), “Bring On The Rain” (Jo Dee Messina), “More Than A Memory” (Garth Brooks), “The House That Built Me” (Miranda Lambert), “Southern Voice” (Tim McGraw) and more, all re-imagined for symphony by the five-time MusicRow Magazine Musician of the Year, music director and arranger, Charles Judge.

Nightly tickets are $45 for Cheekwood members and $55 per night for non-members. Tickets can be purchased at cheekwood.org.

Songwriters Under the Stars is presented by FirstBank and sponsored by Focus Search Partners and the Ryman Hospitality Properties Foundation.

Hunter Hughes Appointed Senior Director of Technology At Country Music Hall Of Fame And Museum

Hunter Hughes has been named Senior Director of Technology at the Country Music Hall of Fame and Museum. In his new role, Hughes will be responsible for the oversight of all technology for the Museum, serving the tech needs of more than 350 employees and more than one million annual visitors in over 400,000 square feet of space.

Hughes most recently served as Vice President of Technology for the Space Needle in Seattle. Prior to that, he worked for the Museum of Flight as IT director, the NCR Corporation as special projects director, and Diamedic.NET, LLC, where he was Director of Information and Technology Services. Hughes holds a degree in Computer Science from Georgia State University.

Hughes will report to Sharon Brawner, the museum’s Senior Vice President of Sales and Marketing.

MercyMe Plans Spring ‘Imagine Nation’ Tour

MercyMe will set out on their 2019 Imagine Nation Tour March 7, hitting over 30 cities during its three-month run. Crowder and Micah Tyler will join the group for the tour, which will visit Los Angeles, Portland, Orlando, Baltimore and more throughout the Spring.

The band just garnered its seventh AMA nomination following two previous wins and are also up for two awards at the upcoming 49th Annual GMA Dove Awards, including Artist of the Year. Trinity Broadcasting Network (TBN) will exclusively air the show on October 21I CAN ONLY IMAGINE, the film inspired by frontman Bart Millard’s real-life story behind the beloved MercyMe song, is also up for a People’s Choice Award.

Their single, “Best News Ever” will impact radio on Oct. 5. The song is found on their album LIFER and is the follow-up to “Grace Got You” which spent seven weeks atop Billboard‘s AC Monitored Chart.

MercyMe’s “Imagine Nation Tour” 2019:
* all dates subject to change.
March 7 – Bossier City, LA
March 8 – Beaumont, TX
March 9 – Baton Rouge, LA
March 14 – N. Charleston, SC
March 15 – Fayetteville, NC
March 16 – Asheville, NC
March 17 – Macon, GA
March 21 – Green Bay, WI
March 22 – Bemidji, MN
March 23 – Rochester, MN
March 24 – Peoria, IL
March 28 – Memphis, TN
March 29 – Springfield, MO
March 30 – Oklahoma City, OK
March 31 – Rio Rancho, NM
April 4 – Glendale, AZ
April 5 – Los Angeles, CA
April 6 – San Diego, CA
April 7 – Sacramento, CA
April 11 – Orem, UT
April 12 – Boise, ID
April 13 – Portland, OR
April 14 – Kent, WA
April 25 – Lexington, KY
April 26 – Highland Heights, KY
April 27 – Ft. Wayne, IN
April 28 – Rosemont, IL
May 2 – Mobile, AL
May 3 – Jacksonville, FL
May 4 – Orlando, FL
May 5 – Tampa, FL
May 9 – Toledo, OH
May 10 – Allentown, PA
May 11 – Baltimore, MD

Bob Seger Announces Final Tour With Nashville Date January 11

After a career that has spanned more than 50 years, Bob Seger & The Silver Bullet Band will hit the road for one last time on their final tour.

A handful of dates were rescheduled from the cancellation of his 2017 Runaway Train tour when a ruptured disc became too much to bear and required surgery and tour postponement. Those rescheduled dates include Nashville and will have a ticket on-sale date next weekend. Tickets for new dates in Toledo and Nashville will go on sale Saturday, September 29, and new dates in Buffalo, Cleveland, Louisville, Fort Wayne, Peoria, Grand Rapids and rescheduled shows in Dallas and Houston will go on sale Friday, September 28. Fan pre-sale dates for all the aforementioned dates will be Sept. 25. To become a Bullet Club member, visit BobSeger.com/bulletclub.

Tickets are on sale for the remainder of the dates below.

Additional show dates will be announced in the coming weeks, including stops in Las Vegas, Fresno, San Diego, Vancouver and Florida.

BOB SEGER & THE SILVER BULLET BAND TRAVELIN’ MAN TOUR:

Nov. 21 Grand Rapids Van Andel Arena
Nov. 24 Kansas City, MO Sprint Center
Nov. 27 Des Moines, IA Wells Fargo
Nov. 30 St. Louis, MO Enterprise Center
Dec. 6 Cleveland, OH Quicken Loans Arena
Dec. 8 Louisville, KY KFC Yum! Center
Dec. 12 St. Paul, MN Xcel Energy Arena
Dec. 14 Chicago, IL Allstate Arena
Dec. 20 Greenville, SC Bon Secours
Dec. 22 Atlanta, GA Infinite Energy
Jan. 9 Toledo, OH Huntington Center
Jan. 11 Nashville, TN Bridgestone Arena
Jan. 15 Fort Wayne, IN Allen County War
Memorial Coliseum
Jan. 17 Buffalo, NY KeyBank Center
Jan. 19 Columbus, OH Nationwide Arena
Jan. 22 Peoria, IL Peoria Civic Center
Jan. 29 Billings, MT Rimrock Auto Arena
Jan. 31 Boise, ID Ford Center
Feb. 2 Portland, OR Moda Center
Feb. 9 Seattle, WA Tacoma Dome
Feb. 15 Phoenix, AZ Talking Stick Resort
Feb. 17 Denver, CO Pepsi Center
Feb. 23 Los Angeles, CA The Forum
Mar. 7 Austin, TX Frank Erwin
Mar. 9 Dallas, TX Ford Center at The Star
May 2 Houston, TX Cynthia Woods Mitchell Pavilion