Zach Kale Signs With Sony/ATV Music Publishing, Jon Nite

Pictured (L-R): Troy Tomlinson, Sony/ATV; Dane Schmidt, Sony/ATV; Zach Kale; Jon Nite; Josh Van Valkenburg, Sony/ATV

Zach Kale has signed a worldwide publishing agreement with Sony/ATV Music Publishing and songwriter Jon Nite.

Kale’s songs have been recorded by Florida Georgia Line and Elevation Worship Group.

“Zach truly is one of the hardest working writers in our community, and we’re honored for him to join our Sony/ATV family,” said Dane Schmidt, Creative Director at Sony/ATV.

“I can’t believe I get the opportunity to partner with someone who has the character, the drive, and the musical gifts that Zach does,” Nite adds.

Hit Country Songwriter Jerry Chesnut Passes

Jerry Chesnut

By Robert K. Oermann

Nashville Songwriters Hall of Fame member Jerry Chesnut has passed away at age 87.

The folksy, charming personality was noted for writing “T-R-O-U-B-L-E,” “It’s Four in the Morning,” “A Good Year for the Roses” and other classics.

His songs were recorded by a country who’s-who, including Johnny Cash, Loretta Lynn, Dolly Parton, Jerry Lee Lewis, Tammy Wynette, Hank Williams Jr., George Strait, Willie Nelson, Alan Jackson, Elvis Presley and George Jones.

Chesnut died on Saturday (Dec. 15). He had been suffering with a respiratory problem, but his death was unexpected, said Hall of Fame executive director Mark Ford.

Jerry Chesnut grew up in the coal camps of Eastern Kentucky. Following a stint in the Air Force during the Korean War, he settled in St. Augustine, Florida. He was a railroad conductor by day and a country entertainer in area honky-tonks at night for seven years.

He moved to Nashville in 1958, aiming to become a recording artist. Country star Webb Pierce advised him to concentrate on songwriting, rather than singing.

But Chesnut had no success with either endeavor for nine long years. He kept on writing, but sold vacuum cleaners to make a living. He worked without a publisher, doing his own song plugging on Music Row.

In 1967, Del Reeves recorded Chesnut’s “A Dime at a Time,” which rose to No. 12 on the country charts. The following year, Reeves scored an even bigger hit with “Looking at the World Through a Windshield,” cementing the songwriter’s status.

Jerry Chesnut’s “Another Place, Another Time,” launched rock pioneer Jerry Lee Lewis’s new career as a country singer in 1968. Porter Wagoner and Dolly Parton had a duet hit with Chesnut’s “Holding On to Nothing” in that year, as well.

Other early songwriting successes included “Weakness In a Man” (Roy Drusky, 1968), “Good Time Charlie’s” (Del Reeves, 1969), “If Not for You” (George Jones, 1969), “When We Tried” (Jan Howard, 1970) and “The Wonders You Perform” (Tammy Wynette, 1970).

“Woman Without Love” proved to be an evergreen. After Johnny Darrell made it a hit in 1969, it was recorded by Waylon Jennings, Bob Luman, Ray Price, Bobby Goldsboro, Brook Benton, Joe Simon and Elvis Presley.

Similarly, “A Good Year for the Roses” had staying power. George Jones had a hit with it in 1970. Elvis Costello picked it up and had a major success in the U.K. with the song in 1981. Alan Jackson revived it as a duet with Jones in 1994. Lorrie Morgan, Johnny Paycheck and others have also sung the standard.

Jerry Chesnut recorded some singles for United Artists in the early 1970s, but never had a singing hit. However, he did find success as a TV personality. His natural wit and comedic talent, as well as his musical ability, led to him being cast as a regular on Hee Haw in 1971.

But he gave up both television and recording work because he felt that they interfered with his songwriting. Chesnut established an office on Music Row and continued to pursue his career as an independent song craftsman.

In 1972, his “It’s Four in the Morning” became an international smash. Faron Young took the waltz to the top of the country charts in America, and then the song became a huge pop hit in the U.K. It was subsequently recorded by Eddy Arnold, Ernest Tubb, Kitty Wells, Hank Snow, Tom Jones, Hank Thompson, Willie Nelson and others.

Other big songwriting hits in the 1970s included “Oney” (Johnny Cash, 1972), “Don’t She Look Good” (Bill Anderson, 1972), “Pride’s Not Hard to Swallow” (Hank Williams Jr., 1972), “If It Feels Good, Do It” (Dave Dudley, 1972), “They Don’t Make ‘Em Like My Daddy” (Loretta Lynn, 1974), “It’s Midnight” (Elvis Presley, 1975) and “Best Way I Know How” (Mel Tillis, 1975).

Jerry Chesnut was named Billboard’s Country Songwriter of the Year in 1972. “Another Place, Another Time” was nominated for a Grammy Award.

He retired from songwriting in 1980, but continued to perform from time to time. Revivals of his songs provided ongoing income. For instance, “T-R-O-U-B-L-E” became a big hit for Travis Tritt in 1993. Chesnut had originally written it for Elvis Presley, who had a big hit with the song in 1975.

Mark Chesnutt (no relation) brought back “Pride’s Not Hard to Swallow” in 1995. Son Volt recorded “Looking at the World Through a Windshield in 1996. George Strait sang “Good Time Charlie’s” in 2001, and Marty Stuart revived “Holding On to Nothing” in 2012.

Jerry Chesnut was inducted into the Nashville Songwriters Hall of Fame in 1996. In 2004, he was inducted into the Kentucky Music Hall of Fame.

In 2010, BMI certified that “T-R-O-U-B-L-E” had been performed more than four million times. The portion of Kentucky State Highway 840 that runs through Chesnut’s hometown of Loyall has been named in his honor.

To date, more than 100 artists have recorded Jerry Chesnut songs, including 30 members of the Country Music Hall of Fame.

Funeral arrangements have not been announced.

 

 

Sony Music Nashville Promotes John Johnson

John Johnson

Sony Music Nashville Executive Vice President, A&R, Jim Catino, has announced the promotion of John Johnson to Director, A&R, effective immediately.

Johnson joined the company as assistant, A&R in 1998. During that time he has grown to oversee all master recording quality control for new releases, as well as SMN’s extensive catalog collection. He also oversaw the design and execution of a multipurpose studio/listening room within the Sony Music Nashville office, known as “13.” In his new role he will continue to manage all recorded output, as well as contribute to original content production across all departments.

“John has been a crucial part of the A&R structure for 20 years. He has an unmatched ear for sonic quality, and has been instrumental in maintaining a high level of excellence for all of our recordings,” said Catino. “He spearheaded the development of ’13,’ which has become an invaluable resource for our artists and internal team. I’m proud to name him Director, A&R.”

“I’m excited to move into this new role at Sony,” said Johnson. “Working directly with the artists and the Sony team to develop new content, and to broaden the reach of the music, is a truly exciting endeavor. I’m extremely grateful to Randy Goodman and Jim Catino for their belief and support, and for this unique opportunity in our business.”

Johnson reports to Catino and can be reached at john.johnson@sonymusic.com.

Kevin Welch Reigns No. 1 On Last MusicRow Top Songwriter Chart Of 2018

Kevin Welch finishes out 2018 on his seventh week at No. 1 on the last MusicRow Top Songwriter Chart of the year. Ashley Gorley takes the No. 2 spot with songs performed by Chase Rice, Chris Lane, Eli Young Band, Lee Brice and Luke Bryan fueling him. Shane McAnally sits at No. 3, Luke Combs at No. 4 and Josh Osborne at No. 5.

There is not a female songwriter on the chart until No. 35, with Jessi Alexander.

The weekly MusicRow Top Songwriter Chart, published every week, uses algorithms based upon song activity according to airplay, digital downloaded track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind. The MusicRow Top Songwriter Chart will resume in 2019 on January 14.

Click here to view the full MusicRow Top Songwriter Chart.

Jen Danielson Named Pandora’s Head Of Country Programming

Jen Danielson

Pandora has named Jen Danielson as Head of Country Programming at the company. Based in Nashville, Danielson will oversee programming for country music at Pandora, one of the most popular genres on the streaming service, which draws more than 30 million unique listeners to country music per month.

Danielson comes to Pandora after nearly a decade at CMT, where she most recently served as Director of Music Strategy. At CMT she oversaw the music video acquisition process for the network, working closely with record labels, publicists and artist managers to create and execute strategic marketing initiatives to enhance artist reach across all of the network’s platforms.

Pier30 Music Agency Partners With IV Quarter Management

Nashville’s Pier30 Music Agency and IV Quarter Management have partnered up and the agency will now be representing IV Quarter’s artists Honest Men, 90’s Kids, Drive!Drive!, and Hylynd for booking.

IV Quarter was founded by Kirk Teachout in April of 2018 and he has since been joined by managers Wade Evans and Kaylene Widdoes. This past summer IV Quarter signed five artists to its roster.

“We are thrilled to be a part of the team helping to grow these artist’s careers and we couldn’t be happier with our partnership with Kirk and the managers of IV Quarter. I am excited to see what 2019 brings and the opportunities that present themselves as we move forward. We are expecting great things from these artists – they are ones you’re going to want to keep an eye on,” says CEO of Pier30, Hannah Hoyt.

Pier30 agents Logan Schulz and Klint Ruud will be handling booking for the new artists.

CMA Launches New International Touring Series ‘Introducing Nashville’

The CMA is releasing a new international touring series, “Introducing Nashville,” which launches in March in Australia and New Zealand featuring Brandy Clark, Devin Dawson, Lindsay Ell and Tenille Townes (Australia leg only), followed by an industry event in Tokyo including Frankie Ballard.

The shows will help introduce current artists to international audiences for the first time, and each tour stop will replicate a Nashville writers round, with artists appearing together in an acoustic lineup, performing and talking about their careers and personal stories.

Since 2012, CMA has invited more than 40 songwriters and artists overseas to familiarize audiences with the breadth and heritage of the country genre. The CMA Songwriters Series will continue to present songwriters to international fans with a focus on the importance of the craft of songwriting.

“We are excited to invest in artists who are building international careers and to help place them in front of fans in multiple cities who seldom experience Nashville artists live,” said Milly Olykan, CMA Vice President, International Relations and Development. “Launching the first Introducing Nashville tour with these distinct artists, each of which occupy such different lanes musically, illustrates the broad range of sounds coming out of Nashville and the country genre.”

Introducing Nashville 2019: 
March 18: Lismore, Australia – Lismore City Hall
March 19: Brisbane, Australia – The Old Museum
March 21: Sydney, Australia – The Factory Theatre
March 22: Canberra, Australia – The Abbey
March 23: Melbourne, Australia – Athenaeum Theatre
March 26: Auckland, New Zealand – Tuning Fork

Warner/Chappell Music Promotes Alison Junker To A&R Manager

Alison Junker

Warner/Chappell Music (WCM), the global publishing arm of Warner Music Group, has promoted Alison Junker to A&R Manager. This appointment will expand on Junker’s previous role as A&R Coordinator, focusing on her efforts to discover and collaborate with a diverse roster of talent.

“Alison began her career here at Warner/Chappell right out of college, and it’s been so rewarding to watch her progress and establish herself on Music Row,” said Ben Vaughn, President of Warner/Chappell Nashville. “She’s proven herself to be fearless in stepping into this industry, and we look forward to her continued development.”

Junker began her career as an A&R intern at Warner Music Group, and later became an A&R Assistant at Warner/Chappell Nashville, a role she held for nearly three years.

She graduated from Belmont University with a degree in Music Business, and is currently working with her alma mater to launch a songwriter internship program through WCM. Outside of work, Junker serves as a Court Appointed Special Advocate (CASA) for the Nashville chapter, a non-profit organization that provides volunteers to advocate for the best interests of child victims of abuse in court.

Chris Renzema Joins Centricity Music Roster

(L-R): Centricity Music VP of Finance Ben Stauffer, VP of Publishing Chad Segura, CEO Caren Seidle, Chris Renzema, General Manager Steve Ford, Sr. VP of A&R John Mays

Chris Renzema has signed a recording and publishing deal with Centricity Music.

Hailing from Grand Rapids, MI before moving to Nashville in 2015, Renzema’s music pairs folk-rock musicianship with storytelling and lyrical heart. His self-produced indie projects have brought worship songs to churches across the country, and the 23-year-old is working on new music to be released in 2019.

“Our entire team connected immediately with his voice and songwriting, and his personality felt like a natural fit for our family of artists and staff,” Centricity A&R Director Matt Ewald said. “We also saw the kind of connection he’s already made with listeners and knew we wanted to be part of helping that develop further.”

Tony Lucca Signs With Demolition Music

(L-R): Nate Cook, Steve Bloch – Creative Consultant, Pete Sallis, Tony Lucca, Jon D’Agostino – President, Drew Smith, Jamie Dryburgh – Creative Manager, Shane Barrett – Song Plugger, Michael August – Creative Manager, Adam Searan

Tony Lucca has signed with Demolition Music for publishing.

Lucca, a 2012 alum from The Voice who made it all the way to the finals, moved to Nashville in 2013. He recently released a single that pays homage to his new hometown, “Nashville,” and is working on a new album for 2019.

“Tony is the A+ triple threat who writes, plays, sings and has the experience we need to craft songs for the country, pop and sync markets,” says Demolition President, Jon D’Agostino.

“Demolition is the perfect addition ‎to Tony’s team and vision.” Says, Tom Derr, manager, Rock Ridge Music.

“Jon D’Agostino has brought an inspired work ethic to Nashville and leads by example,” says Lucca. “Demolition has a distinct family feel to it and one that I’m proud to be a part of. “