Luke Bryan Adds Gillette Stadium Show To Sunset Repeat Tour

Luke Bryan today announced he is adding a stop at Gillette Stadium on his Sunset Repeat Tour on June 21. The concert will include special guests Cole Swindell, Brett Young and EMI/32 Bridge Entertainment recording artist Jon Langston. DJ Rock will also appear.

The June 21 show will be the third trip to Gillette Stadium for Bryan, as the country music star performed two shows in July 2016 as part of his “Kill The Lights Tour” and made his Foxborough debut in August 2014 on his “That’s My Kind Of Night Tour.”

Tickets to the June 21 show will go on sale to the public Friday, March 8, at 10 a.m. at ticketmaster.com. Kraft Sports + Entertainment is the official promoter of the Sunset Repeat Tour show at Gillette Stadium.

Eli Young Band Announces ‘Greatest Hits’ Album

Eli Young Band announced today that their album This Is Eli Young Band (Greatest Hits) will be released on March 29 via The Valory Music Co.. The band announced the new tunes and preorder details via Facebook Live yesterday (Feb. 28) while in New York City for a tour stop honoring their home state of Texas.

“This is the first time you’ve ever been able to get some of that older music, new music, and the hits all in one place,” shared EYB’s Mike Eli during the Facebook Live.

The Greatest Hits will feature Eli Young Band No. 1’s “Drunk Last Night,” “Even If It Breaks Your Heart,” and “Crazy Girl”  as well as new songs “Where Were You” and their current charting single, “Love Ain’t.”

YouTube video

This Is Eli Young Band (Greatest Hits) Track Listing:
1. “Love Ain’t” (Ross Copperman, Ashley Gorley, Shane Mcanally)
2. “Even If It Breaks Your Heart” (Will Hoge, Eric Paslay)
3. “Drunk Last Night” (Laura Veltz, Josh Osborne)
4. “Crazy Girl” (Lee Brice, Liz Rose)
5. “Always The Love Songs” (David Lee Murphy, George Ducas)
6. “Dust” (Jon Jones, James Young, Kyle Jacobs, Josh Osborne)
7. “Saltwater Gospel” (Ross Copperman, Nicolle Galyon, Ashley Gorley)
8. “Guinevere” (Mike Eli, James Young, Scooter Carusoe)
9. “Skin & Bones” (Mike Eli, Phil Barton, Lori Mckenna)
10. “When It Rains” (Eli Young Band)
11. “Small Town Kid” (Mike Eli, Chris Thompson)
12. “Highways And Broken Hearts” (Mike Eli, Chris Thompson)
13. “Where Were You” (Luke Dick, Matt Jenkins, Josh Osborne)
14. “Crazy Girl (Acoustic)” (Lee Brice, Liz Rose)

This Is Eli Young Band (Greatest Hits) is available for pre-order now.

Ali Harnell Joins Live Nation As President And Chief Strategy Officer, Women Nation

Ali Harnell

Live Nation today announced that veteran concert promoter Ali Harnell has joined the company to spearhead women’s initiatives. In this newly-created division, Harnell will lead strategy and internal and external efforts to advance and support women in the live music business, as well as create and develop female-led and female-driven content.

With an employee base that is 45 percent female, Live Nation is dedicated to finding ways to serve and empower its female staff. Live Nation’s existing programs targeted to women include 21 chapters of We Nation, its signature employee-led group focused on empowering and connecting; Future Nation, a gender-balanced career development program; and the Women Nation Fund, an investment fund designed to provide capital to female entrepreneurs in the promotions and events industry.

Harnell will look to expand many of these efforts, forge partnerships with industry groups, drive research, and work to level the playing field for women in the live music business. She will report to Michael Rapino, CEO and President, Live Nation Entertainment and Bob Roux, President, US Concerts and be based in Nashville and Los Angeles.

“Ali’s decades of experience and insight into the opportunities and challenges for women in the live music business make her a powerful champion for the women of Live Nation,” said Rapino, President and CEO, Live Nation Entertainment. “Our goal is to work together to find scalable ways to empower the women at our company, and across the industry as a whole.”

“I am truly excited to dive into this new venture where I can combine my experience and relationships with my passion to help drive this historical and aspirational time of change for women,” said Harnell. “It feels especially apropos to announce this on the first day of Women’s History Month.”

Harnell was most recently Senior Vice President of Global Touring for AEG Presents. Prior to that, she spent 14 years as SVP for AEG/The Messina Group, overseeing the operations and talent buying for their Southeast regional business. In that capacity, she also co-created and curated talent for U.K. based country music festival, Country2Country. Earlier in her career, Harnell ran Pace Concerts Southeast where she booked Starwood Amphitheater, was a pivotal player in reviving concert activity at the Historic Ryman Auditorium and created the three-day music festival Nashville River Stages.  She began her career in 1990 in New York City at the William Morris Agency before joining Delsener/Slater Enterprises where she served as Vice President, booking the famed Irving Plaza, Roseland Ballroom and other venues.

Harnell has twice been named IEBA’s Promoter of the Year and was named Venue Today’s Woman of Influence. She is a five-time Billboard Women in Music honoree, a four-time Billboard Nashville Power Player and has been named to the Nashville Business Journal “Women in Music City” list four times. She has received multiple nominations for CMA and ACM Promoter of the Year, Pollstar’s Talent Buyer of the Year, and the Bill Graham Promoter of the Year.

Mary Lauren Teague Launches Management Company Dotted i Entertainment

Mary Lauren Teague. Photo: Heather Durham Photography

Mary Lauren Teague, formerly with Loeb & Loeb LLP, has launched the management company Dotted i Entertainment, with artist-writer Rory Feek as her first client.

As an attorney at Loeb & Loeb LLP, Teague was part of the legal team behind numerous transactional, intellectual property protection, and enforcement matters within the entertainment industry and was recognized by Variety in its annual “Legal Impact Report.” Her new venture allows Teague to delve into strategic career planning for her clients, in a variety of areas including music, books, television, touring and more.

“I wanted to get to work more closely with Rory and his family and be a part of continuing to build something bigger than ourselves,” Teague says. “His outlook and perspective are very unique, and I have tremendous respect for him, and am honored to have the opportunity to be a part of his story.”

A native of Selmer, Tennessee, Teague attended Belmont University and currently serves as an adjunct professor of music business at the University. Teague is on the leadership team for the Troubadour Society Advisory Committee at the Country Music Hall of Fame & Museum, a CMA member, and a SOLID and Grammy Next alumna.

Teague can be reached at marylauren@dottedient.com.

Michael Knox Promoted To Sr. VP, peermusic Nashville

Michael Knox

peermusic has promoted Michael Knox to Senior Vice President, peermusic Nashville, as announced today by Kathy Spanberger, President & Chief Operating Officer, peermusic. Knox, who previously served as Vice President of peermusic Nashville before his promotion, will continue to oversee all aspects of the company’s Nashville operation. In addition to his work with peermusic, Knox is also an accomplished producer who has produced 23 No. 1 songs and is well known for his work with superstar Jason Aldean.

“Michael’s creative and business leadership has been the reason peermusic has had such incredible success and growth in the country music space over the past few years. This promotion is a well-deserved acknowledgement of all of his contributions to the company. Personally, I am in awe of his abilities, especially his wicked sense of humor (!), and feel very fortunate to be able to work with him every day,” said Spanberger.

“I want to thank Kathy and the rest of the peermusic team not only for this promotion, but for the privilege to work with our amazing staff and the incredibly talented roster of artists and writers we have at peermusic Nashville. We’re all working together to build something really special here and I’m very proud to be part of it,” said Knox.

During his time leading peermusic’s Nashville office, the company has built itself into one of country music’s top independent publishers. It published the 2013 ASCAP Song of the Year with Randy Houser’s “How Country Feels” (co-written by Neil Thrasher and Vicky McGehee) and the 2016 SESAC Country Song of the Year with Dierks Bentley’s “Somewhere on a Beach” (co-written by Michael Tyler and Jaron Boyer).

peermusic currently has the number one most-added song at radio with Jason Aldean’s “Rearview Town” (produced by Knox and co-written by Neil Thrasher). The company’s writers also celebrate four songs on the country charts this week, including two songs in the Top 10, with Jason Aldean’s “Girl Like You” at No. 4 (produced by Knox and co-written by Jaron Boyer and Michael Tyler), Riley Green’s “There Was This Girl” at No. 8 (co-written by Erik Dylan), and Cole Swindell’s “Love You Too Late” (co-written by Brandon Kinney) and Jason Aldean’s “Rearview Town.”

Knox is on the ACM Board of Directors and has previously served on the CMA Board of Directors.

Thomas Rhett Reveals Upcoming Album ‘Center Point Road’ With New Single

Thomas Rhett announced his fourth studio album, Center Point Road, is due out May 31 on The Valory Music Co., and released the project’s leading single “Look What God Gave Her” today (March 1).

Center Point Road is named after the street in his Tennessee hometown that shaped and influenced much of his life experiences. More details about the project will be revealed later.

“Look What God Gave Her” was written by Rhett, Rhett Akins, Julian Bunetta, John Ryan and J Cash. It’s available for purchase and streaming now.

“I think I played this song 2,000 times in a month after we first wrote it,” said Thomas Rhett. “It makes me want to dance. It makes me want to move. And to me, the song really is a celebration of how awesome my wife is. I know I’ve done that in the past, but I’ve never really done it in an uptempo way.”

YouTube video

Center Point Road is available for pre-order here.

Nashville Band The Prescriptions Sign With Single Lock Records

Nashville-based rock band The Prescriptions have signed with Florence, Alabama-based Single Lock Records, and will release their debut album for the label, titled Hollywood Gold, on April 5. Previously-released singles off the record include “She Is Waiting,” “Cuts Like A Knife,” “Broken Wing,” and the title track.

Single Lock Records was founded in 2013 by John Paul White (formerly of the Civil Wars), alongside Ben Tanner and Will Trapp. The label’s artists include White, St. Paul and the Broken Bones, and Steelism, among others.

The Prescriptions’ Hays Ragsdale moved to Nashville in 2014, after family friend Chas Williams convinced him to try creating his sound in Music City. Ragsdale later teamed with bassist Parker McAnnally, and later guitarist Jack Thomason and drummer John Wood. The band has been recording their latest project in Nashville’s Sound Emporium Studios.

Hollywood Gold Tracklist:
1) Setting Sun
2) Hollywood Gold
3) She Is Waiting
4) Broken Wing
5) I’m Out
6) Can’t Ask For More
7) Cuts Like A Knife
8) Loose Ends
9) Night Before I Lost My Mind
10) All Your Life
11) Days Go By

Mark Your Calendar—March 2019

Single Add Dates

March 4
Chris Janson/Good Vibes/Warner Bros. Records
Kip Moore/The Bull/MCA Nashville
Thomas Rhett/Look What God Gave Her/Valory
HARDY/Rednecker/Big Loud Records
David Lee Murphy/No Zip Code/Reviver Records
Michael Zaib/Broken Hearts Should Be A Crime/Trestle Ridge
Bailey James/Devil Won’t Take Me Down/KA4 Productions
Kelsie May/Fool For You/MC1 Nashville
Linde LeChance/Green Eyes/SMG

March 11
King Calaway/World For Two/Stoney Creek Records

March 18
Michael Corin/Little Bit Reckless/SMG
Lady Redneck/Duct Tape My Broken Heart/LR Records

March 21
Liz Moriondo/You Made Me (Momma’s Song)/Gone Fishin’ Records
Jason Benoit/I Won’t Go/Vicktory Music Group

March 25
Randy Rogers Band/Crazy People/Thirty Tigers
Cash Creek/My One and Only Weakness/Heartland Records Nashville
Arlene Quinn/Jackpot/Willow Sound

Album Release Dates

March 1
Lonnie Spiker/Five/Megalith Nashville

March 8
Maren Morris/GIRL/Columbia Records Nashville
Elijah Woods x Jamie Fine/8:47/Big Machine Records

March 22
Steven Curtis Chapman/Deeper Roots: Where The Bluegrass Grows

March 29
George Strait/Honky Tonk Time Machine/MCA Nashville
Jake Owen/GREETINGS FROM…JAKE/Big Loud Records
LOCASH/Brothers/Wheelhouse Records-BBR Music Group
Steve Earle/GUY/New West Records
Michael Johnathon/Dazed and Confuzed/PoetMan Records

Industry Events

March 8-17
SXSW

March 14
Sixth annual iHeartRadio Music Awards airing live from the Microsoft Theater in Los Angeles on FOX

March 19
Final round voting closes for 2019 ACM Awards

March 26
MusicRow‘s Rising Women On The Row celebration at the Omni Nashville Hotel [tickets required]

March 26 – 30
NSAI’s Tin Pan South

Weekly Chart Report (3/1/19)

Click here or above to access MusicRow’s weekly CountryBreakout Report.

Kacey Musgraves Welcomes Ruston Kelly, Paramore’s Hayley Williams For Triumphant Nashville Homecoming

Hayley Williams and Kacey Musgraves. Photo: Catherine Powell/Ryman Instagram

On Wednesday evening (Feb. 27), Kacey Musgraves brought her Oh, What A World Tour to Nashville’s Ryman Auditorium (the first of four consecutive sold-out Ryman concerts for her this week). The concert served as a triumphant homecoming for the UMG Nashville-signed singer, who recently took home the coveted all-genre Album of the Year Grammy award for her sterling Golden Hour project.

The show marked Musgraves’ first show in Nashville following her Grammy trophy gatherings, where she also took home three additional awards including Best Country Album (also Golden Hour), while two tracks from that project also earned awards—“Space Cowboy” for Best Country Song, and “Butterflies” for Best Country Solo Performance.

Musgraves came prepared to celebrate that sterling project at the Ryman, with the majority of the set list drawn from Golden Hour. She opened the show, resplendent in a bubblegum-pink pantsuit, with “Slow Burn,” before turning to the lush, ‘70s country-pop of “Wonder Woman.” She would revisit those sultry accents in her rendition of “Velvet Elvis.”

“I’ve missed home a lot,” Musgraves said. “I know this place can be fancy. You are sitting in church pews, but that don’t matter tonight.” She said, and later spurred the audience members to give each other high fives and throw their middle fingers in the air all around the historic venue.

Though she dubbed herself “Spacey Kacey,” Musgraves held court that evening, as her warm and transcendent voice, paired with her engrossing musical repertoire and her whimsical attire, evoked the flair of essence of country’s revered performers and song crafters like Dolly Parton and Loretta Lynn. In a nod to Golden Hour’s album cover, large fans provided an larger-than-life, yet understated backdrop.

All perfectly fitting, given that it was at the Ryman Auditorium when Musgraves first introduced radio programmers to her debut single, “Merry Go ‘Round” back in 2012. During this evening’s show, Musgraves scarcely needed to even sing her sharp-witted criticism of small-town short-comings, as the audience gleefully—and, this being Nashville, in perfect unison—sang the lyrics back to her.

“Are y’all a bunch of singers?” she quipped.

Musgraves peppered her performance with such canny quips.

“Is weed not legal here yet?” she said, following a performance of “High Time.”

Her silky voice consistently brings a sense of contentment and even destiny in equal measure to both life’s wonders (“Oh, What A World,” which earned her a standing ovation) and disappointments (the zen romantic farewell of “Space Cowboy”).

Pictured (L-R): Ryman Director of Concerts Chrissy Hall, Sandbox Entertainment’s Leslie Cohea, Senior Vice President of Programming and Artist Relations for Grand Ole Opry & Ryman Auditorium General Manager Sally Williams, Kacey Musgraves, Sandbox Entertainment President/CEO Jason Owen, Sandbox Entertainment’s Samantha Borenstein

The Texas native reflected on a couple additional high-profile appearances, including presenting an award at the Oscars, and a performance at RodeoHouston. Her spin at the revered Texas venue included both a cover of the late Selena Quintanilla’s “Como La Flor,” and a fitting conclusion to the show, riding off from the stage on a horse when ending the show with “High Horse.”

“I’ve never seen such Texan shit in my life, and I’m from Texas,” she told the Ryman crowd.

She thanked the Music City audience, which included several music industry execs. “Nashville has had a lot to do with that,” she said.

She welcomed husband and fellow musician Ruston Kelly to the stage, telling the crowd how they met.

“It’s sickeningly Nashville,” she said. “We met at the Bluebird [Café]. I went by myself and sat at the bar and I heard him sing.”

The pair performed “To June This Morning,” a track from the album Johnny Cash: Forever Words, setting their own musical arrangements to words Cash penned as a poem to his wife June Carter Cash in early 1970, while she was pregnant with their son John Carter Cash.

The tempo lifted as Musgraves welcomed Paramore’s Hayley Williams to the stage for a fun harmony-filled frolic on Cyndi Lauper’s “Girls Just Want To Have Fun.”

She neared the close of her set with a couplet of uplifting, comforting tracks.

“Country music hasn’t always been the most inclusive of environments, but not anymore,” she remarked, to the cheers of the audience.

She emphasized that statement with her 2013 hit, “Follow Your Arrow,” which earned a CMA Award for Song of the Year from Nashville’s music industry voters, and “Rainbow,” the calm, soul-reviving piece she offered during the recent Grammy awards. The peacefulness of “Rainbow” stirred into freedom and merriment as the show closed on her disco and western music-infusion “High Horse,” where she swayed along with the audience while her band members threw plastic balls into the audience, turning the revered, historic Ryman Auditorium into a shimmering, golden dance party.