
Parker Welling, Nicolle Galyon, Emily Weisband perform at the Listening Room Cafè. Photo: Tin Pan South.
The Tin Pan South Songwriters Festival kicked off its 27th year Tuesday night (March 26) in bars and listening rooms across Nashville. With three new venues to hold rounds during the week—Analog at Hutton Hotel, the Lounge at City Winery and TRUE Music Room & Bar—this year’s Tin Pan South includes nearly 400 songwriters in a variety of genres performing in over 90 rounds.

Pictured (Top row, L-R): Creative Nation’s Barry Dean, Steve Moakler, Alec Bailey, Luke Laird, Kassi Ashton, Christina Wighton, Shaina Botwin, Casey Brown; (L-R, bottom row): Jeff Skaggs, Rachel Burleson, Kelsey Granda, Lori McKenna, Beth Laird. Photo: Tin Pan South.
During the 6 p.m. show slot, 3rd & Lindsley was the hot ticket with award-winning Creative Nation songwriters Lori McKenna, Barry Dean and Luke Laird sharing their hits and inviting special guests up to perform, benefitting the W.O. Smith Music School.
McKenna played her Grammy-winning Best Country Song titles, “Girl Crush” (Little Big Town) and “Humble and Kind” (Tim McGraw), as well as her poignant stunner “People Get Old” from her 2018 album The Tree. Laird played his recent Grammy-winner, “Space Cowboy” (Kacey Musgraves) as well as “Down To The Honky Tonk” (Jake Owen)–with a bit of help from the charming Kassi Ashton in the audience who yelled “when I’m gone!” when Laird prompted her. Ashton later joined the stage to share her moving new single, “Pretty Shiny Things.”
Dean’s always enjoyable voice shared his tunes “Diamond Rings and Old Barstools” (Tim McGraw) and “Somebody’s Daughter” (Tenille Townes); he was joined by co-writers McKenna and Laird for their new George Strait cut, “God And Country Music.”
Creative Nation’s Casey Brown (“Blue Tacoma,” “Yours”), Steve Moakler (“Suitcase,” “Riser”) and newcomer Alec Bailey all appeared as guests at the show.

Creative Nation at 3rd & Lindsley. Photo: Tin Pan South
SMACKSongs hosted a round at Douglas Corner featuring rising talents Ryan Beaver, Aaron Eshuis, Matt McGinn and Teddy Robb. Beaver played his witty HARDY tune “4X4,” as well as some moody songs like “I Wish You Were Here” and “Rhinestoned.” Eshuis played his first No. 1, Scotty McCreery’s “This Is It,” as well as “Michigan For The Winter” (Ryan Hurd) and a hilarious tune about missing his significant other’s birthday.
McGinn played one of his many Kane Brown cuts, “Heaven,” as well as “I’m Gonna Miss You” (Michael Ray) and “Wasn’t That Drunk” (Josh Abbott Band). Robb played his debut single “Lead Me On,” and his impressively tender “Tell Me How.”

Pictured: Brett James, Lee Thomas Miller, Wendell Mobley at 3rd & Lindsley. Photo: Tin Pan South
The 9 p.m. show slot had a variety of great options, like Brett James, Lee Thomas Miller, Wendell Mobley at 3rd & Lindsley, or Nicolle Galyon, Emily Weisband, Parker Welling and guests at the Listening Room Café.
Sony/ATV’s round at the TRUE Music Room & Bar at the Cambria Hotel lent to a hilarious night with Jon Nite, Jaren Johnston, Ross Copperman and new Sony/ATV writer, Josh Osborne. Dubbed the “You ‘SONY’d’ To See This!” round, the show featured entertaining performances of great songs, and even more entertaining banter between country rocker Johnston and hit-maker Osborne.
Seemingly wary of the new kid at Sony/ATV, Johnston tested him with teasing comments about Osborne’s commercial success. MusicRow‘s Top Songwriter of 2018 retaliated with jokes about Johnston’s band, The Cadillac Three. All in good fun, the two were keeping the crowd laughing.
Nite kicked the round off with his Keith Urban and Miranda Lambert duet “We Were Us,” and talked about the unfortunate placement of the tattoo he was forced into after he and his co-writers promised they would get one if the song went to No. 1. He also played his touching “Boy” (Lee Brice) and “Break Up In The End” (Cole Swindell), and his fun “Beachin'” (Jake Owen). After hearing from Osborne that his wife liked Nite’s singing voice, Nite hilariously played his Luke Bryan hit “Strip It Down.”
Johnston, with his father Jerry Ray Johnston supplying the percussion, played his cuts “Sunshine & Whiskey” (Frankie Ballard), “Raise ‘Em Up” (Keith Urban with Eric Church), “Meanwhile Back At Mama’s” (Tim McGraw) and Billy Currington’s “Don’t It”—or as his co-writer Copperman would say, “Donut.” He ended with the anthemic love song penned for his wife, ASCAP exec Evyn Mustoe, that The Cadillac Three recorded, “White Lightning.”
Copperman—who sat between the beefing Johnston and Osborne—kept up with Kenny Chesney hits “Get Along” and “Setting the World on Fire,” Keith Urban smashes “John Cougar, John Deere, John 3:16” and “Break On Me” and a Dierks Bentley No. 1 “Woman, Amen.”
Osborne, when he wasn’t telling jokes, played a wide sampling of hits, including “All the Pretty Girls” (Kenny Chesney), “Drinkin’ Problem” (Midland), “One That Got Away” (Michael Ray), “Hotel Key” (Old Dominion), and “Body Like A Back Road” (Sam Hunt).
The foursome talked about how important Tin Pan South is to songwriters. In the next breath they encouraged all the songwriters in the room to go talk to the Sony/ATV execs who were at the round (like Josh Van Valkenburg and Duff Berschback) and added that all the songwriters should ask them for deals.
“We may all be looking for a place to write tomorrow,” Osborne joked as they closed the show.

BMI Presents: Nicolle Galyon, Emily Weisband, Parker Welling, Plus Their Girls Club. Photo: Tin Pan South

Brett James. Photo: Tin Pan South

Brett James, Lee Thomas Miller, Wendell Mobley. Photo: Tin Pan South

Parker Welling. Photo: Tin Pan South

Barry Dean, Lori McKenna, Steve Moakler. Photo: Tin Pan South

Kassi Ashton. Photo: Tin Pan South

Rodney Atkins. Photo: Tin Pan South

Casey Brown. Photo: Tin Pan South

Nicolle Galyon. Photo: Tin Pan South

BMI’s Jody Williams, BMI songwriters Madison Kozak and Parker Welling, BMI’s Leslie Roberts and BMI songwriter Nicolle Galyon gather backstage at the Listening Room. Photo: Steve Lowry
The Ty Bentli Show To Debut In United Kingdom
/by Jessica NicholsonThe United Kingdom’s Bauer media is set to launch the first nationwide country music radio station in the UK, Country Hits Radio, with The Ty Bentli Show as the only American radio show included. Ty Bentli and his co-hosts Chuck Wicks and Tricia “TJ” Jenkins will entertain fans during the afternoon drive time in the UK.
Country Hits Radio launches on April 5, 2019 via DAB in top markets London, Birmingham, Manchester, Liverpool, Leeds, South Yorkshire, Lancashire, Humberside, Tyne & Wear, Teesside, Glasgow, Edinburgh, Tayside, Inverness and Ayr. The Ty Bentli Show joins a lineup of presenters that includes Jennie Longdon, Baylen Lenoard, and Una Healy (of The Saturdays).
Bentli said, “Every trip I’ve taken to Europe, I’ve sat for hours with a notepad and an AM/FM headset listening to radio at a table or park and taking notes with a fantasy in my head that maybe someday I’d have the chance to be a presenter in the UK. Not only will I now be living that dream, I get to do it in a way that’s never been done! Bauer is spreading COUNTRY across the UK and I can’t wait to take our UK listeners behind-the-scenes to understand what makes their favorite artists tick, while also sharing hilarious moments, real-life insecurities and triumphs of our daily experiences as they intertwine with the Music City, and the stars that make the country music we play!”
James Brownlow, Content Director for Country Hits Radio, said “Since we have the responsibility of launching the UK’s first-ever national country music radio brand, it was vitally important to everyone at Country Hits Radio that we pull together a team that could represent the current country music scene as well as authentically engage UK and world audiences with original, entertaining, and market-leading content. This vision led us directly to The Ty Bentli Show. After speaking to Ty and the team at Westwood One and Cumulus Media, we knew this was the right fit. Great Britain is going to have one brilliant country music party each weekday on their way home!”
“We’re delighted that Bauer Media recognized that by giving The Ty Bentli Show a featured role on Country Hits Radio channel, they are giving their UK audience a front-row seat to Nashville’s country music scene,” added Suzanne Grimes, EVP, Marketing for Cumulus Media and President, Westwood One “Ty’s unique interview style attracts the who’s who of country music, and we are excited to share the program with an entirely new audience of country music fans.”
CMA Expands Communications Team
/by Jessica NicholsonPictured: Catharine McNelly, Stephanie Shank
The Country Music Association has announced the promotion of Catharine McNelly to Senior Director of Communications, overseeing the organization’s media and communications efforts, while Stephanie Shank joins CMA’s Communications team as Manager of Production & Talent Relations.
McNelly advances to Senior Director of Communications from Director of Communications, a position she has held for over a year. In her new role, she will lead the Communications department, developing strategic media plans for CMA’s television properties and live events as well as organizational initiatives. Before joining CMA, McNelly worked for Columbia Records where she was a senior publicist, overseeing the campaigns of a diverse group of artists, including James Arthur, Leonard Cohen, Celine Dion, First Aid Kit, Calvin Harris, Rachel Platten, Natalie Prass, The Shins and Pharrell Williams. Prior to Columbia, McNelly worked at Atlantic Records, handling campaigns for Death Cab for Cutie, Flo Rida, Paramore, Portugal. The Man, Straight No Chaser, T.I., and the “Twilight” series soundtracks. A native of Alton, Illinois, she received a Communications and Media Studies degree from Fordham University in New York City.
“Catharine has been a valuable leader to the Communications team and has brought a spirit of collaboration, passion, innovation and media expertise to the role since joining CMA in 2017,” said Damon Whiteside, CMA Chief Marketing Officer. “She and her dedicated team will continue to develop new, more effective ways of driving CMA’s strategic communications initiatives including the CMA Foundation, while further supporting our organization’s growth and expansion.”
Shank has worked as a contractor for CMA since August 2018, assisting the Communications department with the execution of the CMA Awards, “CMA Country Christmas,” the Country Music Hall of Fame inductee press conference and more. In her new role as Manager of Production & Talent Relations, Shank will continue to work with the Communications team, serving as a production and planning liaison between internal departments and talent representatives. In addition to overseeing media production aspects, Shank will serve as the point person for talent and media at all CMA Events. Prior to CMA, she worked for FlyteVu where she managed publicity campaigns and organized talent interviews for Bumble, Cracker Barrel, Lyft and Tennessee Tourism. Before FlyteVu, Shank worked for dick clark productions in Los Angeles as Manager of Communications and Talent Relations, working on awards shows and television events including the American Music Awards, Academy of Country Music Awards, Billboard Music Awards, Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest, Golden Globe Awards and more. An Orange County, California native, she graduated from California State University, Fullerton with a degree in Communications: Entertainment Studies.
McNelly, whose team also includes Manager of Media Relations, Krista Dial, and Communications Coordinator, Lisa Valentine, reports to Whiteside. Reach her at cmcnelly@cmaworld.com. Shank reports to McNelly. Reach her at sshank@cmaworld.com.
Luke Combs Extends Beer Never Broke My Heart Through Fall 2019
/by Eric T. ParkerLuke Combs will extend his sold-out Beer Never Broke My Heart Tour through this fall. The newly confirmed dates commence Sept. 26 at Rogers, Arkansas’ Walmart AMP, and span through the end of the year, culminating at Nashville, Tennessee’s Bridgestone Arena on Dec. 13. Special guests throughout the tour include Morgan Wallen, The Cadillac Three and Jameson Rodgers.
Presale will be available starting Tuesday, April 2 at 10 a.m. local time with general on-sale following on Friday, April 5 at 10 a.m. local time.
Earlier this week, Combs made history as the first artist to simultaneously top all five Billboard country charts for multiple weeks: Top Country Albums, Hot Country Songs, Country Airplay, Country Streaming Songs and Country Digital Song Sales (dated March 9 and March 30).
The success comes on the heels of Combs’ 2x Platinum single, “Beautiful Crazy,” which remains No. 1 on the Mediabase/Country Aircheck chart for the third-straight week and holds strong at No. 1 on Billboard‘s Country Airplay chart for the fifth-straight week.
Already the 2019 ACM Award-winner for New Male Artist of the Year, Combs is also nominated for Male Artist of the Year at this year’s awards and will perform during the ceremony.
LUKE COMBS’ BEER NEVER BROKE MY HEART FALL TOUR:
September 26—Rogers, AR—Walmart AMP§
September 27—Bloomington, IL—Grossinger Motors Arena§
September 28—St. Paul, MN—Xcel Energy Center§
October 3—Cape Girardeau, MO—Show Me Center**
October 4—Kansas City, MO—Sprint Center**
October 5—Des Moines, IA—Wells Fargo Arena**
October 8—Winnipeg, MB—Bell MTS Place**
October 10—Saskatoon, SK—SaskTel Center**
October 11—Edmonton, AB—Rogers Place**
October 12—Calgary, AB—The Scotiabank Saddledome**
October 15—Missoula, MT—Adams Center**
October 16—Bozeman, MT—Brick Breeden Fieldhouse**
October 18—Portland, OR—Moda Center**
October 19—Vancouver, BC—Rogers Arena**
October 25—Fresno, CA—Save Mart Center**
October 26—Sacramento, CA—Golden 1 Center**
October 31—Nampa, ID—Ford Idaho Center**
November 1—Spokane, WA—Spokane Arena**
November 2—Tacoma, WA—Tacoma Dome**
November 6—San Jose, CA—SAP Center at San Jose**
November 8—Phoenix, AZ—Talking Stick Resort Arena**
November 15—Indianapolis, IN—Bankers Life Fieldhouse**
November 16—Cleveland, OH—Quicken Loans Arena**
November 21—Philadelphia, PA—Wells Fargo Center**
November 22—Uncasville, CT—Mohegan Sun Arena**
November 23—Pittsburgh, PA—PPG Paints Arena**
December 5—Bossier City, LA—CenturyLink Center**
December 6—Lubbock, TX—United Supermarkets Arena**
December 13—Nashville, TN—Bridgestone Arena**
§with The Cadillac Three and Jameson Rodgers
**with Morgan Wallen and Jameson Rodgers
Vince Gill, Jerry Douglas, Keb’ Mo’ Among Lineup For Eric Clapton’s Crossroads Guitar Festival
/by Lorie HollabaughEric Clapton is hosting his fifth Crossroads Guitar Festival on Sept. 20-21 in Dallas, the city that hosted the very first Crossroads event. Vince Gill, Bonnie Raitt, Joe Walsh, and Billy Gibbons will be among the guitarslingers performing at the unique festival, which has become legendary in its own right for hosting performances and impromptu collaborations from the world’s most legendary guitar players.
This year’s festival will feature two nights of performances with once-in-a-lifetime guitar collaborations. and festival-goers can expect unrivaled entertainment, brilliant guitar work, surprise guests and impromptu jams during the celebration. All profits from the Festival will benefit The Crossroads Centre in Antigua, a treatment and education facility founded by Clapton for chemically dependent persons.
Along with the concerts, the Guitar Center Festival Village will be featured on Victory Plaza adjacent to the arena. Some of the world’s best guitar and gear manufacturers, including Ernie Ball, Fender, Gibson, Martin, PRS, and more, will host interactive exhibits where guitar enthusiasts can plug in and play new products and classic favorites. In addition, Guitar Center Festival Village Stage Presented by Ernie Ball will host master guitar clinics and solo performances by main stage artists, next generation guitar virtuosos, and special surprise guests. The Guitar Center Festival Village will be open from 12 p.m. to 8 p.m. each day and is free to all ticket holders. Citi cardmembers will have first access to purchase pre-sale Crossroads tickets beginning April 2 through April 3 at 10 p.m. CT. General public on-sale will begin Friday, April 5 at 10 am CT.
Alan Darby
Albert Lee
Andy Fairweather Low
Billy Gibbons
Bonnie Raitt
Bradley Walker
Buddy Guy Band
Daniel Santiago
Derek Trucks
Doyle Bramhall II
Eric Clapton
Gary Clark Jr.
Gustavo Santaolalla
James Bay
Jeff Beck
Jerry Douglas
Jimmie Vaughan
Joe Walsh
Jonny Lang
Keb’ Mo’
Kurt Rosenwinkel
Los Lobos
Pedro Martins
Peter Frampton
Robert Cray
Robert Randolph
Sheryl Crow
Sonny Landreth
Susan Tedeschi
Tom Misch
Vince Gill
Dan + Shay Added To Shawn Mendes’ Australian Tour Dates
/by Jessica NicholsonDan + Shay will join Shawn Mendes‘ Australian tour dates in Perth, Adelaide, Melborne and Sydney later this year. The duo, riding high on singles including their Grammy-winning “Tequila,” as well as “Speechless” and “All To Myself,” will join the pop star on a run of six tour dates beginning in October.
Australian artist Ruel is also on the bill for shows in both Australia and New Zealand in November.
The tour is in support of Mendes’ self-titled 2018 album. “In My Blood,” a recent single from the project, has been certified Platinum.
Australia dates with Dan + Shay:
Oct. 23 – Perth, AU @ RAC Arena
Oct. 26 – Adelaide, AU @ Adelaide Entertainment Centre
Oct. 29 – Melbourne, AU @ Rod Laver Arena
Oct. 30 – Melbourne, AU @ Rod Laver Arena
Nov. 2 – Sydney, AU @ Qudos Bank Arena
Nov. 3 – Sydney, AU @ Qudos Bank Arena
Industry Ink: Music City Mentors, CRS, John Berry, Music Health Alliance, Deluge Music
/by Jessica NicholsonMusic City Mentors Makes Official Launch
Pictured (L-R): Bill Cody and Sally Williams
650 AM WSM hosted its inaugural Music City Mentors program over the weekend at The Factory in Franklin, Tennessee. The event paired entertainment professionals with those dreaming of a career in the music industry, providing music education and professional development opportunities to aspiring music professionals ages 15 and over. The day featured 45-minute sessions focusing on songwriting, artist management, tour life, publicity and everything in between.
SVP Artists Relations and Grand Ole Opry GM, Sally Williams, gave the keynote address. Attendees concluded their day with speed networking opportunities from “best-in-the-business professionals.”
Reminder: CRS Agenda Committee Deadline This Friday
John Berry
The deadline to submit applications for the 2019-2020 CRS Agenda Committee is Friday (March 29). Prospective applicants must be available to attend agenda meetings in Nashville on June 19-21, 2019. Applicants are also expected to attend CRS 2020, which will be held Feb. 19-21, 2020. The CRS Agenda Committee will be made of volunteer professionals in various sectors of the country radio, streaming, and record industries.
Applications can be submitted at countryradioseminar.com.
Nashville’s Music Community To Host Benefit For John Berry, Music Health Alliance
Emily Dryburgh
Deluge Music has promoted Emily Dryburgh to the role of Creative Director.
“Emily has been without a doubt a wonderful asset to our team and very deserving of this promotion!” says Mark Friedman, president of Deluge Music.
Deluge represents writers including Kylie Sackley, Jason Saenz, Smithfield and more.
The Raconteurs, Brandi Carlile, Hozier, Tyler Childers To Lead Railbird Festival
/by Jessica NicholsonLexington, Kentucky’s Railbird Festival, set for Aug. 10-11, has revealed the performer lineup, including headlining shows from The Raconteurs, Brandi Carlile, Hozier and Tyler Childers.
Others on the lineup include Old Crow Medicine Show, Lucinda Williams, I’m With Her, Ruston Kelly, Lucie Silvas and more.
Presented by AC Entertainment, the event will offer premium experiences, including horse racing and food from James Beard nominee Ouita Michael (Holly Hill Inn & more), Top Chef season 16 runner up Sara Bradley (freight house), Master Chef alumnus Dan Wu (Atomic Ramen), Cole Arimes (Cole 735 Main), Toa Green (Crank and Boom) and others.
Public on-sale begins Thursday (March 28) at 10 a.m. ET at railbirdfest.com.
Downtown Music Holdings Acquires AVL Digital Group
/by Jessica NicholsonDowntown Music Holdings, parent company of Downtown Music Publishing and Songtrust, has acquired AVL Digital Group and its portfolio of businesses which include CD Baby, AdRev, DashGo and Soundrop. The deal is expected to close in early April. AVL Digital and its companies will continue to operate as a separate subsidiary of Downtown Music Holdings, and will be led by CD Baby’s CEO Tracy Maddux.
AVL’s physical product divisions, Disc Makers, BookBaby, and Merchly, will be acquired in a separate transaction by the Disc Makers executive team as part of the newly-formed DIY Media Group. Disc Makers and AVL’s digital distribution businesses will maintain their strategic partnership so artists can continue to easily offer their fans both digital and physical products.
“Tracy and his team have built a portfolio of music businesses operating at unmatched scale. AVL’s technology, diverse offerings and artist-first approach are well-positioned to power some of the fastest growing segments of the industry,” said Downtown Founder and CEO Justin Kalifowitz.
“This transaction will allow us to take the services we offer the independent music community to the next level,” added Maddux. “We are excited to continue to build leading platforms that help artists release, promote and monetize their music all around the world.”
The acquisition expands Downtown’s global footprint to include more than 300 employees in 14 markets in North America, Europe, Asia, Australia, and Latin America.
“Beyond shared values, the acquisition of AVL expands upon our existing portfolio and represents Downtown’s strategy of developing and investing in preeminent music businesses serving the full spectrum of music creators,” added Kalifowitz.
Downtown’s publishing division is home to some of the most iconic songs in the world including Gershwin & Heyward’s “Summertime” and John Lennon and Yoko Ono’s “Imagine.” In 2019, its contemporary songwriters have been nominated for 18 Grammy Awards and scored multiple No. 1 hit singles including Lady Gaga and Bradley Cooper’s “Shallow.” Its Songtrust division, a global royalty collection provider, is one of the most widely used applications in the industry, serving over 170,000 songwriters and music publishers across 1.6 million song copyrights.
Tin Pan South 2019 Launches With Music From Nicolle Galyon, Luke Laird, Lori McKenna, Josh Osborne And More
/by LB CantrellParker Welling, Nicolle Galyon, Emily Weisband perform at the Listening Room Cafè. Photo: Tin Pan South.
The Tin Pan South Songwriters Festival kicked off its 27th year Tuesday night (March 26) in bars and listening rooms across Nashville. With three new venues to hold rounds during the week—Analog at Hutton Hotel, the Lounge at City Winery and TRUE Music Room & Bar—this year’s Tin Pan South includes nearly 400 songwriters in a variety of genres performing in over 90 rounds.
Pictured (Top row, L-R): Creative Nation’s Barry Dean, Steve Moakler, Alec Bailey, Luke Laird, Kassi Ashton, Christina Wighton, Shaina Botwin, Casey Brown; (L-R, bottom row): Jeff Skaggs, Rachel Burleson, Kelsey Granda, Lori McKenna, Beth Laird. Photo: Tin Pan South.
During the 6 p.m. show slot, 3rd & Lindsley was the hot ticket with award-winning Creative Nation songwriters Lori McKenna, Barry Dean and Luke Laird sharing their hits and inviting special guests up to perform, benefitting the W.O. Smith Music School.
McKenna played her Grammy-winning Best Country Song titles, “Girl Crush” (Little Big Town) and “Humble and Kind” (Tim McGraw), as well as her poignant stunner “People Get Old” from her 2018 album The Tree. Laird played his recent Grammy-winner, “Space Cowboy” (Kacey Musgraves) as well as “Down To The Honky Tonk” (Jake Owen)–with a bit of help from the charming Kassi Ashton in the audience who yelled “when I’m gone!” when Laird prompted her. Ashton later joined the stage to share her moving new single, “Pretty Shiny Things.”
Dean’s always enjoyable voice shared his tunes “Diamond Rings and Old Barstools” (Tim McGraw) and “Somebody’s Daughter” (Tenille Townes); he was joined by co-writers McKenna and Laird for their new George Strait cut, “God And Country Music.”
Creative Nation’s Casey Brown (“Blue Tacoma,” “Yours”), Steve Moakler (“Suitcase,” “Riser”) and newcomer Alec Bailey all appeared as guests at the show.
Creative Nation at 3rd & Lindsley. Photo: Tin Pan South
SMACKSongs hosted a round at Douglas Corner featuring rising talents Ryan Beaver, Aaron Eshuis, Matt McGinn and Teddy Robb. Beaver played his witty HARDY tune “4X4,” as well as some moody songs like “I Wish You Were Here” and “Rhinestoned.” Eshuis played his first No. 1, Scotty McCreery’s “This Is It,” as well as “Michigan For The Winter” (Ryan Hurd) and a hilarious tune about missing his significant other’s birthday.
McGinn played one of his many Kane Brown cuts, “Heaven,” as well as “I’m Gonna Miss You” (Michael Ray) and “Wasn’t That Drunk” (Josh Abbott Band). Robb played his debut single “Lead Me On,” and his impressively tender “Tell Me How.”
Pictured: Brett James, Lee Thomas Miller, Wendell Mobley at 3rd & Lindsley. Photo: Tin Pan South
The 9 p.m. show slot had a variety of great options, like Brett James, Lee Thomas Miller, Wendell Mobley at 3rd & Lindsley, or Nicolle Galyon, Emily Weisband, Parker Welling and guests at the Listening Room Café.
Sony/ATV’s round at the TRUE Music Room & Bar at the Cambria Hotel lent to a hilarious night with Jon Nite, Jaren Johnston, Ross Copperman and new Sony/ATV writer, Josh Osborne. Dubbed the “You ‘SONY’d’ To See This!” round, the show featured entertaining performances of great songs, and even more entertaining banter between country rocker Johnston and hit-maker Osborne.
Seemingly wary of the new kid at Sony/ATV, Johnston tested him with teasing comments about Osborne’s commercial success. MusicRow‘s Top Songwriter of 2018 retaliated with jokes about Johnston’s band, The Cadillac Three. All in good fun, the two were keeping the crowd laughing.
Nite kicked the round off with his Keith Urban and Miranda Lambert duet “We Were Us,” and talked about the unfortunate placement of the tattoo he was forced into after he and his co-writers promised they would get one if the song went to No. 1. He also played his touching “Boy” (Lee Brice) and “Break Up In The End” (Cole Swindell), and his fun “Beachin'” (Jake Owen). After hearing from Osborne that his wife liked Nite’s singing voice, Nite hilariously played his Luke Bryan hit “Strip It Down.”
Johnston, with his father Jerry Ray Johnston supplying the percussion, played his cuts “Sunshine & Whiskey” (Frankie Ballard), “Raise ‘Em Up” (Keith Urban with Eric Church), “Meanwhile Back At Mama’s” (Tim McGraw) and Billy Currington’s “Don’t It”—or as his co-writer Copperman would say, “Donut.” He ended with the anthemic love song penned for his wife, ASCAP exec Evyn Mustoe, that The Cadillac Three recorded, “White Lightning.”
Copperman—who sat between the beefing Johnston and Osborne—kept up with Kenny Chesney hits “Get Along” and “Setting the World on Fire,” Keith Urban smashes “John Cougar, John Deere, John 3:16” and “Break On Me” and a Dierks Bentley No. 1 “Woman, Amen.”
Osborne, when he wasn’t telling jokes, played a wide sampling of hits, including “All the Pretty Girls” (Kenny Chesney), “Drinkin’ Problem” (Midland), “One That Got Away” (Michael Ray), “Hotel Key” (Old Dominion), and “Body Like A Back Road” (Sam Hunt).
The foursome talked about how important Tin Pan South is to songwriters. In the next breath they encouraged all the songwriters in the room to go talk to the Sony/ATV execs who were at the round (like Josh Van Valkenburg and Duff Berschback) and added that all the songwriters should ask them for deals.
“We may all be looking for a place to write tomorrow,” Osborne joked as they closed the show.
BMI Presents: Nicolle Galyon, Emily Weisband, Parker Welling, Plus Their Girls Club. Photo: Tin Pan South
Brett James. Photo: Tin Pan South
Brett James, Lee Thomas Miller, Wendell Mobley. Photo: Tin Pan South
Parker Welling. Photo: Tin Pan South
Barry Dean, Lori McKenna, Steve Moakler. Photo: Tin Pan South
Kassi Ashton. Photo: Tin Pan South
Rodney Atkins. Photo: Tin Pan South
Casey Brown. Photo: Tin Pan South
Nicolle Galyon. Photo: Tin Pan South
BMI’s Jody Williams, BMI songwriters Madison Kozak and Parker Welling, BMI’s Leslie Roberts and BMI songwriter Nicolle Galyon gather backstage at the Listening Room. Photo: Steve Lowry
Grammys Revise Voting Dates
/by Lorie HollabaughThe Recording Academy has revised the voting dates for the upcoming Grammys. The eligibility period for the 2020 show will now close on Aug. 31, 2019, an entire month earlier than the previous nine years. The change means only 11 months worth of releases will be up for consideration for the 2020 awards.
The cut-off has only been moved one other time from its traditional Sept. 30 date since 1976 in 2009, which also had an Aug. 31 close. That year, the Grammy telecast was moved to Jan. 31, 2010 to precede the Winter Olympics. The 62nd Annual Grammy Awards will also air two weeks earlier than the 2019 telecast and is scheduled for Jan. 26, 2020 to distance itself from The Oscars, which have been confirmed to air Feb. 9, 2020.
A full voting schedule for the Grammys is below: