Ingrid Andress Celebrates Gold Debut Single At Bridgestone

(L-R): Kristen Williams (WMN, SVP Radio); Matt Signore (WMN, COO); John Esposito (WMN, Chairman & CEO); Ingrid Andress; Blythe Scokin (bluejacket, Founder & CEO); Shane Tarleton (WMN, SVP Artist Development); Clark Tedesco (WMN, Senior Director Artist Development); Rohan Kohli (WMN, Director A&R); Cris Lacy (WMN, EVP A&R)

Ingrid Andress had a big time in Music City last weekend, being honored with her first-ever Gold plaque for her Top 10 debut single “More Hearts Than Mine” before taking the Bridgestone Arena stage in Nashville Saturday night (March 7) for night two of the sold-out Dan + Shay The (Arena) Tour.

Featured on her debut album Lady Like, due March 27, the song made history as the only solo female debut to crack the Top 20 on the Country Airplay chart in 2019, and has garnered more than 130 million global streams. Labelmates Dan + Shay brought Andress back onstage during their set Saturday night for an encore duet performance of the hit.

BREAKING: ACM Awards Extend Voting Deadline


The Academy of Country Music Awards has extended the deadline for the final voting ballot. The new deadline to vote in the ACM Awards final ballot is Wednesday, March 11, 2020, ending at 5 p.m. PST.

The decision was made to extend the final round of voting due to the tornadoes that tore through Nashville and other areas of Middle Tennessee on Tuesday (March 3), killing at least 25 people.

For a full list of ACM nominations, click here.

Weekly Register: Luke Combs, Dan+Shay, Justin Bieber Continue Sales Leads


Luke CombsDan + Shay, and Justin Bieber continue to top the country sales charts, as Combs again takes the top two spots on the Nielsen Soundscan top album sales rankings with What You See Is What You Get and This One’s For You.

Dan+Shay and Bieber’s “10,000 Hours” tops the country on-demand audio streaming chart with 9.5 million streams, while Maren Morris‘ “The Bones” remains at No. 2 with 8 million streams.

See the Top 5 on the country albums and country on-demand streaming charts below:

Top Country Albums (total activity)

  1. Luke Combs, What You See Is What You Get: 26K
  2. Luke Combs, This One’s For You: 20K
  3. Morgan Wallen, If I Know Me: 15.6K
  4. Blake Shelton, Fully Loaded: God’s Country: 14K
  5. Kane Brown, Experiment: 12K

Country On-Demand Audio Streaming

  1. “10,000 Hours,” Dan+Shay/Justin Bieber, 9.5 million streams
  2. “The Bones,” Maren Morris, 8 million streams
  3. “One Man Band,” Old Dominion, 7 million streams
  4. “Heartless,” Diplo, ft. Morgan Wallen and Julia Michaels, 6.94 million streams
  5. “I Hope,” Gabby Barrett, 6.4 million streams

Craig Wiseman Enters Top Three On MusicRow Top Songwriter Chart


Craig Wiseman moves up four slots to No. 3 this week on the MusicRow Top Songwriter Chart, with co-writer credits on Morgan Wallen’s “Chasin’ You” and Kenny Chesney’s “Here And Now.”

Josh Osborne moves up to No. 2 this week with “Cheatin’ Songs” (Midland), “Nobody But You” (Blake Shelton and Gwen Stefani), “One Man Band” (Old Dominion), and Sam Hunt‘s “Kinfolks” and “Hard To Forget.” Ross Copperman claims the No. 1 position with “Catch” (Brett Young), “Nobody But You” (Blake Shelton and Gwen Stefani) and “What She Wants Tonight” (Luke Bryan).

The weekly MusicRow Top Songwriter Chart, published every week, uses algorithms based upon song activity according to airplay, digital downloaded track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Dan+Shay Celebrate First Headlining Arena Tour And Nashville’s Unbreakable Spirit

Pictured (L-R): Rohan Kohli (Director A&R, WMN); Scott Hendricks (EVP A&R, WMN); Cris Lacy (EVP A&R, WMN); Shane Tarleton (SVP Artist Development, WMN); Dan Smyers; John Esposito (Chairman & CEO, WMN); Shay Mooney; Kristen Williams (SVP Radio, WMN); Jason Owen (Sandbox Entertainment); Ben Kline (EVP / GM, WMN); Lisa Ray (Sandbox Entertainment); Matt Signore (COO, WMN). Photo: Alan Poizner

“It’s confirmed—this is the best night of my entire life. Dan and I have dreamed of this since were kids and you have truly made our dreams come true. This is an emotional night for us…Nashville, you have given us the entire world,” said Dan+Shay’s Shay Mooney on Friday night (March 6), standing onstage before a sold-out crowd, the first show of their very first headlining arena tour, which happened to launch at Nashville’s Bridgestone Arena.

The moment marked the fulfillment of a dream Mooney and Smyers have been working toward long before they released their debut single, the Top 5 radio hit “19 You + Me,” in 2013.

On Friday, they launched the show with their current hit, “10,000 Hours,” which features pop star Justin Bieber on the recording (and no, though at moments it seemed as though the Nashville crowd might get a surprise, there was no appearance from Bieber). The duo was surprised backstage following their Saturday night show by Warner Music Nashville president/CEO John Esposito, who announced that “10,000 Hours” has now earned an RIAA Platinum certification. Backstage also featured a stately wall that highlighted the duo’s numerous accomplishments over the past seven years.

Photo: Alan Poizner

Instead of launching Friday night’s show from the main stage set at one end of the arena, the duo appeared on a plus-shaped satellite stage (a signifier of the “+” symbol in their stage name), edged in neon lights, in the center of the room. The duo was clearly elated and soaking in the moment, hugging each other at one point during the song, while never missing a note.

For the greater Nashville community, Dan+Shay’s Friday night concert marked the first country music show at Bridgestone since tornadoes ripped through parts of Nashville and middle Tennessee. Though production choices for how Dan+Shay would open their Nashville show were likely planned out well in advance of Friday’s show, the choice to have the two artists open the evening’s show literally surrounded by members of the Nashville community just felt right.

Later in the show, that community spirit reached its peak, as the duo asked the crowd to raise high in the air slips of paper emblazoned with the words “Nashville Strong,” before the duo launched into “From The Ground Up.”

“This has been a bit of a crazy week, a bit of a tough week for all of us Nashvillians,” said Smyers. “My wife and I have lived in east Nashville for almost eight years now. I’m getting choked up right now…Shay and I made all of our records in east Nashville. We were over there the other day and it’s heartbreaking. Our hearts and feelings go out to all of the families, all of the victims and everybody affected here in Tennessee. One thing we noticed through all of that. Nashville, our spirit is not broken,” he said to roaring cheers from the crowd. “This is a music town and one thing we do best in this town in times of need is we come together and we came together tonight to sell out Bridgestone Arena, to celebrate music, to be with the ones we love, to sing songs.”

Dan + Shay perform at Bridgestone Arena on Friday (March 6). Photo: Catherine Powell

Throughout the evening, the duo repeatedly thanked Nashville’s creative and music industry community and fans.

“How many of you in this room right now are musicians, songwriters, and working the industry?” Smyers said later in the evening. “Keep fighting the good fight and dreaming big…We love country music because we wanted to write songs and you made that happen for us. You could be anywhere in the world, but you’re here tonight, spreading love, spreading joy, and proving that Nashville’s spirit is not broken. I’m soaking this in because I never want to leave this stage.”

But they did leave the stage–numerous times—to be closer to the audience, weaving from their massive main stage, to the plus-shaped satellite stage, to a smaller stage in the back of the arena, shaking hands, slapping high-fives, and hugging members of the audience along the way.

For nearly two hours, the duo drew from their three albums, including hits “Nothing Like You,” “All To Myself,” and “How Not To,” to deeper album cuts such as “Other Side of the Fence,” “Stupid Love,” and “No Such Thing.” Their set of smooth pop sounds embedded in country music lyrical sensibilities was enhanced by the evening’s technicolored production, which drew out each song’s lyrics with an array of video and images.

Given that a sizeable portion of the duo’s songs pay homage to romance, love and family, one highlight of the show—both for the audience and for Mooney—came as he and Smyers played on the satellite stage in the midst of the crowd, with Smyers on guitar and Mooney on piano. Mooney welcomed his son Asher James and wife Hannah to the stage.

“I’m going to try not to cry,” he said as his wife and son sat on the piano bench next to him, surrounded by a sold-out arena crowd in Nashville. Mooney sang “I Pray For You” to his son, 3-year-old Asher James (Mooney and his wife Hannah welcomed a second son, Ames Alexander, on Feb. 21, 2020).

Dan + Shay perform at Nashville’s Bridgestone Arena. Photo: Catherine Powell

The crowd’s anticipation swelled as the evening came to a close, as the group saved its two biggest hits to round out the show, with “Speechless” and “Tequila.”

“Let’s do this thing louder than it’s ever been done before, you know what song’s coming up next,” he said as the crowd’s applause swelled into a roar, before they completed their first headlining Bridgestone gig with a triumphant version of their Grammy-winning, 4x multi-Platinum crossover hit “Tequila,” complete with Mooney’s supple voice ringing over the crowd on the last soulful notes as confetti rained down on the crowd.

Opening the shows was Dan+Shay’s labelmate Ingrid Andress, the singer-songwriter behind the current Top 10 single “More Hearts Than Mine.” Andress’ sharp vocals, smart song styling and unassuming, sometimes quirky stage presence seemed to make her edgy and relatable.

The other opening act was rock group The Band Camino. Clearly a favorite on the Nashville scene, the band generated screams and cheers from the crowd before they stepped onstage. The group signed with Elektra Records last year and released the EP tryhard. The band’s energy was high as they ran through songs including the dance rager “Hush Hush,” and the syncopated verses and silky harmony-laden chorus of “Less Than I Do,” along with “Honest” and “Daphne Blue.”

The band has the pop sensibilities of radio-friendly chorus and melodies, propelled by hard rock guitar work and smooth, nearly Eagles-esque harmonies.

“This is crazy, this is the biggest show we’ve ever played,” said frontman Jeffery Jordan. Judging by the band’s kinetic energy, well-crafted songs and crowd engagement, it’s not hard to imagine this group headlining their Bridgestone show in the not-too-distant future.

Trace Adkins Inks Deal With Verge Records

Pictured (L-R): Nashville General Manager of ONErpm Ken Madson, Trace Adkins and President/COO of Verge Records Mickey Jack Cones) | Photo: Thomas Crabtree

Trace Adkins has signed with the recently re-launched Verge Records, led by longtime producer/engineer Mickey Jack Cones. Verge Records also has an exclusive partnership with distribution and label services company ONErpm.

Cones has previously worked on several Adkins albums, including 2006’s Dangerous Man, 2010’s Cowboy’s Back in Town, 2011’s Proud to Be Here, 2013’s The King’s Gift and Love Will…, and Adkins’ most recent albums, Jesus and Jones, and Something’s Going On.

“Trace is a country music icon. We are beyond elated to be teaming up with him on this next chapter of his career. I’ve had the privilege of working on all but two of Trace’s records since 2005, so I don’t take this partnership lightly. We have something to prove, and we’re going to prove it!” Cones said.

“I am excited about my merge with Verge. My desire to create and release new music is as strong now as when I first started,” Adkins said. “Mickey Jack and I have collaborated on several projects, and I look forward to several more.”

“Better Off,” the first single released under Adkins’ new partnership with Verge Records, will release March 20. The track was penned by Hillary Lindsey, Corey Crowder and Liz Rose. Adkins’ The Way I Wanna Go Tour will launch April 15 in Lancaster, Pennsylvania.

Carie Long Joins Big Yellow Dog Music

Carie Long has been hired as Executive Administrator at Big Yellow Dog Music. The music industry veteran will oversee publishing, label and business administration at the company.

Long brings more than 20 years of industry experience to her new role and previously served as Office Manager for Hill Entertainment Group. Throughout her career, Long has also held roles at Universal South, Sony Music Nashville, MCA Records, and as Senior Director of A&R at Toby Keith’s Show Dog Universal Music.

GMA Foundation Honors And Hall Of Fame Inductees Announced

Inductees for the Gospel Music Association’s 7th Annual GMA Honors and Hall of Fame have been announced and this year’s inductees include 4Him (CCM), Bill Hearn (non-performing), Commissioned (Gospel) and The Isaacs (Southern Gospel). The 2020 honorees are Chris Tomlin for Angel Armies, Steve Moore for The Shalom Foundation, Wes Campbell and Dave Wagner for Thriving Children’s Foundation (TCA), and Willie Moore Jr. for Bethany Christian Services. The inductions will take place on Wednesday, May 6 in Nashville, with presenters and performers to be announced in the coming weeks.

The GMA Honors & Hall of Fame Induction Ceremony supports the preservation efforts and educational programs of the GMA Foundation. The event celebrates individuals and organizations in gospel music that are making considerable contributions to the world through their humanitarian efforts, as well as their talents.

“The GMA is humbled to have an evening such as this to honor our industry’s leaders and innovators,” said GMA President and Executive Director, Jackie Patillo. “We continue to be in awe of how gracious each and every one of these recipients are in sharing their talent and philanthropy around the globe.”

Artists are eligible for inclusion in the GMA Gospel Music Hall of Fame after 25 years of participation in music and ministry. The GMA Hall of Fame Committee comprised of historians and industry leaders from the various gospel music genres selects nominees. Inductees are chosen by electors across the industry in four categories: CCM, Gospel, Southern Gospel and Non-Performing. Nominees can be submitted for consideration year round by the public at gospelmusichalloffame.org.

Nathaniel Rateliff & The Night Sweats To Tour With Dylan

Nathaniel Rateliff & The Night Sweats are joining legend Bob Dylan on tour this summer. The tour will kick off June 4 in Bend, Oregon and visit 25 cities including San Diego, Albuquerque, Little Rock, Virginia Beach, and a stop in Nashville at Bridgestone Arena on July 2.

The band will play a full 60-minute set before Dylan and his band take the stage each night and The Hot Club of Cowtown will open each night.

“We planned to take a year off from Night Sweats shows but the opportunity came to do a tour with Bob Dylan and there was no way we would pass that up,” said Rateliff about the tour.

Before launching the Dylan tour, Rateliff is continuing his own And It’s Still Alright tour in support of his new solo album, And Its Still Alright, out now on Stax Records, through the end of April.

Nathaniel Rateliff & The Night Sweats – Tour Dates With Bob Dylan:
June 4—Bend, OR—Les Schwab Amphitheatre*
June 6—Ridgefield, WA—Sunlight Supply Amphitheater*
June 7—Auburn, WA—White River Amphitheatre*
June 9—Eugene, OR—Matthew Knight Arena*
June 12—Stateline, NV—Harvey’s Outdoor Amphitheatre*
June 13—Berkeley, CA—Greek Theatre*
June 14—Berkeley, CA—Greek Theatre*
June 17—San Diego, CA—Pechanga Arena*
June 18—Los Angeles, CA—Hollywood Bowl*
June 20—Las Vegas, NV—Mandalay Bay Events Center*
June 21—Glendale, AZ—Gila River Arena*
June 23—Albuquerque, NM—Tingley Arena*
June 24—Amarillo, TX—Amarillo Civic Center*
June 26—Irving, TX—The Pavilion @ Toyota Music Factory*
June 27—Little Rock, AR—Simmons Bank Arena*
June 28—Southaven, MS—BankPlus Amphitheatre @ Snowden Grove*
June 30—Brandon, MS—Brandon Amphitheater*
July 2—Nashville, TN—Bridgestone Arena*
July 3—Alpharetta, GA—Ameris Bank Amphitheatre*
July 5—Virginia Beach, VA—Veterans United Home Loans Amphitheatre*
July 7—Wilkes-Barre, PA—Mohegan Sun Arena*
July 8—Forest Hills, NY—Forest Hills Stadium*
July 9—Saratoga Springs, NY—Saratoga Performing Arts Center*
July 11—Essex Junction, VT—Champlain Valley Exposition – Coca Cola Grandstand*
July 12—Bethel Woods, NY—Bethel Woods Center for the Arts*
*with Bob Dylan and The Hot Club of Cowtown

Cole Swindell Renews Deal With Sony/ATV Music Publishing

Pictured (L-R): Anna Weisband, Jon Platt, Cole Swindell, Rusty Gaston, Kerri Edwards

Cole Swindell has renewed his longtime publishing relationship with Sony/ATV Music Publishing Nashville.

Swindell has penned hits including his own chart-toppers “Chillin’ It,” “Hope You Get Lonely Tonight,” “Ain’t Worth The Whiskey,” “Let Me See Ya Girl,” “You Should Be Here,” “Middle of a Memory,” and “Love You Too Late.” He has also penned hits including “Rollercoaster” (Luke Bryan), “Get Me Some of That” (Thomas Rhett), “This Is How We Roll” (Florida Georgia Line), and “Water Tower Town” (Scotty McCreery).

Rusty Gaston, CEO of Sony/ATV Music Publishing Nashville said, “Cole Swindell embodies everything that makes up a country music superstar.  He has the heart of a craftsman songwriter and the ability to connect with every single fan in his audience. We are proud to renew his long-standing relationship with Sony/ATV and we look forward to supporting him as his star continues to rise.”

“Rusty’s reputation speaks for itself as he has proven to be one of the top independent publishers in this town,” said Cole Swindell. “Songwriting has always been important to me, so I look forward to jumping in with him, Anna and the whole Sony/ATV team. Sony/ATV has been so supportive of me and my songs over the years and I’m excited about what is ahead.”