The Grand Ole Opry celebrated the 100th anniversary tonight of its November 28, 1925 inaugural broadcast with two shows and more than 25 Opry members. Photo: Grand Ole Opry, by Rachael Black
The Grand Ole Opry marked its 100th anniversary on Friday (Nov. 28) with a mammoth showcase of its past, present and future.
More than two-dozen acts, including seven members of the Country Music Hall of Fame, gathered to perform. The three-hour show drew laughter, tears, standing ovations and audience sing-alongs as video screens illustrated and punctuated performances with historic footage, vintage portraits and dynamic graphics.
Vince Gill introduced and played the new exclusive Opry 100 guitar that Martin Guitars designed for the centennial anniversary and in celebration of all the music to be made in the future on the Opry. Photo: Grand Ole Opry, by Rachael Black
Backstage, John Conlee, Dailey & Vincent, The Isaacs, Marty Stuart and others tuned up with their dressing room doors open for visiting well-wishers. Vince Gill, who occupied Roy Acuff’s old Dressing Room No. 1, recalled that Acuff always kept his door open to greet folks, and said that he feels honored to continue that tradition. At 6:55 p.m. the call went out to take places on stage.
At 7:00 p.m. retired Opry executive Bud Wendell, 98, raised the curtain to reveal an assembled group of cast members. Ricky Skaggs began the show by playing “Tennessee Wagoner” on the same fiddle that Uncle Jimmy Thompson played. The song was one of the tunes that Thompson played on the show’s inaugural broadcast on WSM on Nov. 28, 1925.
Bill Anderson, the Opry’s longest tenured cast member in history, joined with Kathy Mattea, the cast’s newest member, to lead the assembled stars in “Will the Circle Be Unbroken.” Scotty McCreery, Mandy Barnettt, T. Graham Brown and Mark Wills sang the nostalgic “Who’s Gonna Fill Their Shoes” as the screens filled with images of legendary cast members who have passed on.
Gill, Stuart and Dailey & Vincent treated the fans to a spirited version of Acuff’s “Wabash Cannonball.” Hall of Famer Charlie McCoy dazzled us with his dazzling harmonica performance of “Orange Blossom Special.” Country diva Barnett (“Crazy”), McCreery (“Five More Minutes”), Dustin Lynch (“Cowboys and Angels”) and a particularly moving Jamey Johnson (“In Color”) were next.
Other highlights included Riders in the Sky harmonizing on “Ghost Riders in the Sky” and “Happy Trails” and The Gatlins and Brown leading audience sing-alongs to “All the Gold in California” and “Mustang Sally,” respectively. Anderson reappeared to deliver his touching elegy “Thankful” and was bathed in a long, loving standing ovation from the crowd, which moved the 88-year-old legend deeply.
Bluegrass music took the spotlight as Skaggs and Del McCoury romped through Bill Monroe’s “Uncle Pen.” Then Skaggs joined The Whites on The Carter Family’s “Keep on the Sunny Side,” which The Whites re-popularized in the hit film O Brother Where Art Thou. They were followed by droll, witty Don Schlitz (“The Gambler) and torch stylists Pam Tillis (“Maybe It Was Memphis”) and Lorrie Morgan (“Something in Red”).
Country comedy took the spotlight via crowd-pleasing sets by Henry Cho and Gary Mule Deer.
Stuart reminded the crowd of the old-time string-band tradition that was the backbone of the Opry’s early years by bringing out The Tennessee Mafia Jug Band and Uncle Dave Macon disciple Leroy Troy. The group then backed The Opry Square Dancers who clogged to wild audience applause.
Ricky Skaggs opened the show with a performance of “Tennessee Wagoner,” while playing the very fiddle with which Uncle Jimmy Thompson started it all 100 years ago. Photo: Grand Ole Opry, by Rachael Black
The Isaacs performed a stunning, a cappella, harmony-drenched treatment of “It Is Well With My Soul” to kick off a gospel segment that also featured Conlee (“Amazing Grace”) and Wills (“I’ll Fly Away”), plus a group-sung rendition of the Hank Williams classic “I Saw the Light.” Mattea joined forces with her good friend Suzy Bogguss. The latter represented the Opry’s future, since she will be inducted into the cast on Jan. 16, 2026. The two pals treated the crowd to “18 Wheels and a Dozen Roses” and “Outbound Plane.”
The 100th-anniversary night was hosted by Opry announcers Charlie Mattos, Kelly Sutton and Mike Terry. Sutton related that Opry fans were polled to choose the 100 best country songs of all time. Twenty of these are on a commemorative new double LP, Opry 100: Country’s Greatest Songs Recorded Live on the Opry Stage. The fans’ all-time favorite is “He Stopped Loving Her Today,” which Gill performed, augmented with a recitation by Anderson. Gill then brought out Sonya Isaacs to harmonize with him on an angelic “When I Call Your Name.”
Gospel superstar Steven Curtis Chapman, an Opry member since 2024, sang his “The Grand Ole Opry Stage” composition at the piano. All the stars reassembled around him to perform “Will the Circle Be Unbroken” as the finale while the audience rose in a standing ovation.
A post-show, VIP reception found the cast mingling with dignitaries and family members backstage in Studio A. Opry chief Dan Rogers greeted everyone and offered slices of 100th-birthday cake. Bill Anderson asked us to raise our glasses high for his toast, “To 100 years ago and what has been. To 100 years from now and what will be. Long live the Grand Ole Opry.” Amen to that.
Lainey Wilson’s ‘Somewhere Over Laredo’ Becomes Her Ninth Chart-Topper
/by Lorie HollabaughLainey Wilson has racked up her ninth No. 1 at country radio with “Somewhere Over Laredo,” the lead single from her Whirlwind (Deluxe) album. The tune was written by Wilson, Andy Albert, Dallas Wilson and Trannie Anderson. Harold Arlen and Yip Harburg also received writing credits as the song interpolates the melody of the classic “Over the Rainbow.”
She just performed the song at the 99th Annual Macy’s Thanksgiving Day Parade last week, and the chart topper anchors two of Wilson’s three nominations at the upcoming Grammy awards for Best Country Song (“Somewhere Over Laredo”), Best Country Solo Performance (“Somewhere Over Laredo”) and Best Country Duo/Group Performance (“Trailblazer” with Reba McEntire and Miranda Lambert). “Somewhere Over Laredo” is also the 50th single to peak at No. 1 on the country charts for Wilson’s label, Broken Bow Records.
Wilson recently released a holiday EP, Peace, Love, & Cowboys (Holiday Edition), and also hosted the 59th CMA Awards, (the first solo female host since Reba McEntire in 1991), where she also won three awards for Entertainer of the Year, Female Vocalist of the Year and Album of the Year (Whirlwind).
The ACM, CMA and Grammy-winner and Grand Ole Opry member is a sought-after songwriter whose nine No. 1s also include “4x4xU,” “Wildflowers And Wild Horses,” “Watermelon Moonshine” and the double Platinum “Heart Like A Truck,” in addition to award-winning collaborations with Cole Swindell (“Never Say Never”), Jelly Roll (“Save Me”) and Hardy (“wait in the truck”). Wilson also penned and performed “Out of Oklahoma” for the movie Twisters, and has collaborated with Reba, Miranda Lambert, Dolly Parton, Post Malone and more.
Lisa Hresko Named COO Of A2IM & President Of Foundation Of Independent Music
/by Lauryn SinkLisa Hresko, A2IM, COO + President, Foundation of Independent Music.
Lisa Hresko has been promoted to Chief Operating Officer of A2IM. In addition, Hresko has been announced as the first President of the Foundation of Independent Music by its board.
Hresko joined the company in 2017. She has since contributed to the development of A2IM’s Star Certification, worked on international trade strategy that earned A2IM the 2024 President’s “E” Star Award for Export Services, and supervised A2IM’s annual Indie Week, which has grown into the largest independent record label conference in the world. She played an important role in launching the Foundation of Independent Music, which since this year has become the presenting entity of Indie Week and the Libera Awards. Billboard recognized Hresko on its Women in Music list in 2023, 2024, and 2025, and on its Indie Power Players list in 2025.
“I am thrilled to be continuing the important work we are doing here at A2IM, representing some of the most vibrant, passionate and creative artists and labels in the music industry, and building out the work of the Foundation of Independent Music,” says Hresko. “It has been a great pleasure to work alongside Richard and the rest of the A2IM team these past 8 years, and I look forward to building value for the independent community with Ian in the years ahead.”
“I’m absolutely delighted to see Lisa Hresko step into the roles of COO of A2IM and President of the Foundation for Independent Music,” shares Dr. Richard James Burgess MBE, President and CEO, A2IM. “Having worked closely with Lisa since 2017, I’ve seen firsthand her intelligence, dedication, and unwavering commitment to the independent music community. This promotion is richly deserved, and I couldn’t be happier for her—or more confident in the impact she’ll continue to make.”
“I am extremely pleased to have the opportunity to work alongside Lisa as I begin my tenure as CEO of A2IM,” adds Ian Harrison, CEO, A2IM. “Her incredible knowledge accrued over the past 8 years and her passion for the independent music industry is unparalleled, and I know together we can continue to expand upon the important work that lies ahead for A2IM and our members.”
“Over the past eight years, I’ve watched Lisa’s work strengthen not just A2IM, but the independent community as a whole,” shares Nabil Ayers (Beggars Group), A2IM Executive Committee, Chair. “She leads with clarity, consistency, and a deep understanding of what our members need. This promotion reflects the trust she’s earned across the organization, and I’m excited to see her continue shaping the future of independent music.”
Madison Kozak Signs With Warner Chappell Music Nashville & The Core Entertainment
/by Madison HahnenPictured (L-R): Matt Cottingham (Lewis Brisbois), Chief Zaruk (The Core Entertainment), Madison Kozak, Simon Tikhman (The Core Entertainment), Jamie Sudhalter (The Core Entertainment), Austen Adams (WCM) and Bethany Mako (WCM). Photo: Courtesy of WCM and The Core Entertainment
Singer-songwriter Madison Kozak has inked a co-publishing deal with Warner Chappell Music Nashville, in partnership with The Core Entertainment.
A native of Ontario, Canada, Kozak now lives in Nashville and credits her musical influence to Patsy Cline, Johnny Cash, Bonnie Raitt, and Shania Twain. Her traditional country influences blends with vivid storytelling and infectious melodies to create her sound.
Kozak has earned cuts with Tucker Wetmore, Hannah McFarland, Abbey Cone, Griffen Palmer and more. She also hosts The Pony Show, a monthly writers’ round at The Late Great in Nashville to showcase emerging talent. Kozak has earned recognition from CMT, Pandora and Sounds Like Nashville.
“Madison is a rare talent with a gift for storytelling,” says Austen Adams, President, WCM Nashville. “I’ve worked with her in multiple capacities throughout her journey so I’m thrilled to bring that full-circle in this new partnership. Warner Chappell is excited to be on her team alongside The Core and we’re looking forward to the future.”
“Madison brings a builder’s mindset to everything she touches, writing with clarity, conviction and a feel for songs that last,” share Simon Tikhman and Chief Zaruk, CEOs and Co-Founders of The Core Entertainment. “We could not be more excited to champion her artistry and help bring her songs to an even wider audience alongside our partners at Warner Chappell Music.”
“As a songwriter, it means the world to partner with companies that shape the sound and culture of music,” adds Kozak. “Pairing The Core’s innovative, development-forward energy with Warner Chappell’s legacy for championing songwriters whose work defines generations – it’s a dream team I’m so proud and humbled to work with.”
Grand Ole Opry Stages A Show For The Century
/by Robert K OermannThe Grand Ole Opry celebrated the 100th anniversary tonight of its November 28, 1925 inaugural broadcast with two shows and more than 25 Opry members. Photo: Grand Ole Opry, by Rachael Black
The Grand Ole Opry marked its 100th anniversary on Friday (Nov. 28) with a mammoth showcase of its past, present and future.
More than two-dozen acts, including seven members of the Country Music Hall of Fame, gathered to perform. The three-hour show drew laughter, tears, standing ovations and audience sing-alongs as video screens illustrated and punctuated performances with historic footage, vintage portraits and dynamic graphics.
Vince Gill introduced and played the new exclusive Opry 100 guitar that Martin Guitars designed for the centennial anniversary and in celebration of all the music to be made in the future on the Opry. Photo: Grand Ole Opry, by Rachael Black
Backstage, John Conlee, Dailey & Vincent, The Isaacs, Marty Stuart and others tuned up with their dressing room doors open for visiting well-wishers. Vince Gill, who occupied Roy Acuff’s old Dressing Room No. 1, recalled that Acuff always kept his door open to greet folks, and said that he feels honored to continue that tradition. At 6:55 p.m. the call went out to take places on stage.
At 7:00 p.m. retired Opry executive Bud Wendell, 98, raised the curtain to reveal an assembled group of cast members. Ricky Skaggs began the show by playing “Tennessee Wagoner” on the same fiddle that Uncle Jimmy Thompson played. The song was one of the tunes that Thompson played on the show’s inaugural broadcast on WSM on Nov. 28, 1925.
Bill Anderson, the Opry’s longest tenured cast member in history, joined with Kathy Mattea, the cast’s newest member, to lead the assembled stars in “Will the Circle Be Unbroken.” Scotty McCreery, Mandy Barnettt, T. Graham Brown and Mark Wills sang the nostalgic “Who’s Gonna Fill Their Shoes” as the screens filled with images of legendary cast members who have passed on.
Gill, Stuart and Dailey & Vincent treated the fans to a spirited version of Acuff’s “Wabash Cannonball.” Hall of Famer Charlie McCoy dazzled us with his dazzling harmonica performance of “Orange Blossom Special.” Country diva Barnett (“Crazy”), McCreery (“Five More Minutes”), Dustin Lynch (“Cowboys and Angels”) and a particularly moving Jamey Johnson (“In Color”) were next.
Other highlights included Riders in the Sky harmonizing on “Ghost Riders in the Sky” and “Happy Trails” and The Gatlins and Brown leading audience sing-alongs to “All the Gold in California” and “Mustang Sally,” respectively. Anderson reappeared to deliver his touching elegy “Thankful” and was bathed in a long, loving standing ovation from the crowd, which moved the 88-year-old legend deeply.
Bluegrass music took the spotlight as Skaggs and Del McCoury romped through Bill Monroe’s “Uncle Pen.” Then Skaggs joined The Whites on The Carter Family’s “Keep on the Sunny Side,” which The Whites re-popularized in the hit film O Brother Where Art Thou. They were followed by droll, witty Don Schlitz (“The Gambler) and torch stylists Pam Tillis (“Maybe It Was Memphis”) and Lorrie Morgan (“Something in Red”).
Country comedy took the spotlight via crowd-pleasing sets by Henry Cho and Gary Mule Deer.
Stuart reminded the crowd of the old-time string-band tradition that was the backbone of the Opry’s early years by bringing out The Tennessee Mafia Jug Band and Uncle Dave Macon disciple Leroy Troy. The group then backed The Opry Square Dancers who clogged to wild audience applause.
Ricky Skaggs opened the show with a performance of “Tennessee Wagoner,” while playing the very fiddle with which Uncle Jimmy Thompson started it all 100 years ago. Photo: Grand Ole Opry, by Rachael Black
The Isaacs performed a stunning, a cappella, harmony-drenched treatment of “It Is Well With My Soul” to kick off a gospel segment that also featured Conlee (“Amazing Grace”) and Wills (“I’ll Fly Away”), plus a group-sung rendition of the Hank Williams classic “I Saw the Light.” Mattea joined forces with her good friend Suzy Bogguss. The latter represented the Opry’s future, since she will be inducted into the cast on Jan. 16, 2026. The two pals treated the crowd to “18 Wheels and a Dozen Roses” and “Outbound Plane.”
The 100th-anniversary night was hosted by Opry announcers Charlie Mattos, Kelly Sutton and Mike Terry. Sutton related that Opry fans were polled to choose the 100 best country songs of all time. Twenty of these are on a commemorative new double LP, Opry 100: Country’s Greatest Songs Recorded Live on the Opry Stage. The fans’ all-time favorite is “He Stopped Loving Her Today,” which Gill performed, augmented with a recitation by Anderson. Gill then brought out Sonya Isaacs to harmonize with him on an angelic “When I Call Your Name.”
Gospel superstar Steven Curtis Chapman, an Opry member since 2024, sang his “The Grand Ole Opry Stage” composition at the piano. All the stars reassembled around him to perform “Will the Circle Be Unbroken” as the finale while the audience rose in a standing ovation.
A post-show, VIP reception found the cast mingling with dignitaries and family members backstage in Studio A. Opry chief Dan Rogers greeted everyone and offered slices of 100th-birthday cake. Bill Anderson asked us to raise our glasses high for his toast, “To 100 years ago and what has been. To 100 years from now and what will be. Long live the Grand Ole Opry.” Amen to that.
‘You Got Gold – A Celebration Of John Prine’ Begins North American Theatrical Run
/by Lorie HollabaughJohn Prine. Photo: Rett Rogers
The new documentary You Got Gold – A Celebration of John Prine is currently in the midst of a week-long engagement at Quad Cinema in New York that kicked off Nov. 28.
You Got Gold is a tribute to the legendary songwriter’s life and music and was filmed at Nashville’s Ryman Auditorium. Produced by RadicalMedia and Oh Boy Pictures and distributed by Abramorama, the documentary features exclusive interviews and performances by Brandi Carlile, Kacey Musgraves, Tyler Childers, The War and Treaty, Lucinda Williams, Steve Earle, Bonnie Raitt, Dwight Yoakam, Jason Isbell, Lyle Lovett, Allison Russell & JT Nero, Nathaniel Rateliff, The Milk Carton Kids, The Grateful Dead’s Bob Weir and more.
The film world premiered at the Nashville Film Festival to a sold-out audience last month. You Got Gold will screen across North America through the remainder of the year and into 2026, with more dates added each week. Fiona Whelan Prine will participate in Q&A events at upcoming screenings in Arlington, Massachusetts, on Dec 3, Chicago on Jan. 14 (with Jack Prine), Columbus, Ohio on Jan. 22, and New Orleans on Jan. 24.
You Got Gold began as a memorial concert series organized by Fiona Whelan Prine to celebrate her late husband after he passed from COVID-related complications in April 2020. The inaugural event brought together artists, friends and family to share behind-the-scenes stories and perform classics, honoring Prine’s enduring legacy. Oh Boy Pictures and RadicalMedia captured the special magic of this annual gathering by documenting the first concert in October 2022.
“When John passed, we couldn’t mourn together in the way we and his community needed to,” says Fiona Whelan Prine. “This film documents that long-awaited moment when we finally came together at the Ryman—John’s favorite stage—to honor him with his songs, music, stories and love. I’m grateful to everyone who shared their talent and their hearts to celebrate John’s legacy, and I’m thrilled that audiences everywhere will now have the chance to experience this special night.”
Luma Business Management Names Mallori Kirchenschlager As Partner
/by Lauryn SinkAdrien Good & Mallori Kirchenschlager. Photo: Jon Wadel/Post 92 Photography
Luma Business Management has elevated Mallori Kirchenschlager to partner. First joining Luma in 2023, Kirchenschlager brings nearly two decades of experience in music business and personal financial management.
Kirchenschlager holds dual degrees in Music Business and Accounting from Belmont University. Her career spans roles at FBMM, IEBA and CAA, working with recording and touring artists across multiple genres. She is an active member of the Country Music Association and a recent participant in the CMA Women’s Leadership Academy. She volunteers with organizations including Room in the Inn and Thistle Farms.
“Mallori and I have known each other and worked together in some capacity for over 20 years, and I am thrilled to officially announce her as a partner here at Luma,” shares Founder Adrien Good. “The detailed attention she gives her clients is second to none, and her integrity, professionalism and deep understanding of our industry make her an invaluable leader.”
“It’s been inspiring to watch the last five years of Luma’s growth into a much-needed space to service songwriters, producers and independent businesses,” shares Kirchenschlager. “I’m excited to continue to expand our roster and grow alongside Adrien as we shape the next chapter of Luma’s success.”
Additionally, Luma Business Management recently celebrated its fifth year in business.
Trannie Anderson Enters Top 20 On MusicRow Top Songwriter Chart
/by Madison HahnenTrannie Anderson
Trannie Anderson has moved into the top 20 on the MusicRow Top Songwriter Chart. George Birge’s “It Won’t Be Long” and Lainey Wilson’s “Somewhere Over Laredo” put the songwriter at No. 19 this week.
Riley Green remains at No. 1 for the eight consecutive week with his solo-penned Ella Langley duet “Don’t Mind If I Do.” Blake Pendergrass stays at No. 2 with “20 Cigarettes,” “Ain’t A Bad Life,” “Heart Of Stone,” “I Got Better,” “Just In Case” and “Wish You Well.”
Chase McGill (No. 3), Charlie Handsome (No. 4) and Morgan Wallen (No. 5) round out this week’s top five.
The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.
CeCe Winans Slates ‘More Than This Tour’ For Spring
/by Lorie HollabaughCeCe Winans is returning to the road in 2026 on her “More Than This Tour” beginning in March.
The 17-time Grammy winner will visit cities across the U.S. on the spring tour, which will kick off March 29 in Nashville and visit Augusta, Pittsburgh, Louisville, Memphis, Milwaukee, and more through May 8.
The 2026 tour follows the sold-out success of Winans’ 2025 dates, and will feature her signature blend of worship, testimony, and timeless hits. Tickets for the dates are on sale now.
“My heart for this tour is simple. I just want people to meet with Jesus,” says Winans. “When we gather to worship, something beautiful happens; walls come down, hearts open, and His presence fills the room. We’ll sing songs old and new, but more than anything, I want us to be reminded of who He is. It’s not about the music or the lights. My prayer is that every person leaves knowing His love in a deeper way.”
“More Than This Tour” Dates:
March 29, 2026 – Nashville, TN – Grand Ole Opry House
March 30, 2026 – Nashville, TN – Grand Ole Opry House
March 31, 2026 – Augusta, GA – Augusta Bell Auditorium
April 1, 2026 – Knoxville, TN – Knoxville Civic Auditorium
April 8, 2026 – Pittsburgh, PA – The Benedum Center for the Performing Arts
April 9, 2026 – Charlotte, NC – Ovens Auditorium
April 10, 2026 – Macon, GA – Macon City Auditorium
April 15, 2026 – Fort Wayne, IN – Embassy Theatre
April 16, 2026 – Louisville, KY – The Louisville Palace
April 17, 2026 – Memphis, TN – Orpheum Theatre
April 22, 2026 – Peoria, IL – Peoria Civic Center
April 23, 2026 – Ames, IA – Stephens Auditorium
April 24, 2026 – Lincoln, NE – Lincoln Berean Church
April 29, 2026 – Milwaukee, WI – Riverside Theater
April 30, 2026 – Grove City, OH – The Naz Church
May 1, 2026 – Hixson, TN – Abba’s House
May 6, 2026 – Albany, NY – Palace Theatre
May 7, 2026 – Wallingford, CT – Toyota Oakdale Theatre
May 8, 2026 – Syracuse, NY – Landmark Theatre
BREAKING: ACM Awards Return To Las Vegas On May 17
/by Madison Hahnen“We couldn’t be more thrilled to return to MGM Grand for the 61st ACM Awards next May, a place that holds a lot of history and special memories for the Academy. It truly feels like a homecoming for us,” says Damon Whiteside, CEO, Academy of Country Music. “There’s no better place to host an exciting, global Country Music celebration than fabulous Las Vegas!”
“2026 is going to be a very special year for the ACMs, and partnering with MGM Resorts strengthens our deep commitment to delivering world-class entertainment and experiences for Country Music fans and partners alike,” adds Jay Penske, CEO, Dick Clark Productions.
Tickets will go on-sale in 2026, with more information coming soon.
Jon Langston To Hit The Road On ‘The Thing About Me Tour’
/by Lauryn SinkJon Langston.
Jon Langston will hit the road next spring on his headlining “The Thing About Me Tour.” Wolf Mahler, Brian Fuller and Micah Fletcher will each join on select dates.
The 19-date run will hit Texas, the Carolinas, Indiana, California and more. Ticket information will be available soon.
Langston will also release his new song, “Thing About Me” this Friday (Dec. 5). The track leans into themes of self-reflection and growth.
“This music feels like the most ‘me’ thing I’ve ever made,” Langston shares. “I wanted to write something real—something that tells the truth about the things I’ve learned, and the things that make me who I am. I am pumped to get on the road next year and bring this to the fans.”
“The Thing About Me Tour” Dates:
March 6th – Deep Ellum, TX
March 7th – Buda, TX
March 12th – Virginia Beach, VA
March 13th – Charlotte, NC
March 14th – Greenville SC
March 27th – Schenectady, NY
March 28th – Pittsburgh, PA
April 2nd – Flint, MI
April 3rd – Indianapolis, IN
April 4th – Iowa City, IA
April 17th – Tampa. FL
April 18th – Jacksonville, FL
April 23rd – Madison, WI
April 24th – Springfield, IL
April 25th – Colombia, MO
April 29th – Fontana, CA
April 30th – West Hollywood, CA
May 1st – Sacramento, CA
May 2nd – Portland, OR