
Courtesy of Amazon Music.
For decades, Christian and gospel music have operated in a parallel ecosystem to the broader music marketplace, thriving within their own lanes yet rarely invited onto mainstream stages. But, the past few years have marked a measurable and widely discussed shift. Faith-based music is not only growing but breaking into mainstream conversations, streaming charts and cross-genre collaborations in ways that feel genuinely new.
Part of the shift comes from the democratizing effect of modern streaming platforms, which have reshaped how niche communities find and elevate their favorites. But a bigger part may be generations as younger listeners are engaging with music and with their chosen artists with an intensity and intentionality that would have been unusual a decade ago. 
At the center of one of the format’s biggest recent breakthroughs is Brandon Lake, who has amassed over 270 million career streams and earned a foothold on playlists and stages that traditionally sit outside the Christian category. But Lake is far from an outlier. Faith-driven content across both audio and video has surged in visibility. Prime Video’s House of David landed as a Top-10 new U.S. series debut and reached more than 40 million viewers globally, while The Chosen climbed to No. 1 on Prime Video’s U.S. charts. On the audio side, Christian artist Forrest Frank has become one of the most consistently requested musicians on Alexa, reflecting a deepening appetite for spiritually oriented music beyond traditional audiences.
“I’ve been in Christian music over 25 years. I don’t think I’ve ever experienced a time like this where there is so much natural pull from the general music marketplace for Christian and gospel music,” Holly Zabka, President, Provident Entertainment tells MusicRow. “It has always been, in my experience, us trying to push into that landscape and be accepted into the overall mainstream landscape. Now there is just a natural pull of people finding our music and being attracted to the music, attracted to the sound and artists, more than I’ve ever experienced.”
Zabka believes that much of this shift comes from changes in the distribution system. “It has leveled the playing field for Christian music. For someone to be scrolling on their phone and go from Luke Combs to Beyoncé to Brandon Lake all in one scroll has opened the door and shifted the game.”
Lauren Stellato at Amazon Music frames the moment similarly, but leans into how younger listeners drive it. “The genre is growing younger,” she tells MusicRow. “That audience is chronically online and they’re constantly sharing songs with friends and family members.” Stellato says she’s seeing more public enthusiasm with people “proudly talking about it” where previously listening to religious music might have been private. That public sharing, she adds, has translated into tangible fandom behaviors such as buying merchandise, attending multiple shows and spreading tracks across platforms.
That shift in listener behavior has also reshaped what industry support looks like. As Christian and gospel music move further into mainstream visibility, DSPs are adapting by giving these artists access to the same high-visibility tools and storytelling formats historically reserved for pop, country and alternative stars, not siloing them into their own lane.
At Amazon Music, that evolution is most clearly seen in Songline, the company’s original performance series. Songline has hosted artists like Ed Sheeran, Maren Morris and The Lumineers. Until Brandon Lake’s recent partnership, it had never featured a Christian artist.
For Stellato, the addition was both overdue and organic. “This is the first Songline we’ve done in the Christian/gospel space. It shows a different side to Lake than what most people typically get to see.”
That intimacy is built into the Songline format, but it also came from Lake himself. The series was filmed in Charleston, where he grew up, and incorporated quiet moments with his family, including his mother. “I was incredibly honored,” Lake tells MusicRow. “Being labeled as a Christian artist, I’m not going to shy away from the fact that that’s not an opportunity that a lot of us get. I was incredibly honored to get to share what God’s done in my life. For them to want to come to me, to show where I grew up and what made me. It felt like the most authentic thing I could do.”
For Zabka, the partnership was the natural continuation of years of partnership between Provident and Amazon. “Our very first project with Brandon at Provident, Lauren and the Amazon team were intentional and strategic from song releases through the album,” she explains. “[The teams] have always come to each release like ‘what else can we do?’ and ‘how else can we strategically lean into one another?’ Songline is just an extension of that creative partnership.”
That intentionality helped the project resonate. Lake performed reimagined versions of tracks from King of Hearts, but the standout moments were the stripped-back ones. Lake points to “When a Cowboy Prays” as one of the most special performances of the series. “It wasn’t about a big sound,” he says. “Everything got quiet and intimate. I tend to love those moments the most.”
Stellato noticed it with standout catalog tracks as well. “It gives these songs an opportunity to be seen in a new light,” she says, noting that even the longtime fan-favorite “Gratitude” connected differently in the Songline environment.
But the decision to feature Lake wasn’t driven by aesthetics alone. It was backed by audience data showing that Christian listeners on Amazon were engaging at levels that surpassed expectations. Lake’s King of Hearts debuted at No. 1 across the Billboard Top Rock, Top Rock & Alternative and Top Christian Charts, and Amazon Music drove the highest share of global first-week streams compared to any other DSP.
Timing also played a big role in the decision to feature Lake. “I think this was the first time it really aligned,” Stellato noted. “We’d partnered with him around Easter, we did an Amazon Music Original, and then the album came. The Christian fan base on Amazon Music is really leaning in and looking for this kind of content. Doing it with one of the biggest artists in the space felt like the right next step.”
Zabka echoes that sense of alignment and urgency. “If we want this genre to keep growing, we have to take risks,” she says. “We have to try things we’ve never done before. Especially with an artist like Brandon, being willing to kick down doors and get that noticed is what makes me excited about the future. There’s so many other artists coming behind him creating great music that can fit in all the different lanes. Its exciting to think about where we see this genre continuing to grow.”
For Lake, Songline offered the chance to let his music and his story meet a wider audience without losing what makes them personal. “I thought it was so cool that they wanted to tell my story in that way,” he says. “We had an absolute blast creating it together.”
Above the numbers, Stellato, Zabka and Lake each stressed that the blurring of genre lines is one of authenticity taking the reins. “I’ve focused less on what people want and more on what naturally wants to come out of me,” Lake says. “Somehow that’s translated to crossing genres.”
The instinct to create from conviction rather than category mirrors the broader movement driving the momentum of faith-based music. Artists are releasing what feels true, and audiences are responding. For as long as listeners continue to champion the music that resonates with them, this softening of lines shows no signs of slowing down.
‘O Brother, Where Art Thou?’ Soundtrack Celebrates 25th Anniversary With Vinyl Edition & Opry Celebration
/by Lorie HollabaughLost Highway Records is celebrating the 25th anniversary of the iconic O Brother, Where Art Thou? soundtrack by releasing a vinyl edition on Feb. 20.
Certified eight-times Platinum by the RIAA in 2007, the new 25th anniversary edition gives vinyl collectors three new variations to choose from: Standard Black, Sunshine Gold, (which will be available exclusively at the Lost Highway Records store), and Dapper Dan Red, available exclusively at independent record stores.
In honor of the milestone anniversary and new vinyl pressing, and as part of the Grand Ole Opry’s continuing 100th anniversary celebration, T Bone Burnett and Lost Highway will present an evening of O Brother, Where Art Thou? on the Opry on Feb. 28. The special Saturday night show will feature artists from the original soundtrack and more.
O Brother, Where Art Thou? was produced by Burnett for the 2000 Coen Brothers’ film of the same name, which was set in rural Mississippi during the Great Depression and starred George Clooney, John Turturro and Tim Blake Nelson. The soundtrack climbed to No. 1 on the Billboard 200 chart after winning multiple Grammys, including Album of the Year, and was also named Album of the Year at the CMA Awards, the ACM Awards and the IBMA Bluegrass Music Awards.
It was the biggest-selling soundtrack of the decade according to Billboard, and in recent years it has been named one of the best soundtracks of all time by outlets including Rolling Stone, Pitchfork and Parade. The film and soundtrack sparked a 21st-century cultural renaissance, reintroducing traditional American roots music to the masses and inspiring a new wave of popular music rooted in the American South, with Lost Highway Records at the epicenter of the movement.
The O Brother, Where Art Thou? anniversary celebration will continue over the course of the year, with a series of special events and activations.
JUST IN: Maddie & Tae Announce Split
/by Lauryn SinkMaddie & Tae. Photo: Lily Nelson
Maddie & Tae, the duo comprised of Maddie Font and Tae Dye Kerr, are going their separate ways.
Font plans to continue as a solo artist. Kerr is stepping away from music to take time at home with her two children.
“We’re leaving this so open-ended because, you know, we might make another record one day,” tells People. “We might go do some tour dates one day.”
“It’s been such a hard, hard — honestly, heartbreaking — decision,” Kerr adds. “This was the only dream I’ve ever had since I exited the womb. I had a very specific vision of creating music and singing music. When we met at 15, that’s what we set out to do, and we’re both just so grateful that we’ve had the journey that we’ve had. This career has been everything we’ve ever wanted.”
The duo formed in 2010. They’ve notched two chart-toppers with “Girl In A Country Song” and “Die From A Broken Heart.” Together, the pair has earned 13 CMA nominations, 11 ACM nominations and six CMT Awards nominations as well as released four albums and four EPs, with their most recent project Love & Light released earlier this year.
The duo plans to honor their remaining live show commitments with dates through next spring.
Miranda Lambert, Charley Crockett & Jon Pardi To Headline 2026 Music City Rodeo
/by Lauryn SinkPictured (L-R): Bareback Rider Tim O’Connell, Saddle Bronc Rider Rusty Wright, Professional Bull Rider Jace Trosclair, Music City Rodeo Trick Rider Madison Schalla, Tim McGraw, World Champion Bullride Cody Custer, 2025 Music City Rodeo Queen Reagan Caen.
Nashville’s Professional Rodeo Cowboy Association (PRCA) Event is set to return to Bridgestone Arena May 28–30, 2026. Miranda Lambert (May 28), Charley Crockett (May 29) and Jon Pardi (May 30) will headline next year’s event.
Each night will kick off with two hours of rodeo before the artists take the stage. Tickets, available Friday (Dec. 12), include admission to both events. A portion of ticket sales benefit Nashville’s Monroe Carell Jr Children’s Hospital at Vanderbilt.
Music City Rodeo held its inaugural event earlier this year with headliners Tim McGraw, Reba McEntire and Jelly Roll. More than 30 World Champion athletes competed in the 2025 event, culminating in over $292,000 in total prize winnings. The 2026 event has been designated an official Cinch Playoff Series Rodeo.
Brad Paisley & Kimberly Williams-Paisley’s The Store Hosts Third Annual Toy Store
/by Lorie HollabaughKimberly Williams-Paisley and Brad Paisley. Photo: Sean O’Halloran
The Store, the free-referral based grocery store co-founded by Brad Paisley and Kimberly Williams-Paisley, hosted its third annual Toy Store presented by Sam’s Club over the weekend.
This year’s Toy Store was made possible with the help of 600 volunteers and the local community and generous sponsors, who provided more than 5,000 toys for the holiday event. Through the generous donations from the sponsors and donors across the U.S., families The Store currently serves were able to shop for toys to provide Christmas gifts for more than 1000 children. Gift wrapping and some holiday festivities were also a part of the shopping experience.
28 sponsors helped make this year’s event a success, including Metro Parks Nashville, who provided the event space. The Store is set to open a second location in mid-January at TriStar Centennial Medical Center in Nashville.
Conway Entertainment Group Live Consulting Launches
/by Madison HahnenPictured (L-R): Bob Garcia (Director of Events/Finance Lerner Theatre), Carl Thompson (Lerner Theatre GM), Sherry May (Interim GM/Consultant), Regina Robertson (wife of Mayor Robertson), Rod Robertson (Mayor of Elkhart), Scott Welch (CEG Live), and Blake McDaniel (CEG Live). Photo: Courtesy of CEG Live
Conway Entertainment Group Live (CEG Live) has launched its consulting services, headquartered in Nashville. CEG Live will specialize in driving the growth, development, and success of entertainment venues through a combination of live event management and venue consulting services. CEG Live provides venue booking, tailored strategies and direct support to venues.
The company will be led by Tony Conway, with additional day-to-day operations assistance from Blake McDaniel, Scott Welch, Sherry May and Brandon Mauldin.
CEG Live has already completed its flagship project, the Lerner Theatre in Elkhart, Indiana. While working with the venue, CEG Live trained staff, completed marketing and financial audits, negotiated strategic vendor deals and completed a nationwide job search to place a new General Manager, as well as a new Finance and Booking Director. To celebrate the project, the venue and city of Elkhart hosted a free outdoor concert featuring Kool & The Gang and The Commodores, with 15,000 attendees.
“When any need arises in the entertainment venue business, we want to assist,” says Conway, Founder and CEO of CEG Live. “Following the success of the Lerner Theatre in Elkhart, Indiana, we move forward with new venue projects already in the works.”
Venues interested in CEG Live services can contact the company here.
Keith Urban, Riley Green Among Country Thunder Wisconsin 2026 Headliners
/by Lorie HollabaughCountry Thunder Wisconsin is gearing up for another big year at Shadow Hill Ranch in Twin Lakes, Wisconsin, July 16-19.
For 2026, the Midwest’s premiere country music experience returns with headliners Gavin Adcock, The Red Clay Strays, Riley Green and Keith Urban atop the bill. The weekend lineup also boasts Gretchen Wilson, Ian Munsick, Nate Smith, Shaboozey and more. Tickets and premium packages are available here.
Country Thunder Wisconsin is as renowned for its camping options as it is for the music, with various packages including Tent Camping, Crown Camping, Glamping, and more, along with private port-a-potties for campsites for rent. Last year saw Country Thunder Wisconsin crown Hailey Rovetuso its “One Millionth Fan,” giving her a once-in-a-lifetime prize pack, and 2026 has plenty of things in store for 2026.
Inside Brandon Lake’s Songline & Christian Music’s Growing Reach [Interview]
/by Lauryn SinkCourtesy of Amazon Music.
For decades, Christian and gospel music have operated in a parallel ecosystem to the broader music marketplace, thriving within their own lanes yet rarely invited onto mainstream stages. But, the past few years have marked a measurable and widely discussed shift. Faith-based music is not only growing but breaking into mainstream conversations, streaming charts and cross-genre collaborations in ways that feel genuinely new.
Part of the shift comes from the democratizing effect of modern streaming platforms, which have reshaped how niche communities find and elevate their favorites. But a bigger part may be generations as younger listeners are engaging with music and with their chosen artists with an intensity and intentionality that would have been unusual a decade ago.
At the center of one of the format’s biggest recent breakthroughs is Brandon Lake, who has amassed over 270 million career streams and earned a foothold on playlists and stages that traditionally sit outside the Christian category. But Lake is far from an outlier. Faith-driven content across both audio and video has surged in visibility. Prime Video’s House of David landed as a Top-10 new U.S. series debut and reached more than 40 million viewers globally, while The Chosen climbed to No. 1 on Prime Video’s U.S. charts. On the audio side, Christian artist Forrest Frank has become one of the most consistently requested musicians on Alexa, reflecting a deepening appetite for spiritually oriented music beyond traditional audiences.
“I’ve been in Christian music over 25 years. I don’t think I’ve ever experienced a time like this where there is so much natural pull from the general music marketplace for Christian and gospel music,” Holly Zabka, President, Provident Entertainment tells MusicRow. “It has always been, in my experience, us trying to push into that landscape and be accepted into the overall mainstream landscape. Now there is just a natural pull of people finding our music and being attracted to the music, attracted to the sound and artists, more than I’ve ever experienced.”
Zabka believes that much of this shift comes from changes in the distribution system. “It has leveled the playing field for Christian music. For someone to be scrolling on their phone and go from Luke Combs to Beyoncé to Brandon Lake all in one scroll has opened the door and shifted the game.”
Lauren Stellato at Amazon Music frames the moment similarly, but leans into how younger listeners drive it. “The genre is growing younger,” she tells MusicRow. “That audience is chronically online and they’re constantly sharing songs with friends and family members.” Stellato says she’s seeing more public enthusiasm with people “proudly talking about it” where previously listening to religious music might have been private. That public sharing, she adds, has translated into tangible fandom behaviors such as buying merchandise, attending multiple shows and spreading tracks across platforms.
That shift in listener behavior has also reshaped what industry support looks like. As Christian and gospel music move further into mainstream visibility, DSPs are adapting by giving these artists access to the same high-visibility tools and storytelling formats historically reserved for pop, country and alternative stars, not siloing them into their own lane.
At Amazon Music, that evolution is most clearly seen in Songline, the company’s original performance series. Songline has hosted artists like Ed Sheeran, Maren Morris and The Lumineers. Until Brandon Lake’s recent partnership, it had never featured a Christian artist.
For Stellato, the addition was both overdue and organic. “This is the first Songline we’ve done in the Christian/gospel space. It shows a different side to Lake than what most people typically get to see.”
That intimacy is built into the Songline format, but it also came from Lake himself. The series was filmed in Charleston, where he grew up, and incorporated quiet moments with his family, including his mother. “I was incredibly honored,” Lake tells MusicRow. “Being labeled as a Christian artist, I’m not going to shy away from the fact that that’s not an opportunity that a lot of us get. I was incredibly honored to get to share what God’s done in my life. For them to want to come to me, to show where I grew up and what made me. It felt like the most authentic thing I could do.”
For Zabka, the partnership was the natural continuation of years of partnership between Provident and Amazon. “Our very first project with Brandon at Provident, Lauren and the Amazon team were intentional and strategic from song releases through the album,” she explains. “[The teams] have always come to each release like ‘what else can we do?’ and ‘how else can we strategically lean into one another?’ Songline is just an extension of that creative partnership.”
That intentionality helped the project resonate. Lake performed reimagined versions of tracks from King of Hearts, but the standout moments were the stripped-back ones. Lake points to “When a Cowboy Prays” as one of the most special performances of the series. “It wasn’t about a big sound,” he says. “Everything got quiet and intimate. I tend to love those moments the most.”
Stellato noticed it with standout catalog tracks as well. “It gives these songs an opportunity to be seen in a new light,” she says, noting that even the longtime fan-favorite “Gratitude” connected differently in the Songline environment.
But the decision to feature Lake wasn’t driven by aesthetics alone. It was backed by audience data showing that Christian listeners on Amazon were engaging at levels that surpassed expectations. Lake’s King of Hearts debuted at No. 1 across the Billboard Top Rock, Top Rock & Alternative and Top Christian Charts, and Amazon Music drove the highest share of global first-week streams compared to any other DSP.
Timing also played a big role in the decision to feature Lake. “I think this was the first time it really aligned,” Stellato noted. “We’d partnered with him around Easter, we did an Amazon Music Original, and then the album came. The Christian fan base on Amazon Music is really leaning in and looking for this kind of content. Doing it with one of the biggest artists in the space felt like the right next step.”
Zabka echoes that sense of alignment and urgency. “If we want this genre to keep growing, we have to take risks,” she says. “We have to try things we’ve never done before. Especially with an artist like Brandon, being willing to kick down doors and get that noticed is what makes me excited about the future. There’s so many other artists coming behind him creating great music that can fit in all the different lanes. Its exciting to think about where we see this genre continuing to grow.”
For Lake, Songline offered the chance to let his music and his story meet a wider audience without losing what makes them personal. “I thought it was so cool that they wanted to tell my story in that way,” he says. “We had an absolute blast creating it together.”
Above the numbers, Stellato, Zabka and Lake each stressed that the blurring of genre lines is one of authenticity taking the reins. “I’ve focused less on what people want and more on what naturally wants to come out of me,” Lake says. “Somehow that’s translated to crossing genres.”
The instinct to create from conviction rather than category mirrors the broader movement driving the momentum of faith-based music. Artists are releasing what feels true, and audiences are responding. For as long as listeners continue to champion the music that resonates with them, this softening of lines shows no signs of slowing down.
Hunter Hayes Sees The Glass Half Full On Upcoming New Project ‘Evergreen’
/by Lorie HollabaughHunter Hayes will release his upcoming new album Evergreen on March 6.
The hopeful new project meshes elements of pop, country, R&B and indie rock, and explores themes of growth, connection and joy. From the buoyant optimism of “Around the Sun,” to the playful vulnerability of “Every Piece,” and the infectious tension of “Wait,” the tracks reveal Hayes as a songwriter in constant evolution, whose heart-forward storytelling continues to resonate across generations. The album examines the core value that love, presence, and compassion begin with the self, and across its songs, Hayes questions long-held beliefs about performance, worthiness, love, and masculinity, embracing a definition of strength that is soft and evolving.
“Evergreen started as a series of letters from my future self,” says Hayes. “In some ways a prayer, and in some ways manifestation. I wanted to make a project from the future. It’s full of hope, optimism, light and love. It’s an escape from reality as well as a new way to appreciate the good things in our everyday life, and how every experience shapes us to better and brighter versions of ourselves as we create a better version of our future.”
Alongside the forthcoming album, Hayes revealed details for his 2026 headlining tour, “The Evergreen Tour,” set to kick off March 25 in Hopewell, Virginia. BLÜ EYES and Franklin Jonas & The Byzantines will support as special guests on the new dates.
Evergreen Track List:
1. “Evergreen”
2. “Until She Comes Along”
3. “Wait”
4. “Dream About”
5. “Fragile”
6. “Every Piece”
7. “Too Late”
8. “The Ones You Love”
9. “Human Again”
10. “Around The Sun”
MusicRow Weekly (News, Charts, More…)
/by Madison HahnenThis week’s edition of The MusicRow Weekly brings a slate of major announcements spanning awards news, executive shifts, management updates and new creative ventures. Click here to see the full edition.
The Academy of Country Music revealed that the ACM Awards will return to Las Vegas for its 61st annual ceremony, set for May 17 at the MGM Grand Garden Arena. The show will once again stream live on Prime Video, with an additional livestream available through the Amazon Music channel on Twitch. Festivities will begin early as ACM Awards Week kicks off in Las Vegas on May 15.
Capitol Christian Music Group announced several promotions and a new hire. Carlos Monnaco has been elevated to Executive Vice President of Finance, while Garrett Davis rises to Senior Vice President of A&R. Elizabeth Brock steps into the role of Vice President of National Promotions. Rounding out the leadership additions, Michael Fogarty joins the company as Vice President of Digital Marketing.
Jody Williams has expanded his role with Vince Gill. Williams will now oversee management duties for Gill through his new venture, Little Guitar Management. Longtime manager Larry Fitzgerald will continue supporting the team as a consultant, while Jennifer Templeton remains Gill’s day-to-day manager.
Other notable leadership updates include Lisa Hresko’s promotion to Chief Operating Officer at A2IM, accompanied by her appointment as the inaugural President of the Foundation of Independent Music. Sony Music Publishing elevated Jeff Smarr to Senior Vice President, Global Copyright. Additionally, Luma Business Management revealed that Mallori Kirchenschlager has been named Partner.
Timmy McKeever has entered a new management agreement with The Familie, where he will be co-managed by Steve Astephen, Chase Berlin and Royce Risser, alongside Jason McKeever. Emily Peacock has launched Peacock Publishing and Creative Consulting, while Dustin Boyer, Bobby Dirienzo and Olivia Pierce have teamed up to form Industry Plant, a new creative marketing agency. Josiah Siska has secured new representation under Walk Off Entertainment. Singer-songwriter Madison Kozak has signed a co-publishing agreement with Warner Chappell Music Nashville in partnership with The Core Entertainment.
In addition, the latest MusicRow CountryBreakout Radio Chart is included. Blake Shelton remains in the No. 1 spot with “Stay Country or Die Tryin’.” Explore more chart data here.
The MusicRow Weekly is delivered every Friday, featuring Nashville’s top music industry news, exclusive interviews, song reviews, radio and songwriter charts and more. Sign up for free here.
Kane Brown Plots ‘Miles On It Tour: The Ultimate Automotive Experience’
/by Madison HahnenKane Brown.
Kane Brown will launch his “Miles On It Tour: The Ultimate Automotive Experience” at Nashville Superspeedway April 10–11.
The two-day event will bring together fans, builders and top brands for an automotive lifestyle experience, featuring custom builds, drift and burnout exhibitions, drag demos, dyno and audio competitions, and a celebration of car and truck culture.
Tickets are on-sale now. A portion of proceeds will be donated to charitable causes benefiting youth and community initiatives across Middle Tennessee.
The Experience Includes:
• Massive show fields for lifted trucks, imports, exotics, classics, and performance builds
• Live drift and burnout exhibitions
• Dyno and audio competitions
• Awards and cash prizes presented by Kane Brown to top builds and teams
• Lifestyle and vendor showcase featuring top automotive brands
• Creator and celebrity appearances throughout the weekend