
Jerry Bradley. Photo: Tony Brown’s book Elvis, Strait to Jesus; courtesy of Melissa Core and Rick Caballo of Dead Horse Branding
Music industry titan and Country Music Hall of Fame member Jerry Bradley has passed away at age 83. He died peacefully on Monday (July 17) in Mt. Juliet, Tennessee.
His 40 years of success in the record and publishing industries are unique in the Nashville music business community.

Jerry Bradley and the CMHOF’s Kyle Young at Bradley’s induction into the Country Music Hall of Fame. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
As part of what is known as “The First Family of Music Row,” Jerry was the son of Nashville sound architect Owen Bradley as well as the nephew of the renowned A-Team guitarist Harold Bradley, who were both in the Hall of Fame. His late wife was the iconic Connie Bradley, who led ASCAP for three decades.
Other members of the Bradley dynasty include Jerry’s sister, longtime BMI executive Patsy Bradley, and his son, current BMI Nashville VP of Creative Clay Bradley, as well as other family members who made an impact on the music business.
Jerry Owen Bradley was born in Nashville on January 30, 1940. He was a practical jokester in his youth. When he decided to follow his dad and uncle Harold’s footsteps into the music business, after two years in the army, Jerry started working with his family’s music publishing company, Forrest Hills Music. He also started learning to engineer and produce records in his dad’s studio, Bradley’s Barn, after it was built in 1965.
Learning from his father, Jerry watched and often contributed to sessions with artists like Webb Pierce, Loretta Lynn, Brenda Lee, Gordon Lightfoot and more.

Jerry and Connie Bradley. Photo: Donn Jones/CMA
Coming up in the music business as Owen Bradley’s son made Jerry ache for a shot at building his own reputation. In order to make a name for himself, Jerry asked Head of RCA Nashville Chet Atkins—who was ironically Owen’s competition at the time—for a job.
Jerry came on as an assistant for Atkins in 1970, but soon found himself behind the sound board as a staff producer. A few short years later Jerry became Head of RCA Nashville in 1973.
If making a mark for himself was what Jerry yearned for, he did that and more. With Jerry at the helm from 1973 to 1983, RCA Nashville experienced its famed success with country hitmakers Alabama, Ronnie Milsap, Dolly Parton, Charley Pride and many more. The label was heralded Label of the Year by Billboard for ten consecutive years, and launched the careers of some of country music’s most legendary stars.
“When my daddy died, my mother told me he was proud of me. He never said that but he told her that. That touches me,” Jerry told MusicRow in a 2021 interview about his family’s legacy.
One of Jerry’s early signings was Alabama, a family band from Fort Payne, Alabama. Jerry helped design the artwork for their first RCA Nashville album My Home’s in Alabama, and started their iconic trademark of Alabama spelled with a capital “A” at both the beginning and ending of the word. The now Country Music Hall of Fame members would go on to celebrate multiple Platinum and multi-Platinum albums.

Jerry Bradley and Charley Pride attend the 2019 Country Music Hall of Fame Medallion Ceremony. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Another stunning success of Jerry’s was his work with Ronnie Milsap, who recorded 35 No. 1 hits for RCA Nashville. Jerry produced many of Milsap’s hits, with publisher Tom Collins co-producing some as well.
He made history while working with Charley Pride, who became one of country music’s first Black superstars. Pride recorded hits such as “Someone Loves You Honey,” “Burgers and Fries” and “Where Do I Put Her Memory” under Jerry’s supervision.
During his time at RCA, Jerry was also the force behind the renowned 1976 album, Wanted: The Outlaws, from Waylon Jennings, Willie Nelson, Jessi Colter and Tompall Glaser. He was meticulously involved in the imagery for the project, modeling the cover after a vintage, western wanted poster. The album became the very first country album to achieve Platinum status.
Like his father and uncle Harold, Jerry was very involved in the success of the Music Row community. He was President of the Country Music Association in 1974-1975, and was heavily involved in CMA’s annual Fan Fair (now CMA Fest).
Jerry was also known as a prankster on Music Row. Some of the many pranks he pulled were sticking spoons to his face during formal industry events while speeches were being given, and sneakily planting corn in the yards of his colleagues’ offices.

Connie and Jerry Bradley with Harold and Patsy Bradley at the Owen Bradley statue on Music Row. Photo: Courtesy of Jerry Bradley
“When country music was taking off in the Garth Brooks era, Soundscan came out and all of the sudden country music was selling more than anything else, dad grabbed me one day on a Sunday and we went and planted corn in everybody’s front lot,” Jerry’s son Clay remembers. “In about three weeks they all had corn stalks growing.”
“I took Kenny Chesney on his first ride up 16th Avenue going the wrong way telling him I was checking the corn stalks. He didn’t know what the hell I was talking about until we got up the street,” Jerry admitted.
Jerry married the late ASCAP executive, Connie Bradley, in 1979. The two were married for nearly 43 years, until Connie unexpectedly died in March of 2021. There’s no doubt the two were the ultimate Music Row power couple.
From another marriage, Jerry had two children, Leigh Jankiv and Clay Bradley, who also went on to work in the business. Jerry’s cousin Bobby Bradley Jr. is also a noted recording-studio engineer. Bobby got his start at Bradley’s Barn, and went on to work with Johnny Cash, George Jones, Loretta Lynn, Dolly Parton, Marty Stuart, Tammy Wynette, Trisha Yearwood and more at many different studios.
Jerry left RCA Nashville in 1983 and stepped into leading Opryland Music Group, which owned all the Acuff-Rose publishing catalogs. Opryland Music Group became the first Nashville publishing company to win ASCAP and BMI Song of the Year honors in 1990. Acuff-Rose has been a steady earner because of its catalog of old songs, which included the classics of Hank Williams, Roy Orbison, Don Gibson, John D. Loudermilk, the Everly Brothers and Dallas Frazier. With a fire in his belly to elevate the company, Jerry went to work acquiring new staff, song pluggers and hit songwriters such as Dean Dillon, Casey Beathard and Kenny Chesney. Soon the Opryland Music Group was battling with the multinational corporate giants like Warner Chappell, EMI, Polygram Music and BMG.

Jerry Bradley. Photo: Courtesy of the Country Music Hall of Fame and Museum
Jerry retired from the music business in 2003. He was inducted into the Country Music Hall of Fame in 2019 for his incredible impact on Music Row. Jerry has mentored such successful music industry professionals as his son Clay Bradley, Troy Tomlinson and Joe Galante.
“I never lost the fact that it was fun,” Jerry shared. “I had fun.”
Jerry Bradley is predeceased by his parents Owen Bradley and Katherine Bradley; his uncles Harold Bradley, Charlie Bradley and Bobby Bradley; his aunt Ruby Strange; his wife Connie Bradley; and the mother of his two children, Gwynn Hastings Kellam.
He is survived by his sister Patsy Bradley; his children Leigh Jankiv (Rob LeBlanc) and Clay Bradley (Sara); his grandchildren Josh Jankiv (Ashley), Eli Jankiv, Emma Jankiv (Matt Acott), John Bradley and Lillian Grace Bradley; and his five great grandchildren.
A Celebration of Life will be held at Cedar Creek Yacht Club on Sept. 10 at 4 p.m. This is the place Jerry enjoyed the most. He was a 60-year member and he spent his time on Old Hickory Lake with his family and friends on the “STUDIO A” houseboat.
In lieu of flowers, the family asks that you please make a donation to Music Health Alliance.
Kelli Wasilauski Named Director Of Operations Of The Oriel Company’s Nashville Office [Exclusive]
/by LB CantrellKelli Wasilauski
Kelli Wasilauski has joined The Oriel Company as Director of Operations of its Nashville office.
Charlotte Burke Bass is exiting the position after helping the company establish the Music City division of the PR company that represents Kelsea Ballerini, Old Dominion, Jason Isbell, Zoe Kravitz, Maroon 5, Questlove, Robyn, André 3000, Phoebe Bridgers, and recent Emmy nominees Juliette Lewis and Ebon Moss-Bachrach, as well as Stagecoach Music Festival.
“We really enjoyed getting to know Charlotte over the course of this past year and working with her on the launch of The Oriel Co’s Nashville office. We thank her immensely for her work and are very supportive of her decision to take a step back from the daily grind of agency life,” shares The Oriel Co.’s Co-Founder, Carleen Donovan.
She adds, “We conducted a very wide executive search and immediately connected with Kelli. Chloe Walsh, Jen Appel and I have been so impressed with Kelli and knew immediately she was someone we could trust implicitly, collaborate with and grow with our agency. I speak for our entire team here when I say how excited we are to have her aboard here at The Oriel Co!”
Wasilauski brings more than eight years of music industry experience to her new role at The Oriel Co. She most recently served as VP of Publicity at Adkins Publicity. Since its inception, she helped grow the company’s roster to more than 20 clients and worked on notable campaigns including Billy Ray Cyrus’ record-breaking “Old Town Road (Remix)” with Lil Nas X, Tanya Tucker’s Grammy award-winning While I’m Livin’ album and The Judds‘ “Dream Chasers” Country Music Hall of Fame and Museum exhibit. Wasilauski spearheaded PR efforts for Bill Anderson’s Hall of Fame exhibit, “Bill Anderson: As Far As I Can See,” and his album of the same name, which yielded the Hall of Famer his inaugural Grammy nomination as an artist.
Prior to Adkins Publicity, Wasilauski worked with artists including Big & Rich, Kiefer Sutherland and Locash and coordinated events and on-site press for Dolly Parton’s “Smoky Mountains Rise: A Benefit for the My People Fund,” “All In For The Gambler: Kenny Rogers’ Farewell Concert Celebration,” “A Heroes & Friends Tribute to Randy Travis” and Charlie Daniels’ Volunteer Jam.
Congratulate Wasilauski at kelli@theoriel.co.
Ryan Vojtesak Re-Enters Top 5 On MusicRow Top Songwriter Chart
/by Caela GriffinRyan Vojtesak
Ryan Vojtesak re-enters the top five on the MusicRow Top Songwriter Chart this week, moving from No. 6 to to No. 4. He is co-writer on Morgan Wallen’s tracks “Last Night,” “You Proof,” “Thinkin’ Bout Me,” “Everything I Love” and “Cowgirls.”
Filling out the top five, Ashley Gorley sits atop the chart at No. 1 for the 11th consecutive week as a co-writer on Chris Janson’s “All I Need Is You,” Parmalee’s “Girl In Mine,” Russell Dickerson’s “God Gave Me A Girl,” Hardy’s “Truck Bed,” Nate Smith’s “World On Fire” and Morgan Wallen’s “Last Night,” “Cowgirls,” “Everything I Love,” “Thinkin’ Bout Me” and “You Proof.”
Tracy Chapman remains at No. 2 with Luke Combs’ cover of her solely-written “Fast Car” still rising. Zach Bryan‘s “Something In The Orange” keeps him at No. 3 and Chase McGill sits at No. 5 with six charting songs.
The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.
Brandy Clark & Lori McKenna Announce Co-Headlining Tour For Fall
/by Lorie HollabaughBrandy Clark (Photo: Victoria Stevens) & Lori McKenna (Photo: Thomas Heney)
Award-winning songwriters Brandy Clark and Lori McKenna are teaming up for a special tour this fall.
“An Evening with Brandy Clark & Lori McKenna” will kick off Sept. 28 and features the two together on stage swapping stories and performing songs from their catalogues as well as material they’ve penned for others.
The trek includes stops in Houston, Dallas, Knoxville, Chattanooga, Boston and more through Oct. 15. Tickets will be available for presale starting tomorrow (July 18), with general sales following this Friday (July 21).
Clark released her self-titled album produced by Brandi Carlile earlier this spring, and will embark on her own extensive headlining tour this fall as well, visiting Chicago, Minneapolis, Nashville, Seattle, San Francisco and Los Angeles, among others. In addition to her work as a solo artist, Clark has written songs such as “A Beautiful Noise,” the Grammy-nominated duet performed by Carlile and Alicia Keys, and Kacey Musgraves’ “Follow Your Arrow.”
She also composed the music and lyrics for the new hit Broadway musical comedy, Shucked, alongside her longtime collaborator Shane McAnally. With the show, Clark won Outstanding Music at the 67th Drama Desk Awards. Shucked also earned Tony Award and was nominated for nine total this past year.
McKenna will release her new album, 1988, this Friday. Produced by Dave Cobb, the record is named for the year she married her husband and serves as a love letter to her family and lifelong friends. In celebration of the new music, McKenna will tour this summer with headlining shows at Philadelphia’s World Café Live, New York’s City Winery, Nashville’s CMA Theater, Evanston’s Space and more.
Along with her solo artistry, McKenna has penned songs for Taylor Swift, Chris Stapleton, Miranda Lambert, Maren Morris, George Strait, Sheryl Crow, Carrie Underwood, Faith Hill and Reba McEntire. She also co-wrote “Always Remember Us This Way,” which was featured in the 2018 film A Star Is Born. In the past few years, she has won three Grammy Awards for Best Country Song and two CMA Song of the Year honors in addition to becoming the first female ACM Songwriter of the Year.
“An Evening with Brandy Clark & Lori McKenna” Tour Dates:
Sept. 28—Houston, TX—The Heights Theater
Sept. 29—Dallas, TX—The Kessler Theater
Sept. 30—New Braunfels, TX—Gruene Hall
Oct. 5—Knoxville, TN—Bijou Theatre
Oct. 6—Chattanooga, TN—Walker Theatre
Oct. 7—Rocky Mount, VA—Harvester Performance Center
Oct. 8—Durham, NC—Carolina Theatre of Durham/Fletcher Hall
Oct. 12—Buffalo, NY—Asbury Hall at Babeville
Oct. 13—Laconia, NH—The Colonial Theatre of Laconia
Oct. 14—Northampton, MA—Academy of Music
Oct. 15—Boston, MA—The Wilbur
Weekly Register: Taylor Swift Takes Over Country Charts
/by Liza AndersonTaylor Swift. Photo: Beth Garrabrant
Taylor Swift‘s Speak Now (Taylor’s Version) tops the country albums chart this week with 716K in total consumption (507K album only/259 million song streams). Swift also dominates the country streaming songs chart, landing three of the top five slots, according to Luminate data.
Morgan Wallen‘s One Thing At A Time moves to No. 2 on the country albums chart after its long reign on top with 104K (4.3K album only/125 million song streams), while his Dangerous: The Double Album slides to No. 3 with 46K (902 album only/58 million song streams). Zach Bryan‘s American Heartbreak stays at No. 4 with 31K (1.9K album only/38 million song streams), and Luke Combs‘ Gettin’ Old shifts to No. 5 with 31K (2K album only/35 million song streams).
On the country streaming songs chart, Wallen’s “Last Night” prevails at No. 1 with 23 million new streams. Swift’s “I Can See You (Taylor’s Version) (From The Vault)” scores No. 2 on both the country and all-genre chart with 21 million streams. Combs’ “Fast Car” lands at No. 3 with 18 million new streams. Swift’s “Mine (Taylor’s Version)” takes No. 4 with 16 million streams, and “Back To December (Taylor’s Version)” secures No. 5 with 15 million streams.
Round Hill Music Promotes Lindsay Will, Hires Taylor Antle
/by LB CantrellLindsay Will, Taylor Antle
Round Hill Music has promoted Lindsay Will to Sr. Director, A&R. The company has also added Taylor Antle to its staff as Director, A&R.
Will, an Arkansas native and MTSU grad, joined Round Hill in January of 2021 after beginning her career at Liv Write Play. In her new role, she will oversee the Round Hill Nashville A&R department and the company’s roster of hit songwriters while also signing and developing new talent. Will reports to Round Hill Sr. VP/General Manager, Mike Whelan.
Taylor is an Oklahoma native and Oklahoma State University graduate. He began his career as a Production Manager and Sound Engineer as well as working for AVL production companies in the Nashville area. At Round Hill, Antle will focus on supporting the A&R staff and assisting the company’s roster of songwriters.
“I’m so thankful to be working with Lindsay and Taylor” says Whelan. “Lindsay brings energy and passion to work every day. Her instincts on spotting and signing great writers and artist/writers has impressed me so much. We are blessed to have her at Round Hill.”
He adds, “Taylor is such a great addition to our creative team as well. His drive to win and want to be the best fits the overall philosophy of this staff. I look forward to sharing in all the future success at Round Hill Music.”
Round Hill Music Nashville’s roster includes hit songwriters includes Zach Crowell, Kevin Griffin, Blair Daly, Marti Frederiksen, Scott Stevens, Zac Maloy, Adam Sanders, Blake Chaffin, Danielle Blakey, Nathan Wilson, Renee Blair and Jared James Nichols.
Opry Country Christmas To Return For Third Year
/by Lorie HollabaughCharlie McCoy and The Gatlin Brothers perform alongside Santa Claus during the inaugural Opry Country Christmas season in 2021. Photo: Chris Hollo/Grand Ole Opry
The nine-show series will feature special performances by Spotlight Artists including Opry member Lauren Alaina (Nov. 29), Scotty McCreery (Dec. 3), Trace Adkins (Dec. 7), Lady A (Dec. 11) and Chris Janson (Dec. 18), with more to be announced soon.
Hosted by Opry member Larry Gatlin, Opry Country Christmas will showcase favorites and standards from the holiday season beginning Nov. 26 and running through Dec. 18. Each show features Opry members The Gatlin Brothers, Riders In The Sky, Mandy Barnett and Country Music Hall of Famer Charlie McCoy. Other Opry members, special guests and spotlight artists will round out the shows with original songs and timeless Christmas favorites.
All Opry Country Christmas shows will air on WSM Radio as well as WSM and Opry digital platforms. Tickets are available now. For more information, click here.
Riley Clemmons To Release Third Album ‘Church Pew’ In September
/by Caela GriffinRiley Clemmons has announced that her third studio album, Church Pew, will be released on Sept. 22 via Capitol Christian Music Group, and released the title track on Friday (July 14). The 11-track album, co-produced with Jeff Pardo, marks Clemmons’ first credit as Executive Producer as well as a season of self-discovery and reflection after burnout and depression. The resulting body of work follows that journey and demonstrates who she is at her core.
“It feels as though my entire life has been leading up to the creation of this record,” she shares. “With that said, this album was born from the lowest and toughest point in my life thus far. During an ongoing battle with depression and anxiety and navigating what felt like a true identity crisis, I took a step back from music and creating to live life.
“I was able to pause long enough to rediscover what I loved and resonated with sonically and lyrically, as I began to allow myself the space to naturally evolve, change and grow. Church Pew sounds and feels like my DNA. I’m ready and excited for everyone to hear this new side of my heart, artistry and music. This chapter is going to be a special one.”
Clemmons released the third song from the album and its namesake, “Church Pew,” which explores all the pivotal moments that happen within a church pew. The song follows the release of “Loved By You,” which has already surpassed over 1.5 million streams worldwide since its release, and “Miracle,” which is nearing one million streams in its first two weeks.
Jon Freeman Exits Rolling Stone
/by LB CantrellJon Freeman
Nashville-based writer and editor Jon Freeman has left Rolling Stone. After more than seven years with the company, Freeman’s position was eliminated and his last day was Friday (July 14).
In addition to writing and editing for the publication, Freeman helped to oversee the Rolling Stone Country vertical. He interviewed a wide range of performers from Dolly Parton and Tim McGraw to Jason Isbell and Brandi Carlile. In 2021, Freeman wrote on multiple occasions about the wealth of LGBTQ+ voices in country and roots music.
The Alabama native began his career at MusicRow Magazine, rising from Chart Director to Managing Editor in his nearly eights years at the company. In 2012, Freeman became the Deputy Editor at Country Weekly where he stayed until he joined Rolling Stone in 2015.
In addition to Rolling Stone, his work has appeared in NPR Music, the Nashville Scene and Vinyl Me Please.
Freeman can be reached at freemanjm@gmail.com.
Country Music Hall Of Famer Jerry Bradley Passes
/by LB CantrellJerry Bradley. Photo: Tony Brown’s book Elvis, Strait to Jesus; courtesy of Melissa Core and Rick Caballo of Dead Horse Branding
Music industry titan and Country Music Hall of Fame member Jerry Bradley has passed away at age 83. He died peacefully on Monday (July 17) in Mt. Juliet, Tennessee.
His 40 years of success in the record and publishing industries are unique in the Nashville music business community.
Jerry Bradley and the CMHOF’s Kyle Young at Bradley’s induction into the Country Music Hall of Fame. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
As part of what is known as “The First Family of Music Row,” Jerry was the son of Nashville sound architect Owen Bradley as well as the nephew of the renowned A-Team guitarist Harold Bradley, who were both in the Hall of Fame. His late wife was the iconic Connie Bradley, who led ASCAP for three decades.
Other members of the Bradley dynasty include Jerry’s sister, longtime BMI executive Patsy Bradley, and his son, current BMI Nashville VP of Creative Clay Bradley, as well as other family members who made an impact on the music business.
Jerry Owen Bradley was born in Nashville on January 30, 1940. He was a practical jokester in his youth. When he decided to follow his dad and uncle Harold’s footsteps into the music business, after two years in the army, Jerry started working with his family’s music publishing company, Forrest Hills Music. He also started learning to engineer and produce records in his dad’s studio, Bradley’s Barn, after it was built in 1965.
Learning from his father, Jerry watched and often contributed to sessions with artists like Webb Pierce, Loretta Lynn, Brenda Lee, Gordon Lightfoot and more.
Jerry and Connie Bradley. Photo: Donn Jones/CMA
Coming up in the music business as Owen Bradley’s son made Jerry ache for a shot at building his own reputation. In order to make a name for himself, Jerry asked Head of RCA Nashville Chet Atkins—who was ironically Owen’s competition at the time—for a job.
Jerry came on as an assistant for Atkins in 1970, but soon found himself behind the sound board as a staff producer. A few short years later Jerry became Head of RCA Nashville in 1973.
If making a mark for himself was what Jerry yearned for, he did that and more. With Jerry at the helm from 1973 to 1983, RCA Nashville experienced its famed success with country hitmakers Alabama, Ronnie Milsap, Dolly Parton, Charley Pride and many more. The label was heralded Label of the Year by Billboard for ten consecutive years, and launched the careers of some of country music’s most legendary stars.
“When my daddy died, my mother told me he was proud of me. He never said that but he told her that. That touches me,” Jerry told MusicRow in a 2021 interview about his family’s legacy.
One of Jerry’s early signings was Alabama, a family band from Fort Payne, Alabama. Jerry helped design the artwork for their first RCA Nashville album My Home’s in Alabama, and started their iconic trademark of Alabama spelled with a capital “A” at both the beginning and ending of the word. The now Country Music Hall of Fame members would go on to celebrate multiple Platinum and multi-Platinum albums.
Jerry Bradley and Charley Pride attend the 2019 Country Music Hall of Fame Medallion Ceremony. Photo: Jason Kempin/Getty Images for Country Music Hall of Fame and Museum
Another stunning success of Jerry’s was his work with Ronnie Milsap, who recorded 35 No. 1 hits for RCA Nashville. Jerry produced many of Milsap’s hits, with publisher Tom Collins co-producing some as well.
He made history while working with Charley Pride, who became one of country music’s first Black superstars. Pride recorded hits such as “Someone Loves You Honey,” “Burgers and Fries” and “Where Do I Put Her Memory” under Jerry’s supervision.
During his time at RCA, Jerry was also the force behind the renowned 1976 album, Wanted: The Outlaws, from Waylon Jennings, Willie Nelson, Jessi Colter and Tompall Glaser. He was meticulously involved in the imagery for the project, modeling the cover after a vintage, western wanted poster. The album became the very first country album to achieve Platinum status.
Like his father and uncle Harold, Jerry was very involved in the success of the Music Row community. He was President of the Country Music Association in 1974-1975, and was heavily involved in CMA’s annual Fan Fair (now CMA Fest).
Jerry was also known as a prankster on Music Row. Some of the many pranks he pulled were sticking spoons to his face during formal industry events while speeches were being given, and sneakily planting corn in the yards of his colleagues’ offices.
Connie and Jerry Bradley with Harold and Patsy Bradley at the Owen Bradley statue on Music Row. Photo: Courtesy of Jerry Bradley
“When country music was taking off in the Garth Brooks era, Soundscan came out and all of the sudden country music was selling more than anything else, dad grabbed me one day on a Sunday and we went and planted corn in everybody’s front lot,” Jerry’s son Clay remembers. “In about three weeks they all had corn stalks growing.”
“I took Kenny Chesney on his first ride up 16th Avenue going the wrong way telling him I was checking the corn stalks. He didn’t know what the hell I was talking about until we got up the street,” Jerry admitted.
Jerry married the late ASCAP executive, Connie Bradley, in 1979. The two were married for nearly 43 years, until Connie unexpectedly died in March of 2021. There’s no doubt the two were the ultimate Music Row power couple.
From another marriage, Jerry had two children, Leigh Jankiv and Clay Bradley, who also went on to work in the business. Jerry’s cousin Bobby Bradley Jr. is also a noted recording-studio engineer. Bobby got his start at Bradley’s Barn, and went on to work with Johnny Cash, George Jones, Loretta Lynn, Dolly Parton, Marty Stuart, Tammy Wynette, Trisha Yearwood and more at many different studios.
Jerry left RCA Nashville in 1983 and stepped into leading Opryland Music Group, which owned all the Acuff-Rose publishing catalogs. Opryland Music Group became the first Nashville publishing company to win ASCAP and BMI Song of the Year honors in 1990. Acuff-Rose has been a steady earner because of its catalog of old songs, which included the classics of Hank Williams, Roy Orbison, Don Gibson, John D. Loudermilk, the Everly Brothers and Dallas Frazier. With a fire in his belly to elevate the company, Jerry went to work acquiring new staff, song pluggers and hit songwriters such as Dean Dillon, Casey Beathard and Kenny Chesney. Soon the Opryland Music Group was battling with the multinational corporate giants like Warner Chappell, EMI, Polygram Music and BMG.
Jerry Bradley. Photo: Courtesy of the Country Music Hall of Fame and Museum
Jerry retired from the music business in 2003. He was inducted into the Country Music Hall of Fame in 2019 for his incredible impact on Music Row. Jerry has mentored such successful music industry professionals as his son Clay Bradley, Troy Tomlinson and Joe Galante.
“I never lost the fact that it was fun,” Jerry shared. “I had fun.”
Jerry Bradley is predeceased by his parents Owen Bradley and Katherine Bradley; his uncles Harold Bradley, Charlie Bradley and Bobby Bradley; his aunt Ruby Strange; his wife Connie Bradley; and the mother of his two children, Gwynn Hastings Kellam.
He is survived by his sister Patsy Bradley; his children Leigh Jankiv (Rob LeBlanc) and Clay Bradley (Sara); his grandchildren Josh Jankiv (Ashley), Eli Jankiv, Emma Jankiv (Matt Acott), John Bradley and Lillian Grace Bradley; and his five great grandchildren.
A Celebration of Life will be held at Cedar Creek Yacht Club on Sept. 10 at 4 p.m. This is the place Jerry enjoyed the most. He was a 60-year member and he spent his time on Old Hickory Lake with his family and friends on the “STUDIO A” houseboat.
In lieu of flowers, the family asks that you please make a donation to Music Health Alliance.
Emily Ann Roberts Just ‘Can’t Hide Country’ This September
/by Liza AndersonEmily Ann Roberts is set to release her first full-length album, Can’t Hide Country, on Sept. 22.
Recorded at Starstruck Studios and produced by Grammy winner Trent Willmon, the project features collaborations with Ricky Skaggs and Vince Gill, among others, and shows Roberts’ dedication to crafting authentic country music that mirrors what she grew up on. She co-wrote 12 out of the 13 tracks, which reflect on her journey as an artist and a young woman navigating life’s ups and downs through a mix of modern and classic country elements.
“My debut album, Can’t Hide Country feels like finally stepping into who you are. For years I tried to ride the line and please everyone with my music and now all I care about is being honest and sharing stories and moments that mean something real to me,” says Roberts. “If someone needs to know who I am, this record makes it plain and clear. From celebrating the little things in life, to a love beyond my wildest dreams, to anthems for all the ladies in my life about standing up for what they deserve in a relationship, to songs of encouragement to know you’ve got a reason to keep on going, this album takes you through so many emotions and seasons we face in life. I could try to be someone I’m not, but at the end of the day, no matter what I do, I can’t turn it off and I just can’t hide country.”
Additionally, The NBC’s The Voice season nine runner-up graced the Grand Ole Opry stage for the 17th time on Friday (July 14), and stopped by MusicRow in May to share her story as well as some songs featured on the forthcoming collection.
Can’t Hide Country Track Listing:
1. “Whole Lotta Little” (Emily Ann Roberts / Trent Willmon / Jeremy Spillman)
2. “Chickens” (Emily Ann Roberts / Trent Willmon / Paul Overstreet)
3. “Infinity” (Emily Ann Roberts / Stephanie Chapman)
4. “Keep On” (Emily Ann Roberts / Chris McKenna / Chase McDaniel)
5. “He Set Her Off” (Emily Ann Roberts / Parker Welling / Seth Mosely)
6. “Find Me A Man” (Emily Ann Roberts / Steve Fee / Jesse Reeves)
7. “Walkin’ Shoes” (Emily Ann Roberts / Chris Utley / Nicole Croteau / Kaylin Roberson)
8. “Out Of Sight” (Emily Ann Roberts / Jerry Salley / Mike Rogers)
9. “Loves Me For My Heart” (Emily Ann Roberts / Michael Farren / Phillip Lammonds)
10. “Devil Wears Denim” (Emily Ann Roberts / Trent Willmon / Autumn McEntire)
11. “Still Searching” (feat. Vince Gill & Ricky Skaggs) (Jerry Salley / Phillip White)
12. “Can’t Hide Country” (Emily Ann Roberts / Melissa Fuller)
13. “The Building” (Emily Ann Roberts / Michael Farren)