Creative Nation Extends Deal With Travis Wood

Pictured (L-R, back row): Kelsey Granda, Abby Holcomb, Luke Laird and Alex Tamashunas; (L-R, front row): Emily Furman, Travis Wood and Beth Laird

Creative Nation has extended its deal with songwriter/producer Travis Wood.

Wood started his career as a songwriter in Canada, where he has notched nine No. 1 hits and over a dozen top 10 Canadian singles. He made the move to Nashville in 2019 and after signing his publishing deal, secured cuts with Morgan Wallen, Jake Owen, Jordan Davis, Corey Kent, Matt Stell, Scotty McCreery and more.

Wood currently has two singles climbing the Billboard Country Airplay chart with Parmalee’s “Girl In Mine” and Kassi Ashton’s “Drive You Out Of My Mind.”

“Since the first time we heard Travis’s music, Luke and I loved his unique style of songwriting and knew he would fit right in at Creative Nation. It’s so exciting to see our community recognize his talent and his hard work is paying off. We are excited to continue working together and building on these past four years,” shares Creative Nation Founder & CEO, Beth Laird.

“Beth and Luke, along with everyone at Creative Nation, have been such champions of me and my songs. I’m grateful to continue our work together and excited to share more success with this team moving forward,” says Wood.

Reyna Roberts Shares Taste Of Her Debut Album

Reyna Roberts has released her new single, “One Way Street,” from her upcoming debut album Bad Girl Bible: Vol. 1, via EMPIRE Nashville. She partnered with The General through its new The General Sound Studio program.

The General is collaborating with Epic Records to provide national exposure to give up-and-coming artists their big break, and Roberts decided “One Way Street,” a haunting ballad written by Roberts, Natalie Stovall and Aaron Wagner, was perfect for her venture with the company.

“Recording ‘One Way Street’ in The General Sound Studio was such an incredible experience because it’s unlike anything I’ve ever done before,” says Roberts. “The recording process was one of a kind! The single is about unrequited love, being in a one-sided relationship, getting mixed signals, and not knowing which direction to go in.”

@thegeneralauto Reyna is driving (and singing) on a one way street in #thegeneralsoundstudio ♬ One Way Street – Reyna Roberts

“One Way Street” follows “Country Club,” the first single from Roberts’ upcoming debut album, Bad Girl Bible: Vol. 1, set to release on Sept. 8.

Vol. 1 of Bad Girl Bible is my Old Testament. I’ve been preparing for this my whole life, and I am grateful to finally share the stories that have impacted me along this journey,” says Roberts. “My mission is to change the world one song at a time, and to inspire others the way my favorite artists have inspired me.”

The fiery singer-songwriter also recently partnered with Amazon Prime, the Grammy Museum, Amazon Music, Bud Light, the Tennessee Titans, Stella Rosa and NASCAR, and has created songs for ESPN, Apple TV +, NFL and Hallmark Channel.

CAA Signs Jordana Bryant [Exclusive]

Pictured (L-R): Jonas Group Entertainment’s Phil Guerini, Riser House’s Alex Goodman, Jordana Bryant, CAA’s Sabrina Butera, Rod Essig and Riser House’s Jennifer Johnson.

Country singer-songwriter Jordana Bryant has signed with CAA for booking representation.

The Riser House artist is set to release her new single “Best Friend” on Friday, Aug. 11. Written by Bryant alongside her longtime collaborators Zach Kale and Seth Mosley, the song has already amassed 6.6 million views online from only previews. Social media has proven to be a massive driving force in her career, as the 18-year-old has racked up multiple viral moments and 88 million combined streams and views to date.

She made her radio debut on SiriusXM’s The Highway with single “Can I Get It Back” and the release of her self-titled debut EP, which reached No. 10 on the iTunes Country Album charts. The EP features fan-favorite track “Penniless and Broke,” which was added to Spotify’s New Boots playlist. Bryant’s ability to tap into emotions and situations that resonate with people across all walks of life demonstrates her songwriting skills.

“I couldn’t be more grateful for the incredible opportunity to work with CAA. It’s a dream come true to have such a dedicated team supporting my journey, and I’m so looking forward to getting to play my music live,” she says. “‘Best Friend’ is a song that holds a special place in my heart, and I can’t wait to share it with fans who have been asking for it and patiently waiting for a while now. I’m truly so excited for what lies ahead in this next chapter.”

Additionally, Bryant will serve as support for Girl Named Tom on tour from September to October.

Craig Morgan Enlists In Army Reserve On Stage During Opry Appearance

Pictured (L-R): Colonel Jordan (Ft. Campbell Garrison Commander), General Poppas (Commander, US Army Forces Command), Staff Sgt. Craig Morgan, Command Sergeant Major Stackpole (Ft Campbell Garrison Command), John Clement (Deputy State Director/Military Advisor, US Senator Marsha Blackburn), U.S. Senator Marsha Blackburn (R-Tenn.). Photo: Chris Hollo for Grand Ole Opry

Craig Morgan surprised the Grand Ole Opry audience during Saturday night’s show (July 29), returning to his military roots and enlisting.

While on stage, Morgan was sworn into the U.S. Army Reserve by General Andrew Poppas, Commander, US Army Forces Command, as a Staff Sgt. and Warrant Officer candidate before returning to the stage to close out the show in official uniform to perform his powerful hit “Soldier.”

“I’m excited to once again serve my country and be all I can be in hopes of encouraging others to be a part of something greater than ourselves,” Morgan shared. “I love being an artist but I consider it a true privilege and honor to work with what I believe are the greatest of Americans, my fellow soldiers. God Bless America. Go Army.”

Morgan previously served 17 years in the Army and Army Reserve with the 101st and 82nd Airborne Divisions as an E-6 Staff Sergeant and Fire Support Specialist. He includes Airborne, Air Assault and Rappel Master among his certifications. Morgan is now returning to serve his country in a new way as a soldier in the Army Reserve. As an artist he’ll continue touring and releasing new music in his civilian career, while simultaneously serving our country in the Army Reserve.

Big Loud Promotes & Expands Executive Team

Big Loud has elevated and expanded its executive team.

VP of Business Affairs Jeff Tanner, VP of Sync & Brand Partnerships Paul Logan and VP of International Brianne Deslippe all add to their titles, with Tanner and Logan rising to SVP of Business Affairs and Sync & Brand Partnerships, and Deslippe rising to SVP, Global Marketing & Strategy.

Simultaneously, innovative digital expert H. Read Davis rises to VP of Digital and creative architect Tori Johnson rises to VP of Creative.

Additionally, Serena Lloyd, Stefanie Carter and Lucy Bartozzi have now started new roles with the label. Lloyd joins as VP of Human Resources following previous HR roles at Weber Shandwick, Concord, Ketchum and more. Carter becomes VP of Finance after time with the Nashville Predators, Live Nation, Nissan and Mars Petcare. Bartozzi adds to the marketing department as VP, Marketing, bringing experience from previous stops at Round Hill Records, Mtheory and Red Bull Records.

Industry Gathers To Celebrate ‘7500 OBO’ Songwriters

Pictured (L-R): Nathan Spicer, Jennifer Schott, Matt McGinn. Photo: Steve Lowry for BMI

In true Nashville fashion, the industry gathered earlier this week to celebrate Nathan Spicer, Jennifer Schott and Matt McGinn, the writers on Tim McGraw’s No. 1 hit “7500 OBO.” BMI hosted the writers, colleagues and supporters, welcoming them into their Music Row office on a sunny Tuesday afternoon (July 25).

This hit was released during the sizzling summer in 2021, and climbed to the top of the charts in July 2022. It marks the first No. 1 for both Spicer and Schott, and the sixth country No. 1 for McGinn. “7500 OBO” is McGraw’s 45th No. 1 country single, and was voted as one of NSAI’s “10 Songs I Wish I Had Written.” The single went No. 1 on the MusicRow CountryBreakout Radio Chart in May of 2022.

Josh Tomlinson, Director of Creative at BMI, opened the event with touching video from McGraw, who was unable to attend the celebration in person. He sent his congratulations to all of the writers and creative teams behind the project, and said he looked forward to working them on upcoming projects.

Tomlinson then continued with comments about BMI’s writer Schott, congratulating her on her first No. 1 and presenting her with a signature BMI Taylor guitar to commemorate the occasion.

Pictured (L-R): Evyn Mustoe Johnston (ASCAP), Gilles Godard (Anthem), Nathan Spicer, Courtney Crist (Anthem), Kevin Lane (Kobalt), Jennifer Schott, Noah Dewey (Anthem), Matt McGinn, Robin Palmer (SMACKSongs), Josh Tomlinson (BMI), Shannan Hatch (SESAC), Ron Cox (Studio Bank). Photo: Steve Lowry for BMI

He remarked, “Jenn has maintained a reputation that precedes herself. That’s why she gets in the rooms that she gets in, that’s why her career has had such longevity and that’s why she’s got her first No. 1 today.”

Next, Evyn Mustoe Johnston,  ASCAP’s Senior Director of Creative, spoke about Spicer. “This is Nathan’s first No. 1 song. Everyone in this room knows what a big deal that is, how hard that is to make happen and what a big feat it is. A huge congratulations [to Nathan].”

McGinn received high accolades from the team at SESAC. “Matt is a two-time SESAC Songwriter of the Year. We’ve also celebrated with him for Song of the Year,” said Shannan Hatch, SESAC’s SVP, Head of Nashville Creative. “[Today] is a year and one week after the song went No. 1, so what a great way to continue the celebration with you guys.”

Chief Creative Officer at SMACKSongs, Robin Palmer, shared kind words about the thought and intention that went into crafting “7500 OBO.”

“When Matt co-wrote this song, he was so excited. They had googled the ’06 F-150 [mentioned in the song] and figured out all the parts, details and accessories that went on an ’06 Ford F-150. I just thought, ‘Who else does that?’ It’s a great song,” Palmer shared.

Courtney Crist, Senior Creative Director at Anthem Entertainment, extended thanks to the McGraw’s management team at EM.Co., the promotion staff at Big Machine Records and the other publishing teams. Kevin Lane shared congratulations on behalf of Kobalt Publishing before Tomlinson took the stage to read a statement from Red Creative’s Jeremy Stover and Taylor Lamb.

“Congratulations to Jenn Schott and Nathan Spicer as well as Matt McGinn on this incredible achievement. It’s an honor to work with you all. Thank you for bringing this song into the world and for your creative passion for country music,” the statement read. “We’d like to thank a few people who played crucial roles in the success of this song. First and foremost, Tim McGraw, Missi and Byron Gallimore, Scott Borchetta and the rest of the McGraw and Big Machine teams for believing in the song and making it the hit it was always meant to be.”

Studio Bank’s Ron Cox gave heartfelt congratulations coupled with an announcement of a donation to Porter’s Call being made in the names of McGraw and songwriters.

Pictured (L-R): MusicRow‘s Sherod Robertson, Nathan Spicer, Jennifer Schott, Matt McGinn, MusicRow‘s Caela Griffin. Photo: Steve Lowry for BMI

McGinn led the trio of songwriters in their remarks, giving thanks and due credit, yet keeping his speech short.

Thank y’all for being here,” he said. “I’d like to go down the line of everyone we’ve thanked—Tim, Big Machine, Missi, Byron, Kris Lamb for running it up, all the publishers, Robin, Kobalt, Anthem, Red, SESAC, BMI and ASCAP.”

Schott wrote a tender list of thanks, ranging from her current team to her past publishers over her career. She shared, “I want to thank my co-writers, Matt and Nathan. You know I love y’all so much. It was so fun to write this with you guys and share this journey. Cheers to you both. Let’s do it again.”

Schott added, “I also want to thank my former publishers. This is my sixth publishing deal—I’ve been here a long time. Had it not been for those publishers, I wouldn’t be in this deal now.”

In closing her remarks, Schott shared a sweet story of her early days in the industry. ” I have a little picture in my bag that I brought today It’s of me attending my very first No. 1 party in this room. It would have been the end of 1998 or the beginning of 1999. I was working for a publisher in town who had a song by the Dixie Chicks that went No. 1. I was dressed as a chicken. 

I was just starting to write songs. I don’t think I had dreamed of having a No. 1 yet. I was dreaming of having a publishing deal and about maybe getting song recorded one day. Had I told young me, “It’s going to take you a long time,” I think I still would’ve done it because this is the journey. This is the path I was supposed to be on,” she shared.

Spicer said a round of thanks before telling the crowd about the demo for the celebrated track. “A lot of people have supported me on my journey and I want to say thank you. The success of a No. 1 buys us time to express what we want to musically and creatively. That’s a huge gift.

“The craziest part about this song is that when I went to make the demo to send to Matt and Jenn, I looked up the tempo of ‘Where The Green Grass Grows.’ It was so close to ours and it was in the exact same key. I took that fiddle loop at the beginning that’s soloed perfectly and I threw it in the entire demo,” Spicer shared. “For Tim to hear something like that in it and cut it is huge. So thank you, it means the world.”

AIMP Nashville Announces Songwriter Series Class Of 2023

The Association of Independent Music Publishers’ (AIMP) Nashville Chapter has announced the members of the ninth annual AIMP Nashville Songwriter Series Class of 2023, made up of Blake Pendergrass, Terri Jo Box, Mae Estes, Chris McKenna, Luke Preston, Zarni deVette and Lauren Hungate.

All members were selected by a special committee made up of music industry professionals, based on submissions from current AIMP Nashville members. Each writer must not have had a song charting higher than a top 20 on the Billboard or Mediabase charts.

The honor is considered to be a strong predictor of future success in the music industry. Past AIMP Nashville Songwriter Series members have gone on to score chart-topping hits both as performers and as writers for prominent artists; win Grammy, CMA and CMT Awards; and reach No. 1 on the MusicRow Top Songwriter Chart.

They will perform during a live writers’ round on Aug. 9 at The Listening Room Café at 6 p.m. CT. AIMP members can register for free at the AIMP website, while non-members can purchase a ticket for $10 at The Listening Room Café website.

Members of the Class of 2022 included Brigetta, John Byron, Erin Kinsey, Meg McRee, Colton Venner and Caroline Watkins. Past honorees include Rocky Block, Ben Chapman, Jonathan Hutcherson, Jenna LaMaster, Jared Scott, Dan Wilson, Brinley Addington, Luke Dick, Jameson Rodgers, Hailey Whitters, Ash Bowers, Hannah Ellis, Hardy, Ashley McBryde, Kassi Ashton, Nicolette Hayford, Kylie Morgan, Ben Goldsmith, Ryan Beaver, Josh Jenkins, Dave Pittenger, Dillon Carmichael, Tiera Kennedy and more.

Industry Ink: ACM LEVel Up, Black CMA & Black Opry Event, More

ACM LEVel Up Hosts 2023 Cohort Session With Cris Lacy

Pictured (L-R): ACM’s Kortney Toney, Smoking Section Podcast’s Markus Koger, CAA’s Sabrina Butera, Warner Music Nashville’s Cris Lacy, CMHOF’s Aimee Graham, UMPG Nashville’s Roxy King and ACM’s Jade T. Sampson.

The Academy of Country Music hosted a session for their LEVel Up 2023 cohort with Co-Chair/Co-President of Warner Music Nashville Cris Lacy.

ACM LEVel Up is a professional development program for rising leaders in country music. It consists of a two-year curriculum designed to empower participants to expand the horizons of the country genre into new audiences that transcend demographics and geography.

 

CMHOF To Host Black CMA & Black Opry Conversation & Performance

 

Pictured (L-R): Holly G, Frankie Staton and Dr. Cleve Francis

The Country Music Hall of Fame and Museum will host a special event spotlighting the Black Country Music Association and the Black Opry on Saturday, Aug. 12 at 2:30 p.m. in the Ford Theater, in support of the museum’s exhibition American Currents: State of the Music.

The Black Country Music Association was founded by performer Cleve Francis in 1995, and has been led by songwriter and performer Frankie Staton since 1996. The association has built community, hosted showcases in Nashville and educated fans about country music’s Black performers in the late 1990s and early 2000s. The Black Opry continues that work, spotlighting Black Americana, blues, country and folk artists and connecting Black fans. Founded in April 2021 by Virginia native and country music fan Holly G, the organization has grown into a national performance series, the Black Opry Revue, which is helmed by the Founder and her Co-Director Tanner Davenport.

During the program, hosted by museum writer-editor Angela Stefano Zimmer, the organizations will unite to share their histories as well as their impact within the music industry and their future goals. The event will also feature performances from Denitia, Valierie Ellis Hawkins, Staton and Joe West.

The program is free to museum members, and tickets are included with museum admission. A ticket required for entry into the event. For more information, click here.

 

Morgan Myles Signs With KZZ Music & Blue Élan Records

Morgan Myles signs with KZZ Music and Blue Élan Records

Nashville singer-songwriter Morgan Myles has signed with KZZ Music and Blue Élan Records.

Myles competed on season 22 of NBC’s The Voice as a member of Camila Cabello‘s team, finishing as a finalist. She has opened for artists including Luke Bryan, Jake Owen, Hank Williams Jr. and Kane Brown. Myles received a standing ovation during her Grand Ole Opry debut in January.

“What’s amazing about KZZ Music/Blue Élan Records is that they truly want to help through music. That’s their legacy, and the thing I’m most excited about is just knowing I have a team that truly sees me as an artist, and would do anything to bring my vision to life,” Myles shares.

 

Pinecastle Records Signs The Edgar Loudermilk Band

The Edgar Loudermilk Band

Pinecastle Records has signed Edgar Loudermilk and his band to a record deal.

Loudermilk is a Georgia-based singer-songwriter who got his start in the early 2000s as a member of Rhonda Vincent & The Rage and Marty Raybon’s inaugural bluegrass band. He also spent seven years performing with IIIrd Tyme Out.

The Edgar Loudermilk Band also consists of Zack Autry, Jamey Pittman and current IBMA Momentum Instrumentalist of the Year nominee Anthony Howell. The group is set to simultaneously release one secular album and an all-Gospel project.

“Pinecastle was with us for the successful release of Georgia Maple,” says Loudermilk. “It’s like coming back home. We’re looking forward to and are excited about having Pinecastle with us on the release of our upcoming secular and gospel projects.”

Eagles Founding Member/Original Bassist Randy Meisner Passes

Randy Meisner

Randy Meisner, the original bassist for the Eagles, passed away Wednesday night (July 26) due to complications from chronic obstructive pulmonary disease, according to a statement from the band. He was 77.

A founding member of the Eagles in 1971 along with Glenn Frey, Don Henley and Bernie Leadon, Meisner was a native of Scotts Bluff, Nebraska. Before forming the Eagles, he was the original bass player for the band Poco in the late 1960s and also played with Rick Nelson’s Stone Canyon Band.

Meisner was with the Eagles from the release of their self-titled 1972 debut album through 1976’s Hotel California, before exiting in 1977 after a falling out with the group. His distinctive falsetto took front and center on “Take It to the Limit,” one of the group’s most evergreen hits from the band’s 1975 album One of These Nights, which spent 23 weeks on the chart.

“Randy was an integral part of the Eagles and instrumental in the early success of the band,” the band said in a statement. “His vocal range was astonishing, as is evident on his signature ballad, ‘Take It to the Limit.’”

Following his time with the Eagles, Meisner had some solo success with hits including “Hearts On Fire” and “Deep Inside My Heart,” and also played on records by Joe Walsh, James Taylor, Dan Fogelberg and others. He was inducted with the Eagles into the Rock & Roll Hall of Fame in 1998.

Funeral arrangements are still pending for Meisner, who had three children.

Emma Kiefer Promoted To A&R Manager At Boom Music Group

Emma Kiefer

Emma Kiefer has been promoted to A&R Manager at Boom Music Group.

Kiefer graduated with an Honors Dual-Degree from Boston College and Berklee College of Music in May of 2020. Following graduation, she moved to Nashville and held positions with Girlilla Marketing, Dave Cobb and Twelve6 Entertainment before landing at Boom Music Group in 2022. Kiefer joined Boom’s team as Creative Coordinator, and has worked with artists Erin Kinsey, James Barker, Rodney Clawson, Chris Tompkins and Jimmy Robbins.

“I met Emma shortly after she moved to Nashville in 2020, fresh out of school,” says Boom’s Sr. Director of A&R, Shaina Botwin. “From our first meeting, I knew she had an incredible work ethic and passion for songwriters. Adding her to the Boom team a year ago was a no-brainer, and this promotion is well-deserved.”

“I am grateful for the opportunity to grow within and alongside the Boom team,” says Kiefer. “Thank you to Shaina Botwin and Joe Fisher for investing their trust, mentorship, and generosity into my work from the very beginning, and thank you to all of the Boom writers & artists for making our jobs so fulfilling. Excited for what’s to come.”