
(L-R) Ken Paulson, CEO of the First Amendment Center; Mitch Glazier, Sr. Exec. VP RIAA; Congressman Howard Berman (CA); Fred von Lohmann, Sr. Copyright Counsel Google; and Mark Montgomery, CEO of FLO thinkery. Photo: Donnie Hedden.
For songwriters, publishers and intellectual property owners, piracy and theft is an issue of paramount importance. This week’s discussion of the pending legislation, Stop Online Piracy Act (SOPA), hosted by the Copyright Forum at Belmont University and Nashville Songwriters Association International (NSAI) showed the seriousness of the issues and the strong emotions which surround them. SOPA attempts to build a framework of legal remedies against rogue sites that are located outside U.S. borders. (At the end of the article please click on some of the links with more information.)
Participants included Moderator Ken Paulson, CEO of the First Amendment Center; Mitch Glazier, Sr. Exec. VP RIAA; Congressman Howard Berman (CA); Mark Montgomery, CEO of FLO thinkery; and Fred von Lohmann, Sr. Copyright Counsel Google. Also in the audience was Tennessee Congressman Jim Cooper. The well-attended event was held at Ocean Way Studio on Music Row on Jan. 10.
Content owners and the tech community find themselves on different sides of the aisle with respect to SOPA. Both agree that intellectual property owners need to be compensated. But will the act ultimately stop piracy or will an unintended consequence be that it hinders the kinds of innovation that could solve the problem organically if left to the marketplace?
Let’s take a seat and join the session, in progress…. (remarks have been slightly edited for print)
Ken Paulson: The copyright issues explored here today were formulated during a two-year period in American history. In 1789 we ratified the U.S. Constitution and it contained a provision that essentially said if we are going to be a great nation and encourage creativity and inventiveness we need to make sure that people who do that kind of work are rewarded for it. The principles we are discussing today go back to the very birth of the republic.
Mitch Glazier: We currently have a law, the Pro IP act, that allows the Justice department to use its power to take down a website that is dedicated to theft if that site is in the U.S. So the next question is what happens when the Attorney General (AG) seizes a site but it then moves to the Ukraine and changes its URL? The site jumps to a foreign country, but is still stealing American product and peddling it back into the U.S. market. SOPA is about stopping their access to the US market, the biggest market in the world. The AG can’t seize a foreign site, but it can serve the order to the U.S. ISPs, ad services and payment providers and to cut off all affiliations with the site, effectively denying them access to the US market and/or payment through US intermediaries.
There are some differences between the house (SOPA) and senate versions (PIPA, Protect IP Act). The senate bill is domain name centric, the house bill is site centric bill so arguably if something is not applicable to a domain name, but it is for an FTP site it could still be covered. They are fairly similar, but have a few important differences. Only the U.S. AG can serve the order on either a search engine or ISP. No individual has the authority to deny access to the U.S. market—only the AG can make that decision. Another key point is the bill incorporates a high standard of due process. There is a good reason for doing that. Before you cut off access to something outside the U.S. you want to make very certain that you prove there is immediate and irreparable harm.
Fred Von Lohman: SOPA basically creates four new remedies.
- Site blocking: ISPs would be required to block sites from being accessible by U.S. users;
- Search removal: allow sites to be removed wholesale from search. (Infringing material that shows up in search results is being removed all the time under the 1998 law DMCA. Copyright owners already have that power. In the last year Google processed removals for more than 5 million items. What the bill does differently is to remove entire sites on a wholesale basis.)
- Ad networks would have to stop doing business with these foreign sites;
- Payment processors would also have to stop doing business with these foreign sites.
There’s a lot about these bills that Google and others in the tech community are fully on board with. The provisions regarding payments and ads make sense. Those were not part of the DMCA. Google has a payment processing arm and a large ad network and already works hard to do those kinds of things, we think others should too. Foreign rogue sites are all in it for the money. They are selling counterfeit goods or pirating material supported by payments and/or ads. Until you dry up the money supply they will keep showing up. It is easy to register a new domain and transfer your site. It’s the money that makes them exist. We are supportive of those two parts.
There’s also provisions that allow private citizens to sue American Internet companies if they believe we haven’t done enough. That is something we take very seriously. Private rights of action are often an invitation to abuse and can basically, put money into the pockets of folks who will hire unscrupulous lawyers to put pressure on American Internet companies that are trying to create jobs in this economy. So for us there are things in this bill we like and things we don’t. The most problematic thing in our view is the ideas of site blocking and search removal. It sets an incredibly dangerous precedent which moves this from an issue about enforcing American law to an international trade.
If the U.S. blocks Baidu.com at our borders what do you think China will do at their borders? More than 50% of Google’s revenue comes from outside of the United States. And that is true for many of the U.S. internet companies. If we can’t access markets around the world it creates a huge problem for our economy, our content creators, and future growth. We agree that enforcing domestic law and cutting off the money is important. But in our view, for the USA to reach for the censorship tool sets up a dispute that will hurt a lot of American companies. So we don’t believe site block and search removal should be in there. It’s a dangerous precedent.
Congressman Howard Berman: A massive amount of what happens on the Internet is about distributing infringing materials. That has a huge cost, in job losses and disincentives to creators who are concerned about what the rewards will be in a world where everything is free online. People want government to regulate finance, home mortgages and more, but online they don’t. Yet online there are scams, consumer fraud and more. There are estimates that 20-25% of what goes on in the internet is involved in the distribution of stolen files. For the government to walk away from a huge problem is wrong. It’s not just about music or motion pictures, people use the internet to buy counterfeit drugs, not just cheaper drugs, pills that don’t do what they are supposed to do which gets to life and health issues.
Fred Von Lohmann: Prominent domain name experts say is that meddling with domain name servers [site blocking] will create incentive for American Internet users to hunt for [and others to create] what would be a less secure domain name service and is a bad idea. This is not a debate as Congressman Berman suggests about whether we should have no government regulation of the internet. Copyright is important, but we have the DMCA and other laws and we are in favor of half the things this law proposes.
Mark Montgomery: Creators should be compensated for their work. That is the right position to take. The key to this whole problem is balance. And there is a lack of trust on the part of consumers with the incumbent industries that are perceived as sponsoring this bill. Is this just a way to return ourselves to the days before ubiquitous distribution? Back to when the industry could tightly control its content? Regardless of what industry we discuss, the reality is that the way out of these issues is through innovation, not by attempting to litigate or legislate market share. Historically litigation doesn’t work very well. The consumer is speaking with their wallets and is empowered at a higher level than ever before. I was fortunate to be in the audience at the launch of the iTunes music store. Steve Jobs said, “We need to provide a compelling alternative to free.” At every step in the process, the incumbents have fought change. The idea that the legislation has changed significantly has not altered the consumer’s perception. There is reason to distrust the content industries historically because of their past behavior. That said, it’s absolutely not right for consumers to steal music. We need to deal with those offenders, but there needs to be balance in all this and that is what I am looking for. So to me, innovation is the crux of it all. How do we protect the rights of the creators, without stifling the innovation that has brought us so much.
• • •
Links About The Bill
http://www.fightonlinetheft.com
Representative Marsha Blackburn
NSAI
Go Daddy No Longer Supports SOPA
McGraw Release Streaming In Entirety
/by Sarah SkatesMcGraw's newest digital single "Halo."
Curb Records is promoting next week’s release of Tim McGraw’s Emotional Traffic album with a new digital single, and streaming music on NPR.org.
Today through the Jan. 24 release, NPR’s “First Listen Series” is offering the album in its entirety. The series is available online, via NPR member stations, and NPR mobile apps.
Emotional Traffic’s fourth digital single, “Halo,” is being made available as an iTunes exclusive download starting tomorrow (1/17). This follows the release of No. 1 hit “Felt Good On My Lips,” current chart climber “Better Than I Used To Be,” and last week’s release “One That Got Away.”
The 12-song collection will be McGraw’s last release via Curb. He re-teamed with longtime producer Byron Gallimore for the anticipated project—his first new album since 2009.
Fred Eaglesmith Releases Album, Plans Bluebird Show
/by Eric T. ParkerThe album is fully analog, recorded live with one microphone onto a one-track reel-to-reel tape machine without overdubbing or autotune fixes. 6 Volts references the power source for the transistor radio and the music is a blending of rock’n’roll, country, folk and bluegrass styles.
“I’m doing better, and I’m loving my life more than ever before,” Eaglesmith says about the secret to his sustained success. “I’m gonna play good, sing good, write good, act good.”
In support of the album, Eaglesmith will bring his Traveling Steam Show to The Bluebird Cafe in Nashville on Jan. 23 with additional dates listed below.
2012 Traveling Steam Show Dates:
1/18 Bamboo Room— Lake Worth, FL
1/19 Mojo Kitchen— Jacksonville Beach, FL
1/20 Red Clay Theatre— Duluth, GA
1/21 The Shed— Maryville, TN
1/23 The Bluebird— Nashville, TN
1/25 Red Dragon Listening Room— Baton Rouge, LA
1/26 Courville’s— Beaumont, TX
1/27 John T Floore’s Country Store— Helotes, TX
1/28 Granada Theater— Dallas, TX
1/30 Padre’s Marfa— Marfa, TX
2/1 Santa Fe SOL— Santa Fe, NM
2/2 The Rhythm Room— Phoenix, AZ
2/4 Suite 147 in Plaza Palomino— Tuscon, AZ
2/13 Molly Malones— Los Angeles, CA
2/16 Studio E— Sebastopol, CA
2/17 Club Fox— Redwood City, CA
2/18 Kuumbwa Jazz Center— Santa Cruz, CA
2/19 Harlows— Sacremento, CA
2/22 Tales from the Tavern – The Maverick Saloon— Santa Ynez, CA
2/23 The Barn— Gilroy, CA
2/24 Chico’s Women Club— Chico, CA
2/25 The Center for the Arts— Grass Valley, CA
2/26 Rancho Nicasio— Nicasio, CA
3/3 Jefferson Hall— Ogden, UT
3/5 The United Center— Idaho Springs, CO
3/7 Knuckleheads— Kansas City, MO
3/31 Masonic Hall— Stratford, ON
“ACM Showcase” Highlights New Artist Of The Year Nominees
/by Caitlin RantalaWhile the first round of eight artists was chosen by ACM professional membership voting, fans will help choose the three finalists. Online voting began today (1/16) at 8 AM/CT on gactv.com and closes Monday, Jan. 30, 11:00 PM/CT. Fans may vote once per day. When the three final nominees are chosen, online voting for the New Artist of the Year honor begins Monday, Mar. 19, at 2 PM/CT by logging on to VoteACM.com.
“We’re pleased to once again partner with the Academy of Country Music to offer fans the chance to help make country music history by casting their vote for New Artist of the Year,” said GAC VP/Programming, Suzanne Gordon. “Our strong platform of new artist specials gives viewers an opportunity to find out more about these hot young performers.”
The three finalists will be featured on ACM New Artist of the Year, a performance special premiering Monday, Mar. 19, 8 PM/CT on GAC. The winner of the New Artist of the Year honor will be announced on the ACM Awards telecast live on Sunday, Apr. 1.
Scenes From Country Cares for St. Jude Seminar
/by FreemanKix Brooks with St. Jude patient Christian
More than 25 country artists descended on Memphis over the weekend for the annual Country Cares for St. Jude Kids Seminar to tour the facility and visit with patients and their families. The event, which hosted nearly 800 radio and music business professionals, officially kicked off the St. Jude radiothon season and offered interactive breakout sessions on how to create a successful fundraising campaign for St. Jude. Artists in attendance included Randy Owen, Martina McBride, Lauren Alaina, Lee Brice, Edens Edge, Kix Brooks and many more.
“This is the thing people have to remember,” remarked Kix Brooks. “This is not a desperate, sad place. If anything, these kids are so strong and they have hope. We’re saving so many children here at St. Jude. But, of course, we want to save them all. And that’s not a pipedream. It’s our responsibility to make it happen. It’s up to us.”
Randy Owen presents John Rich with Angels Among Us Award
During the annual songwriter’s dinner on Saturday (Jan. 14), John Rich was presented by Randy Owen with the first-ever Randy Owen Angels Among Us Award to recognize his outstanding commitment and dedication to the organization’s mission. In 2011, Rich put the hospital in the national spotlight when he won NBC’s Celebrity Apprentice and helped raise over $1.4 million.
“St. Jude holds a very special place in my heart,” said Rich. “It’s like no other place and I’m just so honored to help raise awareness for this organization and to receive the first-ever Angels Among Us Award from Randy.”
Alabama frontman Owen founded Country Cares in 1989 by recruiting his fellow artists, radio stations, and listeners to help support St. Jude’s mission. Since it began, Country Cares has raised over $400 million for the organization.
Eli Young Band smiles for the camera with St. Jude patient Hillary
The Opry’s Charlie Collins Passes
/by Robert K OermannCharlie Collins (L) with Brother Oswald on the cover of the Rounder Records album "That's Country."
Grand Ole Opry sideman and world-class flat-top guitarist Charlie Collins has died at the age of 78.
Also an excellent fiddler and mandolin player, Collins came to prominence when he joined Roy Acuff’s Smoky Mountain Boys band in 1966. The Tennessee native had previously been the fiddler in The Pinnacle Mountain Boys, 1960-66.
Following Acuff’s death in 1992, Collins continued to entertain on the Opry stage in a duo with Dobro player and fellow Acuff alumnus Brother Oswald (Beecher Kirby). The two recorded several albums together, including Os and Charlie and That’s Country for Rounder Records. Collins also recorded as a sideman with Jim & Jesse, Norman Blake, Sam Bush and others.
Brother Oswald retired in 1999 and died in 2002. Collins continued to perform on the Grand Ole Opry in the band backing the Opry Square Dancers.
On Saturday, Jan. 7, Collins performed on the show backing the dancers. He reportedly returned home that night and played his fiddle until around midnight. He suffered a massive stroke on Sunday morning. His death four days later, on Thursday, Jan. 12, was as a result of complications from that stroke.
Charlie Collins is survived by his wife Mary Agnes, daughter Teresa Lynn, three brothers, four sisters, three grandchildren, five great-grandchildren and a great-great granddaughter. His burial is scheduled for Monday, Jan. 16 at Spring Hill Cemetery.
BMI Celebrates Kirk Franklin, Hezekiah Walker
/by Sarah SkatesBMI Trailblazers of Gospel honorees Hezekiah Walker and Kirk Franklin share a moment onstage at the awards luncheon.
BMI honored gospel giants Kirk Franklin and Hezekiah Walker at its 13th annual Trailblazers of Gospel Music Awards Luncheon on Friday, Jan. 13 at Rocketown in Nashville.
Walker and Franklin with recording artist Michelle Williams.
Franklin is the best-selling contemporary gospel artist in SoundScan history. He was the first gospel artist to sell more than one million albums, and today his sales tally exceeds 15 million. Franklin has earned 20 No. 1 singles on gospel charts, and has consistently crossed over to urban radio. Performing some of his most loved songs at the event were Fred Hammond, Jessica Reedy and the Kirk Franklin Singers, Myron Butler, LeAndria Johnson, Isaac Carree, Rance Allen and Kim Burrell.
Walker has led the Love Fellowship Choir, one of gospel music’s most influential groups, for more than two decades. His knack for injecting traditional gospel and choir music with hip-hop and funk has resulted in multiple Grammy wins. The musical tribute to Walker featured Faith Evans, Dorinda Clark Cole, Kim Burrell, DJ Rogers, Tamela Mann, Israel Houghton and Marvin Sapp.
Faith Evans and Jessica Reedy arrive at the luncheon.
Additionally, Sapp’s “The Best in Me” was named BMI’s Most-Performed Gospel Song of the Year. Co-written by Sapp and Aaron Lindsey, the song topped gospel charts and achieved historic crossover success, climbing from No. 78 to No. 14 on Billboard’s Hot R&B/Hot Songs Chart—the biggest jump for a gospel hit since Billboard began using Nielsen SoundScan 18 years ago.
Burrell and Houghton hosted the luncheon, along with Catherine Brewton, BMI Vice President, Writer/Publisher Relations, and Del Bryant, BMI President & CEO.
Photos: Arnold Turner
SOPA Separates Technology and Content Factions
/by bossross(L-R) Ken Paulson, CEO of the First Amendment Center; Mitch Glazier, Sr. Exec. VP RIAA; Congressman Howard Berman (CA); Fred von Lohmann, Sr. Copyright Counsel Google; and Mark Montgomery, CEO of FLO thinkery. Photo: Donnie Hedden.
For songwriters, publishers and intellectual property owners, piracy and theft is an issue of paramount importance. This week’s discussion of the pending legislation, Stop Online Piracy Act (SOPA), hosted by the Copyright Forum at Belmont University and Nashville Songwriters Association International (NSAI) showed the seriousness of the issues and the strong emotions which surround them. SOPA attempts to build a framework of legal remedies against rogue sites that are located outside U.S. borders. (At the end of the article please click on some of the links with more information.)
Participants included Moderator Ken Paulson, CEO of the First Amendment Center; Mitch Glazier, Sr. Exec. VP RIAA; Congressman Howard Berman (CA); Mark Montgomery, CEO of FLO thinkery; and Fred von Lohmann, Sr. Copyright Counsel Google. Also in the audience was Tennessee Congressman Jim Cooper. The well-attended event was held at Ocean Way Studio on Music Row on Jan. 10.
Content owners and the tech community find themselves on different sides of the aisle with respect to SOPA. Both agree that intellectual property owners need to be compensated. But will the act ultimately stop piracy or will an unintended consequence be that it hinders the kinds of innovation that could solve the problem organically if left to the marketplace?
Let’s take a seat and join the session, in progress…. (remarks have been slightly edited for print)
Ken Paulson: The copyright issues explored here today were formulated during a two-year period in American history. In 1789 we ratified the U.S. Constitution and it contained a provision that essentially said if we are going to be a great nation and encourage creativity and inventiveness we need to make sure that people who do that kind of work are rewarded for it. The principles we are discussing today go back to the very birth of the republic.
Mitch Glazier: We currently have a law, the Pro IP act, that allows the Justice department to use its power to take down a website that is dedicated to theft if that site is in the U.S. So the next question is what happens when the Attorney General (AG) seizes a site but it then moves to the Ukraine and changes its URL? The site jumps to a foreign country, but is still stealing American product and peddling it back into the U.S. market. SOPA is about stopping their access to the US market, the biggest market in the world. The AG can’t seize a foreign site, but it can serve the order to the U.S. ISPs, ad services and payment providers and to cut off all affiliations with the site, effectively denying them access to the US market and/or payment through US intermediaries.
There are some differences between the house (SOPA) and senate versions (PIPA, Protect IP Act). The senate bill is domain name centric, the house bill is site centric bill so arguably if something is not applicable to a domain name, but it is for an FTP site it could still be covered. They are fairly similar, but have a few important differences. Only the U.S. AG can serve the order on either a search engine or ISP. No individual has the authority to deny access to the U.S. market—only the AG can make that decision. Another key point is the bill incorporates a high standard of due process. There is a good reason for doing that. Before you cut off access to something outside the U.S. you want to make very certain that you prove there is immediate and irreparable harm.
Fred Von Lohman: SOPA basically creates four new remedies.
There’s a lot about these bills that Google and others in the tech community are fully on board with. The provisions regarding payments and ads make sense. Those were not part of the DMCA. Google has a payment processing arm and a large ad network and already works hard to do those kinds of things, we think others should too. Foreign rogue sites are all in it for the money. They are selling counterfeit goods or pirating material supported by payments and/or ads. Until you dry up the money supply they will keep showing up. It is easy to register a new domain and transfer your site. It’s the money that makes them exist. We are supportive of those two parts.
There’s also provisions that allow private citizens to sue American Internet companies if they believe we haven’t done enough. That is something we take very seriously. Private rights of action are often an invitation to abuse and can basically, put money into the pockets of folks who will hire unscrupulous lawyers to put pressure on American Internet companies that are trying to create jobs in this economy. So for us there are things in this bill we like and things we don’t. The most problematic thing in our view is the ideas of site blocking and search removal. It sets an incredibly dangerous precedent which moves this from an issue about enforcing American law to an international trade.
If the U.S. blocks Baidu.com at our borders what do you think China will do at their borders? More than 50% of Google’s revenue comes from outside of the United States. And that is true for many of the U.S. internet companies. If we can’t access markets around the world it creates a huge problem for our economy, our content creators, and future growth. We agree that enforcing domestic law and cutting off the money is important. But in our view, for the USA to reach for the censorship tool sets up a dispute that will hurt a lot of American companies. So we don’t believe site block and search removal should be in there. It’s a dangerous precedent.
Congressman Howard Berman: A massive amount of what happens on the Internet is about distributing infringing materials. That has a huge cost, in job losses and disincentives to creators who are concerned about what the rewards will be in a world where everything is free online. People want government to regulate finance, home mortgages and more, but online they don’t. Yet online there are scams, consumer fraud and more. There are estimates that 20-25% of what goes on in the internet is involved in the distribution of stolen files. For the government to walk away from a huge problem is wrong. It’s not just about music or motion pictures, people use the internet to buy counterfeit drugs, not just cheaper drugs, pills that don’t do what they are supposed to do which gets to life and health issues.
Fred Von Lohmann: Prominent domain name experts say is that meddling with domain name servers [site blocking] will create incentive for American Internet users to hunt for [and others to create] what would be a less secure domain name service and is a bad idea. This is not a debate as Congressman Berman suggests about whether we should have no government regulation of the internet. Copyright is important, but we have the DMCA and other laws and we are in favor of half the things this law proposes.
Mark Montgomery: Creators should be compensated for their work. That is the right position to take. The key to this whole problem is balance. And there is a lack of trust on the part of consumers with the incumbent industries that are perceived as sponsoring this bill. Is this just a way to return ourselves to the days before ubiquitous distribution? Back to when the industry could tightly control its content? Regardless of what industry we discuss, the reality is that the way out of these issues is through innovation, not by attempting to litigate or legislate market share. Historically litigation doesn’t work very well. The consumer is speaking with their wallets and is empowered at a higher level than ever before. I was fortunate to be in the audience at the launch of the iTunes music store. Steve Jobs said, “We need to provide a compelling alternative to free.” At every step in the process, the incumbents have fought change. The idea that the legislation has changed significantly has not altered the consumer’s perception. There is reason to distrust the content industries historically because of their past behavior. That said, it’s absolutely not right for consumers to steal music. We need to deal with those offenders, but there needs to be balance in all this and that is what I am looking for. So to me, innovation is the crux of it all. How do we protect the rights of the creators, without stifling the innovation that has brought us so much.
• • •
Links About The Bill
http://www.fightonlinetheft.com
Representative Marsha Blackburn
NSAI
Go Daddy No Longer Supports SOPA
Vince Gill Headlines 14th Jammin’ to Beat The Blues
/by Eric T. ParkerGill’s special guests for the show in previous years have included Rodney Crowell, Joe Don Rooney, Amy Grant, and Jenny Gill.
The event will raise funds and awareness for the Mental Health America of Middle Tennessee, a non-profit organization celebrating 65 years of promoting mental wellness in the lives of children, families, friends, and co-workers to erase the stigma of mental illness. The organization was formerly known as the Mental Health Association of Middle Tennessee.
Tickets to Jammin’ to Beat the Blues are $32.50 and $42.50. Tickets go on sale 10 AM Friday, January 20.
Nashville Musicians Competing Abroad
/by FreemanJasper Hollis
Nashville-born Jasper Hollis, a resident of Sydney, Australia, has been announced as one of 20 Toyota Star Maker finalists. He will be competing against some of the country’s best up-and-coming country artists, and if he wins, will join Keith Urban, Samantha McClymont and Lee Kernaghan who all previously won the title and helped launch their careers.
“The old saying is true, you never know where life may take you,” says Hollis. “Coming from my home in the south, Music City USA, and living in the big smoke of Sydney, Australia has been a wild rollercoaster of experiences. Not a day goes by I don’t miss home, but I have come to love the sun burnt country of Australia, and there ain’t no law against a man having two home sweet homes!”
Toyota Star Maker is in its 33rd year and considered Australia’s oldest country music talent search. The event takes place every January as part of the Tamworth Country Music Festival celebrations. This year’s Star Maker winner earns an album deal and recording session, as well as a new Toyota vehicle. The Grand Final will commence at Sunday, January 22 at the Tamworth Country Theatre and Kernaghan will perform to commemorate his 30 year Star Maker anniversary.
• • • • •
Josh Doyle
A little closer to home, Nashville-based folk rocker Josh Doyle is one of the top 10 finalists for Guitar Center’s Singer Songwriter competition. The finalists were selected by Grammy winning producer John Shanks and will compete Feb. 18 at Hotel Cafe in Los Angeles. One winner will get to record an EP with Shanks, as well as take home tons of swag from Fender, Taylor, Shure, and Ernie Ball. More info here.
Guitar Center’s Singer Songwriter Finalists:
Ashlee Willis (Los Angeles, CA)
Josh Doyle (Antioch, TN)
Paulina Faith (Durango, CO)
Maria Zouroudis (Pembroke Pines, FL)
Madilyn Bailey (Boyceville, WI)
Jacob Caraballo (Saint Cloud, FL)
Sarah Bella (Rochester Hills, MI)
Caleb McGinn (Sedgwick, KS)
Rocky Gunderson (Troutdale, OR)
Jocelyn Scofield (Los Angeles, CA)
Photo Friday (1/13/12)
/by Caitlin Rantala• • • •
(L-R) Jason Duke, Jordan Dean, ASCAP's Michael Martin, John King, Emily Lynch, Dustin James, Sara Haze, Jacob Davis, Graci Phillips, Jen Foster, Sandy Lawrence, Kenny Foster, Ryan Hurd, ASCAP's LeAnn Phelan and Ryan Beuschel - Photo Credit: Anna Maki
ASCAP Nashville has developed a program that puts the emphasis on getting the best of Nashville’s unsigned writers in front of the city’s vibrant publishing community. Now in its second year, ASCAP’s GPS Project stands for Guidance from Publishers for Songwriters. Twelve writers are paired with twelve publishers for one meeting a month, along with a follow-up meeting to help develop the writer and solidify the relationship. The 2012 GPS Project kicked off in January and will continue with events taking place through the end of the year.