Third Day Plots 30th Anniversary Tour For 2026

Third Day. Photo: Diego Brawn

Third Day will reunite for a special “30th Anniversary Tour” that will hit arenas across the U.S. in spring 2026. Zach Williams will join the band as a special guest on the new anniversary trek.

For the first time in 11 years, the hall-of-fame band’s original four members, Mac PowellMark LeeDavid Carr and Tai Anderson will reunite on stage for 30 shows. Fans will experience crowd favorites, pulling from the band’s 31 No. 1 singles across 14 albums. Kicking off March 19 in Jacksonville, the band will visit Austin, Tulsa, Grand Rapids, Chicago, San Diego, Kansas City, and many more through May 10, where they will wrap in their hometown of Atlanta. The tour also includes a Nashville Bridgestone Arena date on April 12.

“I’ve been getting asked the question for many years, ‘when is Third Day going to do a tour again’ and I’ve always said… One day soon I hope!,” says Third Day Founding Member Mac Powell. “I’m so excited that we finally get the chance to play music together again on stage and give our fans what they’ve been waiting for.”

“Third Day has always been, first and foremost, a live band,” adds Mark Lee.”The best way to celebrate 30 years is to get back together for a tour. I can’t wait to get back out on the road with these guys and put on a big show for our fans.”

Tickets go on sale June 27 at ThirdDay.com and AwakeningFoundation.com.

“Third Day 30th Anniversary Tour” Dates:
3/19/26- Jacksonville, FL – VyStar Veterans Memorial Arena
3/20/26- Estero, FL – Hertz Arena
3/21/26- Pensacola, FL – Pensacola Bay Center
3/22/26- Orlando, FL – Kia Center
3/26/26- Austin, TX – Moody Center
3/27/26- Grand Prairie, TX (Dallas)  – Texas Trust CU Theatre at Grand Prairie
3/28/26- Sugar Land, TX (Houston) – Smart Financial Centre at Sugar Land
3/29/26- Tulsa, OK – BOK Center
4/2/26- Toledo, OH – Huntington Center
4/3/26- Youngstown, OH – Covelli Centre
4/4/26- Grand Rapids, MI – Van Andel Arena
4/9/26- Minneapolis, MN – Target Center
4/10/26- Chicago, IL – Credit Union 1 Arena
4/11/26- St. Louis, MO – Chaifetz Arena
4/12/26- Nashville, TN – Bridgestone Arena
4/16/26- Henderson, NV – Lee’s Family Forum
4/17/26- Stateline, NV – Tahoe Blue Event Center
4/18/26- Portland, OR – Veterans Memorial Coliseum
4/19/26- Kent, WA (Seattle) – accesso ShoWare Center
4/23/26- Sacramento, CA – Golden 1 Center
4/24/26- Inglewood, CA (Los Angeles)  – Kia Forum
4/25/26- San Diego, CA – Pechanga Arena San Diego
4/26/26- Glendale, AZ (Phoenix) – Desert Diamond Arena
4/29/26- Kansas City, MO – T-Mobile Center
4/30/26- Fishers, IN (Indianapolis) – Fishers Event Center
5/1/26- Birmingham, AL – Legacy Arena at BJCC
5/7/26- Dayton, OH  – Wright State University Nutter Center
5/8/26- Fairfax, VA  – EagleBank Arena
5/9/26- Charlotte, NC  – Bojangles’ Coliseum
5/10/26- Duluth, GA (Atlanta)  – Gas South Arena

Sun Records & McIntosh Honor Johnny Cash With New Vinyl Release

Sun Records and McIntosh have teamed up to honor the legacy of Johnny Cash through the release of an 18-track vinyl of remastered and rarely heard recordings, dubbed McIntosh Sessions Volume 2: Pure Johnny Cash. The reworked tracks include “Train of Love,” “Ballad of a Teenage Queen,” “I Walk the Line” and many more.

Sam Phillips had a way of capturing lightning in a bottle, and these early recordings of Johnny Cash perfectly exemplify that,” says Chase Gregory, Senior Director A&R + Sync, Sun Records. “Remastering them in high fidelity is a way of honoring that legacy with the care it deserves. This album is a glimpse into the recording session, as everything you hear was performed in one take with no overdubs. The result is a powerfully authentic, yet refined listening experience, that reminds us just how revolutionary Cash was from the very beginning.”

As part of the collaboration, McIntosh and Sun Records produced a limited-edition Sun Records MTI100 Integrated Turntable that combines a turntable, amplifier and preamplifier into one, Bluetooth-friendly design. More information on the vinyl and turntable is available here.

Sydney Quiseng Inks With BMG

Pictured (L-R): VP, Head of Creative, BMG Publishing Chris Oglesby; Sydney Quiseng; and Manager, A&R, BMG Publishing Camryn Clark.

Sydney Quiseng has signed a worldwide publishing deal with BMG.

Quiseng is known for being apart of the band Echosmith, with hits like “Cools Kids” and “Bright.” Now carving out her own path, she has previously released her solo singles “I Need Findin'” and “Leftover Coffee.” Quiseng will release her debut EP Phases this Friday (June 20). She recently performed at CMA Fest at Gibson Garage and PBR Cowboy Bar.

“I’m absolutely thrilled to welcome Sydney to the BMG family,” says Camryn Clark, BMG Publishing’s Manager, A&R. “From our very first meeting, her talent was undeniable. Sydney brings a positive, honest voice to every room she walks into, and I’m honored and inspired to be part of her journey. This next chapter is going to be something special.”

2025 BMI Christian Awards Honors Year’s Best & Brightest

Pictured (L-R): BMI’s Leslie Roberts, Capitol CMG Publishing Ryan Dahl, EJ Gaines, Be Essential Songs’ Holly Zabka, Capitol CMG Publishing’s David Gutekunst, Capitol CMG Publishing’s Ellie McKay, BMI Songwriter of the Year Jeff Pardo, Capitol CMG Publishing’s Katie Barolak, Capitol CMG Publishing’s Isabel Newell, Capitol CMG Publishing’s Kelly Redfern, BMI Spotlight Award Honoree Jackie Patillo, Capitol CMG Publishing’s Brad O’Donnell, Capitol CMG Publishing’s Kent Draughon and BMI’s Mike Steinberg. Photo: Larry McCormack for BMI

The 2025 BMI Christian Awards honored the best in Christian music last night (June 17) at a celebration at its Nashville office on Music Row hosted by BMI’s AVP, Creative, Leslie Roberts.

The evening paid tribute to the top Christian writers and publishers behind the 25 most-performed songs of the previous year, and also revealed BMI’s Christian Songwriter, Song and Publisher of the Year. Jackie Patillo, President of the Gospel Music Association and the GMA Foundation, was also honored during the evening with the BMI Spotlight Award for her unwavering dedication to the genre and her illustrious career.

BMI Spotlight Award honoree Jackie Patillo at the 2025 BMI Christian Awards. Photo: Larry McCormack for BMI

As BMI’s Spotlight Award honoree, Patillo was celebrated as a visionary leader and for her dedication to shaping and championing the world of Christian and Gospel music. As a surprise tribute, five-time GMA Dove Awards Female Vocalist of the Year Natalie Grant gave a compelling performance of her very first recording, “I Am Not Alone” accompanied by Bernie HermsAfter receiving the Spotlight Award, Patillo thanked her family, friends, and those who have impacted the community, including BMI.

“This is more than just a business. We are all making a difference and impacting culture, and that’s what we get up for every day. I don’t know that anyone really feels worthy, but I truly feel this is what amazing grace looks like.”

BMI’s Christian Song of the Year went to “Praise,” written by Chris Brown, Cody Carnes, Stephen Furtick and Chandler Moore. The hit song from Elevation Worship’s 11th album, Can You Imagine?, spent 31 weeks at No. 1 on Billboard’s Hot Christian Songs chart, reached the top 20 on the Christian Airplay chart and currently has over 171 million streams on YouTube.

Leading up to Song of the Year, BMI named the 25 most-performed Christian songs of the previous year including “Good Day,” written by Forrest Frank; “I Believe” written by Chris Davenport, Jonathan Smith and Phil Wickham; “Praise You Anywhere” written by Hank Bentley and Ben Fielding (APRA); “That’s My King” written by Lloyd Nicks Jr. and Jessica Patrice Russ; and “What Are We Waiting For?” written by Sean Douglas, Josh Kerr and Luke Smallbone, among others. In naming the top songs, BMI also recognized 18 first-time award winners.

Pictured (L-R): BMI’s Leslie Roberts, BMI Songwriter of the Year Jeff Pardo, BMI’s Mike Steinberg and BMI’s Clay Bradley celebrate Pardo as this year’s BMI Songwriter of the Year. Photo: Larry McCormack for BMI

Jeff Pardo was named BMI Christian Songwriter of the Year for penning five of the 25 most-performed songs including “Don’t Stop Praying,” “Heaven Changes Everything,” “Praise The Lord” with Jake Henry and Micah Tyler, and “Running Home” and “Strong” with Anne Wilson. The previously-named 2023 BMI Christian Songwriter of the Year and Grammy-nominated songwriter has successfully crossed genres as well, working with artists such as Lady A, Ben Rector, Tauren Wells and more.

Capitol CMG Publishing received Publisher of the Year honors for representing 17 of the 25 most-performed songs of the year including BMI’s Christian Song of the Year, “Praise,” as well as “Don’t Stop Praying,” “I Believe,” “Jesus Does” and “Take It All Back,” to name a few.

Among the special moments during this year’s ceremony were Roberts calling BMI’s 2019 Compass Award winner Elwyn Raymer up to the stage to kick off the celebration with a prayer, country songwriter Jordan Rowe giving the audience a preview of his unreleased song, “Way Back,” and first-time BMI award-winner Seph Schlueter sharing his uplifting hit “Counting My Blessings.”

Pictured (L-R): BMI’s Clay Bradley, Be Essential Songs’ Holly Zabka, BMI’s Leslie Roberts, BMI’s Mike Steinberg, EJ Gaines and Capitol CMG Publishing’s David Gutekunst celebrate BMI’s Song of the Year “Praise.” Photo: Larry McCormack for BMI

Natalie Grant performing at the 2025 BMI Christian Awards. Photo: Larry McCormack for BMI

Jason Isbell And The 400 Unit Announce 2025 Ryman Residency

Jason Isbell And The 400 Unit

Jason Isbell and the 400 Unit will return to the Ryman Auditorium for their 10th annual residency this fall. This year’s event will feature six nights of unique shows. For their opening acts, Jason Isbell and the 400 Unit have partnered with public schools and music programs across the southeast to highlight some of the educators and students working to shape the next generation of live music.

Tickets go on sale this Friday (June 20) and more information is available here.

Jason Isbell and the 400 Unit 2025 Ryman Residency Dates:
Oct. 16 with Nuçi’s Space Camp Amped Program featuring Women in STEM
Oct. 17 with Yeah!
Oct. 18 with O.R.F. (Otis Redding Foundation) Allstars
Oct. 23 with Wright Middle School Mariachi Ensemble
Oct. 24 with Nashville School of the Arts
Oct. 25 with LoveUnited

Kate Bowling Named Director Of Creative At The Core Entertainment

Kate Bowling

Kate Bowling has joined The Core Entertainment as Director of Creative.

In her new role, Bowling will lead all visual branding and creative direction across the management, label and publishing company, overseeing everything from photo shoots and music videos to digital content and long-term creative strategy for The Core Records roster. Bowling will report to Jamie Younger, VP of Artist Development, and will be based in The Core’s Nashville offices.

Bowling joins The Core from Warner Music Nashville, where she played a key role in creative campaigns for artists and was heavily involved in the visual direction for Bailey Zimmerman’s debut album Religiously. The Album., a collaboration that initially connected her with The Core team. While at Warner, she also directed videos and served as creative director for album artwork across multiple projects including Ashley McBryde, Avery Anna, Bailey Zimmerman, Braxton Keith, The Castellows and Redferrin.

“Kate is a powerhouse creative who understands how to translate an artist’s vision into powerful, resonant visuals,” share Chief Zaruk and Simon Tikhman, Co-Founders and Co-CEOs, The Core Entertainment. “Her instincts, experience, and passion for storytelling make her an incredible addition to our team. As we continue to grow The Core, bringing in talent like Kate ensures we’re building a creative infrastructure that matches the ambition of our artists.”

“Joining The Core feels like a full-circle moment,” says Bowling. “From our earliest projects together, I felt a deep creative connection with the team and their artists. I’m excited to step into this role and continue building compelling visuals and creative worlds for our artists that elevate their music and help them connect with fans everywhere.”

Bowling will work closely with The Core’s roster of artists, which includes Bailey Zimmerman, Nate Smith, Josh Ross, Hannah McFarland and Nickelback.

Blessing Offor Slates Second Album ‘Real’ For August

Blessing Offor will release his sophomore album Real on August 8.

The 16-song project includes the recently-released “Lift Me Up” and “The Morning,” and is a followup to his Grammy- nominated debut 2023 album My Tribe. The new album features production by Henrick Michelsen and Morgan Taylor Reid and songs co-written by writers Hank Bently, Fraser Churchill and more, and explores themes of loss and heartache while still infusing optimism.

“About two and a half years ago life got crazy,” shares Blessing. “I lost a bunch of people, got nominated for Grammys, just so much was happening all at once and it was like whiplash. I started writing this record from that time and I think it hits every emotion, talks about everything. I’m excited to get this out in the world and open this next chapter.”

Late last month, Blessing debuted some of the songs from Real at the inaugural “Read with Jenna Book Festival” in Nashville and spoke with Jenna Bush Hager about the new music and also played at CMA Music Fest.

Real Track List:
1. “Real” (Blessing Offor, Hank Bentley)
2. “Oh Child” (Blessing Offor, Henrik Michelsen, Bill Maybury)
3. “Lift Me Up” (Blessing Offor, Morgan Taylor Reid, Fraser Churchill, Pablo Hurtado)
4. “The Morning” (Blessing Offor, Rita Springer, Dan Muckala)
5. “The Roses” (Blessing Offor, Dalton Diehl, David Alexander, Midi Jones)
6. “Set It In Stone” (Blessing Offor, Dan Muckala)
7. “Rise Again” (Blessing Offor, Edd Holloway)
8. “Where My Feet Are” (Blessing Offor, Mark Pellizzer, Dominique Sanders)
9. “Jordans” (Blessing Offor, Hank Bentley)
10. “Carry On” (Blessing Offor, Dan Muckala)
11. “The Time It Takes” (Blessing Offor, Sandra McCracken)
12. “Barricades” (Blessing Offor, David Mescon)
13. “Somebody’s Child” (feat. Dolly Parton) (Blessing Offor, Joy Williams, Josh Ronen)
14. “Crying Out Loud” (Blessing Offor, Morgan Taylor Reid, Fraser Churchill)
15. “Just For You” (Blessing Offor, JC Stewart)
16. “What Tomorrow’s For” (Blessing Offor, AJ Pruis, Laura Veltz)

Ryan Kohn Signs With Concord Music Publishing

Pictured (L-R, back row): John Dennis, Ryan Kohn and Brad Kennard (Concord). (L-R, front row): Lily Fine (Dennis Entertainment) and Melissa Spillman (Concord). Photo: Audrey Spillman for Concord

Ryan Kohn has inked a global publishing deal with Concord Music Publishing, in partnership with John Dennis‘ InDent Music, the publishing arm of Dennis Entertainment. The deal includes Kohn’s full catalog and future works.

“It has been my dream for many years to become a professional songwriter, and signing with a team who is so beloved and respected in this industry is such a dream come true,” says Kohn. “This team has been so warm and welcoming to me, especially my biggest champions, Melissa Spillman and John Dennis. There is no one I’d rather partner with in this ever-changing industry, I am so excited to see what lies ahead for all of us.”

The producer and songwriter first moved to Music City to study music business at Belmont University. Since graduating in 2022, Kohn has worked with Erin Kirby, Cole Goodwin, Grace Tyler, Callista Clark, Ashley Anne, Callie Prince, Randall Fowler, Stanton Langley, Emmy Moyen and more.

Kohn has also released a number of singles as an artist, including “The Man She Used to Know,” “Headed Nowhere” and “Lifetime, Lover.” His EP November Skies was released in 2021 and portrayed a vulnerable picture of post-college graduation life. This past April, he performed at Key West Songwriters Festival.

“Ryan is already so well-connected in our music community, it was easy to see the path of success in front of him,” adds Melissa Spillman, VP of A&R at Concord Music Publishing in Nashville. “To find someone who is so loved and respected among writers, artists and executives alike is a rare thing! He’s a joy to work with, and his passion for music is infectious. I’m thrilled to be on his team!”

BREAKING: Big Loud & Mercury Records Name Wes Donehower As Sr. VP, A&R

Wes Donehower. Photo: Toby Tenenbaum

Big Loud Records and Mercury Records have named Wes Donehower Senior Vice President of A&R. The dual role originated from the successful strategic alliance between Big Loud Records and Mercury Records, who have worked closely together across artists like Big Loud’s Morgan Wallen, and as part of Big Loud Records’ wider distribution deal with Mercury Records.

“Wes has an exceptional track record of discovering and signing game-changing talent, and he’s firmly established himself as one of the industry’s top A&R executives,” Big Loud’s Partner and CEO Seth England shares. “I respect his work ethic, his creative instincts, and the impact he makes on the culture. We’re honored to welcome him into the Big Loud family through our partnership with Mercury.”

Mercury Records Chairman and CEO Tyler Arnold adds, “Wes is an incredible A&R executive who has an innate ability to work across every genre. He has great instincts, but more impressively has a gift of building long lasting and genuine relationships with artists. We’ve shared a lot of great moments already, and I’m so excited to team up with Wes for many years to come.”

Most recently, Donehower served as Senior Vice President, A&R at Republic Records where he spearheaded the deal to bring Jelly Roll to the label in partnership with BMG and Broken Bow Records. He also led A&R for Republic on Jelly’s latest album Beautifully Broken, which bowed at No. 1 on the Billboard 200, boasted the RIAA Platinum-certified “I Am Not Okay” and garnered two No. 1’s at country radio. Prior, he worked in A&R at Columbia Records where he signed everyone from Lil Nas X and Russ to Koe Wetzel, and Quinn XCII.

Donehower shares, “Tyler and Seth have set a standard for our business with their dynamic and artist centric approach. It’s a privilege to work with both the Mercury and Big Loud teams. I’m looking forward to continuing to build new relationships in country music while fostering my longstanding partnerships across all genres.”

Industry Ink: Tim McGraw, CMHOFM, Warren Zeiders, Kashus Culpepper, More

The Big 615’s Storme Warren Show Debuts Exclusive New Tim McGraw Song

Tim McGraw, Storme Warren.

The Big 615’s Storme Warren Show debuted a live version of Tim McGraw’s “King Rodeo,” recorded during his performance at Music City Rodeo in May.

“It’s a powerful song about growing older but not yet being willing to throw in the towel. No one interprets that message better than Tim,” Warren said after debuting the song.

 

CMHOFM Hosts Screening Of ‘Building The Wrecking Ball’

Pictured (L-R): CMHOFM Writer-Editor Dave Paulson, Museum CEO Kyle Young, Daniel Lanois, Emmylou Harris, Malcolm Burn. Photo: Courtesy of the Country Music Hall of Fame and Museum

The Country Music Hall of Fame and Museum recently hosted a film screening of the 1996 PBS documentary Building the Wrecking Ball. In 1995, Country Music Hall of Fame member Emmylou Harris released her album Wrecking Ball, which was produced by Daniel Lanois, recorded and mixed by Malcolm Burn and won the 1996 Grammy award for Best Contemporary Folk Album.

Following the screening, Museum Writer-Editor Dave Paulson led a discussion with Harris, Lanois and Burn to discuss the making of the album. The program was presented in celebration of the album’s induction into the Recording Academy’s Grammy Hall of Fame earlier this year.

 

Warren Zeiders Named Premier Lacrosse League Music Ambassador

Warren Zeiders has been named the music ambassador of the Premier Lacrosse League. The former college lacrosse player’s single “Ride the Lightning” will serve as the soundtrack for Saturday Night Lacrosse, the league’s premier weekly broadcast featuring marquee matchups across ESPN platforms throughout the 2025 season.

“Warren Zeiders brings the same fire we play with — the raw energy, real passion, and that unstoppable mindset,” said Paul Rabil, PLL Co-Founder and President. “His music captures the emotion and excitement of the game. That’s why he’s the perfect ambassador for our Saturday night soundtrack.”

Zeiders also recently performed “Pretty Little Poison” and “Ride The Lightning” during the U.S. Army 250th Celebration Military Parade in Washington D.C..

 

Kashus Culpepper Makes National Television Debut

YouTube video

On Saturday (June 14), Kashus Culpepper made his national television debut on CBS Saturday Morning, performing “After Me?,” recent Marcus King collab “Southern Man” and fan-favorite “Man of His Word.”

 

SmithField Releases New Single, Partners With Bongo Roasting Co.

Texas native duo SmithField is set to release their next single, “Take Me To Texas,” a track dedicated to their hometown, on June 20.

The duo is also launching their own coffee blend, “Coffee With Heart,” in partnership with Nashville’s Bongo Roasting Co..

“Listening to SmithField music is like inviting someone to sit down with us over a cup of coffee conversation,” says the duo. “It’s about hearing all the stories, innermost thoughts, heartbreaks, life, love, and everything in between — from both perspectives.”

 

Gerald Josef, J Booth, Wes Bishop Ink With Soundpeak Music Publishing

TEV’s J Booth, Soundcrest Music Group President Skippy Chapman, TEV’s Wes Bishop. Seated: TEV’s Gerald Josef

Gerald Josef, J Booth and Wes Bishop, together known as This Empty Vessel, have each inked an exclusive publishing deal with Soundpeak Music Publishing, the BMI-affiliated division of Soundcrest Music Group.

Josef and Booth were behind several of Code of Ethics’ biggest hits, including the No. 1 Christian radio singles “Something Real” and “Voice of Reason” and more.

The trio’s first single, “Valentine,” will release June 20 and their debut album, Nod, will be released in September.

“Choosing a first single is never easy–you connect with all of them in different ways. But we felt, along with the team at Soundcrest, that Valentine was the right introduction to the album. It sets the tone and invites people into the world of Nod,” shares Booth.